Author: Charles River Charles River Editors
Publisher:
ISBN: 9781492875062
Category :
Languages : en
Pages : 48
Book Description
*Includes pictures of Raphael's most famous art and portraits of famous people. *Explains Raphael's artistic rivalries with Leonardo and Michelangelo, as well as comparisons and contrasts between his art and their art. *Includes a Bibliography for further reading. "Here lies that famous Raphael by whom Nature feared to be conquered while he lived, and when he was dying, feared herself to die." - Inscription on Raphael's sarcophagus Raffaello Sanzio da Urbino, known across the world simply by the name Raphael, stands as one of the main pillars of the High Renaissance, an iconic example of the balance between spirituality and Humanistic inquiry that characterized the time period. Although he lived just 37 years, his career produced an amazingly rich output, and he completed more works than many artists do over careers spanning twice the length. At the same time, Raphael's art combined central tropes associated with the Renaissance while remaining remarkably original. As such, his career is not only worth exploring in its own right, but also for the ways in which he typified contemporary artistic techniques, including a return to antiquity and the balance between mathematical accuracy, rational thought, and religious devotion. While Raphael's own themes did not vary greatly throughout his career, he led a relatively nomadic existence, and his life reflects the trends associated with late 15th century and early 16th century Italy. Born in Umbria and raised in the Umbria court, Raphael was exposed to a wealth of artistic influences and high culture, characteristic of the early Renaissance shift toward humanism and artistic appreciation. Although Raphael's talent was generational, his life did not involve the extreme poverty and destitution that often characterized the lives of other famous artists. This ensured Raphael's life represents a useful rubric through which to examine the cultural norms of the era. Although Raphael was perhaps the most favored artist of the Italian Renaissance, his reputation has since been surpassed by famous contemporaries like Leonardo da Vinci and Michelangelo. To this day, it is difficult to think of Raphael without considering his artistic rivals, and comparing the artwork between Raphael and his contemporaries illuminates Raphael's artistic style and the reception surrounding his work. In many ways, his art synthesized the styles of other artists; Raphael's artwork was not produced in a vacuum, and his career reflects the rise of the artist as a culturally significant figure while also preserving the grandeur of the church. Even if he lacked the innovation of Leonardo or Michelangelo, Raphael was every bit as renowned during the time period; it is hoped that through applying a contextual approach to studying his life and career, this analysis clarifies the artist's mass appeal and cultural significance. Legends of the Renaissance: The Life and Legacy of Raphael chronicles the famous artist's life and work, as well as his lasting legacy. Along with pictures of important people, places, and events in his life, you will learn about Raphael like you never have before, in no time at all.
Legends of the Renaissance: the Life and Legacy of Raphael
Author: Charles River Charles River Editors
Publisher:
ISBN: 9781492875062
Category :
Languages : en
Pages : 48
Book Description
*Includes pictures of Raphael's most famous art and portraits of famous people. *Explains Raphael's artistic rivalries with Leonardo and Michelangelo, as well as comparisons and contrasts between his art and their art. *Includes a Bibliography for further reading. "Here lies that famous Raphael by whom Nature feared to be conquered while he lived, and when he was dying, feared herself to die." - Inscription on Raphael's sarcophagus Raffaello Sanzio da Urbino, known across the world simply by the name Raphael, stands as one of the main pillars of the High Renaissance, an iconic example of the balance between spirituality and Humanistic inquiry that characterized the time period. Although he lived just 37 years, his career produced an amazingly rich output, and he completed more works than many artists do over careers spanning twice the length. At the same time, Raphael's art combined central tropes associated with the Renaissance while remaining remarkably original. As such, his career is not only worth exploring in its own right, but also for the ways in which he typified contemporary artistic techniques, including a return to antiquity and the balance between mathematical accuracy, rational thought, and religious devotion. While Raphael's own themes did not vary greatly throughout his career, he led a relatively nomadic existence, and his life reflects the trends associated with late 15th century and early 16th century Italy. Born in Umbria and raised in the Umbria court, Raphael was exposed to a wealth of artistic influences and high culture, characteristic of the early Renaissance shift toward humanism and artistic appreciation. Although Raphael's talent was generational, his life did not involve the extreme poverty and destitution that often characterized the lives of other famous artists. This ensured Raphael's life represents a useful rubric through which to examine the cultural norms of the era. Although Raphael was perhaps the most favored artist of the Italian Renaissance, his reputation has since been surpassed by famous contemporaries like Leonardo da Vinci and Michelangelo. To this day, it is difficult to think of Raphael without considering his artistic rivals, and comparing the artwork between Raphael and his contemporaries illuminates Raphael's artistic style and the reception surrounding his work. In many ways, his art synthesized the styles of other artists; Raphael's artwork was not produced in a vacuum, and his career reflects the rise of the artist as a culturally significant figure while also preserving the grandeur of the church. Even if he lacked the innovation of Leonardo or Michelangelo, Raphael was every bit as renowned during the time period; it is hoped that through applying a contextual approach to studying his life and career, this analysis clarifies the artist's mass appeal and cultural significance. Legends of the Renaissance: The Life and Legacy of Raphael chronicles the famous artist's life and work, as well as his lasting legacy. Along with pictures of important people, places, and events in his life, you will learn about Raphael like you never have before, in no time at all.
