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Author: Andrew Cecil Bradley
Publisher: London : Macmillan, 1909, 1926 printing.
ISBN:
Category : Poetry
Languages : en
Pages : 418
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Book Description
Author: Andrew Cecil Bradley
Publisher: London : Macmillan, 1909, 1926 printing.
ISBN:
Category : Poetry
Languages : en
Pages : 418
Get Book Here
Book Description
Author: Andrew Cecil Bradley
Publisher:
ISBN:
Category : Poetry
Languages : en
Pages : 434
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Book Description
Author: Paul H. Fry
Publisher: Yale University Press
ISBN: 0300183364
Category : Literary Criticism
Languages : en
Pages : 389
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Book Description
Bringing his perennially popular course to the page, Yale University Professor Paul H. Fry offers in this welcome book a guided tour of the main trends in twentieth-century literary theory. At the core of the book's discussion is a series of underlying questions: What is literature, how is it produced, how can it be understood, and what is its purpose? Fry engages with the major themes and strands in twentieth-century literary theory, among them the hermeneutic circle, New Criticism, structuralism, linguistics and literature, Freud and fiction, Jacques Lacan's theories, the postmodern psyche, the political unconscious, New Historicism, the classical feminist tradition, African American criticism, queer theory, and gender performativity. By incorporating philosophical and social perspectives to connect these many trends, the author offers readers a coherent overall context for a deeper and richer reading of literature.
Author: A. C. Bradley
Publisher: Good Press
ISBN:
Category : Poetry
Languages : en
Pages : 232
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Book Description
Oxford Lectures on Poetry is a series of lectures by A. C. Bradley. Bradley was an English literary scholar. Excerpt: "The words 'Poetry for poetry's sake' recall the famous phrase 'Art for Art.' It is far from my purpose to examine the possible meanings of that phrase, or all the questions it involves. I propose to state briefly what I understand by 'Poetry for poetry's sake,' and then, after guarding against one or two misapprehensions of the formula, to consider more fully a single problem connected with it. And I must premise, without attempting to justify them, certain explanations. We are to consider poetry in its essence, and apart from the flaws which in most poems accompany their poetry. We are to include in the idea of poetry the metrical form, and not to regard this as a mere accident or a mere vehicle. And, finally, poetry being poems, we are to think of a poem as it actually exists; and, without aiming here at accuracy, we may say that an actual poem is the succession of experiences—sounds, images, thoughts, emotions—through which we pass when we are reading as poetically as we can.2 Of course this imaginative experience—if I may use the phrase for brevity—differs with every reader and every time of reading: a poem exists in innumerable degrees. But that insurmountable fact lies in the nature of things and does not concern us now."
Author: Frederick William Robertson
Publisher:
ISBN:
Category :
Languages : en
Pages : 169
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Book Description
Author: F. W. Robertson
Publisher: Literary Licensing, LLC
ISBN: 9781494171896
Category :
Languages : en
Pages : 170
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Book Description
This Is A New Release Of The Original 1906 Edition.
Author: Michael O'Neill
Publisher: Oxford University Press
ISBN: 0192570374
Category : Literary Criticism
Languages : en
Pages : 517
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Book Description
Through attuned close readings, this volume brings out the imaginative and formal brilliance of Percy Bysshe Shelley's writing as it explores his involvement in processes of dialogue and influence. Shelley recognizes that poetic individuality is the reward of connectedness with other writers and cultural influences. 'A great Poem is a fountain forever overflowing with the waters of wisdom and delight', he writes, 'and after one person and one age has exhausted all its divine effluence which their peculiar relations enable them to share, another and yet another succeeds, and new relations are ever developed, the source of an unforeseen and an unconceived delight' (A Defence of Poetry). He is among the major Romantic poetic exponents and theorists of influence, because of his passionately intelligent commitment to the onward dissemination of ideas and feelings, and to the unpredictable ways in which poets position themselves and are culturally positioned between past and future. The book has a tripartite structure. The first three chapters seek to illuminate his response to representative texts, figures, and themes that constitute the triple pillars of his cultural inheritance: the classical world (Plato); Renaissance poetry (Spenser and Milton); Christianity and, in particular, the concept of deity and the Bible. The second and major section of the book explores Shelley's relations and affinities with, as well as differences from, his immediate predecessors and contemporaries: Hazlitt and Lamb; Wordsworth; Coleridge; Southey; Byron; Keats (including the influence of Dante on Shelley's elegy for his fellow Romantic) and the great painter J. M. W. Turner, with whom he is often linked. The third section considers Shelley's reception by later nineteenth-century writers, figures influenced by and responding to Shelley including Beddoes, Hemans, Landon, Tennyson, and Swinburne. A coda discusses the body of critical work on Shelley produced by A. C. Bradley, a figure who stands at the threshold of twentieth-century thinking about Shelley.
Author: George Dawson
Publisher:
ISBN:
Category : Authors, English
Languages : en
Pages : 620
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Book Description
Author: Frederick William ROBERTSON (Incumbent of Trinity Chapel, Brighton.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 582
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Book Description
Author: Henry Reed
Publisher:
ISBN:
Category : British poetry
Languages : en
Pages : 424
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Book Description
