The Notebooks - The Original Classic Edition PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download The Notebooks - The Original Classic Edition PDF full book. Access full book title The Notebooks - The Original Classic Edition by Leonardo da Vinci. Download full books in PDF and EPUB format.
Author: Leonardo da Vinci
Publisher: Tebbo
ISBN: 9781486143924
Category : Fiction
Languages : en
Pages : 376
Get Book Here
Book Description
The award-winning and bestselling collection of the exquisite, annotated notebooks of Leonardo now in paperback. Culled from more than 7,000 pages of sketches and writings found in various rare books, papers, and other resources throughout the world, Leonardos Notebooks presents, for the first time, an exhaustive collection of the insights and brilliance of perhaps the finest mind the world has ever known.
Author: Leonardo da Vinci
Publisher: Tebbo
ISBN: 9781486143924
Category : Fiction
Languages : en
Pages : 376
Get Book Here
Book Description
The award-winning and bestselling collection of the exquisite, annotated notebooks of Leonardo now in paperback. Culled from more than 7,000 pages of sketches and writings found in various rare books, papers, and other resources throughout the world, Leonardos Notebooks presents, for the first time, an exhaustive collection of the insights and brilliance of perhaps the finest mind the world has ever known.
Author: Nancy Pearcey
Publisher: B&H Publishing Group
ISBN: 1433669277
Category : Apologetics
Languages : en
Pages : 4
Get Book Here
Book Description
Award-winning author Pearcey ("Total Truth") makes a case for biblical Christianity in defense of art, life, and liberty in this growing age of cultural secularism. Includes more than 100 art reproductions.
Author: Paco Ignacio Taibo, II
Publisher: Mysterious Press
ISBN: 9780446404914
Category : Fiction
Languages : en
Pages : 373
Get Book Here
Book Description
A brilliantly crafted collage of noir adventure and political psychodrama, Leonardo's Bicycle chronicles the effects of a century of violence on the nature of imagination. While a cast of revolutionaries, radicals, criminals, and dreamers chase a wild goose into a hail of gunfire, Leonardo da Vinci hovers overhead on a bicycle.
Author: Domenico Laurenza
Publisher: Taylor & Francis
ISBN: 9788809043633
Category : Science
Languages : en
Pages : 248
Get Book Here
Book Description
Leonardo nasconde un segreto? In realtà ne nasconde molti, basta cercare nelle pagine dei suoi codici, nelle migliaia di disegni di macchine o di parti di esse che quei codici contengono. Misteri e segreti che in questo libro vengono alla luce nella loro realtà progettuale. Dalle descrizioni e dai disegni dello scienziato, attraverso la rielaborazione digitale riemergono nella loro compiutezza e funzionalità imbarcazioni corazzate, argani e macchinari destinati al volo, alla guerra, al lavoro, alle imprese idrauliche. Un'operazione di ricostruzione virtuale che ha richiesto anni di studi e di applicazione e ha ottenuto il risultato di rendere accessibili le invenzioni nascoste tra le pagine dei codici leonardeschi.
Author: Martin Clayton
Publisher: Getty Publications
ISBN: 9781606060209
Category : Art
Languages : en
Pages : 164
Get Book Here
Book Description
Leonardo da Vinci was not only one of the leading artists of the Renaissance, he was also one of the greatest anatomists ever to have lived. He combined, to a unique degree, manual skill in dissection, analytical skill in understanding the structures he uncovered, and artistic skill in recording his results. His extraordinary campaign of dissection, conducted during the winter of 1510-11 and concentrating on the muscles and bones of the human skeleton, was recorded on the pages of a manuscript now in the Print Room of the Royal Library at Windsor Castle. These are arguably the finest anatomical drawings ever made and are extensively annotated in Leonardo's distinctive "mirror-writing", with explanations of the drawings, notes on related anatomical matters, memoranda and so on. This publication reproduces the entire manuscript, and for the first time translates all of Leonardo's copious notes on the page so that the unfolding of his thoughts may readily be followed.
