Author: J. C. Hallman
Publisher: University of Iowa Press
ISBN: 9781609381516
Category : Biography & Autobiography
Languages : en
Pages : 160
Book Description
Readers generally know only one of the two famous James brothers. Literary types know Henry James; psychologists, philosophers, and religion scholars know William James. In reality, the brothers’ minds were inseparable, as the more than eight hundred letters they wrote to each other reveal. In this book, J. C. Hallman mines the letters for mutual affection and influence, painting a moving portrait of a relationship between two extraordinary men. Deeply intimate, sometimes antagonistic, rife with wit, and on the cutting edge of art and science, the letters portray the brothers’ relationship and measure the manner in which their dialogue helped shape, through the influence of their literary and intellectual output, the philosophy, science, and literature of the century that followed. William and Henry James served as each other’s muse and critic. For instance, the event of the death of Mrs. Sands illustrates what H’ry never stated: even if the “matter” of his fiction was light, the minds behind it lived and died as though it was very heavy indeed. He seemed to best understand this himself only after Wm fully fleshed out his system. “I can’t now explain save by the very fact of the spell itself . . . that [Pragmatism] cast upon me,” H’ry wrote in 1907. “All my life I have . . . unconsciously pragmatised.” Wm was never able to be quite so gracious in return. In 1868, he lashed out at the “every day” elements of two of H’ry’s early stories, and then explained: “I have uttered this long rigmarole in a dogmatic manner, as one speaks, to himself, but of course you will use it merely as a mass to react against in your own way, so that it may serve you some good purpose.” He believed he was doing H’ry a service as he criticized a growing tendency toward “over-refinement” or “curliness” of style. “I think it ought to be of use to you,” he wrote in 1872, “to have any detailed criticism fm even a wrong judge, and you don’t get much fm. any one else.” For the most part, H’ry agreed. “I hope you will continue to give me, when you can, your free impression of my performance. It is a great thing to have some one write to one of one’s things as if one were a 3d person & you are the only individual who will do this.”
Wm & H'ry
Author: J. C. Hallman
Publisher: University of Iowa Press
ISBN: 9781609381516
Category : Biography & Autobiography
Languages : en
Pages : 160
Book Description
Readers generally know only one of the two famous James brothers. Literary types know Henry James; psychologists, philosophers, and religion scholars know William James. In reality, the brothers’ minds were inseparable, as the more than eight hundred letters they wrote to each other reveal. In this book, J. C. Hallman mines the letters for mutual affection and influence, painting a moving portrait of a relationship between two extraordinary men. Deeply intimate, sometimes antagonistic, rife with wit, and on the cutting edge of art and science, the letters portray the brothers’ relationship and measure the manner in which their dialogue helped shape, through the influence of their literary and intellectual output, the philosophy, science, and literature of the century that followed. William and Henry James served as each other’s muse and critic. For instance, the event of the death of Mrs. Sands illustrates what H’ry never stated: even if the “matter” of his fiction was light, the minds behind it lived and died as though it was very heavy indeed. He seemed to best understand this himself only after Wm fully fleshed out his system. “I can’t now explain save by the very fact of the spell itself . . . that [Pragmatism] cast upon me,” H’ry wrote in 1907. “All my life I have . . . unconsciously pragmatised.” Wm was never able to be quite so gracious in return. In 1868, he lashed out at the “every day” elements of two of H’ry’s early stories, and then explained: “I have uttered this long rigmarole in a dogmatic manner, as one speaks, to himself, but of course you will use it merely as a mass to react against in your own way, so that it may serve you some good purpose.” He believed he was doing H’ry a service as he criticized a growing tendency toward “over-refinement” or “curliness” of style. “I think it ought to be of use to you,” he wrote in 1872, “to have any detailed criticism fm even a wrong judge, and you don’t get much fm. any one else.” For the most part, H’ry agreed. “I hope you will continue to give me, when you can, your free impression of my performance. It is a great thing to have some one write to one of one’s things as if one were a 3d person & you are the only individual who will do this.”
