A Lecture on Stained Glass PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download A Lecture on Stained Glass PDF full book. Access full book title A Lecture on Stained Glass by Robert Anning Bell. Download full books in PDF and EPUB format.
Author: Robert Anning Bell
Publisher:
ISBN:
Category : Glass painting and staining
Languages : en
Pages : 15
Get Book Here
Book Description
Author: Robert Anning Bell
Publisher:
ISBN:
Category : Glass painting and staining
Languages : en
Pages : 15
Get Book Here
Book Description
Author: ROBERT ANNING. BELL
Publisher:
ISBN: 9781033723258
Category :
Languages : en
Pages : 0
Get Book Here
Book Description
Author: Paul Doros
Publisher: Vendome Press
ISBN: 9780865653047
Category : Art
Languages : en
Pages : 0
Get Book Here
Book Description
"With auction prices of Tiffany lamps soaring, collectors are turning to Tiffany's highly desirable art glass, or Favrile glass. These luminescent vessels seize--and continue to hold--the imagination. Author Paul Doros explores the full range of remarkably diverse and innovative styles and forms that Tiffany Studios produced. Former Curator of Glass at the Chrysler Museum of Art, Doros spent twenty-five years studying and researching the subject. His definitive account is accompanied by David Schlegel's masterly photography, which captures the exquisite delicacy of the "Flowerform" vases, the dramatically dripping golden flow of the "Lava" vases, the dazzling iridescence of the "Cypriote" vases, and much more. A must for all lovers of Tiffany, art glass, and the decorative arts"--
Author: Robert Anning Bell
Publisher: Forgotten Books
ISBN: 9780266792536
Category :
Languages : en
Pages : 20
Get Book Here
Book Description
Excerpt from A Lecture on Stained Glass The practical function of stained glass is comparable with that of mosaic. Mosaic is an enrichment of the shadow. Buildings def signed for mosaic usually have quite small windows, low down in the big domes or sparsely set in the side walls, and it is the mo saic enrichment of shadow, vaguely lit by reflected light from these windows, which gives it its highest beauty. The peculiar charm of mosaic depends largely on the gold treatment of the background, which is infinitely more attractive when seen on curved surfaces and lit from below. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Robert Anning Bell
Publisher: Forgotten Books
ISBN: 9781330082973
Category : Crafts & Hobbies
Languages : en
Pages : 20
Get Book Here
Book Description
Excerpt from A Lecture on Stained Glass My subject of Stained Glass is a very wide, vague, large sort of subject, and of course it is quite impossible to talk about it in any thorough way in the course of an evening. You want to write books about it. I thought it would be interesting to you, perhaps, to talk about the more recent variations and changes, the evolution in the use of glass. The fact that this modification in Stained Glass is very largely the work of artists trained in this College should interest you particularly. Stained Glass, commonly so-called - it is a misnomer, for it is really coloured and painted glass - is one of the three great Christian decorative arts: Mosaic, Stained Glass, Fresco. They are in sequence, roughly speaking, but they overlap. First, Mosaic in the earlier ten centuries. It began about the 4th century and went on to the Renaissance, when its character changed. You then get Stained Glass, overlapping it about the 12th century; and the third great Christian art is Fresco Painting, which flourished from the 14th century onward, following a long and slow development from a very early period. These three seem to be the main arts through which the expression of the Christian religious scheme, its story, and its emotion have been conveyed - Sculpture has found expression in all religions. They have a considerable sympathy in the fact that they all demand plain surfaces, flat or curved, and are all closely associated with architecture. Each of them also has been so important, so dominating, that it has affected the architectural treatment of the buildings which it was designed to adorn. Coloured and painted glass is the outstanding decorative treatment of the Gothic period - the age of the cathedrals. The earliest stained glass which we know is, I believe, of the 10th or 11th century, and there are but few examples existing now. The great period runs from about 1200 to 1550 or so in its full vigour. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Lucy Costigan
Publisher: The History Press Ireland
ISBN: 1845889711
Category : Art
Languages : en
Pages : 321
Get Book Here
Book Description
Strangest genius
Author: Adrian Barlow
Publisher: Lutterworth Press
ISBN: 0718845315
Category : Art
Languages : en
Pages : 147
Get Book Here
Book Description
Espying Heaven presents the first full-scale and full-colour survey of the achievement of Charles Eamer Kempe (1837-1907), the outstanding stained-glass designer of his era, and his Studio. From the start, Kempe gathered around him a close-knit team of artists and craftsmen who together developed his vision of a distinctive aesthetic setting for worship based on late medieval art, especially the stained glass of northern Europe. Espying Heaven illustrates the evolution of the 'Kempe style' and allows readers to judge for themselves the extent to which the later firm of C.E. Kempe & Co. (1907- 1934), set up by Kempe himself, succeeded in working within the tradition established by his founding artists. This book is meant to be a companion to Adrian Barlow's biographical study, Kempe: the Life, Art and Legacy of Charles Eamer Kempe (2018). In its own right, Espying Heaven both documents and celebrates a style of church art and decoration that has had a defining influence upon the Anglican Church worldwide. It highlights key features of Kempe glass, exploring questions of representation, symbolism and technique and suggesting new ways of 'reading' a Kempe window.
