Lettre autographe signée de Jules Massenet à Henry Richet, Monte-Carlo, 9 février 1912 PDF Download
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Author: Jules Massenet
Publisher:
ISBN:
Category :
Languages : fr
Pages : 2
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Book Description
Author: Jules Massenet
Publisher:
ISBN:
Category :
Languages : fr
Pages : 2
Get Book Here
Book Description
Author: Jules Massenet
Publisher:
ISBN:
Category :
Languages : fr
Pages : 2
Get Book Here
Book Description
Author: Jules Massenet
Publisher:
ISBN:
Category :
Languages : fr
Pages : 2
Get Book Here
Book Description
Author: Jules Massenet
Publisher:
ISBN:
Category :
Languages : fr
Pages : 2
Get Book Here
Book Description
Author: Jules Massenet
Publisher:
ISBN:
Category :
Languages : fr
Pages :
Get Book Here
Book Description
Author: Jules Massenet
Publisher:
ISBN:
Category :
Languages : fr
Pages :
Get Book Here
Book Description
Author: Jules Massenet
Publisher:
ISBN:
Category :
Languages : fr
Pages : 2
Get Book Here
Book Description
Author: Jules Massenet
Publisher:
ISBN:
Category :
Languages : fr
Pages :
Get Book Here
Book Description
Author: Caroline Potter
Publisher: Routledge
ISBN: 1317141792
Category : Music
Languages : en
Pages : 368
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Book Description
Erik Satie (1866-1925) was a quirky, innovative and enigmatic composer whose impact has spread far beyond the musical world. As an artist active in several spheres - from cabaret to religion, from calligraphy to poetry and playwriting - and collaborator with some of the leading avant-garde figures of the day, including Cocteau, Picasso, Diaghilev and René Clair, he was one of few genuinely cross-disciplinary composers. His artistic activity, during a tumultuous time in the Parisian art world, situates him in an especially exciting period, and his friendships with Debussy, Stravinsky and others place him at the centre of French musical life. He was a unique figure whose art is immediately recognisable, whatever the medium he employed. Erik Satie: Music, Art and Literature explores many aspects of Satie's creativity to give a full picture of this most multifaceted of composers. The focus is on Satie's philosophy and psychology revealed through his music; Satie's interest in and participation in artistic media other than music, and Satie's collaborations with other artists. This book is therefore essential reading for anyone interested in the French musical and cultural scene of the late nineteenth and early twentieth century.
Author: Siegwart Reichwald
Publisher: Indiana University Press
ISBN: 0253002613
Category : Music
Languages : en
Pages : 274
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Book Description
Exploring many aspects of Felix Mendelssohn's multi-faceted career as musician and how it intersects with his work as composer, contributors discuss practical issues of music making such as performance space, instruments, tempo markings, dynamics, phrasings, articulations, fingerings, and instrument techniques. They present the conceptual and ideological underpinnings of Mendelssohn's approach to performance, interpretation, and composing through the contextualization of specific performance events and through the theoretic actualization of performances of specific works. Contributors rely on manuscripts, marked or edited scores, and performance parts to convey a deeper understanding of musical expression in 19th-century Germany. This study of Mendelssohn's work as conductor, pianist, organist, violist, accompanist, music director, and editor of old and new music offers valuable perspectives on 19th-century performance practice issues.
