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Author: Alain Mousseigne
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 158
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Book Description
Author: Alain Mousseigne
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 158
Get Book Here
Book Description
Author: Bernar Venet
Publisher:
ISBN:
Category :
Languages : en
Pages : 82
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Book Description
Author: Bernar Venet
Publisher: Un, Deux... Quatre Editions
ISBN:
Category : Circle in art
Languages : en
Pages : 160
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Book Description
Author: Elisabetta Lazzaro
Publisher: Routledge
ISBN: 1000361780
Category : Art
Languages : en
Pages : 228
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Book Description
Researching Art Markets brings together a scholars from several, various disciplinary perspectives. In doing so, this collection offers a unique multi-disciplinary contribution that disentangles some of the key aspects and trends in art market practices from the past to nowadays, namely art collectors, the artist as an entrepreneur and career paths, and the formation and development of new markets. In understanding the global art market as an ecosystem, the book also examines how research and perceptions have evolved over time. Within the frameworks of contemporary social, economic and political contexts, issues such as business practices, the roles of market participants and the importance of networks are analysed by scholars of different disciplines. With insights from across the humanities and social sciences, the book explores how different methods can coexist to create an interdisciplinary international community of knowledge and research on art markets. Moreover, by providing historical as well as contemporary examples, this book explores the continuum and diversity of the art market. Overall, this book provides a valuable tool for understanding art markets within their wider context. The volume is of interest to scholars researching into the cultural and creative industries from a wider perspective.
Author: Carter Ratcliff
Publisher: Cross River Press
ISBN:
Category : Art
Languages : en
Pages : 208
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Book Description
One of France's most uniquely compelling artists, Bernar Venet has devoted the last two decades to an investigation of meaning and form in sculpture. Venet was trained as a painter but quickly became involved with conceptual art, experimenting with mathematical and aesthetic principles in a variety of media, particularly sculpture. In this illustrated book, critic Carter Ratcliff provides an illuminating look at the complex relationship between form, language, and meaning in Venet's recent work.
Author: Bernar Venet
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 258
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Book Description
If it is not surprising how many mediums Bernar Venet has worked in, from sculpture to painting to photography to sound to furniture, it is surprising how many he has used in performance. From the first moments of "Performance dans les détritus" in 1961 through sound compositions corresponding to and implicating his visual work, to a ballet for which he wrote the music, created the choreography and designed both the set and costumes, Venet has been omnivorous, recording mathematical poems on vinyl, the engines of the Concorde on CD and finally the sounds of the creation of his own sculpture. In 2004, Venet had three simultaneous solo shows in New York City, two at the Robert Miller and Jim Kempner galleries and a third along the Park Avenue Mall, where his large-scale Indeterminate Line pieces were installed. In 2005 he was named Chevalier de la Légion d'Honneur, France's highest decoration.
Author: Thomas McEvilley
Publisher: Hard Press Editions Dist A/C
ISBN:
Category : Conceptual art
Languages : en
Pages : 170
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Book Description
Author: Alessandro De Francesco
Publisher: punctum books
ISBN: 1685711480
Category : Literary Criticism
Languages : en
Pages : 337
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Book Description
This volume gathers Alessandro De Francesco's essays and theoretical writings produced from 2015 to 2022. It follows the first volume Continuum: Writings on Poetry as Artistic Practice, reuniting essays written between 2007 and 2015. The title of this new volume could only be Continuum 2, given that the underlying concept remains the same: to testify to the seamless continuity of the author's commitment to poetry and art over the years, and to reaffirm at the same time, on a theoretical level, a model of creation and thinking as a continuous flow, not discretized, not quantized, but organic, liquid, without end or beginning; a kind of linguistic translation of the space-time in which every text, like every other object, is necessarily immersed. Continuum 2 is a trilingual book, containing writings in English, French, and Italian, and it is particularly focused on two lines of inquiry: the author's ongoing meditation on the poetic practice, and the first steps of his new investigation into seventeenth-century art, poetry, and forms of thought.
Author: Roger Clestin
Publisher: Taylor & Francis
ISBN: 9789056995515
Category : Popular culture
Languages : en
Pages : 400
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Book Description
Author: Rosemary O'Neill
Publisher: Routledge
ISBN: 1351575627
Category : Art
Languages : en
Pages : 283
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Book Description
The Riviera in the 1950s and 1960s was culturally rich with modernist icons such as Matisse and Picasso in residence, but also a burgeoning tourist culture, that established the C?d'Azur as a center of indigenous artists associated with Nouveau R?isme, Fluxus, and Supports/Surfaces, emerged under the mantle of the "Ecole de Nice." Drawing on the primary sources and little known publications generated during the period from museum archives, collections in the region, and privately owned archives, this study integrates material published in monographic studies of individuals and art movements, to offer the first in-depth study of this important movement in twentieth-century art. The author situates the work of the Ecole de Nice within the broader social currents that are so important in contextualizing this phenomenon within this internal region of France, and underscores why this work was so significant at this historical moment within the context of the broader European art scene, and contemporary American art, with which it shared affinities. Despite their stylistic differences, and associations with groups that are generally considered distinct, O'Neill discloses that these artists shared conceptual affinities?theatrical modes of presentation based on appropriation, use of the ready-made, and a determination to counter style-driven painting associated with the postwar Ecole de Paris. Art and Visual Culture on the Riviera, 1956-1971 suggests that the emergence of an Ecole de Nice internally eroded the dominance of Paris as the national standard at this moment of French decentralization efforts, and that these artists fostered a model of aesthetic pluralism that remained locally distinct yet fully engaged with international vanguard trends of the 1960s.
