The Origins and Foundations of Music Education

The Origins and Foundations of Music Education PDF Author: Gordon Cox
Publisher: A&C Black
ISBN: 1441167099
Category : Education
Languages : en
Pages : 257

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Book Description
This landmark collection explores the origins and foundations of music education across five continents and considers: • the inclusion of music as part of the compulsory school curriculum in the context of the historical and political landscape • the aims, objectives and content of the music curriculum • teaching methods • the provision and training of teachers of music • the experiences of pupils Contributors have been carefully selected to represent countries which have incorporated music into compulsory schooling for a variety of differing reasons giving a diverse collection which will guide future actions and policy.

The Origins and Foundations of Music Education

The Origins and Foundations of Music Education PDF Author: Gordon Cox
Publisher: A&C Black
ISBN: 1441167099
Category : Education
Languages : en
Pages : 257

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Book Description
This landmark collection explores the origins and foundations of music education across five continents and considers: • the inclusion of music as part of the compulsory school curriculum in the context of the historical and political landscape • the aims, objectives and content of the music curriculum • teaching methods • the provision and training of teachers of music • the experiences of pupils Contributors have been carefully selected to represent countries which have incorporated music into compulsory schooling for a variety of differing reasons giving a diverse collection which will guide future actions and policy.

 PDF Author:
Publisher: Odile Jacob
ISBN: 2738199666
Category :
Languages : en
Pages : 177

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Book Description


La théorie de la musique antique et médiévale

La théorie de la musique antique et médiévale PDF Author: Michel Huglo
Publisher: Taylor & Francis
ISBN: 1000941663
Category : History
Languages : en
Pages : 357

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Book Description
This is the final volume in the set of four collections of Michel Huglo's articles to be published in the Variorum series, and focuses on medieval music theory. The point of departure for Huglo's research was his doctoral dissertation on tonaries, published in 1971: as a consequence, he studied the manuscripts of music theory concerning plainchant, and, later, those with writings on music by authors of Late Antiquity as well as the Liber glossarum, with its many definitions of musical terms. In this volume, certain articles consider the interpretation or dissemination of texts, instruction in the art of plainchant, and musical instruction at the university. Others concern the manuscripts of St Augustine's De musica and of the writings of Calcidius, Macrobius, Helisachar, Hucbald, Gerbert of Aurillac, Abbo of Fleury, John of Afflighem, and Hieronymus de Moravia, amongst others. The volume closes with a bibliography of Michel Huglo complementing that published in 1993 and a summary list of his reviews of books on music and liturgy. Ce volume des articles de Michel Huglo termine la série de quatre dans la collection Variorum. Il est centré sur la théorie musicale médiévale. Le point de départ des recherches de Michel Huglo sur la théorie musicale du Moyen Âge est formé par sa thèse sur les tonaires, éditée en 1971: en consequence il etudia les manuscrits de theorie musicale concernant le plain-chant et, plus tard, les auteurs de l'Antiquité tardive et le Liber glossarum qui contient des définitions de nombreux termes musicaux. Dans ce volume, certains articles traitent de l'interprétation ou de la dissémination des textes, des instructions sur l'art du chant, et sur l'enseignement de la musique à l'Université. Ils concernent les manuscrits du De musica d'Augustin, de Calcidius, Macrobe, Helisachar, Hucbald, Gerbert d'Aurillac, Abbon de Fleury, Jean d'Afflighem, Hieronymus de Moravia, et d'autres auteurs. Le volume se termine par une bibliographie de Michel Huglo complétant celle publiée en 1993 et ​​une liste sommaire de ses recensions d'ouvrages sur la musique et la liturgie.

Suzuki Recorder School - Volume 4

Suzuki Recorder School - Volume 4 PDF Author: Dr. Shinichi Suzuki
Publisher: Alfred Music
ISBN: 1457403404
Category : Music
Languages : en
Pages : 42

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Book Description
The charming recorder repertoire in the Suzuki Recorder School has been carefully selected by Katherine White, in accordance with the principles and guidelines of Dr. Suzuki's philosophy. Titles: * Larghetto from Sonata in C Major (I) (G.F. Handel) * Tempo di Gavotti from Sonata in C Major (IV) (G.F. Handel) * Allegro from Sonata in F Major (II) (G.F. Handel) * Rondeau from Suite No. 2 in D Minor (J.S. Bach) * Sarabande from Suite No 2 in D Minor (J.S. Bach) * Bourrée I and II from Suite No. 2 in D Minor (J.S. Bach)

Le Guide Musical

Le Guide Musical PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 218

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Book Description


Radio and the Politics of Sound in Interwar France, 1921-1939

Radio and the Politics of Sound in Interwar France, 1921-1939 PDF Author: Rebecca Scales
Publisher: Cambridge University Press
ISBN: 1107108675
Category : History
Languages : en
Pages : 311

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Book Description
Explores how radio broadcasting and the emerging audio culture transformed the dynamics of French politics during the tumultuous interwar decades.

