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Author: Claire J. Farago
Publisher: Taylor & Francis
ISBN: 9780815329367
Category : Art
Languages : en
Pages : 488
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Book Description
Also available as the fourth book in a 5 volume set (ISBN#0815329334)
Author: Claire J. Farago
Publisher: Taylor & Francis
ISBN: 9780815329367
Category : Art
Languages : en
Pages : 488
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Book Description
Also available as the fourth book in a 5 volume set (ISBN#0815329334)
Author: Leonardo da Vinci
Publisher: Library of Alexandria
ISBN: 1465514147
Category : Fiction
Languages : en
Pages : 1118
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Book Description
A singular fatality has ruled the destiny of nearly all the most famous of Leonardo da Vinci's works. Two of the three most important were never completed, obstacles having arisen during his life-time, which obliged him to leave them unfinished; namely the Sforza Monument and the Wall-painting of the Battle of Anghiari, while the third—the picture of the Last Supper at Milan—has suffered irremediable injury from decay and the repeated restorations to which it was recklessly subjected during the XVIIth and XVIIIth centuries. Nevertheless, no other picture of the Renaissance has become so wellknown and popular through copies of every description. Vasari says, and rightly, in his Life of Leonardo, "that he laboured much more by his word than in fact or by deed", and the biographer evidently had in his mind the numerous works in Manuscript which have been preserved to this day. To us, now, it seems almost inexplicable that these valuable and interesting original texts should have remained so long unpublished, and indeed forgotten. It is certain that during the XVIth and XVIIth centuries their exceptional value was highly appreciated. This is proved not merely by the prices which they commanded, but also by the exceptional interest which has been attached to the change of ownership of merely a few pages of Manuscript. That, notwithstanding this eagerness to possess the Manuscripts, their contents remained a mystery, can only be accounted for by the many and great difficulties attending the task of deciphering them. The handwriting is so peculiar that it requires considerable practice to read even a few detached phrases, much more to solve with any certainty the numerous difficulties of alternative readings, and to master the sense as a connected whole. Vasari observes with reference to Leonardos writing: "he wrote backwards, in rude characters, and with the left hand, so that any one who is not practised in reading them, cannot understand them". The aid of a mirror in reading reversed handwriting appears to me available only for a first experimental reading. Speaking from my own experience, the persistent use of it is too fatiguing and inconvenient to be practically advisable, considering the enormous mass of Manuscripts to be deciphered. And as, after all, Leonardo's handwriting runs backwards just as all Oriental character runs backwards—that is to say from right to left—the difficulty of reading direct from the writing is not insuperable. This obvious peculiarity in the writing is not, however, by any means the only obstacle in the way of mastering the text. Leonardo made use of an orthography peculiar to himself; he had a fashion of amalgamating several short words into one long one, or, again, he would quite arbitrarily divide a long word into two separate halves; added to this there is no punctuation whatever to regulate the division and construction of the sentences, nor are there any accents—and the reader may imagine that such difficulties were almost sufficient to make the task seem a desperate one to a beginner. It is therefore not surprising that the good intentions of some of Leonardo s most reverent admirers should have failed.
Author: Martin Clayton
Publisher: Royal Collection Trust
ISBN: 9781909741034
Category : Anatomy, Artistic
Languages : en
Pages : 0
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Book Description
"First published in hardback 2012 by Royal Collection Trust".-Title page verso.
Author: Frank Zöllner
Publisher: Taschen
ISBN: 9783822859797
Category : Art
Languages : en
Pages : 104
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Book Description
Life and work of the renowned painter, scientist, and philosopher of the Renaissance period.
Author: Martin Clayton
Publisher: Getty Publications
ISBN: 9781606060209
Category : Art
Languages : en
Pages : 164
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Book Description
Leonardo da Vinci was not only one of the leading artists of the Renaissance, he was also one of the greatest anatomists ever to have lived. He combined, to a unique degree, manual skill in dissection, analytical skill in understanding the structures he uncovered, and artistic skill in recording his results. His extraordinary campaign of dissection, conducted during the winter of 1510-11 and concentrating on the muscles and bones of the human skeleton, was recorded on the pages of a manuscript now in the Print Room of the Royal Library at Windsor Castle. These are arguably the finest anatomical drawings ever made and are extensively annotated in Leonardo's distinctive "mirror-writing", with explanations of the drawings, notes on related anatomical matters, memoranda and so on. This publication reproduces the entire manuscript, and for the first time translates all of Leonardo's copious notes on the page so that the unfolding of his thoughts may readily be followed.
Author: Kathleen Tracy
Publisher: Mitchell Lane Publishers
ISBN: 9781584157113
Category : Artists
Languages : en
Pages : 0
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Book Description
Inventor, artist, scientist ... Leonardo da Vinci's wide-ranging inquisitiveness was the source of his greatest accomplishments and his lifelong financial difficulties-he would get bored quickly and rarely finish his projects. As an artist, only seventeen of his finished works survive, and yet they include two of the most famous paintings in the world: The Last Supper and Mona Lisa. His scientific studies of human anatomy were centuries ahead of their time. And his designs for inventions, such as mechanical flight, foresaw technologies that would not be developed for hundreds of years. Leonardo's achievements make him more than just an important historical figure: He is the ultimate Renaissance man who continues to inspire both artists and scientists more than 500 years after his death. Book jacket.
Author: Leonardo (da Vinci)
Publisher: Metropolitan Museum of Art
ISBN: 1588390330
Category : Drawing, Italian
Languages : en
Pages : 802
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Book Description
This handsome book offers a unified and fascinating portrait of Leonardo as draftsman, integrating his roles as artist, scientist, inventor, theorist, and teacher. 250 illustrations.
Author: Leonardo da Vinci
Publisher: Lulu.com
ISBN: 0557163935
Category : Art
Languages : en
Pages : 152
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Book Description
A TABLE OF CONTENTS Introduction I. Thoughts on Life II. Thoughts on Art III. Thoughts on Science IV. Bibliographical Note
Author: Richard Shaw Pooler
Publisher: Vernon Press
ISBN: 1622739884
Category : Art
Languages : en
Pages : 397
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Book Description
This book traces the story of the world's greatest treatise on painting - Leonardo Da Vinci's "Treatise of Painting". It combines an extensive body of literature about the Treatise with original research to offer a unique perspective on: • Its origins, and history of how it survived the dispersal of manuscripts; • Its contents, their significance and how Leonardo developed his Renaissance Theory of Art; • The development of both the abridged and complete printed editions; • How the printed editions have influenced treatises and art history throughout Europe, the Eastern Mediterranean, and America from the Seventeenth to the Twentieth Centuries.
Author: Jean-Pierre Isbouts
Publisher: Thomas Dunne Books
ISBN: 1250129354
Category : Art
Languages : en
Pages : 238
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Book Description
"Jean-Pierre Isbouts and Christopher Heath Brown depict Leonardo's seminal years in Milan from an entirely new perspective: that of the Sforza court. They show that much of the Sforza patronage was directed on vast projects, such as the Milan Cathedral, favoring a close circle of local artists to which Leonardo never gained entry. As a result, his exceptional talent remained largely unrecognized right up to The Last Supper and the fresco of the Crucifixion on the opposite wall, a work that up to now has fully escaped public attention. Finally, they present a sensational theory: that two long-ignored, life-size copies of The Last Supper, now in Belgium and the UK, were actually commissioned by the French king Louis XII and painted under Leonardo's direct supervision."--Publisher's description.