Publisher:
ISBN: 9781492875062
Category :
Languages : en
Pages : 48
Book Description
*Includes pictures of Raphael's most famous art and portraits of famous people. *Explains Raphael's artistic rivalries with Leonardo and Michelangelo, as well as comparisons and contrasts between his art and their art. *Includes a Bibliography for further reading. "Here lies that famous Raphael by whom Nature feared to be conquered while he lived, and when he was dying, feared herself to die." - Inscription on Raphael's sarcophagus Raffaello Sanzio da Urbino, known across the world simply by the name Raphael, stands as one of the main pillars of the High Renaissance, an iconic example of the balance between spirituality and Humanistic inquiry that characterized the time period. Although he lived just 37 years, his career produced an amazingly rich output, and he completed more works than many artists do over careers spanning twice the length. At the same time, Raphael's art combined central tropes associated with the Renaissance while remaining remarkably original. As such, his career is not only worth exploring in its own right, but also for the ways in which he typified contemporary artistic techniques, including a return to antiquity and the balance between mathematical accuracy, rational thought, and religious devotion. While Raphael's own themes did not vary greatly throughout his career, he led a relatively nomadic existence, and his life reflects the trends associated with late 15th century and early 16th century Italy. Born in Umbria and raised in the Umbria court, Raphael was exposed to a wealth of artistic influences and high culture, characteristic of the early Renaissance shift toward humanism and artistic appreciation. Although Raphael's talent was generational, his life did not involve the extreme poverty and destitution that often characterized the lives of other famous artists. This ensured Raphael's life represents a useful rubric through which to examine the cultural norms of the era. Although Raphael was perhaps the most favored artist of the Italian Renaissance, his reputation has since been surpassed by famous contemporaries like Leonardo da Vinci and Michelangelo. To this day, it is difficult to think of Raphael without considering his artistic rivals, and comparing the artwork between Raphael and his contemporaries illuminates Raphael's artistic style and the reception surrounding his work. In many ways, his art synthesized the styles of other artists; Raphael's artwork was not produced in a vacuum, and his career reflects the rise of the artist as a culturally significant figure while also preserving the grandeur of the church. Even if he lacked the innovation of Leonardo or Michelangelo, Raphael was every bit as renowned during the time period; it is hoped that through applying a contextual approach to studying his life and career, this analysis clarifies the artist's mass appeal and cultural significance. Legends of the Renaissance: The Life and Legacy of Raphael chronicles the famous artist's life and work, as well as his lasting legacy. Along with pictures of important people, places, and events in his life, you will learn about Raphael like you never have before, in no time at all.
