Author: Victor Anthony Rudowski
Publisher:
ISBN:
Category : Germanic languages
Languages : en
Pages : 168
Book Description
Lessing's Aesthetica in Nuce
Author: Victor Anthony Rudowski
Publisher:
ISBN:
Category : Germanic languages
Languages : en
Pages : 168
Book Description
Publisher:
ISBN:
Category : Germanic languages
Languages : en
Pages : 168
Book Description
Rethinking Lessing's Laocoon
Author: Michael Squire
Publisher: Oxford University Press
ISBN: 0198802226
Category : Art
Languages : en
Pages : 446
Book Description
Gotthold Ephraim Lessing first published Laokoon, oder uber die Grenzen der Mahlerey und Poesie (Laocoon, or on the Limits of Painting and Poetry) in 1766. Over the last 250 years, Lessing's essay has exerted an incalculable influence on western critical thinking. Not only has it directed the history of post-Enlightenment aesthetics, it has also shaped the very practices of 'poetry' and 'painting' in a myriad of different ways. In this anthology of specially commissioned chapters - comprising the first ever edited book on the Laocoon in English - a range of leading critical voices has been brought together to reassess Lessing's essay on its 250th anniversary. Combining perspectives from multiple disciplines (including classics, intellectual history, philosophy, aesthetics, media studies, comparative literature, and art history), the book explores the Laocoon from a plethora of critical angles. Chapters discuss Lessing's interpretation of ancient art and poetry, the cultural backdrops of the eighteenth century, and the validity of the Laocoon's observations in the fields of aesthetics, semiotics, and philosophy. The volume shows how the Laocoon exploits Greek and Roman models to sketch the proper spatial and temporal 'limits' (Grenzen) of what Lessing called 'poetry' and 'painting'; at the same time it demonstrates how Lessing's essay is embedded within Enlightenment theories of art, perception, and historical interpretation, as well as within nascent eighteenth-century ideas about the 'scientific' study of Classical antiquity (Altertumswissenschaft). To engage critically with the Laocoon, and to make sense of its legacy over the last 250 years, consequently involves excavating various 'classical presences': by looking back to the Graeco-Roman past, the volume demonstrates, Lessing forged a whole new tradition of modern aesthetics.
Publisher: Oxford University Press
ISBN: 0198802226
Category : Art
Languages : en
Pages : 446
Book Description
Gotthold Ephraim Lessing first published Laokoon, oder uber die Grenzen der Mahlerey und Poesie (Laocoon, or on the Limits of Painting and Poetry) in 1766. Over the last 250 years, Lessing's essay has exerted an incalculable influence on western critical thinking. Not only has it directed the history of post-Enlightenment aesthetics, it has also shaped the very practices of 'poetry' and 'painting' in a myriad of different ways. In this anthology of specially commissioned chapters - comprising the first ever edited book on the Laocoon in English - a range of leading critical voices has been brought together to reassess Lessing's essay on its 250th anniversary. Combining perspectives from multiple disciplines (including classics, intellectual history, philosophy, aesthetics, media studies, comparative literature, and art history), the book explores the Laocoon from a plethora of critical angles. Chapters discuss Lessing's interpretation of ancient art and poetry, the cultural backdrops of the eighteenth century, and the validity of the Laocoon's observations in the fields of aesthetics, semiotics, and philosophy. The volume shows how the Laocoon exploits Greek and Roman models to sketch the proper spatial and temporal 'limits' (Grenzen) of what Lessing called 'poetry' and 'painting'; at the same time it demonstrates how Lessing's essay is embedded within Enlightenment theories of art, perception, and historical interpretation, as well as within nascent eighteenth-century ideas about the 'scientific' study of Classical antiquity (Altertumswissenschaft). To engage critically with the Laocoon, and to make sense of its legacy over the last 250 years, consequently involves excavating various 'classical presences': by looking back to the Graeco-Roman past, the volume demonstrates, Lessing forged a whole new tradition of modern aesthetics.
