Author: Eunmi Shim
Publisher: University of Michigan Press
ISBN: 9780472113460
Category : Biography & Autobiography
Languages : en
Pages : 348
Book Description
The first biography of one of the most influential but unheralded musicians in jazz history
Lennie Tristano
Author: Eunmi Shim
Publisher: University of Michigan Press
ISBN: 9780472113460
Category : Biography & Autobiography
Languages : en
Pages : 348
Book Description
The first biography of one of the most influential but unheralded musicians in jazz history
Publisher: University of Michigan Press
ISBN: 9780472113460
Category : Biography & Autobiography
Languages : en
Pages : 348
Book Description
The first biography of one of the most influential but unheralded musicians in jazz history
Jazz Visions
Author: Peter Ind
Publisher: Equinox Publishing (UK)
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 228
Book Description
Lennie Tristano was one of jazz's most extraordinary innovators, possessing a superb piano technique and an awesome musical imagination. Unheralded by the general public, the blind pianist's work was revered by many jazz greats including the legendary Charlie Parker. Tristano's persuasive personality made him an ideal teacher, and he proved that (against the accepted theory of the time) jazz improvisation could be taught. His guidance played a big part in the development of many instrumentalists including saxophonists Lee Konitz and Warne Marsh and double-bassist Peter Ind. It is Ind's long, direct involvement with his subject that makes this such a revealing book: the story of an English musician going to New York to study with a neglected Jazz giant. In the process, Tristano's genius is examined and his reputation revalued, with Ind making a persuasive case for the pianist to be placed at the centre of jazz developments in the mid-20th century.
Publisher: Equinox Publishing (UK)
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 228
Book Description
Lennie Tristano was one of jazz's most extraordinary innovators, possessing a superb piano technique and an awesome musical imagination. Unheralded by the general public, the blind pianist's work was revered by many jazz greats including the legendary Charlie Parker. Tristano's persuasive personality made him an ideal teacher, and he proved that (against the accepted theory of the time) jazz improvisation could be taught. His guidance played a big part in the development of many instrumentalists including saxophonists Lee Konitz and Warne Marsh and double-bassist Peter Ind. It is Ind's long, direct involvement with his subject that makes this such a revealing book: the story of an English musician going to New York to study with a neglected Jazz giant. In the process, Tristano's genius is examined and his reputation revalued, with Ind making a persuasive case for the pianist to be placed at the centre of jazz developments in the mid-20th century.
Lee Konitz
Author: Andy Hamilton
Publisher: University of Michigan Press
ISBN: 9780472032174
Category : Biography & Autobiography
Languages : en
Pages : 324
Book Description
With a foreword by Joe Lovano, an oral biography of the preeminent alto saxophonist of cool jazz
Publisher: University of Michigan Press
ISBN: 9780472032174
Category : Biography & Autobiography
Languages : en
Pages : 324
Book Description
With a foreword by Joe Lovano, an oral biography of the preeminent alto saxophonist of cool jazz
The New York Times Essential Library: Jazz
Author: Ben Ratliff
Publisher: Macmillan
ISBN: 9780805070682
Category : Music
Languages : en
Pages : 278
Book Description
Offers an informed collector's guide to one hundred top recorded works of jazz, profiling each piece in a context of its importance to the development of the form.
Publisher: Macmillan
ISBN: 9780805070682
Category : Music
Languages : en
Pages : 278
Book Description
Offers an informed collector's guide to one hundred top recorded works of jazz, profiling each piece in a context of its importance to the development of the form.
Discography of the "uncompromising Lennie Tristano"
Author: Jürgen W. Susat
Publisher:
ISBN:
Category :
Languages : en
Pages : 34
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 34
Book Description
Jazz in Search of Itself
Author: Larry Kart
Publisher: Yale University Press
ISBN: 0300128193
Category : Music
Languages : en
Pages : 352
Book Description
In this engaging and astute anthology of jazz criticism, Larry Kart casts a wide net. Discussing nearly seventy major jazz figures and many of the music’s key stylistic developments, Kart sees jazz as a unique perpetual narrative—one in which musicians, their audiences, and the evolving music itself are intimately intertwined. Because jazz arose from the collision of specific peoples under particular conditions, says Kart, its development has been unusually immediate, visible, and intense. Kart has reacted to and judged the music in a similarly active, attentive, and personal manner. His involvement and attention to detail are visible in these pieces: essays that analyze the supposed return to tradition that the music of Wynton Marsalis has come to exemplify; searching accounts of the careers of Miles Davis, Thelonius Monk, Bill Evans, and Lennie Tristano; and writing that explores jazz’s relationship to American popular song and examines the jazz musician’s role as actual and would-be social rebel.
