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Author: Janet Brennan Croft
Publisher: Routledge
ISBN: 1136426671
Category : Language Arts & Disciplines
Languages : en
Pages : 106
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Book Description
Avoid legal consequences in your library by knowing copyright law! Legal Solutions in Electronic Reserves and the Electronic Delivery of Interlibrary Loan guides you through the process of developing policies to protect you, your library, and your patrons. The book examines the philosophy and regulations behind the laws and guidelines that apply directly to library services, allowing library staff and administration to better understand why these rules are needed. This vital resource offers suggestions and advice to ensure your library can offer the best services to your patrons while staying within the boundaries of the law. With this informative tool, you’ll learn more about: copyright basics—special allowances, licensing, penalties confidentiality basics—state regulations, institutional regulations, records retention policies electronic reserves and electronic delivery of interlibrary loan—differences of electronic versus physical, negotiating permissions and database contracts for use and more! Legal Solutions in Electronic Reserves and the Electronic Delivery of Interlibrary Loan shows you where to find works in the public domain and free E-material on the Internet. It also lists several Web sites to help you obtain permission, acquire information on copyrights and electronic reserves, or join a listserv or discussion group on these issues. This book includes a section on current legislative issues that will affect you in the future. To help you plan your course of action, Legal Solutions in Electronic Reserves and the Electronic Delivery of Interlibrary Loan includes the text of several important laws and guidelines, such as: the Copyright Law the Agreement on Guidelines for Classroom Copying in Not-For-Profit Educational Institutions with Respect to Books and Periodicals the CONTU Guidelines on Photocopying under Interlibrary Loan Arrangements the CONFU Fair-Use Guidelines for Electronic Reserve Systems the American Library Association Model Policy Concerning College and University Photocopying for Classroom, Research, and Library Reserve Use (Section on Reserves)
Author: Janet Brennan Croft
Publisher: Routledge
ISBN: 1136426671
Category : Language Arts & Disciplines
Languages : en
Pages : 106
Get Book Here
Book Description
Avoid legal consequences in your library by knowing copyright law! Legal Solutions in Electronic Reserves and the Electronic Delivery of Interlibrary Loan guides you through the process of developing policies to protect you, your library, and your patrons. The book examines the philosophy and regulations behind the laws and guidelines that apply directly to library services, allowing library staff and administration to better understand why these rules are needed. This vital resource offers suggestions and advice to ensure your library can offer the best services to your patrons while staying within the boundaries of the law. With this informative tool, you’ll learn more about: copyright basics—special allowances, licensing, penalties confidentiality basics—state regulations, institutional regulations, records retention policies electronic reserves and electronic delivery of interlibrary loan—differences of electronic versus physical, negotiating permissions and database contracts for use and more! Legal Solutions in Electronic Reserves and the Electronic Delivery of Interlibrary Loan shows you where to find works in the public domain and free E-material on the Internet. It also lists several Web sites to help you obtain permission, acquire information on copyrights and electronic reserves, or join a listserv or discussion group on these issues. This book includes a section on current legislative issues that will affect you in the future. To help you plan your course of action, Legal Solutions in Electronic Reserves and the Electronic Delivery of Interlibrary Loan includes the text of several important laws and guidelines, such as: the Copyright Law the Agreement on Guidelines for Classroom Copying in Not-For-Profit Educational Institutions with Respect to Books and Periodicals the CONTU Guidelines on Photocopying under Interlibrary Loan Arrangements the CONFU Fair-Use Guidelines for Electronic Reserve Systems the American Library Association Model Policy Concerning College and University Photocopying for Classroom, Research, and Library Reserve Use (Section on Reserves)
Author: Trevor A. Dawes
Publisher: Routledge
ISBN: 1136451277
Category : Education
Languages : en
Pages : 176
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Book Description
Get practical solutions to the problems faced when implementing an electronic reserve service! Academic libraries that provide electronic reserve services offer convenient access to information to their students and faculty while gaining numerous other advantages, such as reducing both loss and staff workload. Marketing and Managing Electronic Reserves presents leading authorities with practical solutions to the challenges in effectively integrating electronic reserves services and marketing them to users. This book provides positive approaches that any academic library considering the implementation of an electronic reserve operation can use. All factors are considered, including size of institution, the relationship between the library and academic departments, and the budget and plan for marketing the service. More and more colleges and universities are implementing distance education programs, highlighting the increasing need for remote access to information in the library, including reserve material. But executing monumental change is always difficult. Marketing and Managing Electronic Reserves tackles the difficult issues, discussing various libraries’ journeys in bringing about the changes needed to remain the central information source for students and faculty. Problems inherent in the evolution from traditional reserve services to electronic reserves are examined, offering effective strategies for smooth transition. Whatever type of system you are considering, from homegrown to commercial to hybrid electronic reserves service, this book can help. Marketing and Managing Electronic Reserves explains how others tackled challenges, such as: implementing Endeavor’s Voyager Integrated Library System and the software used for authenticating users handling copyright compliance integration of electronic reserves into course management systems moving from a paper-based to a Web-based course reserve system offering and marketing one-stop teaching support to faculty a large institution’s shift to a collaborative approach with electronic reserves and course management software establishing a suite of electronic utilities that fulfills teaching and essential learning activities implementing the Blackboard Content System™ marketing for a smooth transition from traditional to electronic reserves marketing to the faculty process improvement technique applied to electronic reserves integration of electronic reserve with a Library Management System and Course Management System trends for the future Marketing and Managing Electronic Reserves is crucial reading for access services librarians, circulation and reserve librarians, public service librarians, library school faculty who teach public services courses, integrated library systems managers, and university course management software specialists.
