Author: McGraw Hill
Publisher:
ISBN: 9780021267057
Category :
Languages : en
Pages : 0
Book Description
Lectura Maravillas Leveled Reader Hablemos de Robots: Beyond Unit 1 Week 5 Grade 5
Music in Renaissance Magic
Author: Gary Tomlinson
Publisher: University of Chicago Press
ISBN: 9780226807928
Category : History
Languages : en
Pages : 318
Book Description
Magic enjoyed a vigorous revival in sixteenth-century Europe, attaining a prestige lost for over a millennium and becoming, for some, a kind of universal philosophy. Renaissance music also suggested a form of universal knowledge through renewed interest in two ancient themes: the Pythagorean and Platonic "harmony of the celestial spheres" and the legendary effects of the music of bards like Orpheus, Arion, and David. In this climate, Renaissance philosophers drew many new and provocative connections between music and the occult sciences. In Music in Renaissance Magic, Gary Tomlinson describes some of these connections and offers a fresh view of the development of early modern thought in Italy. Raising issues essential to postmodern historiography—issues of cultural distance and our relationship to the others who inhabit our constructions of the past —Tomlinson provides a rich store of ideas for students of early modern culture, for musicologists, and for historians of philosophy, science, and religion. "A scholarly step toward a goal that many composers have aimed for: to rescue the idea of New Age Music—that music can promote spiritual well-being—from the New Ageists who have reduced it to a level of sonic wallpaper."—Kyle Gann, Village Voice "An exemplary piece of musical and intellectual history, of interest to all students of the Renaissance as well as musicologists. . . . The author deserves congratulations for introducing this new approach to the study of Renaissance music."—Peter Burke, NOTES "Gary Tomlinson's Music in Renaissance Magic: Toward a Historiography of Others examines the 'otherness' of magical cosmology. . . . [A] passionate, eloquently melancholy, and important book."—Anne Lake Prescott, Studies in English Literature
Publisher: University of Chicago Press
ISBN: 9780226807928
Category : History
Languages : en
Pages : 318
Book Description
Magic enjoyed a vigorous revival in sixteenth-century Europe, attaining a prestige lost for over a millennium and becoming, for some, a kind of universal philosophy. Renaissance music also suggested a form of universal knowledge through renewed interest in two ancient themes: the Pythagorean and Platonic "harmony of the celestial spheres" and the legendary effects of the music of bards like Orpheus, Arion, and David. In this climate, Renaissance philosophers drew many new and provocative connections between music and the occult sciences. In Music in Renaissance Magic, Gary Tomlinson describes some of these connections and offers a fresh view of the development of early modern thought in Italy. Raising issues essential to postmodern historiography—issues of cultural distance and our relationship to the others who inhabit our constructions of the past —Tomlinson provides a rich store of ideas for students of early modern culture, for musicologists, and for historians of philosophy, science, and religion. "A scholarly step toward a goal that many composers have aimed for: to rescue the idea of New Age Music—that music can promote spiritual well-being—from the New Ageists who have reduced it to a level of sonic wallpaper."—Kyle Gann, Village Voice "An exemplary piece of musical and intellectual history, of interest to all students of the Renaissance as well as musicologists. . . . The author deserves congratulations for introducing this new approach to the study of Renaissance music."—Peter Burke, NOTES "Gary Tomlinson's Music in Renaissance Magic: Toward a Historiography of Others examines the 'otherness' of magical cosmology. . . . [A] passionate, eloquently melancholy, and important book."—Anne Lake Prescott, Studies in English Literature
The Starry Messenger
Author: KENNETH. LONERGAN
Publisher:
ISBN: 9781848428768
Category :
Languages : en
Pages : 112
Book Description
Mark Williams is tired of his marriage and tired of his job teaching astronomy at the Hayden Planetarium in New York City. Angela Vasquez is a young single mother training to be a nurse. Norman Ketterly is fighting for his life in a cancer ward. Their intertwining stories unspool under a canopy of stars too vast to imagine and too beautiful to comprehend, especially when the travails of life on Earth threaten to blot it out. Kenneth Lonergan's play The Starry Messenger is a bittersweet exploration of love, hope and the mysteries of the cosmos. It premiered in New York in 2009, and received its UK premiere at Wyndham's Theatre, London, in May 2019, featuring Matthew Broderick and Elizabeth McGovern.
Publisher:
ISBN: 9781848428768
Category :
Languages : en
Pages : 112
Book Description
Mark Williams is tired of his marriage and tired of his job teaching astronomy at the Hayden Planetarium in New York City. Angela Vasquez is a young single mother training to be a nurse. Norman Ketterly is fighting for his life in a cancer ward. Their intertwining stories unspool under a canopy of stars too vast to imagine and too beautiful to comprehend, especially when the travails of life on Earth threaten to blot it out. Kenneth Lonergan's play The Starry Messenger is a bittersweet exploration of love, hope and the mysteries of the cosmos. It premiered in New York in 2009, and received its UK premiere at Wyndham's Theatre, London, in May 2019, featuring Matthew Broderick and Elizabeth McGovern.