Publisher: Yale University Press
ISBN: 0300128193
Category : Music
Languages : en
Pages : 352
Book Description
In this engaging and astute anthology of jazz criticism, Larry Kart casts a wide net. Discussing nearly seventy major jazz figures and many of the music’s key stylistic developments, Kart sees jazz as a unique perpetual narrative—one in which musicians, their audiences, and the evolving music itself are intimately intertwined. Because jazz arose from the collision of specific peoples under particular conditions, says Kart, its development has been unusually immediate, visible, and intense. Kart has reacted to and judged the music in a similarly active, attentive, and personal manner. His involvement and attention to detail are visible in these pieces: essays that analyze the supposed return to tradition that the music of Wynton Marsalis has come to exemplify; searching accounts of the careers of Miles Davis, Thelonius Monk, Bill Evans, and Lennie Tristano; and writing that explores jazz’s relationship to American popular song and examines the jazz musician’s role as actual and would-be social rebel.
The Masters Of Bebop
Author: Ira Gitler
Publisher: Da Capo Press
ISBN: 078674524X
Category : Music
Languages : en
Pages : 330
Book Description
Back in the early 1940s, late at night in the clubs of Harlem, a handful of jazz musicians began to experiment with a style that no one had ever heard before. The music was fast, complicated, impossible to play for many of the older musicians—but it soon became the lingua franca of jazz music. They called it bebop, and as the years went by, it became even more popular. Today it reigns as perhaps the best-loved style of jazz ever created. Ira Gitler conveys the excitement of this musical birth as only someone who was there can. In The Masters of Bebop, Gitler traces the advent of what was a revolution in sound. He profiles the leading players—Charlie Parker, Dizzy Gillepie, Max Roach—but also studies the style and music of the first disciples, such as Dexter Gordon and J. J. Johnson, to reveal bebop’s pervasive influence throughout American culture. Revised with an updated discography—and with a new chapter covering bebop right up through the end of the twentieth century—The Masters of Bebop is the essential listener’s handbook.
Publisher: Da Capo Press
ISBN: 078674524X
Category : Music
Languages : en
Pages : 330
Book Description
Back in the early 1940s, late at night in the clubs of Harlem, a handful of jazz musicians began to experiment with a style that no one had ever heard before. The music was fast, complicated, impossible to play for many of the older musicians—but it soon became the lingua franca of jazz music. They called it bebop, and as the years went by, it became even more popular. Today it reigns as perhaps the best-loved style of jazz ever created. Ira Gitler conveys the excitement of this musical birth as only someone who was there can. In The Masters of Bebop, Gitler traces the advent of what was a revolution in sound. He profiles the leading players—Charlie Parker, Dizzy Gillepie, Max Roach—but also studies the style and music of the first disciples, such as Dexter Gordon and J. J. Johnson, to reveal bebop’s pervasive influence throughout American culture. Revised with an updated discography—and with a new chapter covering bebop right up through the end of the twentieth century—The Masters of Bebop is the essential listener’s handbook.
Words Without Music: A Memoir
Author: Philip Glass
Publisher: W. W. Norton & Company
ISBN: 1631490818
Category : Biography & Autobiography
Languages : en
Pages : 527
Book Description
New York Times Bestseller An NPR Best Book of the Year Winner of the Chicago Tribune Literary Award Finalist for the Marfield Prize, National Award for Arts Writing "Reads the way Mr. Glass's compositions sound at their best: propulsive, with a surreptitious emotional undertow." —Corinna da Fonseca-Wollheim, New York Times Philip Glass has, almost single-handedly, crafted the dominant sound of late-twentieth-century classical music. Yet in Words Without Music, his critically acclaimed memoir, he creates an entirely new and unexpected voice, that of a born storyteller and an acutely insightful chronicler, whose behind-the-scenes recollections allow readers to experience those moments of creative fusion when life so magically merged with art. From his childhood in Baltimore to his student days in Chicago and at Juilliard, to his first journey to Paris and a life-changing trip to India, Glass movingly recalls his early mentors, while reconstructing the places that helped shape his creative consciousness. Whether describing working as an unlicensed plumber in gritty 1970s New York or composing Satyagraha, Glass breaks across genres and re-creates, here in words, the thrill that results from artistic creation. Words Without Music ultimately affirms the power of music to change the world.
