Letterpress Revolution PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Letterpress Revolution PDF full book. Access full book title Letterpress Revolution by Kathy E. Ferguson. Download full books in PDF and EPUB format.
Author: Kathy E. Ferguson
Publisher: Duke University Press
ISBN: 1478023864
Category : Social Science
Languages : en
Pages : 214
Get Book Here
Book Description
While the stock image of the anarchist as a masked bomber or brick thrower prevails in the public eye, a more representative figure should be a printer at a printing press. In Letterpress Revolution, Kathy E. Ferguson explores the importance of printers, whose materials galvanized anarchist movements across the United States and Great Britain from the late nineteenth century to the 1940s. Ferguson shows how printers—whether working at presses in homes, offices, or community centers—arranged text, ink, images, graphic markers, and blank space within the architecture of the page. Printers' extensive correspondence with fellow anarchists and the radical ideas they published created dynamic and entangled networks that brought the decentralized anarchist movements together. Printers and presses did more than report on the movement; they were constitutive of it, and their vitality in anarchist communities helps explain anarchism’s remarkable persistence in the face of continuous harassment, arrest, assault, deportation, and exile. By inquiring into the political, material, and aesthetic practices of anarchist print culture, Ferguson points to possible methods for cultivating contemporary political resistance.
Author: Kathy E. Ferguson
Publisher: Duke University Press
ISBN: 1478023864
Category : Social Science
Languages : en
Pages : 214
Get Book Here
Book Description
While the stock image of the anarchist as a masked bomber or brick thrower prevails in the public eye, a more representative figure should be a printer at a printing press. In Letterpress Revolution, Kathy E. Ferguson explores the importance of printers, whose materials galvanized anarchist movements across the United States and Great Britain from the late nineteenth century to the 1940s. Ferguson shows how printers—whether working at presses in homes, offices, or community centers—arranged text, ink, images, graphic markers, and blank space within the architecture of the page. Printers' extensive correspondence with fellow anarchists and the radical ideas they published created dynamic and entangled networks that brought the decentralized anarchist movements together. Printers and presses did more than report on the movement; they were constitutive of it, and their vitality in anarchist communities helps explain anarchism’s remarkable persistence in the face of continuous harassment, arrest, assault, deportation, and exile. By inquiring into the political, material, and aesthetic practices of anarchist print culture, Ferguson points to possible methods for cultivating contemporary political resistance.
Author:
Publisher:
ISBN:
Category : Printing
Languages : en
Pages : 550
Get Book Here
Book Description
Author: Mary Elizabeth Leighton
Publisher: Ohio University Press
ISBN: 0821446495
Category : Literary Criticism
Languages : en
Pages : 522
Get Book Here
Book Description
In the early 1800s, books were largely unillustrated. By the 1830s and 1840s, however, innovations in wood- and steel-engraving techniques changed how Victorian readers consumed and conceptualized fiction. A new type of novel was born, often published in serial form, one that melded text and image as partners in meaning-making. These illustrated serial novels offered Victorians a reading experience that was both verbal and visual, based on complex effects of flash-forward and flashback as the placement of illustrations revealed or recalled significant story elements. Victorians’ experience of what are now canonical novels thus differed markedly from that of modern readers, who are accustomed to reading single volumes with minimal illustration. Even if modern editions do reproduce illustrations, these do not appear as originally laid out. Modern readers therefore lose a crucial aspect of how Victorians understood plot—as a story delivered in both words and images, over time, and with illustrations playing a key role. In The Plot Thickens, Mary Elizabeth Leighton and Lisa Surridge uncover this overlooked narrative role of illustrations within Victorian serial fiction. They reveal the intricacy and richness of the form and push us to reconsider our notions of illustration, visual culture, narration, and reading practices in nineteenth-century Britain.
Author: Caspar Williamson
Publisher: Laurence King Publishing
ISBN: 1780676328
Category : Art
Languages : en
Pages : 224
Get Book Here
Book Description
Featuring a global showcase of 100 of the craft’s most exciting and influential practitioners, Low-Tech Print is an exploration of hand-made printmaking techniques and how they are used in contemporary design and illustration. It examines the huge recent resurgence in the popularity of printmaking, with chapters on screenprinting, letterpress, relief printing and other printing methods. The book shows how practitioners develop a love affair with these hand-made techniques and use them to create beautiful contemporary designs, explaining the process behind each technique and its historical context. ‘In focus’ sections profile practitioners such as the ‘Lambe Lambe’ hand-made letterpress printers of São Paulo’s Grafica Fidalga studio and cult printing techniques such as Gocco (Japan) and Chicha (Peru). Low-Tech Print is a must-have for all design, illustration, craft and printmaking enthusiasts.
Author: Colin Moore
Publisher: A&C Black
ISBN: 1408105918
Category : Art
Languages : en
Pages : 201
Get Book Here
Book Description
Propaganda Prints reviews the history, cultural diversity and artistic legacy of art produced in the service of social and political change from ancient times to the present day. The author presents the arts of state control, of opposition, of revolution, of advertising, politics and self-promotion in their historical contexts, with three hundred images to evoke some of the dreams and concerns which have driven humanity through the last five thousand years. The Ancient Mesopotamians are there with the Romans, the Crusaders, the Normans, the Victorians, the Suffragettes, the Nazis and the Hippies. The American, French, Russian, Mexican, Chinese and Cuban revolutions all contribute as do many, far too many, wars. From Gutenberg's printing press to You Tube, from Alexander to Obama, this review of propaganda art reflects the best and the worst of us, and offers the pictures by way of consolation.
