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Author: Graham Griffiths
Publisher: Cambridge University Press
ISBN: 1009103296
Category : Music
Languages : en
Pages : 143
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Book Description
Leokadiya Kashperova's romantic compositions were highly regarded by Rimsky-Korsakov, César Cui, and by Balakirev whose works she premiered and recorded. In 1907, Kashperova performed her own compositions to critical acclaim in Leipzig, Berlin and London. After the 1917 Revolution following her death in 1940, her name joined her fine music in historical anonymity and oblivion. This Element is the result of twenty years' research culminating in eight study-visits by the author to St Petersburg, Moscow and the Yaroslavl/Kostroma region. The Biography (section 1) is the first ever written about this composer. Kashperova's Memoirs (section 2) and her Recollections of Anton Rubinstein (section 3) are made available in translation for the first time. Together with a new edition of her compositions (Boosey & Hawkes, London) this Element aims to support the restoration of Kashperova to her rightful place in music history as Russia's foremost female composer of the early twentieth century.
Author: Graham Griffiths
Publisher: Cambridge University Press
ISBN: 1009103296
Category : Music
Languages : en
Pages : 143
Get Book Here
Book Description
Leokadiya Kashperova's romantic compositions were highly regarded by Rimsky-Korsakov, César Cui, and by Balakirev whose works she premiered and recorded. In 1907, Kashperova performed her own compositions to critical acclaim in Leipzig, Berlin and London. After the 1917 Revolution following her death in 1940, her name joined her fine music in historical anonymity and oblivion. This Element is the result of twenty years' research culminating in eight study-visits by the author to St Petersburg, Moscow and the Yaroslavl/Kostroma region. The Biography (section 1) is the first ever written about this composer. Kashperova's Memoirs (section 2) and her Recollections of Anton Rubinstein (section 3) are made available in translation for the first time. Together with a new edition of her compositions (Boosey & Hawkes, London) this Element aims to support the restoration of Kashperova to her rightful place in music history as Russia's foremost female composer of the early twentieth century.
Author: Jo Bell
Publisher: Rowman & Littlefield
ISBN: 1538164574
Category : History
Languages : en
Pages : 431
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Book Description
A fascinating page-a-day collection profiling extraordinary women of all races, eras, and nationalities. Our past is full of influential women. Whether politicians, troublemakers, explorers, artists, and even the odd murderer, women have shaped society around the globe. But too often, these women have been unfairly confined to the margins of history. On This Day She: Putting Women Back into History One Day at a Time corrects this imbalance. A day-by-day collection of inspiring stories about incredible women who made history but seldom received the acknowledgement they deserved, this book introduces readers to women of all colors, eras, and nationalities. From Queen Elizabeth I to Beyoncé, Doria Shafik to Lillian Bilocca, this book gives voice both to female icons and to those whom the history books have overlooked. These women campaigned, cured, and adventured their way through life. They include musicians, painters, scientists, poets, and more. Spanning centuries, On This Day She is a record of human existence at its most authentic.
Author: Graham Griffiths
Publisher: Cambridge University Press
ISBN: 1108386660
Category : Music
Languages : en
Pages : 622
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Book Description
Stravinsky in Context offers an alternative to chronological biography. Thirty-five short, specially commissioned essays explore the eventful life-tapestry from which Stravinsky's compositions emerged. The opening chapters draw on new research into the composer's childhood in St. Petersburg. Stravinsky's early, often traumatic upbringing is examined in depth, particularly in the context of his brother Roman's death, and religious sensibilities within the family. Further essays consider Stravinsky's years in exile at the centre of dynamic and ever-evolving cultural environments, the composer constantly refining his idiom and re-defining his aesthetics against a backdrop of world events and personal tragedy. The closing chapters review new material regarding Stravinsky's complicated relationship with the Soviet Union, whilst also anticipating his legacy from the varied perspectives of publishing, research and even - in the iconic example of The Rite of Spring - space exploration. The book includes previously unpublished images of the composer and his family.
