Author: Frances Hodgkins
Publisher: Auckland University Press
ISBN: 1775581128
Category : Biography & Autobiography
Languages : en
Pages : 656
Book Description
Letters of Frances Hodgkins is a generous selection of letters written by New Zealand's most internationally well-known artist. It shows that Hodgkins deserves not only her considerable reputation as a painter, but also that of a brilliant and engaging writer. The letters reveal Hodgkins' changing moods, impressions and fortunes and provide vivid sketches of the people and landscapes she came across. Spanning from colonial Dunedin to her travels across Europe and North Africa, the letters continue through her final flowering in her 60s and 70s. Linda Gill's careful scholarship and sensitive appreciation of Hodgkins' talents and personality make her introduction and notes the perfect framework for the artist's own words. A chronology, an in-depth bibliography and an index of letter recipients complement the work. Extensively illustrated, with eight pages of color reproductions of Hodgkins' paintings, Letters of Frances Hodgkins is central to understanding Hodgkins as artist and woman.
Letters of Frances Hodgkins
Author: Frances Hodgkins
Publisher: Auckland University Press
ISBN: 1775581128
Category : Biography & Autobiography
Languages : en
Pages : 656
Book Description
Letters of Frances Hodgkins is a generous selection of letters written by New Zealand's most internationally well-known artist. It shows that Hodgkins deserves not only her considerable reputation as a painter, but also that of a brilliant and engaging writer. The letters reveal Hodgkins' changing moods, impressions and fortunes and provide vivid sketches of the people and landscapes she came across. Spanning from colonial Dunedin to her travels across Europe and North Africa, the letters continue through her final flowering in her 60s and 70s. Linda Gill's careful scholarship and sensitive appreciation of Hodgkins' talents and personality make her introduction and notes the perfect framework for the artist's own words. A chronology, an in-depth bibliography and an index of letter recipients complement the work. Extensively illustrated, with eight pages of color reproductions of Hodgkins' paintings, Letters of Frances Hodgkins is central to understanding Hodgkins as artist and woman.
Publisher: Auckland University Press
ISBN: 1775581128
Category : Biography & Autobiography
Languages : en
Pages : 656
Book Description
Letters of Frances Hodgkins is a generous selection of letters written by New Zealand's most internationally well-known artist. It shows that Hodgkins deserves not only her considerable reputation as a painter, but also that of a brilliant and engaging writer. The letters reveal Hodgkins' changing moods, impressions and fortunes and provide vivid sketches of the people and landscapes she came across. Spanning from colonial Dunedin to her travels across Europe and North Africa, the letters continue through her final flowering in her 60s and 70s. Linda Gill's careful scholarship and sensitive appreciation of Hodgkins' talents and personality make her introduction and notes the perfect framework for the artist's own words. A chronology, an in-depth bibliography and an index of letter recipients complement the work. Extensively illustrated, with eight pages of color reproductions of Hodgkins' paintings, Letters of Frances Hodgkins is central to understanding Hodgkins as artist and woman.
Frances Hodgkins
Author: Catherine Hammond
Publisher:
ISBN: 9780500094181
Category : Art
Languages : en
Pages : 0
Book Description
New Zealand-born Frances Hodgkins (1869-1947) arrived in London in 1901 and, by the 1920s, had become a leading British modernist, exhibiting frequently with avant-garde artists such as Ben Nicholson, Barbara Hepworth and Henry Moore. This book explores Hodgkins as a traveller across cultures and landscapes - teaching and discovering the cubists in Paris, absorbing the landscape and light of Ibiza and Morocco, and exhibiting with the progressive Seven & Five Society in London. Complete with a rich visual chronology of the artist's encounters abroad, alongside over one hundred of Hodgkins' key paintings and drawings, the book is an illuminating journey that moves us from place to place through the writings of a number of distinguished national and international art historians, curators and critics: Frances Spalding (University of Cambridge, England), Alexa Johnston (Auckland-based writer and curator), Elena Taylor (University of New South Wales, Australia), Antoni Ribas Tur (Ara newspaper, Spain), and Julia Waite, Sarah Hillary, Catherine Hammond and Mary Kisler (Auckland Art Gallery Toi o Tamaki, New Zealand).
