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Author: Emilio V. BANTERLE
Publisher:
ISBN:
Category :
Languages : en
Pages : 64
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![Leopardi Storia Di Un' Anima. Dramma in Tre Atti. [Based on the Preceding.]. PDF](https://books.google.com/books/content/images/frontcover/ootWMwEACAAJ?fife=w80-h100)
Author: Emilio V. BANTERLE
Publisher:
ISBN:
Category :
Languages : en
Pages : 64
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Author: British Library
Publisher:
ISBN:
Category : Reference
Languages : en
Pages : 540
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Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 664
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Author: Emilio V. Banterle
Publisher: Forgotten Books
ISBN: 9781332684663
Category : Biography & Autobiography
Languages : it
Pages : 66
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Excerpt from Leopardi, Storia di un'Anima: Dramma in 3 AttiMargaris. - E vero, dottore, che il colera.....Paolina. - Maestro mio, non parliamo, non parliamo del colera, parliamo di Leopardi.Margaris. - Il colera, si dice.....Paolina. - Non alzate la voce, e vi prego di non parlare piu del colera. Il nostro argomento deve essere il Leopardi, genio sensibile, sensibilissimo, e talvolta irascibile, ma non conserva mai l'odio, anzi, diro con le sue parole, e del tutto inabile e impenetrabile all' odio.Mannella. - E cosa chiamate voi, signorina, quel disprezzo, quell'astio, quella collera che non lo invade, ma si dipinge nel suo viso quando parla del Tommaseo ed anche del nostro Alessandro Poerio?Margaris. - Col Poerio e ritornato amico.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Emilio V. Banterle
Publisher:
ISBN:
Category :
Languages : it
Pages : 64
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Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 1288
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Author: Axel Körner
Publisher: Cambridge University Press
ISBN: 1108843867
Category : Music
Languages : en
Pages : 341
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This volume of essays discusses the European and global expansion of Italian opera and the significance of this process for debates on opera at home in Italy. Covering different parts of Europe, the Americas, Southeast and East Asia, it investigates the impact of transnational musical exchanges on notions of national identity associated with the production and reception of Italian opera across the world. As a consequence of these exchanges between composers, impresarios, musicians and audiences, ideas of operatic Italianness (italianit...) constantly changed and had to be reconfigured, reflecting the radically transformative experience of time and space that throughout the nineteenth century turned opera into a global aesthetic commodity. The book opens with a substantial introduction discussing key concepts in cross-disciplinary perspective and concludes with an epilogue relating its findings to different historiographical trends in transnational opera studies.
Author: James I. Porter
Publisher: Stanford University Press
ISBN: 9780804736985
Category : Philosophy
Languages : en
Pages : 476
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Book Description
Drawing on Nietzsche's prolific early notebooks and correspondence, this book challenges the polarized picture of Nietzsche as a philosopher who abandoned classical philology. By showing how frequently the "later" Nietzsche appears in the early writings, the author hopes to provoke reflection on the adequacy of the developmental logic that has been a controlling factor in Nietzsche's reception.
Author: Ennio Morricone
Publisher: Scarecrow Press
ISBN: 0810892421
Category : Performing Arts
Languages : en
Pages : 311
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Book Description
With nearly 400 scores to his credit, Ennio Morricone is one of the most prolific and influential film composers working today. He has collaborated with many significant directors, and his scores for such films as The Good, the Bad, and the Ugly; Once Upon a Time in America; Days of Heaven; The Mission; The Untouchables; Malèna; and Cinema Paradiso leave moviegoers with the conviction that something special was achieved—a conviction shared by composers, scholars, and fans alike. In Composing for the Cinema: The Theory and Praxis of Music in Film, Morricone and musicologist Sergio Miceli present a series of lectures on the composition and analysis of film music. Adapted from several lectures and seminars, these lessons show how sound design can be analyzed and offer a variety of musical solutions to many different kinds of film. Though aimed at composers, Morricone’s expositions are easy to understand and fascinating even to those without any musical training. Drawing upon scores by himself and others, the composer also provides insight into his relationships with many of the directors with whom he has collaborated, including Sergio Leone, Giuseppe Tornatore, Franco Zeffirelli, Warren Beatty, Ridley Scott, Roland Joffé, the Taviani Brothers, and others. Translated and edited by Gillian B. Anderson, an orchestral conductor and musicologist, these lessons reveal Morricone’s passion about musical expression. Delivered in a conversational mode that is both comprehensible and interesting, this groundbreaking work intertwines analysis with practical details of film music composition. Aimed at a wide audience of composers, musicians, film historians, and fans, Composing for the Cinema contains a treasure trove of practical information and observations from a distinguished musicologist and one of the most accomplished composers on the international film scene.
Author: Friedrich Nietzsche
Publisher:
ISBN: 9781717508195
Category :
Languages : en
Pages : 54
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