Author: Jerzy K. Kulski
Publisher: Leonardo Da Vinci - Artist, Sc
ISBN: 9780648065333
Category : History
Languages : en
Pages : 442
Get Book Here
Book Description
Leonardo da Vinci and the Pacioli Code by Jerzy K. Kulski was published in 2019 to mark the 500th anniversary of Leonardo's death at 67-years of age on May 2 in Amboise in France. This illustrated ( 160 images) and referenced book honours and celebrates Leonardo's life and accomplishments in art, science and his philosophy on dialectics, linear perspective, geometric variations, divine proportion, vision, perception and anamorphosis. It highlights and commemorates his friendship with the Franciscan friar and mathematician, Fra Luca Pacioli. The author focuses particularly on the subjects, objects, pictorial codes and hidden messages contained within the mysterious portrait entitled Fra Luca Pacioli and Student that is held at the National Museum of Capodimonte in Naples and officially attributed to the Venetian painter Jacopo de' Barbari. However, this official attribution is questionable because the painting shows all the typical signatures, mysteries, anagrams, geometric proportions, symbols and praxis of Leonardo da Vinci. It is a fantastical Renaissance masterpiece drawn and painted with science, wit, guile and artistry by an innovator communicating with puzzling rebuses and psychological imagery. Kulski describes and analyses the science, mathematics, geometry, symbolism, history and pictorial codification of the portraiture of the Franciscan friar Luca Pacioli, the condottiero and jouster Galeazzo Sanseverino, Leonardo's signature rhombicuboctahedron hanging in space from a red thread, an enigmatic black fly, together with a secretive anagram, IACO. B AR. VIGEN NIS. P.1495, that encodes the political intrigues in the Duchy of Milan during the time of Leonardo da Vinci. The exposition explores Leonardo's 5-year working relationship with Fra Luca Pacioli on Euclidian geometry, regular solids and the divine proportion, together with the support and intrigues of their powerful and rich sponsors, Galeazzo Sanseverino and his father-in-law Ludovico Sforza, the Duke of Milan, who inspired the portraiture. This book is dedicated to the Italian Renaissance art researcher Carla Glori who deciphered the mysterious code associated with the menacing black fly on the yellowed, encrypted cartouche and proved beyond reasonable doubt that the painting originated from the studio of Leonardo da Vinci when he still was entangled in various disputes with his other major art works, The Virgin of the Rocks, The Last Supper, Mona Lisa and the giant equestrian statue known as Colossus.The 21 chapters also contain 160 images and a bibliography of 250 cited books, journal references and Internet web pages.
Author: Giuditta Cirnigliaro
Publisher: BRILL
ISBN: 9004527192
Category : Art
Languages : en
Pages : 270
Get Book Here
Book Description
An exploration of the compositional methods and sources of Leonardo’s fables to investigate their relationship with illustrations and scientific studies.
Author: Constance Moffatt
Publisher: BRILL
ISBN: 9004398449
Category : Art
Languages : en
Pages : 449
Get Book Here
Book Description
The second volume of Leonardo Studies explores a dual theme of nature and architecture, offering a wide-ranging overview of current Leonardo scholarship on these two abundant subjects. While Leonardo worked on his Treatise on Painting, he noted that understanding the physical properties of nature must precede individual projects of painting or designing buildings. The volume begins with the Trattato, and follows with physics, geology, painting that imitates architectural structure and vice-versa, and proceeds to architectural projects, questions of attribution, urban planning, and and the dissemination of Leonardo’s writings in the Trattato and its historiography. This impressive group of articles constitutes not only new research, but also a departure point for future studies on these topics. Contributors are: Janis Bell, Andrea Bernardoni, Marco Carpiceci, Paolo Cavagnero, Fabio Colonnese, Kay Etheridge, Diane Ghirardo, Claudio Giorgione, Domenico Laurenza, Catherine Lucheck, Silvio Mara, Jill Pederson, Richard Schofield, Sara Taglialagamba, Cristiano Tessari, Marco Versiero, and Raffaella Zama.
