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Author: Arno Schilson
Publisher: Wayne State University Press
ISBN: 9780814331071
Category : Literary Criticism
Languages : en
Pages : 410
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Book Description
The Lessing Yearbook, the official publication of the Lessing Society, is a valuable source of information on German culture, literature, and thought of the eighteenth century. Articles are in German or English. Essays in this volume explore a wide variety of subjects pertaining to class and gender, identity formation, and art in Lessing's work, as well as Lessing's philosphy on music and poetry.
Author: Arno Schilson
Publisher: Wayne State University Press
ISBN: 9780814331071
Category : Literary Criticism
Languages : en
Pages : 410
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Book Description
The Lessing Yearbook, the official publication of the Lessing Society, is a valuable source of information on German culture, literature, and thought of the eighteenth century. Articles are in German or English. Essays in this volume explore a wide variety of subjects pertaining to class and gender, identity formation, and art in Lessing's work, as well as Lessing's philosphy on music and poetry.
Author: Michelle Stott
Publisher: Bucknell University Press
ISBN: 9780838752463
Category : Drama
Languages : en
Pages : 166
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Book Description
This study asserts that the Lessing in the Postscript can only be understood within Kierkegaard's usage of pseudonymous figures to fulfill the requirements of indirect communication.
Author: Avi Lifschitz
Publisher: Oxford University Press
ISBN: 0192522744
Category : Art
Languages : en
Pages : 475
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Book Description
Gotthold Ephraim Lessing first published Laokoon, oder über die Grenzen der Mahlerey und Poesie (Laocoon, or on the Limits of Painting and Poetry) in 1766. Over the last 250 years, Lessing's essay has exerted an incalculable influence on western critical thinking. Not only has it directed the history of post-Enlightenment aesthetics, it has also shaped the very practices of 'poetry' and 'painting' in a myriad of different ways. In this anthology of specially commissioned chapters - comprising the first ever edited book on the Laocoon in English - a range of leading critical voices has been brought together to reassess Lessing's essay on its 250th anniversary. Combining perspectives from multiple disciplines (including classics, intellectual history, philosophy, aesthetics, media studies, comparative literature, and art history), the book explores the Laocoon from a plethora of critical angles. Chapters discuss Lessing's interpretation of ancient art and poetry, the cultural backdrops of the eighteenth century, and the validity of the Laocoon's observations in the fields of aesthetics, semiotics, and philosophy. The volume shows how the Laocoon exploits Greek and Roman models to sketch the proper spatial and temporal 'limits' (Grenzen) of what Lessing called 'poetry' and 'painting'; at the same time it demonstrates how Lessing's essay is embedded within Enlightenment theories of art, perception, and historical interpretation, as well as within nascent eighteenth-century ideas about the 'scientific' study of Classical antiquity (Altertumswissenschaft). To engage critically with the Laocoon, and to make sense of its legacy over the last 250 years, consequently involves excavating various 'classical presences': by looking back to the Graeco-Roman past, the volume demonstrates, Lessing forged a whole new tradition of modern aesthetics.
Author: Bert Cardullo
Publisher: Susquehanna University Press
ISBN: 9780945636243
Category : Drama
Languages : en
Pages : 314
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Book Description
This is the first English collection of the greatest comedies written in German from the late-eighteenth to the late-nineteenth centuries. Each of the translated comedies is placed in historical context and in relationship to its author's life as well as his other plays, and each is followed by a select bibliography of English-language criticism and interpretation.
Author: Christine Lehleiter
Publisher: University of Toronto Press
ISBN: 1442664142
Category : Literary Criticism
Languages : en
Pages : 367
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Book Description
Fact and Fiction explores the intersection between literature and the sciences, focusing on German and British culture between the eighteenth century and today. Observing that it was in the eighteenth century that the divide between science and literature as disciplines first began to be defined, the contributors to this collection probe how authors from that time onwards have assessed and affected the relationship between literary and scientific cultures. Fact and Fiction’s twelve essays cover a wide range of scientific disciplines, from physics and chemistry to medicine and anthropology, and a variety of literary texts, such as Erasmus Darwin’s poem The Botanic Garden, George Eliot’s Daniel Deronda, and Goethe’s Elective Affinities. The collection will appeal to scholars of literature and of the history of science, and to those interested in the connections between the two.
