Author: Barry Sutcliffe
Publisher: Cambridge University Press
ISBN: 9780521240192
Category : Literary Collections
Languages : en
Pages : 292
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Book Description
This volume contains edited texts of five plays by two late eighteenth-century dramatists. The plays have been chosen to represent the range of the two playwrights and the variety of dramatic material on offer during the period. The full-length plays and afterpieces by George Colman the Younger and Thomas Morton were as popular as Sheridan's works in their time, but today are seldom performed or read. This discrepancy lies at the heart of Barry Sutcliffe's extensive introduction, which explores the critical and social background to the dramatic activity of the period and relates the dramas to the shifting demands of the theatre audiences for whom these plays were written.
Author: David O'Shaughnessy
Publisher: Cambridge University Press
ISBN: 1108496253
Category : Drama
Languages : en
Pages : 281
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Book Description
A far-reaching analysis of censorship's profound impact on Georgian theatrical culture and its development across the long eighteenth century, showcasing how the analysis of plays can be helpful for historical research.
Author: Sotheby, Wilkinson & Hodge
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 732
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Book Description
Author: Richard Brinsley Peake
Publisher:
ISBN:
Category : Actors
Languages : en
Pages : 476
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Book Description
Author: Richard Brinsley PEAKE
Publisher:
ISBN:
Category :
Languages : en
Pages : 462
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Book Description
Author: Alfred Bunn
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 292
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Book Description
Author: Maggs Bros
Publisher:
ISBN:
Category : Antiquarian booksellers
Languages : en
Pages : 942
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Book Description
Author: Richard Robert Madden
Publisher:
ISBN:
Category :
Languages : en
Pages : 536
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Book Description
Author: Sarah Burdett
Publisher: Springer Nature
ISBN: 3031154746
Category : Literary Criticism
Languages : en
Pages : 299
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Book Description
This book explores shifting representations and receptions of the arms-bearing woman on the British stage during a period in which she comes to stand in Britain as a striking symbol of revolutionary chaos. The book makes a case for viewing the British Romantic theatre as an arena in which the significance of the armed woman is constantly remodelled and reappropriated to fulfil diverse ideological functions. Used to challenge as well as to enforce established notions of sex and gender difference, she is fashioned also as an allegorical tool, serving both to condemn and to champion political and social rebellion at home and abroad. Magnifying heroines who appear on stage wielding pistols, brandishing daggers, thrusting swords, and even firing explosives, the study spotlights the intricate and often surprising ways in which the stage amazon interacts with Anglo-French, Anglo-Irish, Anglo-German, and Anglo-Spanish debates at varying moments across the French revolutionary and Napoleonic campaigns. At the same time, it foregrounds the extent to which new dramatic genres imported from Europe –notably, the German Sturm und Drang and the French-derived melodrama– facilitate possibilities at the turn of the nineteenth century for a refashioned female warrior, whose degree of agency, destructiveness, and heroism surpasses that of her tragic and sentimental predecessors.
Author: Alfred Bunn
Publisher: Cambridge University Press
ISBN: 1108081649
Category : Drama
Languages : en
Pages : 337
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Book Description
These 1840 memoirs provide a fascinating if one-sided account of Alfred Bunn's career as librettist and theatrical manager.