Author: Brice Austin
Publisher: Routledge
ISBN: 1136435638
Category : Language Arts & Disciplines
Languages : en
Pages : 125
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Book Description
Prepare your library for the changing role of course reserve collections Reserves, Electronic Reserves, and Copyright: The Past and the Future provides you with a comprehensive understanding of how the traditional role of reserve collections in education has evolved to reflect changes in technologies, copyright laws, and perhaps more important, perceptions of copyright laws. This unique book demonstrates how librarians have allowed their copyright policies and practices to be shaped by rhetoric from publishers and their own misinterpretations of copyright law instead of the actual legal aspects that apply to course reserves. Author Brice Austin, Head of Circulation and Interlibrary Loan Services at the University of Colorado, presents practical strategies for adapting your reserves to the changing world of higher education, focusing on new teaching methods and electronic resources. In addition to providing a historical overview of reserves and copyrights, Reserves, Electronic Reserves, and Copyright: The Past and the Future offers practical methods for getting the copyright flexibility you need from your course reserves by emphasizing economic instead of legal arguments. You'll find strategies for protecting yourself against a decline in the significance of course reserves as libraries and publishers move from print-based to electronic formats. The book encourages you to take a proactive stance on the future of your reserves operation by: 1) exploiting your position as publishers' customers to your advantage, 2) making full use of Fair Use, and 3) forging partnerships with other campus entities in order to offer expanded, multifaceted reserves services. Reserves, Electronic Reserves, and Copyright: The Past and the Future examines: the origins of the practice of setting materials aside from the main library collection the introduction of a “new method of photography”—the copy machine the 1976 copyright law revisions, including fair use, reproductions by libraries, and classroom guidelines lawsuits against New York University and Kinko’s Graphics Corporation the history of electronic reserves and much more! Reserves, Electronic Reserves, and Copyright: The Past and the Future also contains several appendices, including Section 108 of the United States Copyright Law and “Applying Fair Use in the Development of Electronic Reserves Systems” from the Association of Research Libraries (ARL). The book is an invaluable professional resource for librarians at academic institutions, especially those charged with administering electronic reserves.
Author: Lee Andrew Hilyer
Publisher: Routledge
ISBN: 0789031280
Category : Language Arts & Disciplines
Languages : en
Pages : 163
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Book Description
Interlibrary Loan and Document Delivery is a how-to guide to organizing an interlibrary loan department, providing extensive content on copyright law, ILL management systems, and human resources. This comprehensive book includes an introduction to ILL operations, governing policies, up-to-date information on borrowing and lending, and considerations for medicals libraries and distance learning. It also includes an extensive listing of resources relevant to today's ILL that serves as a handy desk reference when problem solving and investigating ways to improve service delivery.
Author: Cherié L. Weible
Publisher: American Library Association
ISBN: 0838910815
Category : Education
Languages : en
Pages : 144
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Book Description
Guidance on how to do ILL efficiently and effectively, with advice on being a considerate borrower and lender.
