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Author: Katharina Hirmer
Publisher: GRIN Verlag
ISBN: 3656221111
Category : Foreign Language Study
Languages : en
Pages : 7
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Book Description
Essay from the year 2010 in the subject Didactics for the subject English - Discussion and Essays, grade: 1,7, University of Regensburg (Institut für Anglistik und Amerikanistik), course: General Language Course V, language: English, abstract: “Love, oh love...” has already been in everyone’s head in Germany for weeks, now it’s also in the head of all the 125 million viewers of the Eurovision Song Contest (ESC) 2010 in Oslo. Even children of the age of eight to ten can sing the chorus of Lena Meyer-Landrut’s song “Satellite” by heart. For 28 years, nobody has won the Grand Prix Eurovision for Germany, but this time Lena did it. Germany and a big part of Europe have gone “Lena-crazy”. The German candidate won the European championship in singing – how Stefan Raab called it – with the second largest margin in the history of the ESC, even though she was not even one of the favorites right from the start. She convinced so many people with her voice and her performance that she got 246 out of 480 points. From nine European countries she even got the perfect score of 12 points. That’s really a huge progress for Germany in this competition, since the last 27 years have not been crowned by success of the German contestants. You only have to remember the No Angels with their 23rd place and the more than embarrassing striptease of Dita van Teese in 2009. What a shame! Even if Lena’s weird Australian English accent leaves much to be desired, she obviously persuaded many people to vote for her. But what exactly lead to the fact that Lena orbits so many European TV viewers ‘like a satellite’ so that they called or text-messaged for her, the dainty German high-school graduate? Lena is just a cutie without too much of anything. She is handsome and pretty, but also a little bit boyish. In her own sweet and crazy way, she has been taken into her fan’s hearts immediately. And her fans are not just young girls and teenagers – as it is usual, when somebody moves up the pop music ladder as fast as she did.
Author: Katharina Hirmer
Publisher: GRIN Verlag
ISBN: 3656221111
Category : Foreign Language Study
Languages : en
Pages : 7
Get Book Here
Book Description
Essay from the year 2010 in the subject Didactics for the subject English - Discussion and Essays, grade: 1,7, University of Regensburg (Institut für Anglistik und Amerikanistik), course: General Language Course V, language: English, abstract: “Love, oh love...” has already been in everyone’s head in Germany for weeks, now it’s also in the head of all the 125 million viewers of the Eurovision Song Contest (ESC) 2010 in Oslo. Even children of the age of eight to ten can sing the chorus of Lena Meyer-Landrut’s song “Satellite” by heart. For 28 years, nobody has won the Grand Prix Eurovision for Germany, but this time Lena did it. Germany and a big part of Europe have gone “Lena-crazy”. The German candidate won the European championship in singing – how Stefan Raab called it – with the second largest margin in the history of the ESC, even though she was not even one of the favorites right from the start. She convinced so many people with her voice and her performance that she got 246 out of 480 points. From nine European countries she even got the perfect score of 12 points. That’s really a huge progress for Germany in this competition, since the last 27 years have not been crowned by success of the German contestants. You only have to remember the No Angels with their 23rd place and the more than embarrassing striptease of Dita van Teese in 2009. What a shame! Even if Lena’s weird Australian English accent leaves much to be desired, she obviously persuaded many people to vote for her. But what exactly lead to the fact that Lena orbits so many European TV viewers ‘like a satellite’ so that they called or text-messaged for her, the dainty German high-school graduate? Lena is just a cutie without too much of anything. She is handsome and pretty, but also a little bit boyish. In her own sweet and crazy way, she has been taken into her fan’s hearts immediately. And her fans are not just young girls and teenagers – as it is usual, when somebody moves up the pop music ladder as fast as she did.
Author: Kate Davies
Publisher: Houghton Mifflin
ISBN: 1328629678
Category : Fiction
Languages : en
Pages : 333
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Book Description
"A fresh, funny, audacious debut novel about a Bridget Jones-like twenty-something who discovers that she may have simply been looking for love -- and, ahem, pleasure -- in all the wrong places (aka: from men)"--
Author: Geoff Tibballs
Publisher: Robinson
ISBN: 1472137078
Category : Humor
Languages : en
Pages : 214
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Book Description
Sixty extraordinary years of Eurovision, from Céline Dion to Dustin the Turkey, from Abba to Conchita Wurst - the drag acts, the bad acts and all the nul points heroes. For 60 years the Eurovision Song Contest has existed in a parallel universe where a song about the construction of a hydro-electric power station is considered cutting-edge pop, where half a dozen warbling Russian grandmothers are considered Saturday night entertainment, where a tune repeating the word 'la' 138 times is considered a winner, and where Australia is considered part of Europe During those sixty years we have witnessed scandals: in 1957, Denmark's Birthe Wilke and Gustav Winckler enjoyed an outrageously long 13-second kiss because the stage manager forgot to say 'cut' during the live broadcast. We have witnessed national outrage: the 1976 Greek entry was a savage indictment of Turkish foreign policy in Cyprus. But most have all we have witnessed silly costumes, terrible lyrics and performers as diverse as Celine Dion and Dustin the Turkey. This book chronicles the 100 craziest moments in the history of Eurovision - the drag acts, the bad acts, the nul points heroes and the night in Luxembourg when the floor manager warned the audience not to stand up while they applauded because they might be shot by security forces. It captures some of the magic from this yearly event that continues to beguile and bemuse in equal measure.