Suzuki Recorder School - Volume 3

Suzuki Recorder School - Volume 3 PDF Author: Dr. Shinichi Suzuki
Publisher: Alfred Music
ISBN: 1457403277
Category : Music
Languages : en
Pages : 44

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Book Description
The charming recorder repertoire in the Suzuki Recorder School has been carefully selected by Katherine White, in accordance with the principles and guidelines of Dr. Suzuki's philosophy. Titles: * Adagio from Sonata in a minor (III) * (G. F. Handel), Allegro from Sonata in F Major (IV) (G. F. Handel) * Chaconne from Dioclesian (Recorded twice: Recorder 1 and 2) (H. Purcell) * Giga from Sonata in C Major (Shickhardt) * Menuet (E. C. Jacquet de La Guerre) * Allegro from Sonata in a minor (IV) (G. F. Handel) * Tonalization * Guidelines * Rondeau from Sonata in C Major (Boismortier)

Suzuki Recorder School - Volume 2

Suzuki Recorder School - Volume 2 PDF Author: Dr. Shinichi Suzuki
Publisher: Alfred Music
ISBN: 1457403269
Category : Music
Languages : en
Pages : 38

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Book Description
The charming recorder repertoire in the Suzuki Recorder School has been carefully selected by Katherine White, in accordance with the principles and guidelines of Dr. Suzuki's philosophy. Titles: * The Flowers Are Sleeping (Folk Song) * The Silent Moon (Folk Song) * Early One Morning (Folk Song) * Siciliana from Sonata in F Major III (G.F. Handel) * Menuet in D Minor from Suite No. 2 in B Minor (J.S. Bach) * Larghetto from Sonata in F Major I (G.F. Handel) * Bourrée in B-Flat Major from the Water Music Suite (G.F. Handel) * Larghetto from Sonata in G Minor I (G.F. Handel) * Bourrée in G Minor from the Royal Fireworks Suite (G.F. Handel) * Menuet in A Minor from Suite No. 4 in E Minor (C. Dieupart) * March in F Major, BWV Anh. 122 (C.P.E. Bach) * Presto from Sonata in G Minor IV (G.F. Handel) * Bourrée in F Major from the Water Music Suite (Harmony Part) (G.F. Handel) * Bourrée in D Minor from the Water Music Suite (Harmony Part) (G.F. Handel)

The Perception of Music

The Perception of Music PDF Author: Robert Frances
Publisher: Psychology Press
ISBN: 1317767535
Category : Psychology
Languages : en
Pages : 413

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Book Description
This translation of this classic text contains a balance of cultural and biological considerations. While arguing for the strong influence of exposure and of formal training on the way that music is perceived, Frances draws on the literature concerning the amusias to illustrate his points about the types of cognitive abstraction that are performed by the listener.

The Operas of Maurice Ravel

The Operas of Maurice Ravel PDF Author: Emily Kilpatrick
Publisher: Cambridge University Press
ISBN: 1316395707
Category : Music
Languages : en
Pages : 287

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Book Description
Maurice Ravel's operas L'Heure espagnole (1907/1911) and L'Enfant et les sortilèges (1919–25) are pivotal works in the composer's relatively small œuvre. Emerging from periods shaped by very distinct musical concerns and historical circumstances, these two vastly different works nevertheless share qualities that reveal the heart of Ravel's compositional aesthetic. In this comprehensive study, Emily Kilpatrick unites musical, literary, biographical and cultural perspectives to shed new light on Ravel's operas. In documenting the operas' history, setting them within the cultural canvas of their creation and pursuing diverse strands of analytical and thematic exploration, Kilpatrick reveals crucial aspects of the composer's working life: his approach to creative collaboration, his responsiveness to cultural, aesthetic and musical debate, and the centrality of language and literature in his compositional practice. The first study of its kind, this book is an invaluable resource for students, specialists, opera-goers and devotees of French music.