Publisher:
ISBN: 9780500094181
Category : Art
Languages : en
Pages : 0
Book Description
New Zealand-born Frances Hodgkins (1869-1947) arrived in London in 1901 and, by the 1920s, had become a leading British modernist, exhibiting frequently with avant-garde artists such as Ben Nicholson, Barbara Hepworth and Henry Moore. This book explores Hodgkins as a traveller across cultures and landscapes - teaching and discovering the cubists in Paris, absorbing the landscape and light of Ibiza and Morocco, and exhibiting with the progressive Seven & Five Society in London. Complete with a rich visual chronology of the artist's encounters abroad, alongside over one hundred of Hodgkins' key paintings and drawings, the book is an illuminating journey that moves us from place to place through the writings of a number of distinguished national and international art historians, curators and critics: Frances Spalding (University of Cambridge, England), Alexa Johnston (Auckland-based writer and curator), Elena Taylor (University of New South Wales, Australia), Antoni Ribas Tur (Ara newspaper, Spain), and Julia Waite, Sarah Hillary, Catherine Hammond and Mary Kisler (Auckland Art Gallery Toi o Tamaki, New Zealand).
The Real and the Romantic
Author: Frances Spalding
Publisher: Thames & Hudson
ISBN: 0500777373
Category : Art
Languages : en
Pages : 622
Book Description
The 21st century has seen a surge of interest in English art of the interwar years. Women artists, such as Winifred Knights, Frances Hodgkins and Evelyn Dunbar, have come to the fore, while familiar names Paul Nash, Eric Ravilious and Stanley Spencer have reached new audiences. High-profile exhibitions have attracted recordbreaking visitor numbers and challenged received opinion. In The Real and the Romantic, Frances Spalding, one of Britains leading art historians and critics, takes a fresh and timely look at this rich period in English art. The devastation of the First World War left the art world decentred and directionless. This book is about its recovery. Spalding explores how exciting new ideas co-existed with a desire for continuity and a renewed interest in the past. We see the challenge to English artists represented by Cézanne and Picasso, and the role played by museums and galleries in this period. Women artists, writers and curators contributed to the emergence of a new avant-garde. The English landscape was revisited in modern terms. The 1930s marked a high point in the history of modernism in Britain, but the mood darkened with the prospect of a return to war. The former advance towards abstraction and internationalism was replaced by a renewed concern with history, place, memory and a sense of belonging. Native traditions were revived in modern terms but in ways that also let in the past. Surrealism further disturbed the ascetic purity of high modernism and fed into the British love of the strange. Throughout these years, the pursuit of the real was set against, and sometimes merged with, an inclination towards the romantic, as English artists sought to respond to their subjects and their times.
Publisher: Thames & Hudson
ISBN: 0500777373
Category : Art
Languages : en
Pages : 622
Book Description
The 21st century has seen a surge of interest in English art of the interwar years. Women artists, such as Winifred Knights, Frances Hodgkins and Evelyn Dunbar, have come to the fore, while familiar names Paul Nash, Eric Ravilious and Stanley Spencer have reached new audiences. High-profile exhibitions have attracted recordbreaking visitor numbers and challenged received opinion. In The Real and the Romantic, Frances Spalding, one of Britains leading art historians and critics, takes a fresh and timely look at this rich period in English art. The devastation of the First World War left the art world decentred and directionless. This book is about its recovery. Spalding explores how exciting new ideas co-existed with a desire for continuity and a renewed interest in the past. We see the challenge to English artists represented by Cézanne and Picasso, and the role played by museums and galleries in this period. Women artists, writers and curators contributed to the emergence of a new avant-garde. The English landscape was revisited in modern terms. The 1930s marked a high point in the history of modernism in Britain, but the mood darkened with the prospect of a return to war. The former advance towards abstraction and internationalism was replaced by a renewed concern with history, place, memory and a sense of belonging. Native traditions were revived in modern terms but in ways that also let in the past. Surrealism further disturbed the ascetic purity of high modernism and fed into the British love of the strange. Throughout these years, the pursuit of the real was set against, and sometimes merged with, an inclination towards the romantic, as English artists sought to respond to their subjects and their times.
Women, Art and Money in Late Victorian and Edwardian England
Author: Maria Quirk
Publisher: Bloomsbury Publishing USA
ISBN: 1501343068
Category : Art
Languages : en
Pages : 245
Book Description
Women, Art and Money in England establishes the importance of women artists' commercial dealings to their professional identities and reputations in the late nineteenth and early twentieth centuries. Grounded in economic, social and art history, the book draws on and synthesises data from a broad range of documentary and archival sources to present a comprehensive history of women artists' professional status and business relationships within the complex and changing art market of late-Victorian England. By providing new insights into the routines and incomes of women artists, and the spaces where they created, exhibited and sold their art, this book challenges established ideas about what women had to do to be considered 'professional' artists. More important than a Royal Academy education or membership to exhibiting societies was a woman's ability to sell her work. This meant that women had strong incentive to paint in saleable, popular and 'middlebrow' genres, which reinforced prejudices towards women's 'naturally' inferior artistic ability – prejudices that continued far into the twentieth century. From shining a light on the difficult to trace pecuniary arrangements of little researched artists like Ethel Mortlock to offering new and direct comparisons between the incomes earned by male and female artists, and the genres, commissions and exhibitions that earned women the most money, Women, Art and Money is a timely contribution to the history of women's working lives that is relevant to a number of scholarly disciplines.