Publisher: University of Iowa Press
ISBN: 9781609381516
Category : Biography & Autobiography
Languages : en
Pages : 160
Book Description
Readers generally know only one of the two famous James brothers. Literary types know Henry James; psychologists, philosophers, and religion scholars know William James. In reality, the brothers’ minds were inseparable, as the more than eight hundred letters they wrote to each other reveal. In this book, J. C. Hallman mines the letters for mutual affection and influence, painting a moving portrait of a relationship between two extraordinary men. Deeply intimate, sometimes antagonistic, rife with wit, and on the cutting edge of art and science, the letters portray the brothers’ relationship and measure the manner in which their dialogue helped shape, through the influence of their literary and intellectual output, the philosophy, science, and literature of the century that followed. William and Henry James served as each other’s muse and critic. For instance, the event of the death of Mrs. Sands illustrates what H’ry never stated: even if the “matter” of his fiction was light, the minds behind it lived and died as though it was very heavy indeed. He seemed to best understand this himself only after Wm fully fleshed out his system. “I can’t now explain save by the very fact of the spell itself . . . that [Pragmatism] cast upon me,” H’ry wrote in 1907. “All my life I have . . . unconsciously pragmatised.” Wm was never able to be quite so gracious in return. In 1868, he lashed out at the “every day” elements of two of H’ry’s early stories, and then explained: “I have uttered this long rigmarole in a dogmatic manner, as one speaks, to himself, but of course you will use it merely as a mass to react against in your own way, so that it may serve you some good purpose.” He believed he was doing H’ry a service as he criticized a growing tendency toward “over-refinement” or “curliness” of style. “I think it ought to be of use to you,” he wrote in 1872, “to have any detailed criticism fm even a wrong judge, and you don’t get much fm. any one else.” For the most part, H’ry agreed. “I hope you will continue to give me, when you can, your free impression of my performance. It is a great thing to have some one write to one of one’s things as if one were a 3d person & you are the only individual who will do this.”
Boning the Muse: Letters to Steve
Author: Eric Miles Williamson
Publisher: Down & Out Books
ISBN:
Category : Literary Collections
Languages : en
Pages : 223
Book Description
I met Eric Williamson in Boulder, Colorado in 1984. We were in our early twenties and we both taught Introductory Creative Writing at the University of Colorado. We hung out in the same circles and joined other like-minded souls in late-night debates about literature and writing and philosophy and the meaning of life. Possessing a sense of unearned arrogance that comes naturally to graduate students in their early twenties, we looked forward to destinies of pre-ordained glory and success. Then we got older. Eric moved on to Houston and then Manhattan and eventually a town on the Mexican border. I moved to Syracuse and then Japan and eventually to Michigan. We would see each other from time to time in various parts of the world, but the true cement of our friendship came through our regular written correspondence. Through the years our swagger and self-importance met up with the tempering forces of actual life. Hope went to war against the realities of failed relationships and miserable jobs and poverty and alcohol and instability and despair. Getting a letter from Eric was always a momentous event. I remember delaying the gratification for hours, unsealing the envelope only when I knew I had an hour to read it and then re-read it, indulging his excessive observations and outrageous exaggerations set beside the anguished howls of genuine pain. You will never read anything like this again. Steve, 2018
Publisher: Down & Out Books
ISBN:
Category : Literary Collections
Languages : en
Pages : 223
Book Description
I met Eric Williamson in Boulder, Colorado in 1984. We were in our early twenties and we both taught Introductory Creative Writing at the University of Colorado. We hung out in the same circles and joined other like-minded souls in late-night debates about literature and writing and philosophy and the meaning of life. Possessing a sense of unearned arrogance that comes naturally to graduate students in their early twenties, we looked forward to destinies of pre-ordained glory and success. Then we got older. Eric moved on to Houston and then Manhattan and eventually a town on the Mexican border. I moved to Syracuse and then Japan and eventually to Michigan. We would see each other from time to time in various parts of the world, but the true cement of our friendship came through our regular written correspondence. Through the years our swagger and self-importance met up with the tempering forces of actual life. Hope went to war against the realities of failed relationships and miserable jobs and poverty and alcohol and instability and despair. Getting a letter from Eric was always a momentous event. I remember delaying the gratification for hours, unsealing the envelope only when I knew I had an hour to read it and then re-read it, indulging his excessive observations and outrageous exaggerations set beside the anguished howls of genuine pain. You will never read anything like this again. Steve, 2018
Autumn in Venice
Author: Andrea Di Robilant
Publisher: Vintage
ISBN: 1101970383
Category : Biography & Autobiography
Languages : en
Pages : 370
Book Description
The illuminating story of writer and muse—which also examines the cost to a young woman of her association with a larger-than-life literary celebrity—Autumn in Venice is an intimate look at Hemingway’s final years. In the fall of 1948, Ernest Hemingway and his fourth wife traveled for the first time to Venice, which Hemingway called “absolutely god-damned wonderful.” A year shy of his fiftieth birthday, Hemingway hadn’t published a novel in nearly a decade when he met and fell in love with Adriana Ivancich, a striking Venetian girl just out of finishing school. Here Andrea di Robilant re-creates with sparkling clarity this surprising, years-long relationship, during which Adriana inspired a man thirty years her senior to complete his great final work. Hemingway used Adriana as the model for Renata in Across the River and into the Trees, and continued to visit Venice to see her; when the Ivanciches traveled to Cuba, Adriana was there as he wrote The Old Man and the Sea.