Publisher: W. W. Norton & Company
ISBN: 1631490818
Category : Biography & Autobiography
Languages : en
Pages : 527
Book Description
New York Times Bestseller An NPR Best Book of the Year Winner of the Chicago Tribune Literary Award Finalist for the Marfield Prize, National Award for Arts Writing "Reads the way Mr. Glass's compositions sound at their best: propulsive, with a surreptitious emotional undertow." —Corinna da Fonseca-Wollheim, New York Times Philip Glass has, almost single-handedly, crafted the dominant sound of late-twentieth-century classical music. Yet in Words Without Music, his critically acclaimed memoir, he creates an entirely new and unexpected voice, that of a born storyteller and an acutely insightful chronicler, whose behind-the-scenes recollections allow readers to experience those moments of creative fusion when life so magically merged with art. From his childhood in Baltimore to his student days in Chicago and at Juilliard, to his first journey to Paris and a life-changing trip to India, Glass movingly recalls his early mentors, while reconstructing the places that helped shape his creative consciousness. Whether describing working as an unlicensed plumber in gritty 1970s New York or composing Satyagraha, Glass breaks across genres and re-creates, here in words, the thrill that results from artistic creation. Words Without Music ultimately affirms the power of music to change the world.
The Birth of the Cool of Miles Davis and His Associates
Author: Frank Tirro
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 230
Book Description
Jazz, from its origins until World War II, was America's hot new music of the 20th century, and this music spread like wildfire to Europe and beyond. Shortly after the war ended a calming influence manifested itself in jazz and a new genre emerged with its own soundscape and quickly rose to worldwide popularity and influence--Cool Jazz. This book traces the history of this music to its roots in French Impressionism and European Neo-Classicism, describes the key roles played by Bix Beiderbecke, Lester Young, Lennie Tristano, Claude Thornhill, and Dave Brubeck in the development of this genre, and focuses on the major figures associated with a group of landmark recordings and on an ensemble that felicitously came to be known as The Birth of the Cool. The contributions of Miles Davis, Gil Evans, Gerry Mulligan, John Lewis, and John Carisi are considered in detail, and the scores of this music, arranged for Davis's nine-piece band, are analyzed and compared. The influence of this music persists to the present day, and the final chapter of The Birth of the Cool of Miles Davis and His Associates suggests continuities and developments that might still be explored by interested readers. The book is illustrated with photos of musicians and manuscripts, contains many musical examples and a detailed index, has both a bibliography and a short discography, and it includes a compact disc that contains many of the key recordings discussed in the text [Publisher description].
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 230
Book Description
Jazz, from its origins until World War II, was America's hot new music of the 20th century, and this music spread like wildfire to Europe and beyond. Shortly after the war ended a calming influence manifested itself in jazz and a new genre emerged with its own soundscape and quickly rose to worldwide popularity and influence--Cool Jazz. This book traces the history of this music to its roots in French Impressionism and European Neo-Classicism, describes the key roles played by Bix Beiderbecke, Lester Young, Lennie Tristano, Claude Thornhill, and Dave Brubeck in the development of this genre, and focuses on the major figures associated with a group of landmark recordings and on an ensemble that felicitously came to be known as The Birth of the Cool. The contributions of Miles Davis, Gil Evans, Gerry Mulligan, John Lewis, and John Carisi are considered in detail, and the scores of this music, arranged for Davis's nine-piece band, are analyzed and compared. The influence of this music persists to the present day, and the final chapter of The Birth of the Cool of Miles Davis and His Associates suggests continuities and developments that might still be explored by interested readers. The book is illustrated with photos of musicians and manuscripts, contains many musical examples and a detailed index, has both a bibliography and a short discography, and it includes a compact disc that contains many of the key recordings discussed in the text [Publisher description].