Legends of the Renaissance
Author: Charles River Editors
Publisher: Createspace Independent Publishing Platform
ISBN: 9781983539657
Category :
Languages : en
Pages : 82
Book Description
*Includes pictures of Raphael's most famous art and portraits of famous people. *Explains Raphael's artistic rivalries with Leonardo and Michelangelo, as well as comparisons and contrasts between his art and their art. *Includes a Bibliography for further reading. "Here lies that famous Raphael by whom Nature feared to be conquered while he lived, and when he was dying, feared herself to die." - Inscription on Raphael's sarcophagus Raffaello Sanzio da Urbino, known across the world simply by the name Raphael, stands as one of the main pillars of the High Renaissance, an iconic example of the balance between spirituality and Humanistic inquiry that characterized the time period. Although he lived just 37 years, his career produced an amazingly rich output, and he completed more works than many artists do over careers spanning twice the length. At the same time, Raphael's art combined central tropes associated with the Renaissance while remaining remarkably original. As such, his career is not only worth exploring in its own right, but also for the ways in which he typified contemporary artistic techniques, including a return to antiquity and the balance between mathematical accuracy, rational thought, and religious devotion. While Raphael's own themes did not vary greatly throughout his career, he led a relatively nomadic existence, and his life reflects the trends associated with late 15th century and early 16th century Italy. Born in Umbria and raised in the Umbria court, Raphael was exposed to a wealth of artistic influences and high culture, characteristic of the early Renaissance shift toward humanism and artistic appreciation. Although Raphael's talent was generational, his life did not involve the extreme poverty and destitution that often characterized the lives of other famous artists. This ensured Raphael's life represents a useful rubric through which to examine the cultural norms of the era. Although Raphael was perhaps the most favored artist of the Italian Renaissance, his reputation has since been surpassed by famous contemporaries like Leonardo da Vinci and Michelangelo. To this day, it is difficult to think of Raphael without considering his artistic rivals, and comparing the artwork between Raphael and his contemporaries illuminates Raphael's artistic style and the reception surrounding his work. In many ways, his art synthesized the styles of other artists; Raphael's artwork was not produced in a vacuum, and his career reflects the rise of the artist as a culturally significant figure while also preserving the grandeur of the church. Even if he lacked the innovation of Leonardo or Michelangelo, Raphael was every bit as renowned during the time period; it is hoped that through applying a contextual approach to studying his life and career, this analysis clarifies the artist's mass appeal and cultural significance. Legends of the Renaissance: The Life and Legacy of Raphael chronicles the famous artist's life and work, as well as his lasting legacy. Along with pictures of important people, places, and events in his life, you will learn about Raphael like you never have before, in no time at all.
Publisher: Createspace Independent Publishing Platform
ISBN: 9781983539657
Category :
Languages : en
Pages : 82
Book Description
*Includes pictures of Raphael's most famous art and portraits of famous people. *Explains Raphael's artistic rivalries with Leonardo and Michelangelo, as well as comparisons and contrasts between his art and their art. *Includes a Bibliography for further reading. "Here lies that famous Raphael by whom Nature feared to be conquered while he lived, and when he was dying, feared herself to die." - Inscription on Raphael's sarcophagus Raffaello Sanzio da Urbino, known across the world simply by the name Raphael, stands as one of the main pillars of the High Renaissance, an iconic example of the balance between spirituality and Humanistic inquiry that characterized the time period. Although he lived just 37 years, his career produced an amazingly rich output, and he completed more works than many artists do over careers spanning twice the length. At the same time, Raphael's art combined central tropes associated with the Renaissance while remaining remarkably original. As such, his career is not only worth exploring in its own right, but also for the ways in which he typified contemporary artistic techniques, including a return to antiquity and the balance between mathematical accuracy, rational thought, and religious devotion. While Raphael's own themes did not vary greatly throughout his career, he led a relatively nomadic existence, and his life reflects the trends associated with late 15th century and early 16th century Italy. Born in Umbria and raised in the Umbria court, Raphael was exposed to a wealth of artistic influences and high culture, characteristic of the early Renaissance shift toward humanism and artistic appreciation. Although Raphael's talent was generational, his life did not involve the extreme poverty and destitution that often characterized the lives of other famous artists. This ensured Raphael's life represents a useful rubric through which to examine the cultural norms of the era. Although Raphael was perhaps the most favored artist of the Italian Renaissance, his reputation has since been surpassed by famous contemporaries like Leonardo da Vinci and Michelangelo. To this day, it is difficult to think of Raphael without considering his artistic rivals, and comparing the artwork between Raphael and his contemporaries illuminates Raphael's artistic style and the reception surrounding his work. In many ways, his art synthesized the styles of other artists; Raphael's artwork was not produced in a vacuum, and his career reflects the rise of the artist as a culturally significant figure while also preserving the grandeur of the church. Even if he lacked the innovation of Leonardo or Michelangelo, Raphael was every bit as renowned during the time period; it is hoped that through applying a contextual approach to studying his life and career, this analysis clarifies the artist's mass appeal and cultural significance. Legends of the Renaissance: The Life and Legacy of Raphael chronicles the famous artist's life and work, as well as his lasting legacy. Along with pictures of important people, places, and events in his life, you will learn about Raphael like you never have before, in no time at all.