Publisher: Vintage
ISBN: 1101970383
Category : Biography & Autobiography
Languages : en
Pages : 370
Book Description
The illuminating story of writer and muse—which also examines the cost to a young woman of her association with a larger-than-life literary celebrity—Autumn in Venice is an intimate look at Hemingway’s final years. In the fall of 1948, Ernest Hemingway and his fourth wife traveled for the first time to Venice, which Hemingway called “absolutely god-damned wonderful.” A year shy of his fiftieth birthday, Hemingway hadn’t published a novel in nearly a decade when he met and fell in love with Adriana Ivancich, a striking Venetian girl just out of finishing school. Here Andrea di Robilant re-creates with sparkling clarity this surprising, years-long relationship, during which Adriana inspired a man thirty years her senior to complete his great final work. Hemingway used Adriana as the model for Renata in Across the River and into the Trees, and continued to visit Venice to see her; when the Ivanciches traveled to Cuba, Adriana was there as he wrote The Old Man and the Sea.
Ike's Letters to a Friend, 1941–1958
Author: Robert W. Griffith
Publisher: University Press of Kansas
ISBN: 0700631526
Category : Biography & Autobiography
Languages : en
Pages : 228
Book Description
“Swede Hazlett was one of the people to whome I ‘opened up.’”—Dwight D. Eisenhower Dwight D. Eisenhower and E. E. (“Swede”) Hazlett grew up together in Abilene, Kansas, and remained close, corresponding regularly from 1941 until Hazlett’s death in 1958. The letters collected in this volume, many of them surprisingly revealing, contain Eisenhower’s views on a wide range of diplomatic, military, and political issues. Taken together they constitute a remarkable inner history of Eisenhower’s public career. Robert Griffith’s introductory essay is a masterful account of the Eisenhower-Hazlett relationship and of the insights provided by their correspondence for understanding the Eisenhower years. Griffith’s substantial headnotes give additional detail and context where necessary and provide a sense of narrative continuity to the correspondence. The Eisenhower who emerges from these pages bears little resemblance to the bumbling caricature produced by journalists in the 1950s.But neither does he fit the role assigned to him by so many people today, whether liberal critics of the Cold War, conservative opponents of Democratic fiscal policy, or White House aides attempting to “Eisenhowerize” Ronald Reagan. He is, rather, a complex and multidimensional historical figure whom we must study, on his own terms, if we are to fully understand our recent past.
Publisher: University Press of Kansas
ISBN: 0700631526
Category : Biography & Autobiography
Languages : en
Pages : 228
Book Description
“Swede Hazlett was one of the people to whome I ‘opened up.’”—Dwight D. Eisenhower Dwight D. Eisenhower and E. E. (“Swede”) Hazlett grew up together in Abilene, Kansas, and remained close, corresponding regularly from 1941 until Hazlett’s death in 1958. The letters collected in this volume, many of them surprisingly revealing, contain Eisenhower’s views on a wide range of diplomatic, military, and political issues. Taken together they constitute a remarkable inner history of Eisenhower’s public career. Robert Griffith’s introductory essay is a masterful account of the Eisenhower-Hazlett relationship and of the insights provided by their correspondence for understanding the Eisenhower years. Griffith’s substantial headnotes give additional detail and context where necessary and provide a sense of narrative continuity to the correspondence. The Eisenhower who emerges from these pages bears little resemblance to the bumbling caricature produced by journalists in the 1950s.But neither does he fit the role assigned to him by so many people today, whether liberal critics of the Cold War, conservative opponents of Democratic fiscal policy, or White House aides attempting to “Eisenhowerize” Ronald Reagan. He is, rather, a complex and multidimensional historical figure whom we must study, on his own terms, if we are to fully understand our recent past.
