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Author: Michael Duncan
Publisher: L'ERMA di BRETSCHNEIDER
ISBN: 9781555952761
Category : Art
Languages : en
Pages : 176
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Book Description
The work of the acclaimed visionary artist Eugene Berman taps into a fascinating and little-known undercurrent in twentieth-century aesthetics. Variously labeled neo-Romantics, fantacists, neo-humanists, and magic realists, Berman and his peers ignored the formalist dicta of modernism to explore lyrical, emotive, and highly personal realms deemed the "melancholic sublime." In High Drama, Michael Duncan's exploration of the beliefs, styles, and legacy of the "melancholic sublime," and the biographies and reproductions of the work of thirty-five artists, complete a thorough look at a school of great interest, ripe for rediscovery by today's museum-goers and readers. The remarkable paintings and drawings of Eugene Berman seem at first glance to delineate a self-contained, private realm. But, in truth, his precise depictions of decadent beauty and ruin reflect an attitude towards the past thatis shared by a fascinating array of artist from both his own time and today. 75 colour & 50 b/w illustrations
Author: Michael Duncan
Publisher: L'ERMA di BRETSCHNEIDER
ISBN: 9781555952761
Category : Art
Languages : en
Pages : 176
Get Book Here
Book Description
The work of the acclaimed visionary artist Eugene Berman taps into a fascinating and little-known undercurrent in twentieth-century aesthetics. Variously labeled neo-Romantics, fantacists, neo-humanists, and magic realists, Berman and his peers ignored the formalist dicta of modernism to explore lyrical, emotive, and highly personal realms deemed the "melancholic sublime." In High Drama, Michael Duncan's exploration of the beliefs, styles, and legacy of the "melancholic sublime," and the biographies and reproductions of the work of thirty-five artists, complete a thorough look at a school of great interest, ripe for rediscovery by today's museum-goers and readers. The remarkable paintings and drawings of Eugene Berman seem at first glance to delineate a self-contained, private realm. But, in truth, his precise depictions of decadent beauty and ruin reflect an attitude towards the past thatis shared by a fascinating array of artist from both his own time and today. 75 colour & 50 b/w illustrations
Author: Vincent Arthur De Luca
Publisher: Princeton University Press
ISBN: 1400861780
Category : Literary Criticism
Languages : en
Pages : 255
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Book Description
William Blake called himself a "sublime Artist" and acknowledged his own power to create "the Most Sublime Poetry." Words of Eternity reveals the fundamental importance of the term "sublime" in a defining of Blake's poetic achievement. This first full-length study of Blake and the sublime demonstrates that a sophisticated theory of sublimity permeates his writings, serving him as a personal poetics, a framework in which the difficulties and unusual strategies of the works find their rationale. Vincent De Luca combines historically grounded source study with insights from modern critical theories of textuality to identify Blake's two opposing conceptions of sublimity--a sublime of obscurity, terror, and material power and one of determinate, concentrated intellectual design. De Luca examines the interplay between these two modes from differing perspectives--theoretical, stylistic, and thematic. As the perspectives widen, they embrace many of the speculative systems of Blake's time and reveal these systems as various displaced modalities of an underlying sublime discourse. "Words of Eternity is one of the dozen or so most important books ever written about Blake's poetry. De Luca provides a wealth of new insights on every page."--Robert N. Essick, University of California, Riverside "With the context that this book supplies, we take a quantum leap in the sense we can make of Blake's project. De Luca opens our eyes to a Blake, and a sublime, that will never again be the same for us."--Nelson Hilton, University of Georgia Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Christopher Kitson
Publisher: SUNY Press
ISBN: 1438474172
Category : Literary Criticism
Languages : en
Pages : 224
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Book Description
