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Author: Museum of Contemporary Art (Chicago, Ill.)
Publisher:
ISBN:
Category : Art, Modern
Languages : en
Pages : 22
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Book Description
This collection contains ephemera, notes, drafts, correspondence, and press pertaining to the MCA exhibition Lee Bontecou.
Author: Museum of Contemporary Art (Chicago, Ill.)
Publisher:
ISBN:
Category : Art, Modern
Languages : en
Pages : 22
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Book Description
This collection contains ephemera, notes, drafts, correspondence, and press pertaining to the MCA exhibition Lee Bontecou.
Author: Lee Bontecou
Publisher: Menil Foundation
ISBN: 9780300204131
Category : Art
Languages : en
Pages : 0
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Book Description
The first survey of more than fifty years of drawing by a legendary sculptor and draftswoman Lee Bontecou (b. 1931) established a significant reputation in the 1960s with pioneering sculptures and reliefs made of raw and expressionistic materials. Her art is simultaneously organic and mechanical, and infused with biological, geological, and technological motifs. These same qualities also animate a less-known but compelling body of work: her drawings. Ranging from her early soot on paper works created using powder from a welding torch to recent drawings in pencil and colored pencil that evoke cosmoses and microcosmic worlds, this stunning book is the first retrospective survey of Bontecou's consistently innovative drawings. More than sixty full-color plates, populated by imagery ranging from black voids to mechanomorphs to hybrid descendants of teeth, plants, and fish, are complemented by original essays from leading scholars who explore themes such as the drawings' historical contexts, Bontecou's use of the iconography of the void, and the eco-apocalyptic themes of an artist who came of age in the roiling political atmosphere of the 1960s. Distributed for The Menil Collection Exhibition Schedule: The Menil Collection, Houston (01/31/14-05/11/14) Princeton University Art Museum (06/28/14-09/21/14)
Author: Lee Bontecou
Publisher:
ISBN:
Category : Drawing, American
Languages : en
Pages : 68
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Book Description
Author: Jeremy Melius
Publisher: Walther Konig Verlag
ISBN: 9783960980667
Category : Drawing, Abstract
Languages : en
Pages : 133
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Book Description
Since the 1960s, American artist Lee Bontecou has been internationally praised for her intriguing sculptures and installations. The rich, organic shapes of her sculptures seem to originate from a mysterious universe in which man's fears and desires are condensed. Recently the artist created Sandbox, a new installation in which she combines elements from her work from the 1960s to the present. A picture essay by Joan Banach, artist and friend of Bontecou, focuses on the genesis of Sandbox and maps the rich network of Bontecou's inspirations: pictures range from extracts from geological and historical books to images of works by old masters. The beautiful, detailed photographs were taken at the artist's studio. This publication also shows Bontecou's sketchbooks and the inspirational ?wall of drawings? in her studio. It is an intimate insight into the creative process of the artist. Published on the occasion of the exhibition at Gemeentemuseum Den Haag, The Hague, Netherlands, 25 February - 2 July 2017.
Author: Jo Applin
Publisher: Yale University Press
ISBN: 0300181981
Category : Art
Languages : en
Pages : 71
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Book Description
In America during the 1960s, sculpture as an artistic practice underwent a series of radical transformations. Artists including Lee Bontecou, Claes Oldenburg, Lucas Samaras, H. C. Westermann, and Bruce Nauman offered alternative ways of imagining the three-dimensional object. The objects they created were variously described as erotic, soft, figurative, aggressive, bodily, or, in the words of the critic Lucy Lippard, "eccentric." Looking beyond the familiar and canonic artworks of the 1960s, the book challenges not only how we think about these artists, but how we learn to look at the more familiar narratives of 1960s sculpture, such as Pop and Minimalism. Ambivalent and disruptive, the work of this decade articulated a radical renegotiation—rejection, even—of contemporary paradigms of sculptural practice. This invigorating study explores that shift and the ways in which the kinds of work made in this period defied established categories and questioned the criteria for thinking about sculpture.
Author: Emily Rothrum
Publisher: Skira Editore
ISBN: 9788857230658
Category : Sculpture, Abstract
Languages : en
Pages : 256
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Book Description
Half theWorld traces the ways in which women artists deftly transformed the language of sculpture to invent radically new forms and processes that privileged studio practice, tactility and the artist's hand. The volume seeks to identify the multiple strains of proto-feminist practices, characterized by abstraction and repetition, which rejected the singularity of the masterwork and rearranged sculptural form to be contingent upon the way the body moved around it in space. The catalogue begins in the immediate post-war era, with the first section spanning the late 1950s through the 1950s. Featuring historically important predecessors including Ruth Asawa, Lee Bontecou, Louise Bourgeois, Claire Falkenstein and Louise Nevelson, this section examines abstraction based on the human figure and the influence of the unconscious. The second section covers the decades of the 1960s and 1970s, and includes Magdalena Abakanowicz, Lynda Benglis, Heidi Bucher, Gego, François Grossen, Eva Hesse, Sheila Hicks, Marisa Merz, Mira Schendel, Michelle Stuart, Hannah Wilke, and Jackie Winsor, a generation of post-minimalist artists who ignited a revolution in their use of process-oriented materials and methods. In the 1980s and 1990s, the period explored in the third section, artists Phyllida Barlow, Isa Genzken, Cristina Iglesias, Liz Larner, Anna Maria Maiolino, Senga Nengudi, and Ursula von Rydingsvard moved beyond singular, three-dimensional objects toward architectonic works characterized by repetition, structure, and design. The final section is comprised of post-2000 works by artists Karla Black, Abigail DeVille, Sonia Gomes, Rachel Khedoori, Lara Schnitger, Shinique Smith, and Jessica Stockholder, artists who create installation-based environments, embracing domestic materials and craft as an embedded discourse.
Author: Christian Rattemeyer
Publisher: The Museum of Modern Art
ISBN: 9780870707452
Category : Art
Languages : en
Pages : 328
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Book Description
This collection of drawings was acquired by MOMA in 2005, and it as an extraordinary collection of over 2,500 works on paper. This exhibition presents over 300 of these works and includes a number of works that use collage, assemblage, appropriation and montage.
Author: Ian Berry
Publisher: Prestel Publishing
ISBN: 9783791350547
Category : Drawing
Languages : en
Pages : 0
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Book Description
'Twice Drawn' brings together an eclectic range of drawings from the last half-century to explore the influence and vigor of this persuasive yet commonly overlooked practice.
Author: Lee Bontecou
Publisher: Knoedler
ISBN:
Category : Art
Languages : en
Pages : 68
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Book Description
Text by Elisabeth Sussman.
Author: Alexandra Schwartz
Publisher: The Museum of Modern Art
ISBN: 0870706608
Category : Art, Modern
Languages : en
Pages : 266
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Book Description
This text examines the collection of feminist art in the Museum of Modern Art. It features essays presenting a range of generational and cultural perspectives.