G. E. Lessing's Theology: A Reinterpretation
Author: Leonhard P. Wessel
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110807548
Category : Philosophy
Languages : en
Pages : 284
Book Description
No detailed description available for "G. E. Lessing's Theology: A Reinterpretation".
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110807548
Category : Philosophy
Languages : en
Pages : 284
Book Description
No detailed description available for "G. E. Lessing's Theology: A Reinterpretation".
Lessing Yearbook Index to Volumes I-XX and the Supplements
Author: Edward Dvoretzky
Publisher: Wayne State University Press
ISBN: 9780814325216
Category : Literary Criticism
Languages : en
Pages : 308
Book Description
This volume is a register and bibliography to the first 20 volumes of the Lessing Yearbook and its supplements, Humanitaet und Dialog, Lessing in heutiger Sicht, Nation und Gelehrtenrepublik, and Lessing und die Toleranz.
Publisher: Wayne State University Press
ISBN: 9780814325216
Category : Literary Criticism
Languages : en
Pages : 308
Book Description
This volume is a register and bibliography to the first 20 volumes of the Lessing Yearbook and its supplements, Humanitaet und Dialog, Lessing in heutiger Sicht, Nation und Gelehrtenrepublik, and Lessing und die Toleranz.
German Aesthetic and Literary Criticism: Winckelmann, Lessing, Hamann, Herder, Schiller and Goethe
Author: H. B. Nisbet
Publisher: CUP Archive
ISBN: 9780521280099
Category : Art
Languages : en
Pages : 332
Book Description
Anthology of translated extracts from their works.
Publisher: CUP Archive
ISBN: 9780521280099
Category : Art
Languages : en
Pages : 332
Book Description
Anthology of translated extracts from their works.
The Aesthetics of Mimesis
Author: Stephen Halliwell
Publisher: Princeton University Press
ISBN: 140082530X
Category : Philosophy
Languages : en
Pages : 440
Book Description
Mimesis is one of the oldest, most fundamental concepts in Western aesthetics. This book offers a new, searching treatment of its long history at the center of theories of representational art: above all, in the highly influential writings of Plato and Aristotle, but also in later Greco-Roman philosophy and criticism, and subsequently in many areas of aesthetic controversy from the Renaissance to the twentieth century. Combining classical scholarship, philosophical analysis, and the history of ideas--and ranging across discussion of poetry, painting, and music--Stephen Halliwell shows with a wealth of detail how mimesis, at all stages of its evolution, has been a more complex, variable concept than its conventional translation of "imitation" can now convey. Far from providing a static model of artistic representation, mimesis has generated many different models of art, encompassing a spectrum of positions from realism to idealism. Under the influence of Platonist and Aristotelian paradigms, mimesis has been a crux of debate between proponents of what Halliwell calls "world-reflecting" and "world-simulating" theories of representation in both the visual and musico-poetic arts. This debate is about not only the fraught relationship between art and reality but also the psychology and ethics of how we experience and are affected by mimetic art. Moving expertly between ancient and modern traditions, Halliwell contends that the history of mimesis hinges on problems that continue to be of urgent concern for contemporary aesthetics.
