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Author: Douglas H. Daniels
Publisher: Beacon Press
ISBN: 9780807071250
Category : Biography & Autobiography
Languages : en
Pages : 556
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Book Description
He was jazz's first hipster. He performed in sunglasses and coined and popularized phrases like "that's cool" and "you dig?" He always wore a suit and his trademark porkpie hat. He influenced everyone from B. B. King to Stan Getz to Allen Ginsberg, creating a lyrical style of playing that forever changed the sound of the tenor saxophone. In this groundbreaking biography of Lester Young (1909-1959), historian Douglas Daniels brings to life the man and his world, and corrects a number of misconceptions. Even though others have identified Young as a Kansas City musician, Daniels traces his roots to the blues of Louisiana and his early years traveling with his father's band and the legendary Oklahoma City Blue Devils. Later we see the jazz culture of New York in the early 1940s, when Young was launched to national and international fame with the Count Basie Orchestra and began to accompany his close friend Billie Holiday. After a year spent in an Army prison on a conviction for marijuana use, Young made changes in his music but never lost his sensitivity or soul. The first ever to gain access to Young's family and many musicians who performed with him, Daniels reconstructs the world in which Young lived and played: the racism that he and other black musicians faced, the feeling of home and family that they created together on the road, and what his music meant to black audiences. Young emerges as a kind friend, a loving parent, and a gentle and sensitive man who had, in the words of Reginald Scott, "the saddest eyes I ever saw
Author: Douglas H. Daniels
Publisher: Beacon Press
ISBN: 9780807071250
Category : Biography & Autobiography
Languages : en
Pages : 556
Get Book Here
Book Description
He was jazz's first hipster. He performed in sunglasses and coined and popularized phrases like "that's cool" and "you dig?" He always wore a suit and his trademark porkpie hat. He influenced everyone from B. B. King to Stan Getz to Allen Ginsberg, creating a lyrical style of playing that forever changed the sound of the tenor saxophone. In this groundbreaking biography of Lester Young (1909-1959), historian Douglas Daniels brings to life the man and his world, and corrects a number of misconceptions. Even though others have identified Young as a Kansas City musician, Daniels traces his roots to the blues of Louisiana and his early years traveling with his father's band and the legendary Oklahoma City Blue Devils. Later we see the jazz culture of New York in the early 1940s, when Young was launched to national and international fame with the Count Basie Orchestra and began to accompany his close friend Billie Holiday. After a year spent in an Army prison on a conviction for marijuana use, Young made changes in his music but never lost his sensitivity or soul. The first ever to gain access to Young's family and many musicians who performed with him, Daniels reconstructs the world in which Young lived and played: the racism that he and other black musicians faced, the feeling of home and family that they created together on the road, and what his music meant to black audiences. Young emerges as a kind friend, a loving parent, and a gentle and sensitive man who had, in the words of Reginald Scott, "the saddest eyes I ever saw
Author: Al Young
Publisher: Sourcebooks, Inc.
ISBN: 1402249381
Category : Blues (Music)
Languages : en
Pages : 226
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Book Description
Author: Lester Young
Publisher: Hal Leonard Corporation
ISBN: 1480322024
Category : Music
Languages : en
Pages : 159
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Book Description
(Artist Transcriptions). Nicknamed "Pres" by Billie Holiday (short for President of the Tenor Sax), jazz giant Lester Young is considered to be one of the most important and influential saxophonists of all time. This great tribute folio transcribes 30 of his finest standards, together with a bio and discography. Includes: Blue Lester * Cherokee * Doggin' Around * Honeysuckle Rose * I Can't Get Started with You * Indiana * Jumpin' with Symphony Sid * Lester Leaps In * Oh, Lady Be Good! * Sometimes I'm Happy * These Foolish Things * Twelfth Street Rag * You Can Depend on Me * more.
