Author:
Publisher: KARTHALA Editions
ISBN: 2811112766
Category :
Languages : en
Pages : 182
Book Description
Author:
Publisher: KARTHALA Editions
ISBN: 2811112766
Category :
Languages : en
Pages : 182
Book Description
Publisher: KARTHALA Editions
ISBN: 2811112766
Category :
Languages : en
Pages : 182
Book Description
"Toubab La!" Literary Representations of Mixed-Race Characters in the African Diaspora
Author: Ginette Curry
Publisher: Cambridge Scholars Publishing
ISBN: 1443810711
Category : Literary Criticism
Languages : en
Pages : 435
Book Description
The book is an examination of mixed-race characters from writers in the United States, The French and British Caribbean islands (Martinique, Guadeloupe, St. Lucia and Jamaica), Europe (France and England) and Africa (Burkina Faso, South Africa, Botswana and Senegal). The objective of this study is to capture a realistic view of the literature of the African diaspora as it pertains to biracial and multiracial people. For example, the expression “Toubab La!” as used in the title, is from the Wolof ethnic group in Senegal, West Africa. It means “This is a white person” or “This is a black person who looks or acts white.” It is used as a metaphor to illustrate multiethnic people’s plight in many areas of the African diaspora and how it has evolved. The analysis addresses the different ways multiracial characters look at the world and how the world looks at them. These characters experience historical, economic, sociological and emotional realities in various environments from either white or black people. Their lineage as both white and black determines a new self, making them constantly search for their identity. Each section of the manuscript provides an in-depth analysis of specific authors’ novels that is a window into their true experiences. The first section is a study of mixed race characters in three acclaimed contemporary novels from the United States. James McBride’s The Color of Water (1996), Danzy Senna’s Caucasia (1998) and Rebecca Walker’s Black White and Jewish (2001) reveal the conflicting dynamics of being biracial in today’s American society. The second section is an examination of mixed-race characters in the following French Caribbean novels: Mayotte Capécia’s I Am a Martinican Woman (1948), Michèle Lacrosil’s Cajou (1961) and Ravines du Devant-Jour (1993) by Raphaël Confiant. Section three is about their literary representations in Derek Walcott’s What the Twilight Says (1970), Another life (1973), Dream on Monkey Mountain (1967) and Michelle Cliff’s Abeng (1995) from the British Caribbean islands. Section four is an in-depth analysis of their plight in novels written by contemporary mulatto writers from Europe such as Marie N’Diaye’s Among Family (1997), Zadie Smith’s White Teeth (2000) and Bernardine Evaristo’s Lara (1997). Finally, the last section of the book is a study of novels from West African and South African writers. The analysis of Monique Ilboudo’s Le Mal de Peau (2001), Bessie Head’s A Woman Alone: Autobiographical Writings (1990) and Abdoulaye Sadji’s Nini, Mulâtresse du Sénégal (1947) concludes this literary journey that takes the readers through several continents at different points in time. Overall, this comprehensive study of mixed-race characters in the literature of the African diaspora reveals not only the old but also the new ways they decline, contest and refuse racial clichés. Likewise, the book unveils how these characters resist, create, reappropriate and revise fixed forms of identity in the African diaspora of the 20th and 21st century. Most importantly, it is also an examination of how the authors themselves deal with the complex reality of a multiracial identity.
