Author:
Publisher: HeuteKunst
ISBN: 097827752X
Category :
Languages : en
Pages : 98
Book Description
Majestic and Mundane, Mois de la Photo Special Edition
Author:
Publisher: HeuteKunst
ISBN: 097827752X
Category :
Languages : en
Pages : 98
Book Description
Publisher: HeuteKunst
ISBN: 097827752X
Category :
Languages : en
Pages : 98
Book Description
Image & Imagination
Author: Martha Langford
Publisher: McGill-Queen's Press - MQUP
ISBN: 9780773529694
Category : Art
Languages : en
Pages : 350
Book Description
A richly illustrated exploration of the imagination in photography featuring the work of over sixty international artists.
Publisher: McGill-Queen's Press - MQUP
ISBN: 9780773529694
Category : Art
Languages : en
Pages : 350
Book Description
A richly illustrated exploration of the imagination in photography featuring the work of over sixty international artists.
Le Mois de la Photo À Montréal
Author:
Publisher:
ISBN:
Category : Mois de la photo à Montréal (Exposition)
Languages : fr
Pages : 332
Book Description
Publisher:
ISBN:
Category : Mois de la photo à Montréal (Exposition)
Languages : fr
Pages : 332
Book Description
Le Mois de la photo à Montreal
Author: Nicole Gingras
Publisher:
ISBN:
Category : Mois de la photo à Montréal
Languages : fr
Pages : 168
Book Description
Publisher:
ISBN:
Category : Mois de la photo à Montréal
Languages : fr
Pages : 168
Book Description
Le Mois de la Photo À Montréal, 2001
Author: Jacques Doyon
Publisher: Vox Centre Diffusion de La Photographie
ISBN:
Category : Art
Languages : fr
Pages : 242
Book Description
Publisher: Vox Centre Diffusion de La Photographie
ISBN:
Category : Art
Languages : fr
Pages : 242
Book Description
MOIS DE LA PHOTO A PARIS.
Author: Mois de la Photo (Paris)
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Le Mois de la Photo À Montréal 1999
Author: Anne-Marie Ninacs
Publisher: Laval, Québec : Éditions Les 400 coups
ISBN:
Category : Documentary photography
Languages : fr
Pages : 244
Book Description
Publisher: Laval, Québec : Éditions Les 400 coups
ISBN:
Category : Documentary photography
Languages : fr
Pages : 244
Book Description
Now
Author: Vincent Lavoie
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773574301
Category : Photography
Languages : en
Pages : 320
Book Description
While the crisis that took place in photojournalism during the 1960's brought about a significant shift in the practices, discourses and institutional structures of press photography, it also affected the practices of artists, specifically with regard to work devoted to revitalizing the depiction of events. The art world attempted to revitalize the historical genre by undertaking its critical rereading, in the spirit of restoring a tradition diminished by the mass media. The problem may be expressed in these terms: How can history be depicted, bearing in mind that the media (mainly photojournalism and the electronic press) have claimed a monopoly of the genre unto themselves? At issue is the sizeable problem of mass media omnipotence as an obligatory referential universe for historiographical artistic practices. Today, it seems impossible to depict the event in any way other than by accentuating or eschewing the formal attributes, rhetorical artifices, and ideological precepts of the mass media. These approaches to addressing historical moments have been examined in this article both because they epitomize contemporary historical writing and, for the most part, they constitute critical responses to stereotyped depictions of events. Above all, they represent a paradigm shift: the mass media's prerogatives for depicting historical moments has shifted towards the field of art. Contemporary depictions of catastrophe - crimes, sensationalist news items, terrorist attacks, humanitarian disasters, genocides - (common themes in many of the artistic projects represented in the 8th edition of the Mois de la Photo a Montreal} have been especially striking in this respect. For of all contemporary events, catastrophes are the most likely to be spontaneously propelled to the top of the news - roster and the most susceptible to the various inflections of contemporary art photography.
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773574301
Category : Photography
Languages : en
Pages : 320
Book Description
While the crisis that took place in photojournalism during the 1960's brought about a significant shift in the practices, discourses and institutional structures of press photography, it also affected the practices of artists, specifically with regard to work devoted to revitalizing the depiction of events. The art world attempted to revitalize the historical genre by undertaking its critical rereading, in the spirit of restoring a tradition diminished by the mass media. The problem may be expressed in these terms: How can history be depicted, bearing in mind that the media (mainly photojournalism and the electronic press) have claimed a monopoly of the genre unto themselves? At issue is the sizeable problem of mass media omnipotence as an obligatory referential universe for historiographical artistic practices. Today, it seems impossible to depict the event in any way other than by accentuating or eschewing the formal attributes, rhetorical artifices, and ideological precepts of the mass media. These approaches to addressing historical moments have been examined in this article both because they epitomize contemporary historical writing and, for the most part, they constitute critical responses to stereotyped depictions of events. Above all, they represent a paradigm shift: the mass media's prerogatives for depicting historical moments has shifted towards the field of art. Contemporary depictions of catastrophe - crimes, sensationalist news items, terrorist attacks, humanitarian disasters, genocides - (common themes in many of the artistic projects represented in the 8th edition of the Mois de la Photo a Montreal} have been especially striking in this respect. For of all contemporary events, catastrophes are the most likely to be spontaneously propelled to the top of the news - roster and the most susceptible to the various inflections of contemporary art photography.
Le Mois de la Photo À Montréal
Author: Joan Fontcuberta
Publisher:
ISBN: 9783735601278
Category :
Languages : en
Pages : 0
Book Description
Publisher:
ISBN: 9783735601278
Category :
Languages : en
Pages : 0
Book Description
Lucien Hervé
Author: Olivier Beer
Publisher: Getty Publications
ISBN: 9780892367542
Category : Architectural photography
Languages : en
Pages : 228
Book Description
Lucien HervÃ(c) (b. 1910), one of the great architectural photographers of the twentieth century, collaborated with Le Corbusier from 1949 until the renowned architect died in 1965. HervÃ(c) approached his subjects seeking not only to document the buildings he was commissioned to photograph but also, especially, to convey a sense of space, texture, and structure. Through light and shadow, HervÃ(c) defined the dialogue between substance and form. By delineating a strong contrast between light and shadow as well as placing emphasis on building details, the photographer was able to communicate the depth of a room, the surface of a wall, or the strength of a building's framework. For too long, HervÃ(c) the master of architectural photography has eclipsed HervÃ(c) the photographer whose career began as early as 1938 and whose subject matter varied widely. Featuring more than one hundred of his photographs in every genre, this book celebrates HervÃ(c)'s work as an artist, creating images that serve not simply as records but stand as works of a singular imagination.
Publisher: Getty Publications
ISBN: 9780892367542
Category : Architectural photography
Languages : en
Pages : 228
Book Description
Lucien HervÃ(c) (b. 1910), one of the great architectural photographers of the twentieth century, collaborated with Le Corbusier from 1949 until the renowned architect died in 1965. HervÃ(c) approached his subjects seeking not only to document the buildings he was commissioned to photograph but also, especially, to convey a sense of space, texture, and structure. Through light and shadow, HervÃ(c) defined the dialogue between substance and form. By delineating a strong contrast between light and shadow as well as placing emphasis on building details, the photographer was able to communicate the depth of a room, the surface of a wall, or the strength of a building's framework. For too long, HervÃ(c) the master of architectural photography has eclipsed HervÃ(c) the photographer whose career began as early as 1938 and whose subject matter varied widely. Featuring more than one hundred of his photographs in every genre, this book celebrates HervÃ(c)'s work as an artist, creating images that serve not simply as records but stand as works of a singular imagination.