Women Filmmakers in Early Hollywood
Author: Karen Ward Mahar
Publisher: JHU Press
ISBN: 1421402092
Category : Performing Arts
Languages : en
Pages : 474
Book Description
A study of how and why women in early twentieth-century Hollywood went from having plenty of filmmaking opportunities to very few. Women Filmmakers in Early Hollywood explores when, how, and why women were accepted as filmmakers in the 1910s and why, by the 1920s, those opportunities had disappeared. In looking at the early film industry as an industry—a place of work—Mahar not only unravels the mystery of the disappearing female filmmaker but untangles the complicated relationship among gender, work culture, and business within modern industrial organizations. In the early 1910s, the film industry followed a theatrical model, fostering an egalitarian work culture in which everyone—male and female—helped behind the scenes in a variety of jobs. In this culture women thrived in powerful, creative roles, especially as writers, directors, and producers. By the end of that decade, however, mushrooming star salaries and skyrocketing movie budgets prompted the creation of the studio system. As the movie industry remade itself in the image of a modern American business, the masculinization of filmmaking took root. Mahar’s study integrates feminist methodologies of examining the gendering of work with thorough historical scholarship of American industry and business culture. Tracing the transformation of the film industry into a legitimate “big business” of the 1920s, and explaining the fate of the female filmmaker during the silent era, Mahar demonstrates how industrial growth and change can unexpectedly open—and close—opportunities for women. “With meticulous scholarship and fluid writing, Mahar tells the story of this golden era of female filmmaking . . . Women Filmmakers in Early Hollywood is not to be missed.” —Samantha Barbas, Women’s Review of Books “Mahar views the business of making movies from the inside-out, focusing on questions about changing industrial models and work conventions. At her best, she shows how the industry’s shifting business history impacted women’s opportunities, recasting current understanding about the American film industry's development.” —Hilary Hallett, Reviews in American History “A scrupulously researched and argued analysis of how and why women made great professional and artistic gains in the U.S. film industry from 1906 to the mid-1920s and why they lost most of that ground until the late twentieth century.” —Kathleen Feeley, Journal of American History “Women Filmmakers in Early Hollywood offers convincing evidence of how economic forces shaped women’s access to film production and presents a complex and engaging story of the women who took advantage of those opportunities.” —Pennee Bender, Business History Review
Publisher: JHU Press
ISBN: 1421402092
Category : Performing Arts
Languages : en
Pages : 474
Book Description
A study of how and why women in early twentieth-century Hollywood went from having plenty of filmmaking opportunities to very few. Women Filmmakers in Early Hollywood explores when, how, and why women were accepted as filmmakers in the 1910s and why, by the 1920s, those opportunities had disappeared. In looking at the early film industry as an industry—a place of work—Mahar not only unravels the mystery of the disappearing female filmmaker but untangles the complicated relationship among gender, work culture, and business within modern industrial organizations. In the early 1910s, the film industry followed a theatrical model, fostering an egalitarian work culture in which everyone—male and female—helped behind the scenes in a variety of jobs. In this culture women thrived in powerful, creative roles, especially as writers, directors, and producers. By the end of that decade, however, mushrooming star salaries and skyrocketing movie budgets prompted the creation of the studio system. As the movie industry remade itself in the image of a modern American business, the masculinization of filmmaking took root. Mahar’s study integrates feminist methodologies of examining the gendering of work with thorough historical scholarship of American industry and business culture. Tracing the transformation of the film industry into a legitimate “big business” of the 1920s, and explaining the fate of the female filmmaker during the silent era, Mahar demonstrates how industrial growth and change can unexpectedly open—and close—opportunities for women. “With meticulous scholarship and fluid writing, Mahar tells the story of this golden era of female filmmaking . . . Women Filmmakers in Early Hollywood is not to be missed.” —Samantha Barbas, Women’s Review of Books “Mahar views the business of making movies from the inside-out, focusing on questions about changing industrial models and work conventions. At her best, she shows how the industry’s shifting business history impacted women’s opportunities, recasting current understanding about the American film industry's development.” —Hilary Hallett, Reviews in American History “A scrupulously researched and argued analysis of how and why women made great professional and artistic gains in the U.S. film industry from 1906 to the mid-1920s and why they lost most of that ground until the late twentieth century.” —Kathleen Feeley, Journal of American History “Women Filmmakers in Early Hollywood offers convincing evidence of how economic forces shaped women’s access to film production and presents a complex and engaging story of the women who took advantage of those opportunities.” —Pennee Bender, Business History Review
The Great Art of Knowing
Author: Daniel Stolzenberg
Publisher:
ISBN:
Category : Civilization, Baroque
Languages : en
Pages : 178
Book Description
Publisher:
ISBN:
Category : Civilization, Baroque
Languages : en
Pages : 178
Book Description
Dark is the Room where We Sleep
Author: Francesc Torres
Publisher: Actarbirkhauser
ISBN: 9788496540682
Category : Photography
Languages : en
Pages : 182
Book Description
Photographic documentation of the excavation of a mass grave from the Spanish Civil War, in an effort to recover the country's historical memory.