Publisher: Cambridge Scholars Publishing
ISBN: 1443810711
Category : Literary Criticism
Languages : en
Pages : 435
Book Description
The book is an examination of mixed-race characters from writers in the United States, The French and British Caribbean islands (Martinique, Guadeloupe, St. Lucia and Jamaica), Europe (France and England) and Africa (Burkina Faso, South Africa, Botswana and Senegal). The objective of this study is to capture a realistic view of the literature of the African diaspora as it pertains to biracial and multiracial people. For example, the expression “Toubab La!” as used in the title, is from the Wolof ethnic group in Senegal, West Africa. It means “This is a white person” or “This is a black person who looks or acts white.” It is used as a metaphor to illustrate multiethnic people’s plight in many areas of the African diaspora and how it has evolved. The analysis addresses the different ways multiracial characters look at the world and how the world looks at them. These characters experience historical, economic, sociological and emotional realities in various environments from either white or black people. Their lineage as both white and black determines a new self, making them constantly search for their identity. Each section of the manuscript provides an in-depth analysis of specific authors’ novels that is a window into their true experiences. The first section is a study of mixed race characters in three acclaimed contemporary novels from the United States. James McBride’s The Color of Water (1996), Danzy Senna’s Caucasia (1998) and Rebecca Walker’s Black White and Jewish (2001) reveal the conflicting dynamics of being biracial in today’s American society. The second section is an examination of mixed-race characters in the following French Caribbean novels: Mayotte Capécia’s I Am a Martinican Woman (1948), Michèle Lacrosil’s Cajou (1961) and Ravines du Devant-Jour (1993) by Raphaël Confiant. Section three is about their literary representations in Derek Walcott’s What the Twilight Says (1970), Another life (1973), Dream on Monkey Mountain (1967) and Michelle Cliff’s Abeng (1995) from the British Caribbean islands. Section four is an in-depth analysis of their plight in novels written by contemporary mulatto writers from Europe such as Marie N’Diaye’s Among Family (1997), Zadie Smith’s White Teeth (2000) and Bernardine Evaristo’s Lara (1997). Finally, the last section of the book is a study of novels from West African and South African writers. The analysis of Monique Ilboudo’s Le Mal de Peau (2001), Bessie Head’s A Woman Alone: Autobiographical Writings (1990) and Abdoulaye Sadji’s Nini, Mulâtresse du Sénégal (1947) concludes this literary journey that takes the readers through several continents at different points in time. Overall, this comprehensive study of mixed-race characters in the literature of the African diaspora reveals not only the old but also the new ways they decline, contest and refuse racial clichés. Likewise, the book unveils how these characters resist, create, reappropriate and revise fixed forms of identity in the African diaspora of the 20th and 21st century. Most importantly, it is also an examination of how the authors themselves deal with the complex reality of a multiracial identity.
Childhood, Autobiography and the Francophone Caribbean
Author: Louise Hardwick
Publisher: Liverpool University Press
ISBN: 1846317940
Category : Literary Criticism
Languages : en
Pages : 257
Book Description
This book explores a major modern turn in Francophone Caribbean literature towards récits d’enfance (narratives of childhood) and asks why this occurred post-1990.
Publisher: Liverpool University Press
ISBN: 1846317940
Category : Literary Criticism
Languages : en
Pages : 257
Book Description
This book explores a major modern turn in Francophone Caribbean literature towards récits d’enfance (narratives of childhood) and asks why this occurred post-1990.
Narratives of the French Empire
Author: Kate Marsh
Publisher: Lexington Books
ISBN: 0739176579
Category : Literary Criticism
Languages : en
Pages : 151
Book Description
This study interrogates how the French empire was imagined in three literary representations of French colonialism: the conquest of Tahiti, and the established colonial systems in Martinique and in India. The study is the first in either English or French to demonstrate that representations of power relations, as well as the broader discourses with which they were linked, were as closely concerned with probing the similarities and differences of rival European colonial systems as they were with reinforcing their imagined superiority over the colonized, and that such power relations should not be conceptualized as a dualistic categorization of ‘colonizer’ versus ‘colonized’. In doing so, it aims to go beyond examining the interaction between colonized and colonizer, or between colonial centre and periphery, and to interrogate instead the circulation of ideas and practices across different sites of European colonialism, drawing attention to a historical complexity which has been neglected in the necessary race to recover voices previously occluded from academic analysis. In exploring how the notion of the French empire overseas was construed and how it was infused with meaning at three different historical moments, 1784, 1835 and 1938, it demonstrates how precarious the French empire was perceived to be, in terms of both European rivalry and resistance from the colonized, and how the rhetoric of a French colonisation douce was pitted against the inscribed excesses of the more powerful British empire. Rather than employing the sorts of recuperative agenda which focus on how the colonized were elided (viz., Subaltern Studies) or on the writings of the formerly colonized (viz., Francophone Studies), the study concerns itself specifically with how French colonialism and imperialism were perceived, and thus offers a further corrective to any generalizations about European colonialism and imperialism. More particularly, by examining how the representational strategy of nostalgia is used in these texts, the study demonstrates how perceived loss, and nostalgia for an imperial past, played a role in dynamically shaping the French colonial enterprise across its various manifestations.