Author: Diane A. S. Stuckart
Publisher: Penguin
ISBN: 9780425225738
Category : Fiction
Languages : en
Pages : 340
Get Book Here
Book Description
The legendary Renaissance man and amateur sleuth is back in this exciting follow-up to The Queen's Gambit. As court engineer to the Duke of Milan, Leonardo da Vinci turns his superior mind to a variety of pursuits-from painting to solving the occasional murder. After the deaths of two female servants, Leonardo asks his apprentice, Dino, to go undercover disguised as a woman in the service of the Duke's ward, Contessa Caterina. This should be easy enough, given that "Dino" is in reality Delfina, a young woman masquerading as a boy to serve as Leonardo's apprentice. Delfina is soon torn between her loyalty to Leonardo and her growing feelings for Gregorio, the handsome captain of the Duke's guard. But if what the Contessa's tarot cards foretold is correct, Delfina might be destined to lose her heart...and perhaps her life.
Author: Leonardo da Vinci
Publisher: Library of Alexandria
ISBN: 1465514147
Category : Fiction
Languages : en
Pages : 1118
Get Book Here
Book Description
A singular fatality has ruled the destiny of nearly all the most famous of Leonardo da Vinci's works. Two of the three most important were never completed, obstacles having arisen during his life-time, which obliged him to leave them unfinished; namely the Sforza Monument and the Wall-painting of the Battle of Anghiari, while the third—the picture of the Last Supper at Milan—has suffered irremediable injury from decay and the repeated restorations to which it was recklessly subjected during the XVIIth and XVIIIth centuries. Nevertheless, no other picture of the Renaissance has become so wellknown and popular through copies of every description. Vasari says, and rightly, in his Life of Leonardo, "that he laboured much more by his word than in fact or by deed", and the biographer evidently had in his mind the numerous works in Manuscript which have been preserved to this day. To us, now, it seems almost inexplicable that these valuable and interesting original texts should have remained so long unpublished, and indeed forgotten. It is certain that during the XVIth and XVIIth centuries their exceptional value was highly appreciated. This is proved not merely by the prices which they commanded, but also by the exceptional interest which has been attached to the change of ownership of merely a few pages of Manuscript. That, notwithstanding this eagerness to possess the Manuscripts, their contents remained a mystery, can only be accounted for by the many and great difficulties attending the task of deciphering them. The handwriting is so peculiar that it requires considerable practice to read even a few detached phrases, much more to solve with any certainty the numerous difficulties of alternative readings, and to master the sense as a connected whole. Vasari observes with reference to Leonardos writing: "he wrote backwards, in rude characters, and with the left hand, so that any one who is not practised in reading them, cannot understand them". The aid of a mirror in reading reversed handwriting appears to me available only for a first experimental reading. Speaking from my own experience, the persistent use of it is too fatiguing and inconvenient to be practically advisable, considering the enormous mass of Manuscripts to be deciphered. And as, after all, Leonardo's handwriting runs backwards just as all Oriental character runs backwards—that is to say from right to left—the difficulty of reading direct from the writing is not insuperable. This obvious peculiarity in the writing is not, however, by any means the only obstacle in the way of mastering the text. Leonardo made use of an orthography peculiar to himself; he had a fashion of amalgamating several short words into one long one, or, again, he would quite arbitrarily divide a long word into two separate halves; added to this there is no punctuation whatever to regulate the division and construction of the sentences, nor are there any accents—and the reader may imagine that such difficulties were almost sufficient to make the task seem a desperate one to a beginner. It is therefore not surprising that the good intentions of some of Leonardo s most reverent admirers should have failed.