Author: Walt Whitman
Publisher:
ISBN:
Category :
Languages : en
Pages : 520
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Book Description
Author: Gordon Roxburgh
Publisher: Songs for Europe
ISBN: 9781845831189
Category : Eurovision Song Contest
Languages : en
Pages : 388
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 108
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Book Description
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
Author: John Kennedy O'Connor
Publisher: Carlton Publishing Group
ISBN: 9781847325211
Category : Eurovisie songfestival / gtt
Languages : en
Pages : 0
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Book Description
The fun and the feuds, the high points, the dismal lows, the scandals, the most outrageous outfits, the innovators and the copy cats, this glorious book captures the singular flavour of Eurovision, charting its journey from the first competition in 1956 - just seven entrants, broadcast from a tiny venue in Switzerland with a studio audience of 200 - to the international extravaganza watched by millions of viewers that it has become today. It's a completely unique event in modern pop music, with its own agenda entirely, that has spawned almost as many anti-heroes as it has stars. Fully updated, and illustrated throughout with amazing photos, plus rare memorabilia including artwork for singles, this book is a nostalgic and resplendent celebration of an at times eccentric competition that is adored around the world. This edition has been fully updated to include 2008 and 2009's great events.
Author: Dennis Scheller-Boltz
Publisher: Georg Olms Verlag
ISBN: 3487156083
Category : Language Arts & Disciplines
Languages : de
Pages : 247
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Book Description
Conchita Wursts Sieg beim Eurovision Song Contest 2014 war ein zentrales diskursives Moment, welches das derzeitige Spannungsfeld zwischen Postgenderismus und Traditionalismus in Russland offenlegte und aufzeigte, wie sehr Geschlecht und Sexualität, nicht zuletzt für das russische Selbstbild und die Konstruktion einer russischen nationalen Identität, instrumentalisiert und politisiert werden und wie sehr Identitätskonzepte den russischen Alltag mitbestimmen. Die Monografie widmet sich der Diskussion um Geschlecht und Sexualität in Russland nach dem Sieg von Conchita Wurst und untersucht das Verhältnis von Diskurs und Identität. Im Vordergrund steht die Funktion von Sprache sowohl für die Identitätskonstruktion als auch für die Schaffung und Abgrenzung von Räumen. Dabei lassen sich nicht nur lexikologische und wortbildnerische Besonderheiten beobachten, sondern es liegt insgesamt ein auffälliger Sprachgebrauch mit interessanten Argumentationsstrategien vor. Ausführungen zu Identität und kritische Anmerkungen zur russischen Gender- und Queer-Linguistik komplettieren diesen Band. Conchita Wurst’s 2014 victory in the Eurovision Song Contest was a significant discursive moment which revealed the current tensions between postgenderism and traditionalism in contemporary Russia. This case also made clear just how far gender and sexuality are instrumentalised and politicised – not least in creating Russians’ self-perception and constructing a Russian national identity – and how massively notions of identity impact on Russian everyday life. The monograph focuses on the discussion of gender and sexuality in Russia following the 2014 event and investigates the relation between discourse and identity. Above all, it is concerned with the function of language in identity construction, and in the creation and demarcation of spaces. In this context, Dr. Scheller-Boltz’s study not only analyses lexicological and word-formation peculiarities, but also provides some revealing research findings about specific language use, including certain argumentation strategies. The monograph begins with a detailed introduction to notions of identity and concludes with some critical remarks on Russian gender and queer linguistics.
Author: Arnold Steinhardt
Publisher: Macmillan
ISBN: 9780374527006
Category : Biography & Autobiography
Languages : en
Pages : 324
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Book Description
The author tells of his own development as a student, "of how he and his intrepid colleagues were converted to chamber music ... [and of how] four individualists master and then overcome the confining demands of ensemble playing."--Jacket.
Author: Garrison Keillor
Publisher: Simon and Schuster
ISBN: 1951627709
Category : Biography & Autobiography
Languages : en
Pages : 398
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Book Description
With the warmth and humor we've come to know, the creator and host of A Prairie Home Companion shares his own remarkable story. In That Time of Year, Garrison Keillor looks back on his life and recounts how a Brethren boy with writerly ambitions grew up in a small town on the Mississippi in the 1950s and, seeing three good friends die young, turned to comedy and radio. Through a series of unreasonable lucky breaks, he founded A Prairie Home Companion and put himself in line for a good life, including mistakes, regrets, and a few medical adventures. PHC lasted forty-two years, 1,557 shows, and enjoyed the freedom to do as it pleased for three or four million listeners every Saturday at 5 p.m. Central. He got to sing with Emmylou Harris and Renée Fleming and once sang two songs to the U.S. Supreme Court. He played a private eye and a cowboy, gave the news from his hometown, Lake Wobegon, and met Somali cabdrivers who’d learned English from listening to the show. He wrote bestselling novels, won a Grammy and a National Humanities Medal, and made a movie with Robert Altman with an alarming amount of improvisation. He says, “I was unemployable and managed to invent work for myself that I loved all my life, and on top of that I married well. That’s the secret, work and love. And I chose the right ancestors, impoverished Scots and Yorkshire farmers, good workers. I’m heading for eighty, and I still get up to write before dawn every day.”