Publisher: Lexington Books
ISBN: 0739176579
Category : Literary Criticism
Languages : en
Pages : 151
Book Description
This study interrogates how the French empire was imagined in three literary representations of French colonialism: the conquest of Tahiti, and the established colonial systems in Martinique and in India. The study is the first in either English or French to demonstrate that representations of power relations, as well as the broader discourses with which they were linked, were as closely concerned with probing the similarities and differences of rival European colonial systems as they were with reinforcing their imagined superiority over the colonized, and that such power relations should not be conceptualized as a dualistic categorization of ‘colonizer’ versus ‘colonized’. In doing so, it aims to go beyond examining the interaction between colonized and colonizer, or between colonial centre and periphery, and to interrogate instead the circulation of ideas and practices across different sites of European colonialism, drawing attention to a historical complexity which has been neglected in the necessary race to recover voices previously occluded from academic analysis. In exploring how the notion of the French empire overseas was construed and how it was infused with meaning at three different historical moments, 1784, 1835 and 1938, it demonstrates how precarious the French empire was perceived to be, in terms of both European rivalry and resistance from the colonized, and how the rhetoric of a French colonisation douce was pitted against the inscribed excesses of the more powerful British empire. Rather than employing the sorts of recuperative agenda which focus on how the colonized were elided (viz., Subaltern Studies) or on the writings of the formerly colonized (viz., Francophone Studies), the study concerns itself specifically with how French colonialism and imperialism were perceived, and thus offers a further corrective to any generalizations about European colonialism and imperialism. More particularly, by examining how the representational strategy of nostalgia is used in these texts, the study demonstrates how perceived loss, and nostalgia for an imperial past, played a role in dynamically shaping the French colonial enterprise across its various manifestations.
French XX Bibliography
Author: William J. Thompson
Publisher: Associated University Presse
ISBN: 9781575911151
Category : Literary Criticism
Languages : en
Pages : 360
Book Description
Provides the listing of books, articles, and book reviews concerned with French literature since 1885. This is a reference source in the study of modern French literature and culture. It contains nearly 8,800 entries.
Publisher: Associated University Presse
ISBN: 9781575911151
Category : Literary Criticism
Languages : en
Pages : 360
Book Description
Provides the listing of books, articles, and book reviews concerned with French literature since 1885. This is a reference source in the study of modern French literature and culture. It contains nearly 8,800 entries.
Dangerous Creole Liaisons
Author: Jacqueline Couti
Publisher: Oxford University Press
ISBN: 1781383014
Category : Foreign Language Study
Languages : en
Pages : 286
Book Description
Dangerous Creole Liaisons examines the neglected corpus of white Creole writers from the French Caribbean and how their discourse has been reappropriated to expose the significant role these men played in the construction of blackness, French nationalism and culture.
Publisher: Oxford University Press
ISBN: 1781383014
Category : Foreign Language Study
Languages : en
Pages : 286
Book Description
Dangerous Creole Liaisons examines the neglected corpus of white Creole writers from the French Caribbean and how their discourse has been reappropriated to expose the significant role these men played in the construction of blackness, French nationalism and culture.
Sex, Sea, and Self
Author: Jacqueline Couti
Publisher: Oxford University Press
ISBN: 1800859945
Category : Literary Criticism
Languages : en
Pages : 400
Book Description
Sex, Sea, and Self reassesses the place of the French Antilles and French Caribbean literature within current postcolonial thought and visions of the Black Atlantic. Using a feminist lens, this study examines neglected twentieth-century French texts by Black writers from Martinique and Guadeloupe, making the analysis of some of these texts available to readers of English for the first time. This interdisciplinary study of female and male authors reconsiders their political strategies and the critical role of French creoles in the creation of their own history. This approach recalibrates overly simplistic understandings of the victimization and alienation of French Caribbean people. In the systems of cultural production under consideration, sexuality constitutes an instrument of political and cultural consciousness in the chaotic period between 1924 and 1948. Studying sexual imagery constructed around female bodies demonstrates the significance of agency and the legacy of the past in cultural resistance and political awareness. Sex, Sea, and Self particularly highlights Antillean women intellectuals' theoretical contributions to Caribbean critical theory. Therefore, this analysis illuminates debates on the multifaceted and conflicted relationships between France and its overseas departments and expands ideas of nationhood in the Black Atlantic and the Americas.