Author: Rhiannon Mathias
Publisher: Routledge
ISBN: 042957715X
Category : Music
Languages : en
Pages : 488
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Book Description
The Routledge Handbook of Women’s Work in Music presents a unique collection of core research by academics and music practitioners from around the world, engaging with an extraordinarily wide range of topics on women’s contributions to Western and Eastern art music, popular music, world music, music education, ethnomusicology as well as in the music industries. The handbook falls into six parts. Part I serves as an introduction to the rich variety of subject matter the reader can expect to encounter in the handbook as a whole. Part II focuses on what might be termed the more traditional strand of feminist musicology – research which highlights the work of historical and/or neglected composers. Part III explores topics concerned with feminist aesthetics and music creation and Part IV focuses on questions addressing the performance and reception of music and musicians. The narrative of the handbook shifts in Part V to focus on opportunities and leadership in the music professions from a Western perspective. The final section of the handbook (Part VI) provides new frames of context for women’s positions as workers, educators, patrons, activists and promoters of music. This is a key reference work for advanced undergraduates, postgraduates and researchers in music and gender.
Author: Daniel Jaffé
Publisher: Rowman & Littlefield
ISBN: 1538130084
Category : Music
Languages : en
Pages : 563
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Book Description
Russian music today has a firm hold around the world in the repertoire of opera houses, ballet companies, and orchestras. The music of Pyotr Tchaikovsky, Nikolai Rimsky-Korsakov, Sergey Rachmaninov, Sergey Prokofiev, and Dmitri Shostakovich is very much today’s lingua franca both in the concert hall and on the soundtracks of international blockbusters from Hollywood. Meanwhile, the innovations of Modest Musorgsky, Alexander Borodin, and Igor Stravinsky have played their crucial role in the development of Western music, influencing the work of virtually every notable composer of the past century. Historical Dictionary of Russian Music, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 600 cross-referenced entries for each of Russia’s major performing organizations and performance venues, and on specific genres such as ballet, film music, symphony and church music. This book is an excellent resource for students, researchers, and anyone wanting to know more about Russian Music.
Author: Graham Griffiths
Publisher: Cambridge University Press
ISBN: 0521191785
Category : Biography & Autobiography
Languages : en
Pages : 355
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Book Description
An unprecedented exploration of Stravinsky's use of the piano as the genesis of all his music - Russian, neoclassical and serial.
Author: Gerard Casey
Publisher: Andrews UK Limited
ISBN: 1788360338
Category : Philosophy
Languages : en
Pages : 331
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Book Description
In After #MeToo, Gerard Casey provides a critical assessment of the #MeToo movement, situating it in the context of the radical feminism of which it is just the latest manifestation. Apart from its legitimating an indiscriminate attack on men and masculinity, Casey argues that the #MeToo movement has exposed a conceptual fault-line in radical feminist anthropology. Are women fully-developed moral agents, able to exercise moral choice and to take responsibility for what they do; or are women elements of a collective made up of the victims of sexual crimes, whose suffering is not just that of any one individual woman but of the group as a whole? Casey's analysis of the #MeToo movement is prefaced by a brief typology of forms of feminism and by an account of the supposedly universal oppression of women by a malign patriarchy. He argues that if there is such a thing as the patriarchy, it is singularly and spectacularly ineffectual in its operation inasmuch as women, on the whole, are not only not oppressed in comparison to men but are rather the beneficiaries of legal and social privileges. After #MeToo concludes with a consideration of the changing legal definitions of rape. Once understood to be essentially a crime of violence, rape has now come to be regarded as a violation of personal autonomy. In common law systems, a certain conception of consent is now central to the definition of rape, a conception that, Casey argues, is unworkable, at once infantilising women and, at the same time, potentially criminalising every sexual encounter in which a man is involved.
Author: Stanley Sadie
Publisher: Oxford University Press, USA
ISBN: 0199729433
Category : Biography & Autobiography
Languages : en
Pages : 104
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Book Description
Of Russian, French, and later American nationality, Stravinsky's musical styles are startlingly diverse, reflecting his life and era; from Tsarist Russia, to 1920s France and post-war USA. His early years in Russia saw him launch his international career, with Dyagilve's Ballets Russes in Paris and the premieres of The Firebird, Petrushka and The Rite of Spring. Between 1920-1939 Stravinsky lived and worked in France, producing his great neo-classical compositions, reactivating the modes and manners of the eighteenth century. This stylistic inclination eventually gave way to a highly individual use of serial techniques in his last years, when he took up residence in the United States. This biography of Igor Stravinsky is one in a new series of composer biographies, derived and adapted from the second edition of The New Grove Dictionary of Music and Musicians. These newly written biographies bring the best of the book-length pieces in The New Grove to a wider audience. Each title provides fresh new insights into the life and works of a major composer, derived from the most recent scholarship. In addition to a detailed and informative view of the subject's life and works, written by an expert in the field, each book includes comprehensive, tabular work-lists and a fully revised and updated bibliography.