Proceedings of the American Academy of Arts and Letters and the National Institute of Arts and Letters
Author: American Academy of Arts and Letters
Publisher:
ISBN:
Category :
Languages : en
Pages : 616
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 616
Book Description
Pride and Prejudice
Author: Jane Austen
Publisher: Andrews McMeel Publishing
ISBN: 1524870986
Category : Fiction
Languages : en
Pages : 352
Book Description
Gems of literature in a luxurious and unique design by Marjolein Bastin. The Marjolein Bastin Classics Series is a chance to rediscover classic literature in collectible, luxuriously illustrated volumes. For the first time ever, the internationally celebrated artwork of Marjolein Bastin graces the pages of a timeless classic, Pride and Prejudice, the enduring story of the Bennet sisters and their quest for suitable marriages. Beyond bringing these stories to life, Bastin’s series adds elaborately designed ephemera, such as four-color maps, letters, family trees, and sheet music. Whether an ideal gift for an Austen devotee or a treat for yourself, The Marjolein Bastin Classics Series, as a set or individually purchased, is perfect for anyone who feels a connection to these enduring literary gems. Discover anew the dramatic world of Pride and Prejudice. In early nineteenth-century England, Elizabeth Bennet and her four sisters are expected to secure their future by a suitable marriage. The family’s modest assets, however, make that a challenging prospect. Though the new neighbor Mr. Bingley would be a good match, his haughty friend Mr. Darcy does not hold the Bennets in high regard. Societal expectations and romantic aspirations collide and make finding an appropriate spouse a dramatic endeavor.
Publisher: Andrews McMeel Publishing
ISBN: 1524870986
Category : Fiction
Languages : en
Pages : 352
Book Description
Gems of literature in a luxurious and unique design by Marjolein Bastin. The Marjolein Bastin Classics Series is a chance to rediscover classic literature in collectible, luxuriously illustrated volumes. For the first time ever, the internationally celebrated artwork of Marjolein Bastin graces the pages of a timeless classic, Pride and Prejudice, the enduring story of the Bennet sisters and their quest for suitable marriages. Beyond bringing these stories to life, Bastin’s series adds elaborately designed ephemera, such as four-color maps, letters, family trees, and sheet music. Whether an ideal gift for an Austen devotee or a treat for yourself, The Marjolein Bastin Classics Series, as a set or individually purchased, is perfect for anyone who feels a connection to these enduring literary gems. Discover anew the dramatic world of Pride and Prejudice. In early nineteenth-century England, Elizabeth Bennet and her four sisters are expected to secure their future by a suitable marriage. The family’s modest assets, however, make that a challenging prospect. Though the new neighbor Mr. Bingley would be a good match, his haughty friend Mr. Darcy does not hold the Bennets in high regard. Societal expectations and romantic aspirations collide and make finding an appropriate spouse a dramatic endeavor.
The Letters of T. S. Eliot Volume 2: 1923-1925
Author: T. S. Eliot
Publisher: Faber & Faber
ISBN: 0571265383
Category : Literary Collections
Languages : en
Pages : 800
Book Description
Volume Two covers the early years of his editorship of The Criterion (the periodical that Eliot launched with Lady Rothermere's backing in 1922), publication of The Hollow Men and the course of Eliot's thinking about poetry and poetics after The Waste Land. The correspondence charts Eliot's intellectual journey towards conversion to the Anglican faith in 1927, as well as his transformation from banker to publisher, ending with his appointment as a director of the new publishing house of Faber & Gwyer, in late 1925, and the appearance of Poems 1909-1925, Eliot's first publication with the house with which he would be associated for the rest of his life. It was partly because of Eliot's profoundly influential work as cultural commentator and editor that the correspondence is so prolific and so various, and Volume Two of the Letters fully demonstrates the emerging continuities between poet, essayist, editor and letter-writer.
Publisher: Faber & Faber
ISBN: 0571265383
Category : Literary Collections
Languages : en
Pages : 800
Book Description
Volume Two covers the early years of his editorship of The Criterion (the periodical that Eliot launched with Lady Rothermere's backing in 1922), publication of The Hollow Men and the course of Eliot's thinking about poetry and poetics after The Waste Land. The correspondence charts Eliot's intellectual journey towards conversion to the Anglican faith in 1927, as well as his transformation from banker to publisher, ending with his appointment as a director of the new publishing house of Faber & Gwyer, in late 1925, and the appearance of Poems 1909-1925, Eliot's first publication with the house with which he would be associated for the rest of his life. It was partly because of Eliot's profoundly influential work as cultural commentator and editor that the correspondence is so prolific and so various, and Volume Two of the Letters fully demonstrates the emerging continuities between poet, essayist, editor and letter-writer.
Black Thunder
Author: Arna Bontemps
Publisher: Beacon Press (MA)
ISBN:
Category : Fiction
Languages : en
Pages : 248
Book Description
"Black Thunder is the true story of a slave insurrection that failed ... Garbriel is a young slave, who ... decides to avenge the murder of a fellow-slave by leading the Negroes of Richmond, Virginia, against the landowners"--Cover.