Pairs literary works with philosophical and theoretical texts to examine how the Kantian sublime influenced authors in their treatments of freedom and subjectivity throughout the late nineteenth and early twentieth centuries. Legacies of the Sublime offers a highly original, subtle, and persuasive account of the aesthetics of the sublime in late nineteenth- and early twentieth-century literature, philosophy, and science. Christopher Kitson reveals the neglected history of how Kant’s theory of the sublime in the Critique of Judgment cast a shadow over the next century and more of literature and thought. In each chapter, close readings weave together literary works with philosophical and scientific ones in order to clarify the complex dialogues between them. Through these readings, Kitson shows how the sublime survived well after the heyday of romanticism as a way of representing human freedom. This new context produces fresh interpretations of canonical literary works, by Thomas Carlyle, H. G. Wells, Joseph Conrad, and James Joyce, with reference to important theoretical texts by Karl Marx and Friedrich Engels, Arthur Schopenhauer, Friedrich Nietzsche and Sigmund Freud. Kitson follows the sublime’s various manifestations and mutations, through the nineteenth century’s industrial grandeur and the vertiginous prospects of deep time, into the early twentieth century’s darkly ironic and uncanny versions. A welcome contribution to the study of the long nineteenth century, this work reveals an unexamined chapter in intellectual history and in the story of the modern self. “Kitson is well versed in the theory of the sublime and demonstrates detailed knowledge and understanding of primary texts and contexts. His close readings of key passages contribute to a richly textured, persuasive argument.” — Philip Shaw, author of The Sublime
Author: Daniel O. Dahlstrom
Publisher: CUA Press
ISBN: 0813215218
Category : Philosophy
Languages : en
Pages : 286
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Book Description
The essays trace carefully the histories of the influences of earlier thinkers and their legacies upon later thinkers.
Author: Carmen Casaliggi
Publisher: Routledge
ISBN: 1136273484
Category : Literary Criticism
Languages : en
Pages : 310
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Book Description
This book visits the Romantic legacy that was central to the development of literature and culture from the 1830s onward. Although critical accounts have examined aspects of this long history of indebtedness, this is the first study to survey both Nineteenth and Twentieth century culture. The authors consider the changing notion of Romanticism, looking at the diversity of its writers, the applicability of the term, and the ways in which Romanticism has been reconstituted. The chapters cover relevant historical periods and literary trends, including the Romantic Gothic, the Victorian era, and Modernism as part of a dialectical response to the Romantic legacy. Contributors also examine how Romanticism has been reconstituted within postmodern and postcolonial literature as both a reassessment of the Modernist critique and of the imperial contexts that have throughout this time-frame underpinned the Romantic legacy, bringing into focus the contemporaneity of Romanticism and its political legacy. This collection reveals the diversity and continuing relevance of the genre in new and exciting ways, offering insights into writers such as Browning, Ruskin, Pater, Wilde, Lewis, MacNeice, and Auster.
Author: Ryan Cady
Publisher: Z2 Comics
ISBN:
Category : Comics & Graphic Novels
Languages : en
Pages : 149
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Book Description
CELEBRATING THE ICONIC LEGACY OF SUBLIME WITH THE OFFICIAL GRAPHIC NOVEL The laid-back Long Beach trio spawned an entire genre—fusing reggae grooves, punk grittiness, ska energy, back-porch folk introspection, and hip-hop swagger. The band goes from playing backyard parties and selling cassettes out of the trunks of their cars to creating an entirely new and revolutionary blend of chart-topping music. Xanadu meets Superbad in this heartfelt anthology of SUBLIME legends brought to life by RYAN CADY (Green Lantern, Poppy’s Inferno), AUDREY MOK (Archie), ALEX DIOTTO (Youth), HAYDEN SHERMAN (Angel & Spike), LOGAN FAERBER (‘Namwolf), rising stars BILL MASUKU, ROBERT AHMAD and JULIANNE GRIEPP. Featuring brand-new cover artwork by SUBLIME family members OPIE ORTIZ and DJ PRODUCT ©1969! Plus: the one and only LOU DOG!