Luxury Arts of the Renaissance
Author: Marina Belozerskaya
Publisher: Getty Publications
ISBN: 0892367857
Category : Art
Languages : en
Pages : 292
Book Description
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
Publisher: Getty Publications
ISBN: 0892367857
Category : Art
Languages : en
Pages : 292
Book Description
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
Raphael at the Metropolitan
Author: Linda Wolk-Simon
Publisher: Metropolitan Museum of Art
ISBN: 0300117906
Category : Altarpieces
Languages : en
Pages : 78
Book Description
Raphael has been the indispensable reference point for countless artists, great and small, Italian and non-Italian. His frescoes in the Vatican quickly asserted themselves as paradigms of the Grand Manner, while his serenely beautiful Madonnas and calmly dignified portraits redefined their respective genres. The combination of clarity and complexity in his compositions results in an ineffable quality of innate grace that many artists have since tried to emulate. Not only Parmigianino, Carracci, Poussin, Ingres, and Degas but Caravaggio, Rembrandt, Manet, and Picasso also mined Raphael's works for inspiration. The Colonna Altarpiece is the only altarpiece by Raphael in an American collection. Raphael painted this work in his early twenties for a convent of nuns in Perugia on the eve of his move to Florence. The two main panels of the altarpiece were bought by former Museum president J. Pierpont Morgan, and later given as a gift to the Museum's Collection in 1916. This volume accompanies an exhibition that reunites all seven parts of the altarpiece for the first time since the seventeenth century: the two main panels in the Metropolitan together with the five components of its predella, divided among the Metropolitan, the Isabella Stewart Gardner Museum in Boston, and the National Gallery and the Dulwich Picture Gallery, both in London. Also included is a fine selection of paintings and drawings by Raphael executed during the same period, 1502-5 A.D. Additionally, this exhibition showcases a preliminary study, now in the Ashmolean Museum in Oxford, for the landscape in the Metropolitan's altarpiece, as well as the beautiful painting Madonna and Child with a Book from the Norton Simon Art Foundation in Pasadena. These works document one of the pivotal moments in Raphael's career, when the young artist abandoned Perugia, in Umbria, and set his sights on Florence, where he encountered the work of Fra Bartolommeo and Leonardo da Vinci. To contextualize the transformative effect of this move, paintings by his master, Perugino, as well as by Pinturicchio and Fra Bartolommeo are also exhibited. -- Metropolitan Museum of Art website.