Publisher: Oxford University Press
ISBN: 1800859945
Category : Literary Criticism
Languages : en
Pages : 400
Book Description
Sex, Sea, and Self reassesses the place of the French Antilles and French Caribbean literature within current postcolonial thought and visions of the Black Atlantic. Using a feminist lens, this study examines neglected twentieth-century French texts by Black writers from Martinique and Guadeloupe, making the analysis of some of these texts available to readers of English for the first time. This interdisciplinary study of female and male authors reconsiders their political strategies and the critical role of French creoles in the creation of their own history. This approach recalibrates overly simplistic understandings of the victimization and alienation of French Caribbean people. In the systems of cultural production under consideration, sexuality constitutes an instrument of political and cultural consciousness in the chaotic period between 1924 and 1948. Studying sexual imagery constructed around female bodies demonstrates the significance of agency and the legacy of the past in cultural resistance and political awareness. Sex, Sea, and Self particularly highlights Antillean women intellectuals' theoretical contributions to Caribbean critical theory. Therefore, this analysis illuminates debates on the multifaceted and conflicted relationships between France and its overseas departments and expands ideas of nationhood in the Black Atlantic and the Americas.
Four Caribbean Women Playwrights
Author: Vanessa Lee
Publisher: Springer Nature
ISBN: 303083364X
Category : Performing Arts
Languages : en
Pages : 192
Book Description
Four Caribbean Women Playwrights aims to expand Caribbean and postcolonial studies beyond fiction and poetry by bringing to the fore innovative women playwrights from the French Caribbean: Ina Césaire, Maryse Condé, Gerty Dambury, Suzanne Dracius. Focussing on the significance of these women writers to the French and French Caribbean cultural scenes, the author illustrates how their work participates in global trends within postcolonial theatre. The playwrights discussed here all address socio-political issues, gender stereotypes, and the traumatic slave and colonial pasts of the Caribbean people. Investigating a range of plays from the 1980s to the early 2010s, including some works that have not yet featured in academic studies of Caribbean theatre, and applying theories of postcolonial theatre and local Caribbean theatre criticism, Four Caribbean Women Playwrights should appeal to scholars and students in the Humanities, and to all those interested in the postcolonial, the Caribbean, and contemporary theatre.
Publisher: Springer Nature
ISBN: 303083364X
Category : Performing Arts
Languages : en
Pages : 192
Book Description
Four Caribbean Women Playwrights aims to expand Caribbean and postcolonial studies beyond fiction and poetry by bringing to the fore innovative women playwrights from the French Caribbean: Ina Césaire, Maryse Condé, Gerty Dambury, Suzanne Dracius. Focussing on the significance of these women writers to the French and French Caribbean cultural scenes, the author illustrates how their work participates in global trends within postcolonial theatre. The playwrights discussed here all address socio-political issues, gender stereotypes, and the traumatic slave and colonial pasts of the Caribbean people. Investigating a range of plays from the 1980s to the early 2010s, including some works that have not yet featured in academic studies of Caribbean theatre, and applying theories of postcolonial theatre and local Caribbean theatre criticism, Four Caribbean Women Playwrights should appeal to scholars and students in the Humanities, and to all those interested in the postcolonial, the Caribbean, and contemporary theatre.
Desperate in Saint Martin Notes on Guillaume Coppier
Author: Gerard M. Hunt
Publisher: Trafford Publishing
ISBN: 1426900449
Category : History
Languages : en
Pages : 389
Book Description
This book on Guillaume Coppier (1606 1674), the early 17th-century French traveler, indentured servant, colonist, mariner, moralist, baroque chronicler, antiquarian, humanist, sometime pirate and slaver of sorts, is essentially a reading of Coppier, the man and his chronicle. Coppiers Histoire et voyage des Indes Occidentales, et de plusieurs autres rgions maritimes, & esloignes (History and Voyage to the West Indies and to Several Other Maritime and Faraway Regions) was published in Lyon in 1645. Given its objective and context, this effortpart amateur historiography and translation and part novice commentary and interpretationis also a survey of past appraisals of Coppiers chronicle. Like all such endeavors, this essay informs on the essayist; it is a sort of voyage, and a long one at that.