Author: Karen Rupp-Serrano
Publisher: Routledge
ISBN: 1136438718
Category : Language Arts & Disciplines
Languages : en
Pages : 202
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Book Description
Seasoned professionals examine essential licensing issues Licensing in Libraries: Practical and Ethical Aspects is designed to help librarians, publishers, students, and professionals in library licensing stay at the forefront of this rapidly evolving field. Experienced professionals present state-of-the-art information on licensing issues, including interlibrary loan contract management, end-user education, pricing models for electronic materials, copyright, public domain issues, e-books, consortial licensing, licensing software, and legal aspects of licensing, as well as an important historical perspective on the development of the field. Licensing in Libraries provides publishers with important considerations that impact their roles as vendors of licensed products. Licensing professionals can update their knowledge with a close look at the controversial issues surrounding licensing special collections, digital rights management, and producers’ concerns about content. The book also looks at the role of the Copyright Clearance Center regarding compliance in the electronic environment. Licensing in Libraries examines: licensing from both a vendor and consumer perspective software to help manage licenses factors for vendors to consider when deciding on pricing models current information on the more complex levels of licensing the developing world of e-book licensing licensing laws of concern to librarians the impact that licensing has on library services educating patrons about products they will use
Author: Kenneth D. Crews
Publisher: American Library Association
ISBN: 9780838909065
Category : Education
Languages : en
Pages : 156
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Book Description
"This newly revised and updated edition by respected copyright authority Crews offers timely insights and succinct guidance for LIS students,librarians, and educators alike"--
Author: Janice M. Bogstad
Publisher: McFarland
ISBN: 078648473X
Category : Performing Arts
Languages : en
Pages : 312
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Book Description
This group of new critical essays offers multidisciplinary analysis of director Peter Jackson's spectacularly successful adaptations of J.R.R. Tolkien's Lord of the Rings trilogy: The Fellowship of the Ring (2001), The Two Towers (2002) and The Return of the King (2003). Part One of the collection, "Techniques of Structure and Story," compares and contrasts the organizational principles of the books and films. Part Two, "Techniques of Character and Culture," focuses on the methods used to transform the characters and settings of Tolkien's narrative into the personalities and places visualized on screen. Each of the sixteen essays includes extensive notes and a separate bibliography. Instructors considering this book for use in a course may request an examination copy here.
Author: Gypsey Elaine Teague
Publisher: Cambridge Scholars Publishing
ISBN: 1443830747
Category : Fiction
Languages : en
Pages : 199
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Book Description
In November 2010, a small but growing group of Victorian Alternate Historians, often referred to as Steampunk, met for the first conference of its kind. There was music, fashion, merchants, and all the other trappings of the Victorian time period set in a venue of “what if.” What set this conference apart was the academic nature of the presentations. Utilizing the internet and scholarly publications, a call for papers was sent out and the response was impressive. Faculty, graduate students, specialists, and general interest writers wrote, prepared, and presented on a wide array of subject matters. This publication is the culmination of those presentations. Before, during, and after the conference, Steampunk became a much debated and discussed subject on our list servers and emails. While some had no idea what Steampunk was and others had an idea that they thought was correct, there was no “one size fits all” definition to this new genre. It was at that point that a number of us that had been at the conference sat down and tried to describe the phenomenon. This is what we came up with: Steampunk is a juxtaposition of science fiction, fantasy, and Victorian alternate history. Its roots are in the literature and architecture of the late 19th century while having its branches reach into the future. It is The League of Extraordinary Gentlemen, the music of Abney Park, the engineering of Nikola Tesla, and the aviation of helium and hot air. In the 1980s a subculture of science fiction found a foothold in literature and science fiction conventions. These “paths not taken” alternative histories gave the cyberpunk and Goth followers at the conventions a new path to follow. There were the works of H. G. Wells, the undersea submersible of Captain Nemo in Verne’s 20,000 Leagues Under the Sea, and the Victorian work of Mary Shelley’s Frankenstein to start with. Add to that the architecture of the Victorian age as a gentrification in many of the inner cities of America and England, and you have a breeding ground for something not quite realized but possibly attainable.
Author: Janet Brennan Croft
Publisher: McFarland
ISBN: 147666854X
Category : Performing Arts
Languages : en
Pages : 221
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Book Description
The BBC America series Orphan Black (2013-2017) won acclaim for its compelling writing, resonant themes and innovative special effects. And for the bravura acting of Tatiana Maslany, who plays an ever-growing number of clones drawn into an increasingly dangerous world of cutting-edge science, corporate espionage, military secrets and religious fanaticism. Heir to pioneering shows centered on strong female characters, such as Buffy the Vampire Slayer, Dollhouse, Lost and Xena: Warrior Princess, Orphan Black models the current Golden Age of serial-form storytelling, with themes of identity, bodily autonomy, gender and sexuality playing against corporate greed and its co-opting of science. This collection of new essays analyzes the diverse clone characters and the series, covering topics including motherhood, surveillance culture, mythology, eugenics, and special effects, as well as the science behind cloning.
