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Author: Eilene Hoft-March
Publisher: Cambridge Scholars Publishing
ISBN: 1443804576
Category : Literary Collections
Languages : en
Pages : 330
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Book Description
Aimer et Mourir offers a wide-ranging selection of essays that collectively address how, from the Middle Ages to the present, the notions of love and death get inextricably associated with the narratives that are women’s lives. Some of the essays tackle male writers’ representations that link women and, in particular, women’s sexuality, with death, resulting in the figures of the femme fatale, the woman in parturition, and the desiring vampire. A number of essays reiterate that women’s hyper-sexualized bodies have been used as a social construct and a psychological screen upon which to project a fear of death. The challenges to this pat reduction of “woman’s” domain come from the mostly women writers represented here—and they span from Marguerite de Navarre to Amélie Nothomb. These women writers rework the old formulae, giving us instead death-defying memories of love, love regenerative of language (as of bodies), love forcing the frontiers of death, or love creatively redefined within the parameters of death. Nor are these new narratives imagined as belonging to women alone but rather as attesting to a richer, more varied, and greatly sensitized human experience.
Author:
Publisher:
ISBN:
Category : Folklore
Languages : en
Pages : 604
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Book Description
Author: Eilene Hoft-March
Publisher: Cambridge Scholars Publishing
ISBN: 1443804576
Category : Literary Collections
Languages : en
Pages : 330
Get Book Here
Book Description
Aimer et Mourir offers a wide-ranging selection of essays that collectively address how, from the Middle Ages to the present, the notions of love and death get inextricably associated with the narratives that are women’s lives. Some of the essays tackle male writers’ representations that link women and, in particular, women’s sexuality, with death, resulting in the figures of the femme fatale, the woman in parturition, and the desiring vampire. A number of essays reiterate that women’s hyper-sexualized bodies have been used as a social construct and a psychological screen upon which to project a fear of death. The challenges to this pat reduction of “woman’s” domain come from the mostly women writers represented here—and they span from Marguerite de Navarre to Amélie Nothomb. These women writers rework the old formulae, giving us instead death-defying memories of love, love regenerative of language (as of bodies), love forcing the frontiers of death, or love creatively redefined within the parameters of death. Nor are these new narratives imagined as belonging to women alone but rather as attesting to a richer, more varied, and greatly sensitized human experience.
Author: John Campbell
Publisher: BRILL
ISBN: 9004657061
Category : Literary Criticism
Languages : en
Pages : 253
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Book Description
People are so divided about La Princesse de Clèves' they're ready to devour each other.' So reported Mme de Lafayette, to whom his landmark of French fiction is traditionally attributed, when it first appeared in 1678. Over three centuries the initial divisions have widened into large areas of critical disagreement. Questions of interpretation in La Princesse de Clèves' outlines the main areas of controversy and confronts the radically divergent critical responses that have been made with the witness of the text itself. Without seeking to advance easy solutions, it suggests plausible readings and possible approaches in the light of the evidence provided by language and ideas more uncertain and ambiguous than might at first appear. Offering as it does a wide-ranging review of recent critical opinion and providing the most comprehensive and up-to-date bibliographical tool at present available, this important new work is an invaluable tool for all readers and students of this famous novel.
Author: Johan Arckenholtz
Publisher:
ISBN:
Category : Sweden
Languages : en
Pages : 836
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Book Description
Author: Library of Congress
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 924
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Book Description
Author: Katell Goyer
Publisher: Hammond World Atlas Corporation
ISBN: 9780843714456
Category : Juvenile Fiction
Languages : en
Pages : 0
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Book Description
"Take an unforgettable journey to visit fourteen dazzling princesses in countries far and beyond... places where dreams are made and where young girls live as true royalty"--Cover, P. [4].