Author: Jonathan Cross
Publisher: Reaktion Books
ISBN: 1780235402
Category : Biography & Autobiography
Languages : en
Pages : 224
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Book Description
Igor Stravinsky (1882–1971) was perhaps the twentieth century’s most celebrated composer, a leading light of modernism and a restlessly creative artist. This new entry in the Critical Lives series traces the story of Stravinsky’s life and work, setting him in the context of the turbulent times in which he lived. Born in Russia, Stravinsky spent most of his life in exile—and while his work was deliberately cosmopolitan, the pain of estrangement nonetheless left its mark on the man and his work, distinguishable in an ever-present sense of loss. Jonathan Cross shows how that work emerged over the course of decades spent in Paris, Los Angeles, and elsewhere, in an artistic circle that included Joyce, Picasso, and Proust and that culminated in Stravinsky being celebrated by both the White House and the Kremlin as one of the great artistic forces of the era. Approachable and absorbing, Cross’s biography enables us to see Stravinsky’s life and artistic achievement in a new light, understanding how his work both reflected and shaped his times.
Author: Stephen Walsh
Publisher: Knopf
ISBN: 0593319044
Category : Biography & Autobiography
Languages : en
Pages : 1164
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Book Description
Widely regarded the greatest composer of the twentieth century, Igor Stravinsky was central to the development of modernism in art. Deeply influential and wonderfully productive, he is remembered for dozens of masterworks, from The Firebird and The Rite of Spring to The Rake's Progress, but no dependable biography of him exists. Previous studies have relied too heavily on his own unreliable memoirs and conversations, and until now no biographer has possessed both the musical knowledge to evaluate his art and the linguistic proficiency needed to explore the documentary background of his life--a life whose span extended from tsarist Russia to Switzerland, France, and ultimately the United States. In this revealing volume, the first of two, Stephen Walsh follows Stravinsky from his birth in 1882 to 1934. He traces the composer's early Russian years in new and fascinating detail, laying bare the complicated relationships within his family and showing how he first displayed his extraordinary talents within the provincial musical circle around his teacher, Nikolay Rimsky-Korsakov. Stravinsky's brilliantly creative involvement with the Ballets Russes is illuminated by a sharp sense of the internal artistic politics that animated the group. Portraying Stravinsky's circumstances as an émigré in France trying to make his living as a conductor and pianist as well as a composer while beset by emotional and financial demands, Walsh reveals the true roots of his notorious obsession with money during the 1920s and describes with sympathy the nature of his long affair with Vera Sudeykina. While always respecting Stravinsky's own insistence that life and art be kept distinct, Stravinsky makes clear precisely how the development of his music was connected to his life and to the intellectual environment in which he found himself. But at the same time it demonstrates the composer's remarkably pragmatic psychology, which led him to consider the welfare of his art to be of paramount importance, before which everything else had to give way. Hence, for example, his questionable attitude toward Hitler and Mussolini, and his reputation as a touchy, unpredictable man as famous for his enmities as for his friendships. Stephen Walsh, long established as an expert on Stravinsky's music, has drawn upon a vast array of material, much of it unpublished or unavailable in English, to bring the man himself, in all his color and genius, to glowing life. Written with elegance and energy, comprehensive, balanced, and original, Stravinsky is essential reading for anyone interested in the adventure of art in our time. Praise from the British press for Stephen Walsh's The Music of Stravinsky "One of the finest general studies of the composer." --Wilfrid Mellers, composer, Times Literary Supplement "The beautiful prose of The Music of Stravinsky is itself a fund of arresting images. For those who already love Stravinsky's music, Walsh's essays on each work will bring a smile of recognition and joy at new kernels of insight. For those unfamiliar with many of the works he discusses, Walsh's commentaries are likely to whet appetites for performances of the works." --John Shepherd, Notes "This book sent me scurrying back to the scores and made me want to recommend it to other people. Above all, it is a good read." --Anthony Pople, Music and Letters