Author: E. Carmen Ramos
Publisher: Princeton University Press
ISBN: 0691210802
Category : Art
Languages : en
Pages : 326
Get Book Here
Book Description
Printing and collecting the revolution : the rise and impact of Chicano graphics, 1965 to now / E. Carmen Ramos -- Aesthetics of the message : Chicana/o posters, 1965-1987 / Terezita Romo -- War at home : conceptual iconoclasm in American printmaking / Tatiana Reinoza -- Chicanx graphics in the digital age / Claudia E. Zapata.
Author: Gary G. Field
Publisher: Graphic Communication Institute at Cal Poly
ISBN: 9780988673908
Category : Color printing
Languages : en
Pages : 0
Get Book Here
Book Description
Digital technology produced astonishing advances in prepress productivity, unleashing many creative possibilities and image quality improvements. Progress in printing technologies also raised color quality and productivity. Today's subsequent availability of inexpensive, high-quality color images, has greatly enriched us all. Author Gary G. Field's account of modern color printing's evolution has four areas of emphasis: The Photomechanical Era The Electronic Imaging Upheaval Color Printing's Progress The Art-Technology Partnership Sections at the end of key chapters include image structure enlargements from representative color prints. These show how different structural elements and their configuration contributed to quality refinement over the years. Appendices explain the nature of print quality and the tradeoffs often made between one facet of quality and another. This book is intended for the technically-curious reader. Graphic arts personnel, color imaging scientists and engineers, historians of technology and amateur producers of color prints will find much to delight, entertain, and perhaps inspire. Published by The Graphic Communication Institute at Cal Poly and distributed by RIT Press.
Author: Richard S. Fraser
Publisher: Red Letter Press
ISBN: 9780932323224
Category : Social Science
Languages : en
Pages : 228
Get Book Here
Book Description
A Marxist study of the civil rights and Black Power movements, which examines the nature of racism and the impact of African American radicals, feminists, and lesbians and gays. Critiques the nationalist assumptions of many Left groups, and puts forward an analysis that identifies racism as a distinct form of oppression that is intrinsic to capitalism.
Author: Davide Panagia
Publisher: Northwestern University Press
ISBN: 0810147122
Category : Philosophy
Languages : en
Pages : 236
Get Book Here
Book Description
Understanding democracy through film philosophy and political theory Shining new light on our understanding of cinema’s ways of political thinking, Intermedialities: Political Theory and Cinematic Experience puts modern political theory in conversation with the philosophy of film. Davide Panagia argues that there are no natural laws of association that can guarantee a template for democratic participation, as democracy is predicated not on stabilizing foundations but rather on the formation of expansive collectivities and institutions that are responsive to alterability. Instead, democracy requires a relational ontology, one that he elucidates by turning to philosophers of film like Stanley Cavell, Gilles Deleuze, Miriam Hansen, and Jean-Luc Godard—all of whom have articulated a political aesthetic of cinematic experience that is at once aspectual and compositional. Panagia reads these thinkers alongside a countertradition of modern political thought, represented by David Hume, Ludwig Wittgenstein, and Gilbert Simondon. His articulation of cinematic experience thus allows for a political aesthetic that is rooted in the migratory realities of undetermined relations.
Author: Franco Berardi
Publisher: Agit Press
ISBN: 1838485198
Category : Philosophy
Languages : en
Pages : 114
Get Book Here
Book Description
In 1977 youth revolts spectacular in their intensity, creativity and violence would send shockwaves throughout Italian society. These rebellions, belonging to the autonomia movement, were characterised by a mass refusal of wage-labour and powered by novel experiments in communication, in particular the printed word. Hundreds of revolutionary newspapers known as ‘movement sheets’ would circulate Italy during those years, acting as little machines to produce political subjectivity. This book contains the recollections of the autonomist militant, philosopher and media theorist Franco ‘Bifo’ Berardi on autonomia and the tumultuous events of ’77, told through the pages of A/traverso, the Bolognese movement sheet he produced with others between 1975 - 1981. In texts translated into English for the first time, presented alongside extensive archival material and stunning photographs, this book explores the subversion, exuberance and joy of the movement of ’77, while raising important questions about the role of creative collectivity and experimental communication for militants today. Texts by Franco ‘Bifo’ Berardi, Ryan Duffy, Dante Philp, Nick Thoburn, Jamila Squire & Seth Wheeler. Foreword by Bobby Gillespie, Primal Scream. Translated by Ivana Bevilacqua, Matthew Lee and Lukasz Risso. Cover design & layout by Tom Greenwood. Internal design by Tom Greenwood, Jamila Squire & Seth Wheeler. Edited by Jamila Squire & Seth Wheeler. Photos by Tano D’Amico, Enrico Scuro and Uliano Lucas.