Author: Graham Gargett
Publisher: Rodopi
ISBN: 9789042016927
Category : Literary Criticism
Languages : en
Pages : 304
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Book Description
This volume, prompted by the publication in 1999 of Moya Longstaffe's remarkable study, Metamorphoses of Passion and the Heroic in French Literature: Corneille, Stendhal, Claudel, further investigates and analyses the multiple appearances of Passion and Heroism in literature. It pursues the exploration of these themes in a variety of cultures (English, French, German, Spanish), genres, and critical approaches. In addition, the chronological span represented is extremely wide. Contributions range from La Fontaine, Molière and Voltaire to Rimbaud and Camus; from Baudelaire to Beckett; from Wagner to Goytisolo. This very diversity gives necessary context, providing scope for reflection and analysis. Although passion seems timeless, can heroism have any real meaning - apart from an individual and existential one - in our postmodern age? Has a notion at the centre of European culture for so many centuries really disappeared from our intellectual and cultural universe? This volume will be of interest to all students of literature, whatever their critical or linguistic allegiance, since it focuses on the varying manifestations of two vital ingredients of all societies and cultures.
Author: Mary Anne Everett Green
Publisher:
ISBN:
Category : Princesses
Languages : en
Pages : 654
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Book Description
Author: Mary Anne Everett Green
Publisher:
ISBN:
Category : Princes
Languages : en
Pages : 638
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Book Description
Author: Katharine Ann Jensen
Publisher: SIU Press
ISBN: 9780809318490
Category : Language Arts & Disciplines
Languages : en
Pages : 248
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Book Description
In this compelling new addition to Sandra M. Gilbert's Ad Feminam: Women and Literature series, Katharine Ann Jensen examines the cultural form of the love letter and its intersection with the novel in the works of seventeenth- and eighteenth-century French women writers. Traditionally, French literary history has focused on eighteenth-century male writers Rousseau and Laclos as the master artists of the epistolary novel. That emphasis on one century, one gender, and one epistolary form--the novel--obscures the history of women's writing in France. In the seventeenth century, the love letter was viewed as a feminine literary form in which a woman's passionate and emotional "nature" found its logical expression. Such emotional writing was criticized for its structural and grammatical imperfections, rendering it--in the eyes of men--invalid as true "literary" material. However, men often wrote under female pseudonyms, composing letters of seduction and betrayal that were published as true accounts. Jensen contends that men disguised their words as women's words because writing as women allowed them to experiment with narrative fiction at a time when men's writing was rigidly defined by classical rhetoric. She further argues that men were able to moderate women's linguistic strengths by limiting their epistolary expertise to a social, rather than literary, practice, thereby maintaining literature as an almost exclusively male province. Jensen argues for a tradition of women's writing by examining both the love letters and novels of such writers as Desjardins, Ferrand, Graffigny, Riccoboni, and Lespinasse. In her novel Les Désordres de l'amour, Desjardins (Madame de Villedieu) creates an ambitious, letter-writing heroine. Through an analysis of the textual similarities between the heroine's letters and Desjardins's personal love letters to her unfaithful lover, Jensen concludes that Desjardins rewrites her own unfortunate epistolary relationship. Jensen draws similar conclusions from an examination of the personal letters of Ferrand in relation to her novel Histoire des amours de Cléante et de Bélise. In order to chart the legacy of seventeenth-century feminine epistolarity, Jensen goes on to consider the works of eighteenth-century French women writers. Like Desjardins's novel, Graffigny's Lettres d'une Péruvienne and Riccoboni's Lettres de Mistress Fanni Butlerd present letter-writing heroines who overturn the conventions of seduction and betrayal in order to claim their independence and desire to write. This desire correlates to Graffigny's and Riccoboni's own writing ambitions, thereby asserting the ability of women to write self-consciously, rather than emotionally, and to create narrative fiction rather than cyclical letters of love and suffering. Jensen demonstrates that these assertions constitute a significant break with seventeenth-century ideas about feminine letter writing that inextricably bind women to a supposedly natural language of sexual and literary disempowerment. This important and insightful book will prove a valuable addition to the libraries of scholars in French seventeenth- and eighteenth-century studies, feminist studies, epistolary fiction, and novel and narrative studies.