Publisher: Trafford Publishing
ISBN: 1426900449
Category : History
Languages : en
Pages : 389
Book Description
This book on Guillaume Coppier (1606 1674), the early 17th-century French traveler, indentured servant, colonist, mariner, moralist, baroque chronicler, antiquarian, humanist, sometime pirate and slaver of sorts, is essentially a reading of Coppier, the man and his chronicle. Coppiers Histoire et voyage des Indes Occidentales, et de plusieurs autres rgions maritimes, & esloignes (History and Voyage to the West Indies and to Several Other Maritime and Faraway Regions) was published in Lyon in 1645. Given its objective and context, this effortpart amateur historiography and translation and part novice commentary and interpretationis also a survey of past appraisals of Coppiers chronicle. Like all such endeavors, this essay informs on the essayist; it is a sort of voyage, and a long one at that.
Figures croisées d'intellectuels
Author:
Publisher: KARTHALA Editions
ISBN: 2845868669
Category : Intellectuals
Languages : fr
Pages : 482
Book Description
Tout discours visant à appréhender les intellectuels constitue un défi majoré, pour peu qu'une telle tentative se trouve conduite par les membres de ce groupe d'appartenance. Par la pluralité de ses figures, de ses trajectoires, de ses postures et de ses lieux d'actions, l'intellectuel intervient dans l'espace public, lieu de débats et condition nécessaire pour son existence et ses activités. Qu'il appartienne à l'élite ou qu'il soit qualifié de populaire, l'intellectuel est un acteur, un sujet agissant par le biais de ses productions polymorphes fondées le plus souvent sur un savoir critique. Celles-ci ont en commun de porter sur l'orientation des sociétés concernées, d'intervenir dans la vie de la Cité. Dans quelle mesure des intellectuels appartenant à différentes traditions linguistiques ou aux mêmes traditions partagent-ils des repères épistémologiques analogues ? Quelles sont les incidences de la mondialisation sur leurs productions scientifiques ? Comment se positionnent-ils dans les différents espaces d'expérimentation parfois douloureuse de la démocratie ? Etre un intellectuel dans le domaine des sciences humaines et sociales, signifie-t-il détenir, sans en avoir le monopole, un rôle prépondérant au plan éthique dans l'exigence et l'intention de vérité, dans la posture critique, la pratique du dialogue et la reconnaissance de l'autre ? S'appuyant sur des recherches empiriques effectuées en Afrique, en Europe, en Asie, le livre propose de cerner diverses figures contemporaines d'intellectuels, leur rôle aussi bien dans la jonction de leurs sociétés avec le reste du monde, que dans les constructions abouties ou non d'une sphère autonome du pouvoir politique.
Publisher: KARTHALA Editions
ISBN: 2845868669
Category : Intellectuals
Languages : fr
Pages : 482
Book Description
Tout discours visant à appréhender les intellectuels constitue un défi majoré, pour peu qu'une telle tentative se trouve conduite par les membres de ce groupe d'appartenance. Par la pluralité de ses figures, de ses trajectoires, de ses postures et de ses lieux d'actions, l'intellectuel intervient dans l'espace public, lieu de débats et condition nécessaire pour son existence et ses activités. Qu'il appartienne à l'élite ou qu'il soit qualifié de populaire, l'intellectuel est un acteur, un sujet agissant par le biais de ses productions polymorphes fondées le plus souvent sur un savoir critique. Celles-ci ont en commun de porter sur l'orientation des sociétés concernées, d'intervenir dans la vie de la Cité. Dans quelle mesure des intellectuels appartenant à différentes traditions linguistiques ou aux mêmes traditions partagent-ils des repères épistémologiques analogues ? Quelles sont les incidences de la mondialisation sur leurs productions scientifiques ? Comment se positionnent-ils dans les différents espaces d'expérimentation parfois douloureuse de la démocratie ? Etre un intellectuel dans le domaine des sciences humaines et sociales, signifie-t-il détenir, sans en avoir le monopole, un rôle prépondérant au plan éthique dans l'exigence et l'intention de vérité, dans la posture critique, la pratique du dialogue et la reconnaissance de l'autre ? S'appuyant sur des recherches empiriques effectuées en Afrique, en Europe, en Asie, le livre propose de cerner diverses figures contemporaines d'intellectuels, leur rôle aussi bien dans la jonction de leurs sociétés avec le reste du monde, que dans les constructions abouties ou non d'une sphère autonome du pouvoir politique.