Author: John Ruskin
Publisher: Oxford, Clarendon Press
ISBN:
Category : Aesthetics, Modern
Languages : en
Pages : 220
Book Description
Lectures on Art Delivered Before the University of Oxford in Hilary Term, 1870
Author: John Ruskin
Publisher: Oxford, Clarendon Press
ISBN:
Category : Aesthetics, Modern
Languages : en
Pages : 220
Book Description
Publisher: Oxford, Clarendon Press
ISBN:
Category : Aesthetics, Modern
Languages : en
Pages : 220
Book Description
Lectures on Art
Author: Christian Michel
Publisher: Getty Publications
ISBN: 1606066463
Category : Art
Languages : en
Pages : 490
Book Description
For the first time, a critical selection of the Académie Royale de Peinture et de Sculpture’s highly influential conférences is available in English. Between 1667 and 1792, the artists and amateurs of the Académie Royale de Peinture et de Sculpture in Paris lectured on the Académie’s conférences, foundational documents in the theory and practice of art. These texts and the principles they embody guided artistic practice and art theory in France and throughout Europe for two centuries. In the 1800s, the Académie’s influence waned, and few of the 388 Académie lectures were translated into English. Eminent scholars Christian Michel and Jacqueline Lichtenstein have selected and annotated forty-two of the most representative lectures, creating the first authoritative collection of the conférences for readers of English. Essential to understanding French art of the seventeenth and eighteenth centuries, these lectures reveal what leading French artists looked for in a painting or sculpture, the problems they sought to resolve in their works, and how they viewed their own and others’ artistic practice.
Publisher: Getty Publications
ISBN: 1606066463
Category : Art
Languages : en
Pages : 490
Book Description
For the first time, a critical selection of the Académie Royale de Peinture et de Sculpture’s highly influential conférences is available in English. Between 1667 and 1792, the artists and amateurs of the Académie Royale de Peinture et de Sculpture in Paris lectured on the Académie’s conférences, foundational documents in the theory and practice of art. These texts and the principles they embody guided artistic practice and art theory in France and throughout Europe for two centuries. In the 1800s, the Académie’s influence waned, and few of the 388 Académie lectures were translated into English. Eminent scholars Christian Michel and Jacqueline Lichtenstein have selected and annotated forty-two of the most representative lectures, creating the first authoritative collection of the conférences for readers of English. Essential to understanding French art of the seventeenth and eighteenth centuries, these lectures reveal what leading French artists looked for in a painting or sculpture, the problems they sought to resolve in their works, and how they viewed their own and others’ artistic practice.
Durer's Journeys
Author: Susan Foister
Publisher: National Gallery London
ISBN: 9781857096675
Category : Art
Languages : en
Pages : 304
Book Description
Albrecht Durer's (1471-1528) travels across Europe in the early Renaissance led to a fascinating interchange of ideas with his fellow artists, both northern and southern. This book explores Durer's extensive influence on his contemporaries and his sources of inspiration, bringing together paintings, drawings, sculptures, glass, and prints by artists he may have encountered along the way. It also examines the complex development of Durer's own status as an artist entrepreneur and innovator in artistic theory.0 Durer's journal records his pursuit of commissions and details his visits to Italy, Antwerp, Cologne, Brussels, Ghent, and Bruges. During this time he produced a trove of landscapes, portraits, and animal drawings, and studies for larger projects, such as the painting of Saint Jerome that would become his most copied work. Durer's travels informed some of his most exciting and engaging works, and their visual legacy extended far beyond his lifetime and throughout the continent.00Exhibition: The National Gallery, London, UK(06.03.?13.06.2021) / Suermondt-Ludwig Museum, Aachen, Germany (18.07.-24.10.2021).
Publisher: National Gallery London
ISBN: 9781857096675
Category : Art
Languages : en
Pages : 304
Book Description
Albrecht Durer's (1471-1528) travels across Europe in the early Renaissance led to a fascinating interchange of ideas with his fellow artists, both northern and southern. This book explores Durer's extensive influence on his contemporaries and his sources of inspiration, bringing together paintings, drawings, sculptures, glass, and prints by artists he may have encountered along the way. It also examines the complex development of Durer's own status as an artist entrepreneur and innovator in artistic theory.0 Durer's journal records his pursuit of commissions and details his visits to Italy, Antwerp, Cologne, Brussels, Ghent, and Bruges. During this time he produced a trove of landscapes, portraits, and animal drawings, and studies for larger projects, such as the painting of Saint Jerome that would become his most copied work. Durer's travels informed some of his most exciting and engaging works, and their visual legacy extended far beyond his lifetime and throughout the continent.00Exhibition: The National Gallery, London, UK(06.03.?13.06.2021) / Suermondt-Ludwig Museum, Aachen, Germany (18.07.-24.10.2021).
The Art of Sculpture
Author: Herbert Read
Publisher:
ISBN: 9780691018119
Category : Sculpture
Languages : en
Pages : 420
Book Description
The description for this book, The Art of Sculpture, will be forthcoming.
Publisher:
ISBN: 9780691018119
Category : Sculpture
Languages : en
Pages : 420
Book Description
The description for this book, The Art of Sculpture, will be forthcoming.
The Intelligence of Art
Author: Thomas E. Crow
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 156
Book Description
Discusses writings by each of Meyer Shapiro, Claude Lévi-Strauss and Michael Baxandall.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 156
Book Description
Discusses writings by each of Meyer Shapiro, Claude Lévi-Strauss and Michael Baxandall.