Publisher: Bloomsbury Publishing USA
ISBN: 1501343068
Category : Art
Languages : en
Pages : 245
Book Description
Women, Art and Money in England establishes the importance of women artists' commercial dealings to their professional identities and reputations in the late nineteenth and early twentieth centuries. Grounded in economic, social and art history, the book draws on and synthesises data from a broad range of documentary and archival sources to present a comprehensive history of women artists' professional status and business relationships within the complex and changing art market of late-Victorian England. By providing new insights into the routines and incomes of women artists, and the spaces where they created, exhibited and sold their art, this book challenges established ideas about what women had to do to be considered 'professional' artists. More important than a Royal Academy education or membership to exhibiting societies was a woman's ability to sell her work. This meant that women had strong incentive to paint in saleable, popular and 'middlebrow' genres, which reinforced prejudices towards women's 'naturally' inferior artistic ability – prejudices that continued far into the twentieth century. From shining a light on the difficult to trace pecuniary arrangements of little researched artists like Ethel Mortlock to offering new and direct comparisons between the incomes earned by male and female artists, and the genres, commissions and exhibitions that earned women the most money, Women, Art and Money is a timely contribution to the history of women's working lives that is relevant to a number of scholarly disciplines.
Concise Dictionary of Women Artists
Author: Delia Gaze
Publisher: Routledge
ISBN: 1136599010
Category : Social Science
Languages : en
Pages : 786
Book Description
This book includes some 200 complete entries from the award-winning Dictionary of Women Artists, as well as a selection of introductory essays from the main volume.
Publisher: Routledge
ISBN: 1136599010
Category : Social Science
Languages : en
Pages : 786
Book Description
This book includes some 200 complete entries from the award-winning Dictionary of Women Artists, as well as a selection of introductory essays from the main volume.
The Great Wrong War
Author: Stevan Eldred-Grigg
Publisher: Penguin Random House New Zealand Limited
ISBN: 1775530884
Category : History
Languages : en
Pages : 290
Book Description
An entirely new look at the shocking impact of the First World War on New Zealand. For New Zealand, World War One was wholly avoidable, wholly unnecessary — and almost wholly disastrous. Stevan Eldred-Grigg believes that the enormous cost of the war to our people was way too high — and that we still feel its effects, both socially and culturally, today. This is excellent narrative non-fiction, analysing our history in a novel way. It's very accessible but is backed up by meticulous research. Stevan goes against the accepted line and gives us a fascinating look at our social history before, during and just after WW1. Why did we go to the war in Europe? Was the country united in its desire for war? What were the economic and social consequences? What has been the impact on the psyches of New Zeland men? These and many other questions are answered in this fascinating book. In 2007 Harvey McQueen wrote in a review of New Zealand's Great War (an anthology of essays) that '[there is] a need for a general, popular history of 'our' Great War... we need a skilled writer in the mould of Sinclair, Oliver or King to give an overview and link the various elements into a coherent whole.' This is that book.
Publisher: Penguin Random House New Zealand Limited
ISBN: 1775530884
Category : History
Languages : en
Pages : 290
Book Description
An entirely new look at the shocking impact of the First World War on New Zealand. For New Zealand, World War One was wholly avoidable, wholly unnecessary — and almost wholly disastrous. Stevan Eldred-Grigg believes that the enormous cost of the war to our people was way too high — and that we still feel its effects, both socially and culturally, today. This is excellent narrative non-fiction, analysing our history in a novel way. It's very accessible but is backed up by meticulous research. Stevan goes against the accepted line and gives us a fascinating look at our social history before, during and just after WW1. Why did we go to the war in Europe? Was the country united in its desire for war? What were the economic and social consequences? What has been the impact on the psyches of New Zeland men? These and many other questions are answered in this fascinating book. In 2007 Harvey McQueen wrote in a review of New Zealand's Great War (an anthology of essays) that '[there is] a need for a general, popular history of 'our' Great War... we need a skilled writer in the mould of Sinclair, Oliver or King to give an overview and link the various elements into a coherent whole.' This is that book.