Author: Gilbert James French
Publisher:
ISBN:
Category : Glass painting and staining
Languages : en
Pages : 20
Get Book Here
Book Description
Author: Peter Cormack
Publisher: Paul Mellon Centre
ISBN: 9780300209709
Category : ANTIQUES & COLLECTIBLES
Languages : en
Pages : 0
Get Book Here
Book Description
An insightful corrective demonstrating the Arts and Crafts Movement's indelible impact on British and American stained glass Beautifully illustrated and based on more than three decades of research, Arts & Crafts Stained Glass is the first study of how the late-19th-century Arts and Crafts Movement transformed the aesthetics and production of stained glass in Britain and America. A progressive school of artists, committed to direct involvement both in making and designing windows, emerged in the 1880s and 1890s, reinventing stained glass as a modern, expressive art form. Using innovative materials and techniques, they rejected formulaic Gothic Revivalism while seeking authentic, creative inspiration in medieval traditions. This new approach was pioneered by Christopher Whall (1849-1924), whose charismatic teaching educated a generation of talented pupils--both men and women--who produced intensely colorful and inventive stained glass, using dramatic, lyrical, and often powerfully moving design and symbolism. Peter Cormack demonstrates how women made critical contributions to the renewal of stained glass as artists and entrepreneurs, gaining meaningful equality with their male colleagues, more fully than in any other applied art. Cormack restores stained glass to its proper status as an important field of Arts and Crafts activity, with a prominent role in the movement's polemical campaigning, its public exhibitions, and its educational program. Published for the Paul Mellon Centre for Studies in British Art
Author: Virginia Chieffo Raguin
Publisher: Getty Publications
ISBN: 1606061534
Category : Art
Languages : en
Pages : 114
Get Book Here
Book Description
Stained glass is a monumental art, a corporate enterprise dependent on a patron with whom artists blend their voices. Combining the fields now labeled decorative arts, architecture, and painting, the window transforms our experience of space. Windows of colored glass were essential features of medieval and Renaissance buildings. They provided not only light to illuminate the interior but also specific and permanent imagery that proclaimed the importance of place. Commissioned by monks, nuns, bishops, and kings, as well as by merchants, prosperous farmers, and a host of anonymous patrons, these windows vividly reflect the social, religious, civic, and aesthetic values of their eras. Beautifully illustrated with reproductions from the remarkable stained glass collection at the J. Paul Getty Museum, Stained Glass addresses the making of a stained glass window, its iconography and architectural context, the patrons and collectors, and the challenges of restoration and display. The selected works include examples from Austria, Belgium, England, France, Germany, the Netherlands, and Switzerland. Subject matter ranges from monumental religious scenes for Gothic churches to lively heraldic panels made for houses and other secular settings. Integrating comparisons to works of art in other media, such as manuscripts, drawings, and panel paintings, this book encourages the general reader to see stained glass as an element of a broad artistic production.
