Left Intellectuals & Popular Culture in Twentieth-century America PDF Download
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Author: Paul R. Gorman
Publisher: UNC Press Books
ISBN: 9780807845561
Category : Social Science
Languages : en
Pages : 260
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Book Description
Since the late nineteenth century, American intellectuals have consistently criticized the mass arts, charging that entertainments ranging from popular theater, motion pictures, and dance halls to hit records, romance novels, and television are harmful to
Author: Paul R. Gorman
Publisher: UNC Press Books
ISBN: 9780807845561
Category : Social Science
Languages : en
Pages : 260
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Book Description
Since the late nineteenth century, American intellectuals have consistently criticized the mass arts, charging that entertainments ranging from popular theater, motion pictures, and dance halls to hit records, romance novels, and television are harmful to
Author: Douglas Tallack
Publisher: Routledge
ISBN: 1317870581
Category : Literary Criticism
Languages : en
Pages : 454
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Book Description
The multi-volume Longman literature in English series aims to provide students of literature with a critical introduction to the major genres in their historical and cultural context. This book looks at cinema, painting and architecture in 20th-century America, as well as the culture of politics.
Author: Richard Rorty
Publisher:
ISBN: 9780674003125
Category : Philosophy
Languages : en
Pages : 159
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Book Description
One of America's foremost philosophers challenges the lost generation of the American Left to understand the role it might play in the great tradition of democratic intellectual labor that started with writers such as Walt Whitman and John Dewey.
Author: Arthur Redding
Publisher: Rowman & Littlefield
ISBN: 1498512674
Category : History
Languages : en
Pages : 171
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Book Description
What use is thinking? This study addresses the ways in which modern American thinkers have intervened in the public sphere and attempted to mediate relations between social and political institutions and cultural and intellectual production. Chapters on both well-known (Henry Adams, Langston Hughes, C. Wright Mills, Angela Davis) and neglected (Randolph Bourne, Mary McCarthy, Paul Goodman) public intellectuals considers how these figures have address a range of problems, including the dangers and difficulty of critical dissent thought during wartime, the contemporary crisis of the humanities under neoliberalism, the legacy of American anti-intellectualism, academic professionalism, and the perils of consumer culture and popular tastes. This book reviews in as critically sympathetic a manner as possible a select few of the minor and major currents of twentieth-century American radical thinking in order to see where they might take us, and how they inflect our current social and intellectual predicaments. Arguing that any "use-value" theory of intellectual production is limiting, Radical Legacies endeavors to maintain and expand a space and reassert an argument for the importance of sustained critical reflection on our collective dilemmas today. It assesses a practice of thought that is engaged, committed, involved, and timely, without being necessarily “practical” or even useful.
Author: Michael Denning
Publisher: Verso
ISBN: 9781859841709
Category : Art
Languages : en
Pages : 596
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Book Description
As garment workers, longshoremen, autoworkers, sharecroppers and clerks took to the streets, striking and organizing unions in the midst of the Depression, artists, writers and filmmakers joined the insurgent social movement by creating a cultural front. Disney cartoonists walked picket lines, and Billie Holiday sand 'Strange Fruit' at the left-wing cabaret, Café Society. Duke Ellington produced a radical musical, Jump for Joy, New York garment workers staged the legendary Broadway revue Pins and Needles, and Orson Welles and his Mercury players took their labor operas and anti-fascist Shakespeare to Hollywood and made Citizen Kane. A major reassessment of US cultural history, The Cultural Front is a vivid mural of this extraordinary upheaval which reshaped American culture in the twentieth century.
Author: Juan A. Suárez
Publisher: University of Illinois Press
ISBN: 0252054237
Category : Performing Arts
Languages : en
Pages : 338
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Book Description
Pop Modernism examines the popular roots of modernism in the United States. Drawing on a wide range of materials, including experimental movies, pop songs, photographs, and well-known poems and paintings, Juan A. Suárez reveals that experimental art in the early twentieth century was centrally concerned with the reinvention of everyday life. Suárez demonstrates how modernist writers and artists reworked pop images and sounds, old-fashioned and factory-made objects, city spaces, and the languages and styles of queer and ethnic “others.” Along the way, he reinterprets many of modernism’s major figures and argues for the centrality of relatively marginal ones, such as Vachel Lindsay, Charles Henri Ford, Helen Levitt, and James Agee. As Suárez shows, what’s at stake is not just an antiquarian impulse to rescue forgotten past moments and works, but a desire to establish an archaeology of our present art, culture, and activism.