Lectures on the Philosophy of Art
Author: Georg Wilhelm Friedrich Hegel
Publisher:
ISBN: 0199694826
Category : Art
Languages : en
Pages : 523
Book Description
Hegel gave lecture series on aesthetics or the philosophy of art in various university terms, but never published a book of his own on this topic. His student, H. G. Hotho, compiled auditors' transcripts from these separate lecture series and produced from them the three volumes on aesthetics in the standard edition of Hegel's collected works. Annemarie Gethmann-Siefert has now published one of these transcripts, the Hotho transcript of the 1823 lecture series, and accompanied it with a very extensive introductory essay treating many issues pertinent to a proper understanding of Hegel's views on art. She persuasively argues that the evidence shows Hegel never finalized his views on the philosophy of art, but modified them in significant ways from one lecture series to the next. In addition, she makes the case that Hotho's compilation not only concealed this circumstance, by the harmony he created out of diverse source materials, but also imposed some of his own views on aesthetics, views that differ from Hegel's and that the ongoing interpretation of the aesthetics part of Hegel's philosophy has unfortunately taken to be Hegel's own. This translation of the German volume, which contains the first publication of the Hotho transcript and Gethmann-Siefert's essay, makes these important materials accessible to the English reader, materials that should put the English-speaking world's future understanding and interpretation of Hegel's philosophy of art on a sounder footing.
Publisher:
ISBN: 0199694826
Category : Art
Languages : en
Pages : 523
Book Description
Hegel gave lecture series on aesthetics or the philosophy of art in various university terms, but never published a book of his own on this topic. His student, H. G. Hotho, compiled auditors' transcripts from these separate lecture series and produced from them the three volumes on aesthetics in the standard edition of Hegel's collected works. Annemarie Gethmann-Siefert has now published one of these transcripts, the Hotho transcript of the 1823 lecture series, and accompanied it with a very extensive introductory essay treating many issues pertinent to a proper understanding of Hegel's views on art. She persuasively argues that the evidence shows Hegel never finalized his views on the philosophy of art, but modified them in significant ways from one lecture series to the next. In addition, she makes the case that Hotho's compilation not only concealed this circumstance, by the harmony he created out of diverse source materials, but also imposed some of his own views on aesthetics, views that differ from Hegel's and that the ongoing interpretation of the aesthetics part of Hegel's philosophy has unfortunately taken to be Hegel's own. This translation of the German volume, which contains the first publication of the Hotho transcript and Gethmann-Siefert's essay, makes these important materials accessible to the English reader, materials that should put the English-speaking world's future understanding and interpretation of Hegel's philosophy of art on a sounder footing.
The Mediation of Ornament
Author: Oleg Grabar
Publisher: Princeton University Press
ISBN: 0691252769
Category : Art
Languages : en
Pages : 330
Book Description
How ornamentation enables a direct and immediate encounter between viewers and art objects Based on universal motifs, ornamentation occurs in many artistic traditions, though it reaches its most expressive, tangible, and unique form in the art of the Islamic world. The Mediation of Ornament shares a veteran art historian’s love for the sheer sensuality of Islamic ornamentation, but also uses this art to show how ornament serves as a consistent intermediary between viewers and artistic works from all cultures and periods. Oleg Grabar analyzes early and medieval Islamic objects, ranging from frontispieces in Yemen to tilework in the Alhambra, and compares them to Western examples, treating all pieces as testimony of the work, life, thought, and emotion experienced in one society. The Mediation of Ornament is essential reading for admirers of Islamic art and anyone interested in the ways of perceiving and understanding the arts more broadly.
Publisher: Princeton University Press
ISBN: 0691252769
Category : Art
Languages : en
Pages : 330
Book Description
How ornamentation enables a direct and immediate encounter between viewers and art objects Based on universal motifs, ornamentation occurs in many artistic traditions, though it reaches its most expressive, tangible, and unique form in the art of the Islamic world. The Mediation of Ornament shares a veteran art historian’s love for the sheer sensuality of Islamic ornamentation, but also uses this art to show how ornament serves as a consistent intermediary between viewers and artistic works from all cultures and periods. Oleg Grabar analyzes early and medieval Islamic objects, ranging from frontispieces in Yemen to tilework in the Alhambra, and compares them to Western examples, treating all pieces as testimony of the work, life, thought, and emotion experienced in one society. The Mediation of Ornament is essential reading for admirers of Islamic art and anyone interested in the ways of perceiving and understanding the arts more broadly.
Robert Lehman Lectures on Contemporary Art
Author:
Publisher:
ISBN:
Category : Art, Modern
Languages : en
Pages : 236
Book Description
Publisher:
ISBN:
Category : Art, Modern
Languages : en
Pages : 236
Book Description
The Painful Birth of the Art Book
Author: Francis Haskell
Publisher: Thames & Hudson
ISBN: 9780500550199
Category : Art
Languages : nl
Pages : 64
Book Description
Beschrijving van het ontstaan van de eerste kunstboeken, waarvoor het initiatief genomen werd in het 17e-eeuwse Rome.
Publisher: Thames & Hudson
ISBN: 9780500550199
Category : Art
Languages : nl
Pages : 64
Book Description
Beschrijving van het ontstaan van de eerste kunstboeken, waarvoor het initiatief genomen werd in het 17e-eeuwse Rome.
Creative Intuition in Art and Poetry
Author: Jacques Maritain
Publisher:
ISBN:
Category : Creation (Literary, artistic, etc.).
Languages : en
Pages : 536
Book Description
Publisher:
ISBN:
Category : Creation (Literary, artistic, etc.).
Languages : en
Pages : 536
Book Description