Author: Jose Luis Venegas
Publisher: Northwestern University Press
ISBN: 0810137313
Category : Literary Criticism
Languages : en
Pages : 333
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Book Description
The Sublime South: Andalusia, Orientalism, and the Making of Modern Spain is the first systematic study on cultural images of Andalusia as Spain’s “Orient” and the impact they have had on nation-building and modernization since the late nineteenth century. While a wealth of studies have examined how northern Europeans from the Romantic period viewed Spain and Andalusia as Europe’s Orient, little attention has been paid to how contemporary Spanish artists and intellectuals assimilated Romantic legacies to engage in an internal form of orientalism. José Luis Venegas deftly explores Spain’s shifting engagements with oriental identity and otherness by looking, not just beyond national, ethnic, and racial borders, but at a territory that is institutionally embedded in the nation-state while symbolically placed between inclusion and abjection. The Sublime South shifts the focus and scale of Edward Said’s notion of orientalism by examining how it evolves and manifests transnationally, as the result of European colonialism in Africa and Asia, and intra-nationally, in a European yet orientalized country. Finally, Venegas challenges ethnocentric notions of Iberian cultures and fosters an understanding of the encounters between Western and Muslim cultures beyond opposing, and often mutually negating, essentialisms.
Author: Douglas Morrey
Publisher: Bloomsbury Publishing USA
ISBN: 1501311905
Category : Performing Arts
Languages : en
Pages : 273
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Book Description
In this study of the impact and influence of the New Wave in French cinema, Douglas Morrey looks at both the subsequent careers of New Wave filmmakers and the work of later film directors and film movements in France. This book is organized around a series of key moments from the past 50 years of French cinema in order to show how the meaning and legacy of the New Wave have shifted over time and how the priorities, approaches and discourses of filmmakers and film critics have changed over the years. Morrey tackles key concepts such as the auteur, the relationship of form and content, gender and sexuality, intertextuality and rhythm. Filmmakers discussed include Godard, Truffaut, Varda, Chabrol and Rohmer plus Philippe Garrel, Luc Besson, Leos Carax, Bruno Dumont, the Dardenne brothers, Christophe Honoré, François Ozon and Jacques Audiard.
Author: Jonathon Shears
Publisher: Routledge
ISBN: 1351882430
Category : Literary Criticism
Languages : en
Pages : 354
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Book Description
The Romantic Legacy of Paradise Lost offers a new critical insight into the relationship between Milton and the Romantic poets. Beginning with a discussion of the role that seventeenth and eighteenth-century writers like Dryden, Johnson and Burke played in formulating the political and spiritual mythology that grew up around Milton, Shears devotes a chapter to each of the major Romantic poets, contextualizing their 'misreadings' of Milton within a range of historical, aesthetic, and theoretical contexts and discourses. By tackling the vexed issue of whether Paradise Lost by its nature makes available and encourages alternate readings or whether misreadings are imposed on the poem from without, Shears argues that the Romantic inclination towards fragmentation and a polysemous aesthetic leads to disrupted readings of Paradise Lost that obscure the theme, or warp the 'grain', of the poem. Shears concludes by examining the ways in which the legacy of Romantic misreading continues to shape critical responses to Milton's epic.
Author: Marco Brusotti
Publisher: Bloomsbury Publishing
ISBN: 1350035580
Category : Philosophy
Languages : en
Pages : 321
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Book Description
Nietzsche has often been considered a thinker independent of the philosophy of his time and radically opposed to the concerns and concepts of modern and contemporary philosophy. But there is an increasing awareness of his sophisticated engagements with his contemporaries and of his philosophy's rich potential for debates with modern and contemporary thinkers. Nietzsche's Engagements with Kant and the Kantian Legacy explores a significant field for such engagements, Kant and Kantianism. Bringing together an international team of established Nietzsche-scholars who have done extensive work in Kant, contributors include both senior scholars and young, upcoming researchers from a broad range of countries and traditions. Working from the basis that Nietzsche is better understood as thinking 'with and against' Kant and the Kantian legacy, they examine Nietzsche's explicit and implicit treatments of Kant, Kantians, and Kantian concepts, as well as the philosophical issues that they raise for both Nietzschean and Kantian philosophy. Divided into three volumes, the focus is on specific areas and texts of Kant's philosophy: Nietzsche, Kant and the Problem of Metaphysics; Nietzsche and Kantian Ethics; Nietzsche and Kant on Aesthetics and Anthropology . Each volume draws extensively on the flourishing recent literature from both analytic and continental traditions in English, German and other languages. By responding to scholarly interest in the critical relations between Nietzsche and Kant, this series of volumes presents the first systematic study of the pairing of two major European thinkers from the modern period.