Author: Birgit Tautz
Publisher: Penn State Press
ISBN: 0271080493
Category : Literary Criticism
Languages : en
Pages : 276
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Book Description
In Translating the World, Birgit Tautz provides a new narrative of German literary history in the late eighteenth and early nineteenth centuries. Departing from dominant modes of thought regarding the nexus of literary and national imagination, she examines this intersection through the lens of Germany’s emerging global networks and how they were rendered in two very different German cities: Hamburg and Weimar. German literary history has tended to employ a conceptual framework that emphasizes the nation or idealized citizenry, yet the experiences of readers in eighteenth-century German cities existed within the context of their local environments, in which daily life occurred and writers such as Lessing, Schiller, and Goethe worked. Hamburg, a flourishing literary city in the late eighteenth century, was eventually relegated to the margins of German historiography, while Weimar, then a small town with an insular worldview, would become mythologized for not only its literary history but its centrality in national German culture. By interrogating the histories of and texts associated with these cities, Tautz shows how literary styles and genres are born of local, rather than national, interaction with the world. Her examination of how texts intersect and interact reveals how they shape and transform the urban cultural landscape as they are translated and move throughout the world. A fresh, elegant exploration of literary translation, discursive shifts, and global cultural changes, Translating the World is an exciting new story of eighteenth-century German culture and its relationship to expanding global networks that will especially interest scholars of comparative literature, German studies, and literary history.
Author: Leonhard P. Wessel
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110807548
Category : Philosophy
Languages : en
Pages : 284
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Book Description
No detailed description available for "G. E. Lessing's Theology: A Reinterpretation".
Author: E.K. Moore
Publisher: Springer Science & Business Media
ISBN: 9401119961
Category : Literary Criticism
Languages : en
Pages : 140
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Book Description
The goal of this book is to ascertain Lessing's views on argumentation and rhetoric. I intend to establish that these views constitute a systematic and coherent theory and to argue that for Lessing rhetoric in argument can yield philosophical truth. Analysis of Lessing's views also sheds light on the general significance of rhetoric in the 18th century. The denial that rhetoric has claims to truth is a long-standing prejudice of Western thought. This position is evident in Kant's rejection of rhetoric in philosophical discourse. But in my view, the situation in the 18th century in Germany was somewhat more complex. Rhetoric did not die a quiet death but was very much alive in polemical tracts, and Lessing was a pivotal figure in a culture dominated by argument and disputation. I asked myself why and how this polemical age came to an end and how does the rejection of polemics by the 19th century affect our understanding of the 18th century? In the Introduction, I address some of these questions and establish a historical framework for the development of polemics in the 18th century. Another reason this polemical age has traditionally been seen as problematic for the scholars of the period is because argument, disputation and debate cannot be submitted to the same easy analysis as the systematic treatises produced at the end of the century.
Author: Sonia Bellavia
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110759268
Category : Literary Criticism
Languages : en
Pages : 198
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Book Description
The group volume distinguishes itself by its multidisciplinary, comparative approach and by the network of relationships it weaves between the various European languages and cultures. The study takes shape from its different viewpoints and in its diverse contexts, to chart a detailed historical-conceptual map of the basic role theater played in forging the modern European consciousness. The thematic core of ‘theatermania’ lay in the authentic theatrical passion that manifested itself in different ways from one country to another throughout the 18th century. While the aesthetic, social and political value of theater took a variety of forms, its central feature was the privileged place it gave to collective and individual social revolutions, phenomena that could be defined as upheavals of the collective imagination, which found in theater a source of nourishment, mediation or control. The volume offers not just a series of historical-theatrical studies, but a view of history that foregrounds the passions that were regularly sparked by theater. It adds an essential feature to the profile of the century that redefined the role and importance of theater, and that led to its full re-evaluation in the Romantic age.
Author:
Publisher: BRILL
ISBN: 9401203938
Category : Literary Criticism
Languages : en
Pages : 234
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Book Description
Practicing Progress focuses on the German Enlightenment in its dual manifestation as a cultural era and as a mode of discourse. The volume’s unifying theme is the promise and limitations of the Enlightenment, as seen from the twenty-first century. Contributors deal with figures from the eighteenth to the twentieth centuries in theology, poetry and drama, economic theory, and music. Included are such powerful critics of the politics of progress as Friedrich Nietzsche, Hannah Arendt, and Bertolt Brecht. The volume is of particular interest to scholars concerned with the complexity of literary phenomena. A variety of interpretive approaches yield fresh insights into the still ongoing project of Enlightenment.