Publisher: Princeton University Press
ISBN: 140082530X
Category : Philosophy
Languages : en
Pages : 440
Book Description
Mimesis is one of the oldest, most fundamental concepts in Western aesthetics. This book offers a new, searching treatment of its long history at the center of theories of representational art: above all, in the highly influential writings of Plato and Aristotle, but also in later Greco-Roman philosophy and criticism, and subsequently in many areas of aesthetic controversy from the Renaissance to the twentieth century. Combining classical scholarship, philosophical analysis, and the history of ideas--and ranging across discussion of poetry, painting, and music--Stephen Halliwell shows with a wealth of detail how mimesis, at all stages of its evolution, has been a more complex, variable concept than its conventional translation of "imitation" can now convey. Far from providing a static model of artistic representation, mimesis has generated many different models of art, encompassing a spectrum of positions from realism to idealism. Under the influence of Platonist and Aristotelian paradigms, mimesis has been a crux of debate between proponents of what Halliwell calls "world-reflecting" and "world-simulating" theories of representation in both the visual and musico-poetic arts. This debate is about not only the fraught relationship between art and reality but also the psychology and ethics of how we experience and are affected by mimetic art. Moving expertly between ancient and modern traditions, Halliwell contends that the history of mimesis hinges on problems that continue to be of urgent concern for contemporary aesthetics.
From Baroque to Storm and Stress 1720-1775
Author: Friedhelm Radandt
Publisher: Routledge
ISBN: 1000768309
Category : Literary Criticism
Languages : en
Pages : 195
Book Description
Originally published in 1977, this volume traces the development of literary forms and themes and of movements and schools, during the overtly philosophical age. It begins with the prominent poets of the 1720s and 1730s: Brockes, Hagedorn and Haller. It charts the many attempts at formulating poetic theory, particularly those of Gottsched, Bodmer and Breitnger. Emphasis is placed on the dramatic writings of J. E. Schlegel, Gellert and Ch. F. Weisse. Young Goethe’s creativity in all genres, Lenz’ and Klinger’s fascination with the stage and the lyric poetry of the Göttinger Hain explains the effectiveness of the Sturm und Drang.
Publisher: Routledge
ISBN: 1000768309
Category : Literary Criticism
Languages : en
Pages : 195
Book Description
Originally published in 1977, this volume traces the development of literary forms and themes and of movements and schools, during the overtly philosophical age. It begins with the prominent poets of the 1720s and 1730s: Brockes, Hagedorn and Haller. It charts the many attempts at formulating poetic theory, particularly those of Gottsched, Bodmer and Breitnger. Emphasis is placed on the dramatic writings of J. E. Schlegel, Gellert and Ch. F. Weisse. Young Goethe’s creativity in all genres, Lenz’ and Klinger’s fascination with the stage and the lyric poetry of the Göttinger Hain explains the effectiveness of the Sturm und Drang.
Illusion and the Drama
Author: Frederick Burwick
Publisher: Penn State Press
ISBN: 0271041609
Category : Literary Criticism
Languages : en
Pages : 357
Book Description
Publisher: Penn State Press
ISBN: 0271041609
Category : Literary Criticism
Languages : en
Pages : 357
Book Description
Absent Mothers and Orphaned Fathers
Author: Susan E. Gustafson
Publisher: Wayne State University Press
ISBN: 9780814325032
Category : Drama
Languages : en
Pages : 332
Book Description
Gustafson provides a comprehensive overview of Lessing's comments on the structure and purpose of the domestic tragedy within the context of his Laokoon essay, demonstrating that the fundamental psychic-deep structures informing his aesthetic and dramatic production are male narcissism and the abjection of the woman/the mother. As opposed to earlier studies of gender/generic questions in Lessing's dramas, this analysis explicates the theoretical basis for the rigid codification of gender which informs Lessing's fictional symbolic order.
Publisher: Wayne State University Press
ISBN: 9780814325032
Category : Drama
Languages : en
Pages : 332
Book Description
Gustafson provides a comprehensive overview of Lessing's comments on the structure and purpose of the domestic tragedy within the context of his Laokoon essay, demonstrating that the fundamental psychic-deep structures informing his aesthetic and dramatic production are male narcissism and the abjection of the woman/the mother. As opposed to earlier studies of gender/generic questions in Lessing's dramas, this analysis explicates the theoretical basis for the rigid codification of gender which informs Lessing's fictional symbolic order.
Lessing's Aesthetica in Nuce
Author: Victor Anthony Rudowski
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 168
Book Description
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 168
Book Description