Le Triomphe de l'Amour. Groupe en marbre blanc, représentant une nymphe tenant un Amour sur l'épaule droite. Haut. m. 0,90 PDF Download
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Author: Anonymous
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Author: Anonymous
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Author: Anonymous
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Author: Rachilde
Publisher: Modern Language Association
ISBN: 1603292551
Category : Fiction
Languages : en
Pages : 272
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When the rich and well-connected Raoule de Vénérande becomes enamored of Jacques Silvert, a poor young man who makes artificial flowers for a living, she turns him into her mistress and eventually into her wife. Raoule's suitor, a cigar-smoking former hussar officer, becomes an accomplice in the complications that ensue.
![Nymphe coupant les ailes à l'Amour; groupe en marbre. Accroupie sur un gazon, elle retient dans ses bras le dieu, lui coupant une aile. L'expression de l'enfant succombant à l'étreinte de la femme est rendue par l'artiste avec une évidence frappante. Cette belle allégorie a été crée par Edouard Müller, et repose sur un support en marbre rouge de Levanto. Haut. du groupe M. 0.75. » [Haut.] du support M. 1.05. Voir illustration, planche 48 PDF](https://books.google.com/books/content/images/frontcover/e7d7zQEACAAJ?fife=w80-h100)
Author: Eduard Muller
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Languages : it
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Author: Hector France
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Languages : en
Pages : 584
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Author: Georges Riat
Publisher: Parkstone Press
ISBN:
Category : Art
Languages : en
Pages : 266
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Child of materialism and positivism, Courbet was without a doubt one of the most complex painters of the nineteenth century. Symbolising the rejection of traditions, Courbet did not hesitate to confront the public with the truth by liberating painting of conventional rules. He became from then on the leader of pictorial realism.
Author: Neil Jeffares
Publisher: Unicorn Publishing Group
ISBN:
Category : Art
Languages : en
Pages : 768
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*Records of some 20,000 pastels in public collections or known from exhibition and auction catalogues, including pastels by anonymous artists*Entries on 1250 named artists*5000 reproductions (2000 in color), many never before published, and references to all known reproductions of other pastels*A survey placing the major artists of the various schools in an historical context and explaining the technical features of the pastel*A list of exhibitions from 1704 to 2005, including livrets and contemporary criticism for the major exhibitions in Paris, London and elsewhere before 1800*A topographical index locating pastels in public collections worldwide*An index of some 7000 sittersPastels are lluminous and beautiful beyond all other pictures, wrote the English eighteenth century pastelist Francis Cotes, describingthe sensual appeal of this special dust rubbed into paper which has enchanted connoisseurs ever since. But the history of pastels is one of compounded mistakes and misattributions: these intimate portraits, whose subjects range from dynasts to servants, have been neglected for the better researched areas of old master drawings and oil painting. This Dictionary sets out to establish, for the first time, a convincing body of knowledge to help identify and attribute works by both major artists and the obscure "petits-maStres." It is an essential academic resource for art historians, a vital tool for collectors and dealers, and a treasure-trove for anyone interested in costume or social and political history. Pastels from the French school account for more than half the Dictionary, representing most of the more important artists such as Vivien, Nattier, La Tour, Perronneau, Labille-Guiard and VigHe Le Brun. But there were other major pastelists, such as Copley, Russell, Mengs, Carriera and Liotard fro
Author: Victorien Sardou
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Languages : fr
Pages : 84
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Author: Emile Egger
Publisher: Legare Street Press
ISBN: 9781017880342
Category :
Languages : en
Pages : 0
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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Jacques-Albin-Simon Collin de Plancy
Publisher:
ISBN: 9780997074512
Category : Demonology
Languages : en
Pages : 765
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