Publisher: Beacon Press (MA)
ISBN:
Category : Fiction
Languages : en
Pages : 248
Book Description
"Black Thunder is the true story of a slave insurrection that failed ... Garbriel is a young slave, who ... decides to avenge the murder of a fellow-slave by leading the Negroes of Richmond, Virginia, against the landowners"--Cover.
These Are Love(D) Letters
Author: Ames Hawkins
Publisher: Wayne State University Press
ISBN: 0814347274
Category : Literary Collections
Languages : en
Pages : 297
Book Description
Intimate and unwavering exploration of love, loss, and the queer possibilities inherent in artistic aspiration. Ames Hawkins's These are Love(d) Letters is a genre-bending visual memoir and work of literary nonfiction that explores the questions: What inspires a person to write a love letter? What inspires a person to save a love letter even when the love has shifted or left? And what does it mean when a person uses someone else's love letters as a place from which to create their own sense of self? Beginning with the "simple act" of the author receiving twenty letters written by her father to her mother over a six-week period in 1966, These are Love(d) Letters provides a complex pictorial and textual exploration of the work of the love letter. Through intimate and incisive prose—the letters were, after all, always intended to be a private dialogue between her parents—Hawkins weaves her own struggles with gender, sexuality, and artistic awakening in relation to the story of her parents' marriage that ended in divorce. Her father's HIV diagnosis and death by complications related to AIDS provide the context for an unflinchingly honest look at bodily disease and mortality. Hawkins delicately and relentlessly explores the tensions in a father-daughter relationship that stem from a differently situated connection to queer identity and a shared struggle with artistic desire. In communion with queer and lesbian writers from Emily Dickinson and Virginia Woolf to Alison Bechdel and Maggie Nelson, Hawkins pushes exploration of the self with the same intellectual rigor that she critiques the limits of epistolarity by continually relocating all the generative and arresting creative powers of this found art with scholarly rhetorical strategies. Exquisitely designed by Jessica Jacobs, These are Love(d) Letters presents an affective experience that reinforces Hawkins's meditations on the ephemeral beauty of love letters. As poetic as it is visually enticing, the book offers both an unconventional and queer(ed) understanding of the documentarian form, which will excite both readers and artists across and beyond genres.
Publisher: Wayne State University Press
ISBN: 0814347274
Category : Literary Collections
Languages : en
Pages : 297
Book Description
Intimate and unwavering exploration of love, loss, and the queer possibilities inherent in artistic aspiration. Ames Hawkins's These are Love(d) Letters is a genre-bending visual memoir and work of literary nonfiction that explores the questions: What inspires a person to write a love letter? What inspires a person to save a love letter even when the love has shifted or left? And what does it mean when a person uses someone else's love letters as a place from which to create their own sense of self? Beginning with the "simple act" of the author receiving twenty letters written by her father to her mother over a six-week period in 1966, These are Love(d) Letters provides a complex pictorial and textual exploration of the work of the love letter. Through intimate and incisive prose—the letters were, after all, always intended to be a private dialogue between her parents—Hawkins weaves her own struggles with gender, sexuality, and artistic awakening in relation to the story of her parents' marriage that ended in divorce. Her father's HIV diagnosis and death by complications related to AIDS provide the context for an unflinchingly honest look at bodily disease and mortality. Hawkins delicately and relentlessly explores the tensions in a father-daughter relationship that stem from a differently situated connection to queer identity and a shared struggle with artistic desire. In communion with queer and lesbian writers from Emily Dickinson and Virginia Woolf to Alison Bechdel and Maggie Nelson, Hawkins pushes exploration of the self with the same intellectual rigor that she critiques the limits of epistolarity by continually relocating all the generative and arresting creative powers of this found art with scholarly rhetorical strategies. Exquisitely designed by Jessica Jacobs, These are Love(d) Letters presents an affective experience that reinforces Hawkins's meditations on the ephemeral beauty of love letters. As poetic as it is visually enticing, the book offers both an unconventional and queer(ed) understanding of the documentarian form, which will excite both readers and artists across and beyond genres.
Edith Wharton's Letters from the Underworld
Author: Candace Waid
Publisher: UNC Press Books
ISBN: 9780807843024
Category : Literary Criticism
Languages : en
Pages : 260
Book Description
Provides examinations and interpretations of several works by Wharton, and concentrates on the theme of women as artist
Publisher: UNC Press Books
ISBN: 9780807843024
Category : Literary Criticism
Languages : en
Pages : 260
Book Description
Provides examinations and interpretations of several works by Wharton, and concentrates on the theme of women as artist