Author: Paul Laity
Publisher: Orion Publishing Company
ISBN: 9780575072213
Category : Fiction
Languages : en
Pages : 254
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Book Description
The Left Book Club is something of a legend. Founded in 1936 to distribute cheap, radical books, it was a spectacular success, with nearly 60,000 members at its peak. Always controversial, its famous orange volumes told stories of life in Britain's industrial towns, rebellion in Hitler's Germany, and heroism in the Spanish Civil War. This anthology goes back to the monthly selections themselves and recaptures the fervor and idealism of the 1930s. It includes extracts from many of the Club's most popular books, including Orwell's The Road to Wigan Pier, Koestler's Spanish Testament, Edgar Snow's Red Star Over China, and Wilfred Macartney's Walls Have Mouths. Paul Laity introduces each extract and contributes an excellent general introduction explaining the political and cultural context of the Club.
Author: Amy Jane Barnes
Publisher: Routledge
ISBN: 1317093003
Category : Art
Languages : en
Pages : 319
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Book Description
The collection, interpretation and display of art from the People’s Republic of China, and particularly the art of the Cultural Revolution, have been problematic for museums. These objects challenge our perception of ’Chineseness’ and their style, content and the means of their production question accepted notions of how we perceive art. This book links art history, museology and visual culture studies to examine how museums have attempted to reveal, discuss and resolve some of these issues. Amy Jane Barnes addresses a series of related issues associated with collection and display: how museums deal with difficult and controversial subjects; the role they play in mediating between the object and the audience; the role of the Other in the creation of Self and national identities; the nature, role and function of art in society; the museum as image-maker; the impact of communism (and Maoism) on the cultural history of the twentieth-century; and the appropriation of communist visual iconography. This book will be of interest to researchers and students of museology, visual and cultural studies as well as scholars of Chinese and revolutionary art.
Author: M. Fishburn
Publisher: Springer
ISBN: 0230583660
Category : History
Languages : en
Pages : 239
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Book Description
This provocative new work examines the years between the Nazi book fires and the publication of Ray Bradbury's Fahrenheit 451 (1953), a period when book burning captured the popular imagination. It explores how embedded the myths of book burning have become in our cultural history, and illustrates the enduring appeal of a great cleansing bonfire.
Author: Deirdre David
Publisher: Oxford University Press
ISBN: 0198729618
Category : Biography & Autobiography
Languages : en
Pages : 349
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Book Description
Biography of the English writer and critic Pamela Hansford Johnson (1912 - 1981).
Author: Bill Jones
Publisher: University of Wales Press
ISBN: 1783160853
Category : Literary Criticism
Languages : en
Pages : 259
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Book Description
These Poor Hands: The Autobiography of a Miner Working in South Wales', was first published in June 1939. It was an instant bestseller, and its fame catapulted its author into the front rank of 'proletarian writers'. B. L. Coombes, an English-born migrant, had lived in the Vale of Neath since before the First World War, but only turned to writing in the 1930s as a way of communicating the plight of the miners and their communities to the wider world. "These Poor Hands" presents, in a documentary style, the working life of the miner as well as the author's experiences in the lock-outs of 1921 and 1926. It demonstrates Coombes' desire to offer an accurate account of the lives of miners and their families, and carries a sincere moral charge in its description of the waste of human potential that is industrial capitalism in decline. Long out of print, "These Poor Hands" has been recognised for over sixty years as the classic miner's autobiography.
Author: Don Watson
Publisher: Bloomsbury Publishing
ISBN: 1350232068
Category : Performing Arts
Languages : en
Pages : 225
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Book Description
This study of British amateur theatre in the inter-war period examines five different but interwoven examples of the belief, common in theatrical and educational circles at the time, that amateur drama had a purpose beyond recreation. Amateur theatre was at the height of its popularity as a cultural practice between the wars, so that by 1939 more British people had practical experience of putting on plays than at any time before or since. Providing an original account of the use of drama in adult education projects in deprived areas, and of amateur theatre in government-funded centres for the unemployed in the 1930s, it discusses repertoires, participation by working- class people and pioneering techniques of play-making. Amateur drama festivals and competitions were intended to raise standards and educate audiences. This book assesses their effect on play-making, and the use of innovative one-act plays to express contentious material, as well as looking at the Left Book Club Theatre Guild as an attempt to align the amateur theatre movement with anti-fascist and anti-war movements. A chapter on the Second World War rectifies the neglect of amateur theatre in war-time cultural studies, arguing that it was present and important in every aspect of war-time life. Don Watson builds on current scholarship and makes use of archival sources, local newspapers, unpublished scripts and the records of organizations not usually associated with the theatre. His work explores the range and diversity of amateur drama between the wars and the contributions it made to British theatre.