Publisher: Metropolitan Museum of Art
ISBN: 0300117906
Category : Altarpieces
Languages : en
Pages : 78
Book Description
Raphael has been the indispensable reference point for countless artists, great and small, Italian and non-Italian. His frescoes in the Vatican quickly asserted themselves as paradigms of the Grand Manner, while his serenely beautiful Madonnas and calmly dignified portraits redefined their respective genres. The combination of clarity and complexity in his compositions results in an ineffable quality of innate grace that many artists have since tried to emulate. Not only Parmigianino, Carracci, Poussin, Ingres, and Degas but Caravaggio, Rembrandt, Manet, and Picasso also mined Raphael's works for inspiration. The Colonna Altarpiece is the only altarpiece by Raphael in an American collection. Raphael painted this work in his early twenties for a convent of nuns in Perugia on the eve of his move to Florence. The two main panels of the altarpiece were bought by former Museum president J. Pierpont Morgan, and later given as a gift to the Museum's Collection in 1916. This volume accompanies an exhibition that reunites all seven parts of the altarpiece for the first time since the seventeenth century: the two main panels in the Metropolitan together with the five components of its predella, divided among the Metropolitan, the Isabella Stewart Gardner Museum in Boston, and the National Gallery and the Dulwich Picture Gallery, both in London. Also included is a fine selection of paintings and drawings by Raphael executed during the same period, 1502-5 A.D. Additionally, this exhibition showcases a preliminary study, now in the Ashmolean Museum in Oxford, for the landscape in the Metropolitan's altarpiece, as well as the beautiful painting Madonna and Child with a Book from the Norton Simon Art Foundation in Pasadena. These works document one of the pivotal moments in Raphael's career, when the young artist abandoned Perugia, in Umbria, and set his sights on Florence, where he encountered the work of Fra Bartolommeo and Leonardo da Vinci. To contextualize the transformative effect of this move, paintings by his master, Perugino, as well as by Pinturicchio and Fra Bartolommeo are also exhibited. -- Metropolitan Museum of Art website.
The Renaissance Nude
Author: Thomas Kren
Publisher: Getty Publications
ISBN: 160606584X
Category : Art
Languages : en
Pages : 436
Book Description
A gloriously illustrated examination of the origins and development of the nude as an artistic subject in Renaissance Europe Reflecting an era when Europe looked to both the classical past and a global future, this volume explores the emergence and acceptance of the nude as an artistic subject. It engages with the numerous and complex connotations of the human body in more than 250 artworks by the greatest masters of the Renaissance. Paintings, sculptures, prints, drawings, illuminated manuscripts, and book illustrations reveal private, sometimes shocking, preoccupations as well as surprising public beliefs—the Age of Humanism from an entirely new perspective. This book presents works by Albrecht Dürer, Lucas Cranach, and Martin Schongauer in the north and Donatello, Raphael, and Giorgione in the south; it also introduces names that deserve to be known better. A publication this rich in scholarship could only be produced by a variety of expert scholars; the sixteen contributors are preeminent in their fields and wide-ranging in their knowledge and curiosity. The structure of the volume—essays alternating with shorter texts on individual artworks—permits studies both broad and granular. From the religious to the magical and the poetic to the erotic, encompassing male and female, infancy, youth, and old age, The Renaissance Nude examines in a profound way what it is to be human.
Publisher: Getty Publications
ISBN: 160606584X
Category : Art
Languages : en
Pages : 436
Book Description
A gloriously illustrated examination of the origins and development of the nude as an artistic subject in Renaissance Europe Reflecting an era when Europe looked to both the classical past and a global future, this volume explores the emergence and acceptance of the nude as an artistic subject. It engages with the numerous and complex connotations of the human body in more than 250 artworks by the greatest masters of the Renaissance. Paintings, sculptures, prints, drawings, illuminated manuscripts, and book illustrations reveal private, sometimes shocking, preoccupations as well as surprising public beliefs—the Age of Humanism from an entirely new perspective. This book presents works by Albrecht Dürer, Lucas Cranach, and Martin Schongauer in the north and Donatello, Raphael, and Giorgione in the south; it also introduces names that deserve to be known better. A publication this rich in scholarship could only be produced by a variety of expert scholars; the sixteen contributors are preeminent in their fields and wide-ranging in their knowledge and curiosity. The structure of the volume—essays alternating with shorter texts on individual artworks—permits studies both broad and granular. From the religious to the magical and the poetic to the erotic, encompassing male and female, infancy, youth, and old age, The Renaissance Nude examines in a profound way what it is to be human.