Between the Lives
Author: Deborah Shepard
Publisher: Auckland University Press
ISBN: 1775580261
Category : Biography & Autobiography
Languages : en
Pages : 350
Book Description
This fascinating look at artists and their intimate partners takes nine well-known New Zealand couples and explores the many aspects of their lives—particularly how the presence of an artistic companion or soul mate impacts the art they produce. Combining the pleasures of gossip with information about how these artists have conducted their lives, this illuminates many of the themes found in the artists' paintings, poems, and films that revolve around their partners and the strains of producing serious art in a small and isolated country. The couples include Gil and Pat Hanly, Colin and Anne McCahon, Sylvia and Peter Siddell, Frances Hodgkins and D. K. Richmond, James K. Baxter and Jacquie Sturm, Kendrick Smithyman and Mary Stanley, Rudall and Ramai Hayward, Toss and Edith Woollaston, and Meg and Alister te Ariki Campbell. All told, nine painters, six poets, two filmmakers, and a photographer are included.
Publisher: Auckland University Press
ISBN: 1775580261
Category : Biography & Autobiography
Languages : en
Pages : 350
Book Description
This fascinating look at artists and their intimate partners takes nine well-known New Zealand couples and explores the many aspects of their lives—particularly how the presence of an artistic companion or soul mate impacts the art they produce. Combining the pleasures of gossip with information about how these artists have conducted their lives, this illuminates many of the themes found in the artists' paintings, poems, and films that revolve around their partners and the strains of producing serious art in a small and isolated country. The couples include Gil and Pat Hanly, Colin and Anne McCahon, Sylvia and Peter Siddell, Frances Hodgkins and D. K. Richmond, James K. Baxter and Jacquie Sturm, Kendrick Smithyman and Mary Stanley, Rudall and Ramai Hayward, Toss and Edith Woollaston, and Meg and Alister te Ariki Campbell. All told, nine painters, six poets, two filmmakers, and a photographer are included.
Dictionary of Women Artists: Introductory surveys ; Artists, A-I
Author: Delia Gaze
Publisher: Taylor & Francis
ISBN: 9781884964213
Category : Art
Languages : en
Pages : 928
Book Description
First Published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.
Publisher: Taylor & Francis
ISBN: 9781884964213
Category : Art
Languages : en
Pages : 928
Book Description
First Published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.
Letters of Frank Sargeson
Author: Sarah Shieff
Publisher: Penguin Random House New Zealand Limited
ISBN: 186979334X
Category : Biography & Autobiography
Languages : en
Pages : 544
Book Description
A rich and riveting record of both literary and social value. Frank Sargeson is one of New Zealand's best-loved and most important writers. Besides the ground-breaking short stories, he wrote memoirs, novels, and plays. He encouraged at least three generations of younger writers and, for most of his adult life, the famous bach behind the hedge at 14 Esmonde Road was at the heart of New Zealand's artistic and literary world. Sargeson was also a prolific letter writer, and this selection of 500 of the most fascinating ranges over half a century, from 1927 to 1981. The letters are immensely readable, vividly capturing his life and times, his milieu and his personality. Frank loved gossip, could be bitchy and peevish, but also kind, affectionate, funny, ribald, astute. This collection, selected, edited and annotated by Sarah Shieff, is a document of extraordinary significance for all those interested in New Zealand's literary and social history.
Publisher: Penguin Random House New Zealand Limited
ISBN: 186979334X
Category : Biography & Autobiography
Languages : en
Pages : 544
Book Description
A rich and riveting record of both literary and social value. Frank Sargeson is one of New Zealand's best-loved and most important writers. Besides the ground-breaking short stories, he wrote memoirs, novels, and plays. He encouraged at least three generations of younger writers and, for most of his adult life, the famous bach behind the hedge at 14 Esmonde Road was at the heart of New Zealand's artistic and literary world. Sargeson was also a prolific letter writer, and this selection of 500 of the most fascinating ranges over half a century, from 1927 to 1981. The letters are immensely readable, vividly capturing his life and times, his milieu and his personality. Frank loved gossip, could be bitchy and peevish, but also kind, affectionate, funny, ribald, astute. This collection, selected, edited and annotated by Sarah Shieff, is a document of extraordinary significance for all those interested in New Zealand's literary and social history.
Art New Zealand
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 448
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 448
Book Description