Author: Amy Sargeant
Publisher: Bloomsbury Publishing
ISBN: 1838714758
Category : Performing Arts
Languages : en
Pages : 720
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Book Description
Although new writing and research on British cinema has burgeoned over the last fifteen years, there has been a continued lack of single-authored books providing a coherent overview to this fascinating and elusive national cinema. Amy Sargeant's personal and entertaining history of British cinema aims to fill this gap. With its insightful decade-by-decade analysis, British Cinema is brought alive for a new generation of British cinema students and the general reader alike. Sargeant challenges Rachel Low's premise 'that few of the films made in England during the twenties were any good' by covering subjects as diverse as the art of intertitling, the narrative complexities of Shooting Stars and Brunel's burlesques. Sargeant goes onto examine among other things, the differing acting styles of Dietrich and Donat in the seminal Knight Without Armour to early promotional campaigns in the 1930s, whereas subjects ranging from product endorsement by stars to the character of the suburban wife are covered in the 1940s. The 1950s includes topics such as the effect of post-war government intervention, to Free Cinema and Lindsay Anderson's 'infuriating lapses of rigour', together with a much-needed overview of Michael Balcon's contribution to British cinema. For Sargeant, the 1960s provides an overview of the tentative relationship between film and advertising and the rise of young Turks such as Tony Richardson, Ken Loach, Donald Cammell and Nicolas Roeg.
Author: Antony Taylor
Publisher: A&C Black
ISBN: 1441121854
Category : History
Languages : en
Pages : 415
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Book Description
From the early years of the nineteenth century, cultural pessimists imagined in fiction the political forces that might bring about the destruction of London. Periods of popular protest or radicalism have generated novels that consider the methods insurgents might use to terrorise the metropolis. There has been a tendency to dismiss such writings as the lurid imaginings of pulp novelists but this book re-evaluates the contribution of popular fiction to the construction of the terrorist threat. It analyses the high-points for the production of such works, and locates them in their cultural and historical context. From the 1840s, when a fear of Chartist insurgency was paramount in the minds of authors, it moves through the anarchist thrillers of the 1890s, considers writers' fears about Bolshevik revolution in the East End of the 1920s and 1930s, explores fears of Fascism in the inter-war years, and assesses the concerns with underground counter-culture that feature in the thriller literature of the 1970s. It concludes with a re-evaluation of the metropolitan background to the figure of the Islamist terrorist.
Author: Sophie Scott-Brown
Publisher: Taylor & Francis
ISBN: 100062286X
Category : Biography & Autobiography
Languages : en
Pages : 261
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Book Description
Colin Ward and the Art of Everyday Anarchy is the first full account of Ward’s life and work. Drawing on unseen archival sources, as well as oral interviews, it excavates the worlds and words of his anarchist thought, illuminating his methods and charting the legacies of his enduring influence. Colin Ward (1924–2010) was the most prominent British writer on anarchism in the 20th century. As a radical journalist, later author, he applied his distinctive anarchist principles to all aspects of community life including the built environment, education, and public policy. His thought was subtle, universal in aspiration, international in implication, but, at the same time, deeply rooted in the local and the everyday. Underlying the breadth of his interests was one simple principle: freedom was always a social activity. This book will be of interest to students, scholars, and general readers with an interest in anarchism, social movements, and the history of radical ideas in contemporary Britain.
Author: Geraint Thomas
Publisher: Cambridge University Press
ISBN: 110858327X
Category : History
Languages : en
Pages : 373
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Book Description
This radical new reading of British Conservatives' fortunes between the wars explores how the party adapted to the challenges of mass democracy after 1918. Geraint Thomas offers a fresh perspective on the relationship between local and national Conservatives' political strategies for electoral survival, which ensured that Conservative activists, despite their suspicion of coalitions, emerged as champions of the cross-party National Government from 1931 to 1940. By analysing the role of local campaigning in the age of mass broadcasting, Thomas re-casts inter-war Conservatism. Popular Conservatism thus emerges less as the didactic product of Stanley Baldwin's consensual public image, and more concerned with the everyday material interests of the electorate. Exploring the contributions of key Conservative figures in the National Government, including Neville Chamberlain, Walter Elliot, Oliver Stanley, and Kingsley Wood, this study reveals how their pursuit of the 'politics of recovery' enabled the Conservatives to foster a culture of programmatic, activist government that would become prevalent in Britain after the Second World War.
