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Author: Léon Bulot
Publisher:
ISBN:
Category :
Languages : fr
Pages : 44
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Book Description
Author: Léon Bulot
Publisher:
ISBN:
Category :
Languages : fr
Pages : 44
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Book Description
Author: Anne Vibert
Publisher:
ISBN: 9782711003280
Category : Eloquence
Languages : fr
Pages : 223
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Book Description
Issu d'un colloque tenu à Grenoble en novembre 2002, cet ouvrage est consacré à l'éloquence judiciaire du 17e siècle à nos jours. Il permet de redécouvrir la rhétorique comme instrument de production et d'analyse des discours grâce à des extraits de plaidoiries et déplore l'absence de l'enseignement de cette technique dans les formations juridiques actuelles.
Author: Raymond Lindon
Publisher: Editions A. Michel
ISBN:
Category : Forensic oratory
Languages : fr
Pages : 178
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Book Description
Author: Maurice Garçon
Publisher:
ISBN:
Category : Forensic oratory
Languages : fr
Pages : 266
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Book Description
Author: New York State Library
Publisher:
ISBN:
Category : Libraries
Languages : en
Pages : 830
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Book Description
Author: J. Maurice GARÇON
Publisher:
ISBN:
Category :
Languages : fr
Pages : 266
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Book Description
Author: Eloy Ernest Forestier de Boinvilliers
Publisher:
ISBN:
Category :
Languages : fr
Pages : 656
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Book Description
Author: Jean-Étienne-Judith Forestier Boinvilliers
Publisher:
ISBN:
Category :
Languages : fr
Pages : 650
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Book Description
Author: New York State Library
Publisher:
ISBN:
Category : Libraries
Languages : en
Pages : 870
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Book Description
Reports for 1863-90 include accession lists for the year. Beginning with 1893, the apprendixes consist of the various bulletins issued by the Library (Additions; Bibliography; History; Legislation; Library school; Public libraries)
Author: Yann Robert
Publisher: University of Pennsylvania Press
ISBN: 081229565X
Category : Literary Criticism
Languages : en
Pages : 340
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Book Description
For most of the seventeenth and eighteenth centuries, classical dogma and royal censorship worked together to prevent French plays from commenting on, or even worse, reenacting current political and judicial affairs. Criminal trials, meanwhile, were designed to be as untheatrical as possible, excluding from the courtroom live debates, trained orators, and spectators. According to Yann Robert, circumstances changed between 1750 and 1800 as parallel evolutions in theater and justice brought them closer together, causing lasting transformations in both. Robert contends that the gradual merging of theatrical and legal modes in eighteenth-century France has been largely overlooked because it challenges two widely accepted narratives: first, that French theater drifted toward entertainment and illusionism during this period and, second, that the French justice system abandoned any performative foundation it previously had in favor of a textual one. In Dramatic Justice, he demonstrates that the inverse of each was true. Robert traces the rise of a "judicial theater" in which plays denounced criminals by name, even forcing them, in some cases, to perform their transgressions anew before a jeering public. Likewise, he shows how legal reformers intentionally modeled trial proceedings on dramatic representations and went so far as to recommend that judges mimic the sentimental judgment of spectators and that lawyers seek private lessons from actors. This conflation of theatrical and legal performances provoked debates and anxieties in the eighteenth century that, according to Robert, continue to resonate with present concerns over lawsuit culture and judicial entertainment. Dramatic Justice offers an alternate history of French theater and judicial practice, one that advances new explanations for several pivotal moments in the French Revolution, including the trial of Louis XVI and the Terror, by showing the extent to which they were shaped by the period's conflicted relationship to theatrical justice.