The Life of Raphael
Author: Giorgio Vasari
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 100
Book Description
Raphael was for centuries considered the greatest artist who ever lived. Much of what we know about him comes from this biography, written by Florentine painter Giorgio Vasari. The Life of Raphael is a key text not only for the appreciation of Raphael's art--whose development Vasari portrays in detail--but also for its unprecedented attention to theoretical issues. This stand-alone edition of The Life of Raphael, published to coincide with a major exhibition of the artist's paintings and drawings at England's National Gallery, illuminates the entire span of Raphael's astonishing art.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 100
Book Description
Raphael was for centuries considered the greatest artist who ever lived. Much of what we know about him comes from this biography, written by Florentine painter Giorgio Vasari. The Life of Raphael is a key text not only for the appreciation of Raphael's art--whose development Vasari portrays in detail--but also for its unprecedented attention to theoretical issues. This stand-alone edition of The Life of Raphael, published to coincide with a major exhibition of the artist's paintings and drawings at England's National Gallery, illuminates the entire span of Raphael's astonishing art.
Raphael, the Life and the Legacy
Author: David Thompson
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 264
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 264
Book Description
Raphael
Author: Hugo Chapman
Publisher: National Gallery Publications Limited
ISBN: 9781857099997
Category : Art
Languages : en
Pages : 319
Book Description
A catalog of the Italian Renaissance painter's work includes more than one hundred paintings and drawing, with textual entries for each, an account of the artist's life and work, and brief essays on his fresco painting in the Vatican and his work in British art collections.
Publisher: National Gallery Publications Limited
ISBN: 9781857099997
Category : Art
Languages : en
Pages : 319
Book Description
A catalog of the Italian Renaissance painter's work includes more than one hundred paintings and drawing, with textual entries for each, an account of the artist's life and work, and brief essays on his fresco painting in the Vatican and his work in British art collections.
Raphael and the Redefinition of Art in Renaissance Italy
Author: Robert Williams
Publisher: Cambridge University Press
ISBN: 1107131502
Category : Art
Languages : en
Pages : 317
Book Description
A comprehensive re-assessment of Raphael's artistic achievement and the ways in which it transformed the idea of what art is.
Publisher: Cambridge University Press
ISBN: 1107131502
Category : Art
Languages : en
Pages : 317
Book Description
A comprehensive re-assessment of Raphael's artistic achievement and the ways in which it transformed the idea of what art is.
Leonardo Da Vinci
Author: Charles Nicholl
Publisher: Penguin UK
ISBN: 0141944242
Category : Biography & Autobiography
Languages : en
Pages : 955
Book Description
Leonardo is the greatest, most multi-faceted and most mysterious of all Renaissance artists, but extraordinarily, considering his enormous reputation, this is the first full-length biography in English for several decades. Prize-winning author Charles Nicholl has immersed himself for five years in all the manuscripts, paintings and artefacts to produce an 'intimate portrait' of Leonardo. He uses these contemporary materials - his notebooks and sketchbooks, eye witnesses and early biographies, etc - as a way into the mental tone and physical texture of his life and has made myriad small discoveries about him and his work and his circle of associates. Among much else, the book identifies what Nicholl argues is an unknown portrait of the artist hanging in a church near Lodi in northern Italy. It also contains new material on his eccentric assistant Tomasso Masini, on his homosexual affairs in Florence, and on his curious relationship with a female model and/or prostitute from Cremona. A masterpiece of modern biography.
Publisher: Penguin UK
ISBN: 0141944242
Category : Biography & Autobiography
Languages : en
Pages : 955
Book Description
Leonardo is the greatest, most multi-faceted and most mysterious of all Renaissance artists, but extraordinarily, considering his enormous reputation, this is the first full-length biography in English for several decades. Prize-winning author Charles Nicholl has immersed himself for five years in all the manuscripts, paintings and artefacts to produce an 'intimate portrait' of Leonardo. He uses these contemporary materials - his notebooks and sketchbooks, eye witnesses and early biographies, etc - as a way into the mental tone and physical texture of his life and has made myriad small discoveries about him and his work and his circle of associates. Among much else, the book identifies what Nicholl argues is an unknown portrait of the artist hanging in a church near Lodi in northern Italy. It also contains new material on his eccentric assistant Tomasso Masini, on his homosexual affairs in Florence, and on his curious relationship with a female model and/or prostitute from Cremona. A masterpiece of modern biography.