Author: Alfred Green
Publisher: Rowman & Littlefield
ISBN: 1442242477
Category : Music
Languages : en
Pages : 377
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Book Description
In Rhythm Is My Beat: Jazz Guitar Great Freddie Green and the Count Basie Sound, Alfred Green tells the story of his father, rhythm guitarist Freddie Green, whose guitar work served as the pulse of the Count Basie Band. A quiet but key figure in big band jazz, Freddie Green took a distinct pride in his role as Basie’s rhythm guitarist, redefining the outer limits of acoustic rhythm guitar and morphing it into an art form. So distinct was Green’s style that it would eventually give birth to notations on guitar charts that read: “Play in the style of Freddie Green.” This American jazz icon, much like his inimitable sound, achieved stardom as a sideman, both in and out of Basie’s band. Green’s signature sound provided lift to soloists like Lester Young and vocalist Lil’ Jimmy Rushing, a reflection of Green’s sophisticated technique, that produced, in Green’s words, his “rhythm wave.” Billie Holiday, Ruby Braff, Benny Goodman, Gerry Mulligan, Teddy Wilson, Ray Charles, Judy Carmichael, Joe Williams and other recording artists all benefited from the relentless fours of the man who came to be known as Mr. Rhythm. The mystique surrounding Freddie Green’s technique is illuminated through generous commentary by insightful interviews with other musicians, guitar professionals and scholars, all of whom offer their ideas on Freddie Green’s sound. Alfred Green throughout demystifies the man behind the legend. This work will interest jazz fans, students, and scholars; guitar enthusiasts and professionals; music historians and anyone interested not only in the history of jazz but of the African American experience in jazz.
Author: Ronald Carter
Publisher: Alfred Music
ISBN: 9781457448065
Category : Music
Languages : en
Pages : 92
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Book Description
Swingin' on the Bars was written to afford middle school general music students the opportunity to learn about America's original brand of classical music --jazz-- by participating in hands-on, performance-based activities. The barred instruments, as found in music classrooms where the pedagogy of Carl Orff is used, provide a means for students with minimal formal instrumental training to experience jazz firsthand through direct experience and participation in performing the music. Teachers can help their students learn about the idioms of jazz in the way that young people best enjoy learning: through active participation and exploration. Presenting a variety of music arranged for Orff instrumentation in a swingin' style, this delightful collection is sure to engage your students' creativity while building musical skills. The sequence of tunes in this book represents difficulty levels in terms of mallet technique requirements and challenges resulting from more or less harmonic complexity. Each piece is preceded by a suggested teaching sequence and listening resources. Get your students Swingin' on the Bars today!
Author: Ted Gioia
Publisher: Oxford University Press
ISBN: 019008720X
Category : Music
Languages : en
Pages : 609
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Book Description
An updated new edition of Ted Gioia's acclaimed compendium of jazz standards, featuring 15 additional selections, hundreds of additional recommended tracks, and enhancements and additions on almost every page. Since the first edition of The Jazz Standards was published in 2012, author Ted Gioia has received almost non-stop feedback and suggestions from the passionate global community of jazz enthusiasts and performers requesting crucial additions and corrections to the book. In this second edition, Gioia expands the scope of the book to include more songs, and features new recordings by rising contemporary artists. The Jazz Standards is an essential comprehensive guide to some of the most important jazz compositions, telling the story of more than 250 key jazz songs and providing a listening guide to more than 2,000 recordings. The fan who wants to know more about a tune heard at the club or on the radio will find this book indispensable. Musicians who play these songs night after night will find it to be a handy guide, as it outlines the standards' history and significance and tells how they have been performed by different generations of jazz artists. Students learning about jazz standards will find it to be a go-to reference work for these cornerstones of the repertoire. This book is a unique resource, a browser's companion, and an invaluable introduction to the art form.
Author: Gunther Schuller
Publisher: History of Jazz
ISBN: 9780195071405
Category : History
Languages : en
Pages : 948
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Book Description
Focuses on the period in American musical history from 1930 to 1945 when jazz was synonymous with America's popular music.
Author: Max Harrison
Publisher: A&C Black
ISBN: 9780720118223
Category : Music
Languages : en
Pages : 924
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Book Description
Following the same format as the acclaimed first volume, this selection of the best 250 modern jazz records and CDs places each in its musical context and reviews it in depth. Additionally, full details of personnel, recording dates, and locations are given. Indexes of album titles, track titles, and musicians are included.
Author: Luc Delannoy
Publisher: University of Arkansas Press
ISBN: 9781610753265
Category : Jazz musicians
Languages : en
Pages : 294
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Book Description
Author: Robert G. O'Meally
Publisher: Columbia University Press
ISBN: 9780231123518
Category : Education
Languages : en
Pages : 460
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Book Description
'Uptown Conversation' asserts that jazz is not only a music to define, it is a culture. The essays illustrate how for more than a century jazz has initiated a call and response across art forms, geographies, and cultures, inspiring musicians, filmmakers,painters and poets.