Author: Jon Sterngass
Publisher: Johns Hopkins University Press+ORM
ISBN: 0801876966
Category : Social Science
Languages : en
Pages : 569
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Book Description
“[A] scrupulously researched and beautifully crafted account of how nineteenth-century Americans went in search of health, rest, and diversion.” —Lena Lencek and Gideon Bosker, coauthors of The Beach. The History of Paradise on Earth In First Resorts: Pursuing Pleasure at Saratoga Springs, Newport, and Coney Island, Jon Sterngass follows three of the best-known northeastern American resorts across a century of change. Saratoga Springs, Newport, and Coney Island began, he finds, as similar pleasure destinations, each of them featuring “grand” hotels where visitors swarmed public spaces such as verandas, dining rooms, and parlors. As the century progressed, however, Saratoga remained much the same, while Newport turned to private (and lavish) “cottages” and Coney Island shifted its focus to amusements for the masses. Fifty-nine illustrations enliven Sterngass’s unique study of the commodification of pleasure that occurred as capitalist values flourished, travel grew more accessible, and leisure time became democratized. These three resorts, he argues, served as forerunners of twentieth-century pleasure cities such as Aspen, Las Vegas, and Orlando. “An engaging, creative book replete with evocative illustrations and witty quotes . . . a pleasant read.” —Thomas A. Chambers, New York Academy of History “Sterngass’s discussions about privacy, community, commercialization, consumption, leisure, and the desire to be conspicuous are important and new. With its well-chosen illustrations, this is a handsome book as well as an important one.” —Kathryn Allamong Jacob, Radcliffe Institute for Advanced Study, Harvard University “Having mined every conceivable source about his three sites, Sterngass has presented a wealth of interesting material not only about the resort experience but also about the residents, politicians, and entrepreneurs who built them.” —Journal of American History
Author: Kathleen Tyner
Publisher: Routledge
ISBN: 1135690855
Category : Education
Languages : en
Pages : 304
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Book Description
An exploration of the jucture between media education and educational technology, for communication educators, education administrators
Author: Charles F. McGovern
Publisher: Univ of North Carolina Press
ISBN: 080787664X
Category : History
Languages : en
Pages : 553
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Book Description
At the turn of the twentieth century, an emerging consumer culture in the United States promoted constant spending to meet material needs and develop social identity and self-cultivation. In Sold American, Charles F. McGovern examines the key players active in shaping this cultural evolution: advertisers and consumer advocates. McGovern argues that even though these two professional groups invented radically different models for proper spending, both groups propagated mass consumption as a specifically American social practice and an important element of nationality and citizenship. Advertisers, McGovern shows, used nationalist ideals, icons, and political language to define consumption as the foundation of the pursuit of happiness. Consumer advocates, on the other hand, viewed the market with a republican-inspired skepticism and fought commercial incursions on consumer independence. The result, says McGovern, was a redefinition of the citizen as consumer. The articulation of an "American Way of Life" in the Depression and World War II ratified consumer abundance as the basis of a distinct American culture and history.
Author: Lea Jacobs
Publisher: Univ of California Press
ISBN: 0520941535
Category : Performing Arts
Languages : en
Pages : 373
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Book Description
The Decline of Sentiment seeks to characterize the radical shifts in taste that transformed American film in the jazz age. Based upon extensive reading of trade papers and the popular press of the day, Lea Jacobs documents the films and film genres that were considered old-fashioned, as well as those dubbed innovative and up-to-date, and looks closely at the works of filmmakers such as Erich von Stroheim, Charlie Chaplin, Ernst Lubitsch, and Monta Bell, among many others. Her analysis—focusing on the influence of literary naturalism on the cinema, the emergence of sophisticated comedy, and the progressive alteration of the male adventure story and the seduction plot—is a comprehensive account of the modernization of classical Hollywood film style and narrative form.