Publisher: Actarbirkhauser
ISBN: 9788496540682
Category : Photography
Languages : en
Pages : 182
Book Description
Photographic documentation of the excavation of a mass grave from the Spanish Civil War, in an effort to recover the country's historical memory.
Belchite-South Bronx
Author: Francesc Torres
Publisher:
ISBN:
Category : Social Science
Languages : en
Pages : 142
Book Description
Torres videotaped in the abandoned village of Belchite in northeastern Spain, which was virtually destroyed in 1937 in a major battle of the Spanish Civil War. The artist also videotaped in New York's South Bronx, an urban battlefield scarred by peacetime destruction, which has become increasingly dead and abandoned with intermittent outbursts of violence. The installation consists of an environment of highly stylized ruins depicting both sites and including tenement buildings, a bombed-out church, a basketball court, and the shell of an automobile. Torres has also produced a self-contained, single-channel videotape on this subject. The theoretical premise for Belchite/South Bronx is that the difference between war and peace exists only on statistical and rhetorical levels.
Publisher:
ISBN:
Category : Social Science
Languages : en
Pages : 142
Book Description
Torres videotaped in the abandoned village of Belchite in northeastern Spain, which was virtually destroyed in 1937 in a major battle of the Spanish Civil War. The artist also videotaped in New York's South Bronx, an urban battlefield scarred by peacetime destruction, which has become increasingly dead and abandoned with intermittent outbursts of violence. The installation consists of an environment of highly stylized ruins depicting both sites and including tenement buildings, a bombed-out church, a basketball court, and the shell of an automobile. Torres has also produced a self-contained, single-channel videotape on this subject. The theoretical premise for Belchite/South Bronx is that the difference between war and peace exists only on statistical and rhetorical levels.
Music, Science, and Natural Magic in Seventeenth-century England
Author: Penelope Gouk
Publisher:
ISBN: 9780300073836
Category : History
Languages : en
Pages : 308
Book Description
The role of natural magic in the rise of seventeenth-century experimental science has been the subject of lively controversy for several decades. Now Penelope Gouk introduces a new element into the debate: how music mediated between these two domains. Arguing that changing musical practice in sixteenth-century Europe affected seventeenth-century English thought on science and magic, she maps the various relationships among these apparently separate disciplines.Gouk explores these relationships in several ways. She adopts the methods of social geography to discuss the disciplinary, social, and intellectual overlapping of music, science, and natural magic. She gives a historical account of the emergence of acoustics in English science, the harmonically based physics of Robert Hooke, and the position of harmonics within Newton's transformation of natural philosophy. And she provides a gallery of images in which contemporary representations of instruments, practices, and concepts demonstrate the way in which,musical models informed and transformed those of natural philosophy. Gouk shows that as the "occult" features of music became subject to the new science of experimentation, and as their causes became evident, so natural magic was pushed outside the realms of scientific discourse.
Publisher:
ISBN: 9780300073836
Category : History
Languages : en
Pages : 308
Book Description
The role of natural magic in the rise of seventeenth-century experimental science has been the subject of lively controversy for several decades. Now Penelope Gouk introduces a new element into the debate: how music mediated between these two domains. Arguing that changing musical practice in sixteenth-century Europe affected seventeenth-century English thought on science and magic, she maps the various relationships among these apparently separate disciplines.Gouk explores these relationships in several ways. She adopts the methods of social geography to discuss the disciplinary, social, and intellectual overlapping of music, science, and natural magic. She gives a historical account of the emergence of acoustics in English science, the harmonically based physics of Robert Hooke, and the position of harmonics within Newton's transformation of natural philosophy. And she provides a gallery of images in which contemporary representations of instruments, practices, and concepts demonstrate the way in which,musical models informed and transformed those of natural philosophy. Gouk shows that as the "occult" features of music became subject to the new science of experimentation, and as their causes became evident, so natural magic was pushed outside the realms of scientific discourse.
The Mechanical Mind in History
Author: Phil Husbands
Publisher: MIT Press (MA)
ISBN:
Category : Computers
Languages : en
Pages : 480
Book Description
The idea of intelligent machines has become part of popular culture. Tracing the history of the actual science of machine intelligence reveals a rich network of cross-disciplinary contributions, and the origins of ideas now central to artificial intelligence, artificial life, cognitive science and neuroscience.
Publisher: MIT Press (MA)
ISBN:
Category : Computers
Languages : en
Pages : 480
Book Description
The idea of intelligent machines has become part of popular culture. Tracing the history of the actual science of machine intelligence reveals a rich network of cross-disciplinary contributions, and the origins of ideas now central to artificial intelligence, artificial life, cognitive science and neuroscience.
Time’s Arrow, Time’s Cycle
Author: Stephen Jay Gould
Publisher: Harvard University Press
ISBN: 9780674891999
Category : Science
Languages : en
Pages : 242
Book Description
Examines scientific theories pertaining to the measurement of earth's history.
Publisher: Harvard University Press
ISBN: 9780674891999
Category : Science
Languages : en
Pages : 242
Book Description
Examines scientific theories pertaining to the measurement of earth's history.