Lee Konitz
Author: Andy Hamilton
Publisher: University of Michigan Press
ISBN: 0472125745
Category : Music
Languages : en
Pages : 321
Book Description
“Meticulously researched, detailed and documented, this long awaited overview justly establishes Konitz as one of the most consistently brilliant, adventurous and original improvisers in the jazz tradition—a genius as rare as Bird himself.” —John Zorn “Hamilton’s work may well mark the inception of a format new to writing on Western music, one which avoids both the self-aggrandizing of autobiography and the stylized subjectification of biography.” —The Wire “An extraordinary approach to a biography, with the man himself speaking for extended sessions. The main vibration I felt from Lee’s words was total honesty, almost to a fault. Konitz shows himself to be an acute observer of the scene, full of wisdom and deep musical insights, relevant to any historical period regardless of style. The asides by noted musicians are beautifully woven throughout the pages. I couldn’t put the book down—it is the definition of a living history.” —David Liebman The preeminent altoist associated with the “cool” school of jazz, Lee Konitz was one of the few saxophonists of his generation to forge a unique sound independent of the influence of Charlie Parker. In the late 1940s, Konitz began his career with the Claude Thornhill band, during which time he came into contact with Miles Davis, with whom he would later work on the legendary Birth of the Cool sessions. Konitz is perhaps best known through his association with Lennie Tristano, under whose influence much of his sound evolved, and for his work with Stan Kenton and Warne Marsh. His recordings have ranged from cool bop to experimental improvisation and have appeared on such labels as Prestige, Atlantic, Verve, and Polydor. Crafted out of numerous interviews between the author and his subject, the book offers a unique look at the story of Lee Konitz’s life and music, detailing Konitz’s own insights into his musical education and his experiences with such figures as Miles Davis, Stan Kenton, Warne Marsh, Lennie Tristano, Charles Mingus, Bud Powell, and Bill Evans. Andy Hamilton is a jazz pianist and contributor to major jazz and contemporary music magazines. He teaches philosophy, and the history and aesthetics of jazz, at Durham University in the United Kingdom. He is also the author of the book Aesthetics and Music (Continuum 2007). Joe Lovano is a Grammy Award–winning tenor saxophonist. His most recent album is Streams of Expression.
Publisher: University of Michigan Press
ISBN: 0472125745
Category : Music
Languages : en
Pages : 321
Book Description
“Meticulously researched, detailed and documented, this long awaited overview justly establishes Konitz as one of the most consistently brilliant, adventurous and original improvisers in the jazz tradition—a genius as rare as Bird himself.” —John Zorn “Hamilton’s work may well mark the inception of a format new to writing on Western music, one which avoids both the self-aggrandizing of autobiography and the stylized subjectification of biography.” —The Wire “An extraordinary approach to a biography, with the man himself speaking for extended sessions. The main vibration I felt from Lee’s words was total honesty, almost to a fault. Konitz shows himself to be an acute observer of the scene, full of wisdom and deep musical insights, relevant to any historical period regardless of style. The asides by noted musicians are beautifully woven throughout the pages. I couldn’t put the book down—it is the definition of a living history.” —David Liebman The preeminent altoist associated with the “cool” school of jazz, Lee Konitz was one of the few saxophonists of his generation to forge a unique sound independent of the influence of Charlie Parker. In the late 1940s, Konitz began his career with the Claude Thornhill band, during which time he came into contact with Miles Davis, with whom he would later work on the legendary Birth of the Cool sessions. Konitz is perhaps best known through his association with Lennie Tristano, under whose influence much of his sound evolved, and for his work with Stan Kenton and Warne Marsh. His recordings have ranged from cool bop to experimental improvisation and have appeared on such labels as Prestige, Atlantic, Verve, and Polydor. Crafted out of numerous interviews between the author and his subject, the book offers a unique look at the story of Lee Konitz’s life and music, detailing Konitz’s own insights into his musical education and his experiences with such figures as Miles Davis, Stan Kenton, Warne Marsh, Lennie Tristano, Charles Mingus, Bud Powell, and Bill Evans. Andy Hamilton is a jazz pianist and contributor to major jazz and contemporary music magazines. He teaches philosophy, and the history and aesthetics of jazz, at Durham University in the United Kingdom. He is also the author of the book Aesthetics and Music (Continuum 2007). Joe Lovano is a Grammy Award–winning tenor saxophonist. His most recent album is Streams of Expression.