Author: Jeanette M. A. Beer
Publisher: University of Toronto Press
ISBN: 9780802036124
Category : Literary Criticism
Languages : en
Pages : 680
Book Description
In Le Bestiare d'amour and the Response, a medieval chancellor's erotic bestiary to a woman is countered by the woman's passionate protest against the cleric's misogynistic presuppositions. Beer presents a close, linear reading of the two literary texts.
Beasts of Love
Author: Jeanette M. A. Beer
Publisher: University of Toronto Press
ISBN: 9780802036124
Category : Literary Criticism
Languages : en
Pages : 680
Book Description
In Le Bestiare d'amour and the Response, a medieval chancellor's erotic bestiary to a woman is countered by the woman's passionate protest against the cleric's misogynistic presuppositions. Beer presents a close, linear reading of the two literary texts.
Publisher: University of Toronto Press
ISBN: 9780802036124
Category : Literary Criticism
Languages : en
Pages : 680
Book Description
In Le Bestiare d'amour and the Response, a medieval chancellor's erotic bestiary to a woman is countered by the woman's passionate protest against the cleric's misogynistic presuppositions. Beer presents a close, linear reading of the two literary texts.
From Song to Book
Author: Sylvia Huot
Publisher: Cornell University Press
ISBN: 1501746677
Category : Poetry
Languages : en
Pages : 385
Book Description
As the visual representation of an essentially oral text, Sylvia Huot points out, the medieval illuminated manuscript has a theatrical, performative quality. She perceives the tension between implied oral performance and real visual artifact as a fundamental aspect of thirteenth- and fourteenth-century poetics. In this generously illustrated volume, Huot examines manuscript texts both from the performance-oriented lyric tradition of chanson courtoise, or courtly love lyric, and from the self-consciously literary tradition of Old French narrative poetry. She demonstrates that the evolution of the lyrical romance and dit, narrative poems which incorporate thematic and rhetorical elements of the lyric, was responsible for a progressive redefinition of lyric poetry as a written medium and the emergence of an explicitly written literary tradition uniting lyric and narrative poetics. Huot first investigates the nature of the vernacular book in the thirteenth and fourteenth centuries, analyzing organization, page layout, rubrication, and illumination in a series of manuscripts. She then describes the relationship between poetics and manuscript format in specific texts, including works by widely read medieval authors such as Guillaume de Lorris, Jean de Meun, and Guillaume de Machaut, as well as by lesser-known writers including Nicole de Margival and Watriquet de Couvin. Huot focuses on the writers' characteristic modifications of lyric poetics; their use of writing and performance as theme; their treatment of the poet as singer or writer; and of the lady as implied reader or listener; and the ways in which these features of the text were elaborated by scribes and illuminators. Her readings reveal how medieval poets and book-makers conceived their common project, and how they distinguished their respective roles.
Publisher: Cornell University Press
ISBN: 1501746677
Category : Poetry
Languages : en
Pages : 385
Book Description
As the visual representation of an essentially oral text, Sylvia Huot points out, the medieval illuminated manuscript has a theatrical, performative quality. She perceives the tension between implied oral performance and real visual artifact as a fundamental aspect of thirteenth- and fourteenth-century poetics. In this generously illustrated volume, Huot examines manuscript texts both from the performance-oriented lyric tradition of chanson courtoise, or courtly love lyric, and from the self-consciously literary tradition of Old French narrative poetry. She demonstrates that the evolution of the lyrical romance and dit, narrative poems which incorporate thematic and rhetorical elements of the lyric, was responsible for a progressive redefinition of lyric poetry as a written medium and the emergence of an explicitly written literary tradition uniting lyric and narrative poetics. Huot first investigates the nature of the vernacular book in the thirteenth and fourteenth centuries, analyzing organization, page layout, rubrication, and illumination in a series of manuscripts. She then describes the relationship between poetics and manuscript format in specific texts, including works by widely read medieval authors such as Guillaume de Lorris, Jean de Meun, and Guillaume de Machaut, as well as by lesser-known writers including Nicole de Margival and Watriquet de Couvin. Huot focuses on the writers' characteristic modifications of lyric poetics; their use of writing and performance as theme; their treatment of the poet as singer or writer; and of the lady as implied reader or listener; and the ways in which these features of the text were elaborated by scribes and illuminators. Her readings reveal how medieval poets and book-makers conceived their common project, and how they distinguished their respective roles.
Key Figures in Medieval Europe
Author: Richard Kenneth Emmerson
Publisher: Taylor & Francis
ISBN: 0415973856
Category : Biography & Autobiography
Languages : en
Pages : 780
Book Description
From emperors and queens to artists and world travelers, from popes and scholars to saints and heretics, Key Figures in Medieval Europe brings together in one volume the most important people who lived in medieval Europe between 500 and 1500. Gathered from the biographical entries from the on-going series, the Routledge Encyclopedias of the Middle Ages, these a-z biographical entries discuss the lives of over 600 individuals who have had a historical impact in such areas as politics, religion, or the arts. Individuals from places such as medieval England, France, Germany, Iberia, Italy, and Scandinavia are included as well as those from the Jewish and Islamic worlds. A thematic outline is included that lists people not only by categories, but also by regions. Entries fall under the following categories: * Artists/Architects * Authors * Commercial Figures * Musicians * Political Figures * Religious Figures * Scientific Figures * Travelers * Women In one convenient volume, students, scholars, and interested readers will find the biographies of the people whose actions, beliefs, creations, and writings shaped the Middle Ages, one of the most fascinating periods of world history.
Publisher: Taylor & Francis
ISBN: 0415973856
Category : Biography & Autobiography
Languages : en
Pages : 780
Book Description
From emperors and queens to artists and world travelers, from popes and scholars to saints and heretics, Key Figures in Medieval Europe brings together in one volume the most important people who lived in medieval Europe between 500 and 1500. Gathered from the biographical entries from the on-going series, the Routledge Encyclopedias of the Middle Ages, these a-z biographical entries discuss the lives of over 600 individuals who have had a historical impact in such areas as politics, religion, or the arts. Individuals from places such as medieval England, France, Germany, Iberia, Italy, and Scandinavia are included as well as those from the Jewish and Islamic worlds. A thematic outline is included that lists people not only by categories, but also by regions. Entries fall under the following categories: * Artists/Architects * Authors * Commercial Figures * Musicians * Political Figures * Religious Figures * Scientific Figures * Travelers * Women In one convenient volume, students, scholars, and interested readers will find the biographies of the people whose actions, beliefs, creations, and writings shaped the Middle Ages, one of the most fascinating periods of world history.
The English Novel in the Time of Shakespeare
Author: Jean Jules Jusserand
Publisher:
ISBN:
Category : English fiction
Languages : en
Pages : 466
Book Description
Publisher:
ISBN:
Category : English fiction
Languages : en
Pages : 466
Book Description
The English Novel in the Time of Shakespeare
Author: Jean Adrien Antoine Jules Jusserand
Publisher: Library of Alexandria
ISBN: 1465578374
Category : Fiction
Languages : en
Pages : 456
Book Description
Minute research has been made, in every country, into the origin of the drama. The origin of the novel has rarely tempted the literary archæologist. For a long time the novel was regarded as literature of a lower order; down almost to our time, critics scrupled to speak of it. When M. Villemain in his course of lectures on the eighteenth century came to Richardson, he experienced some embarrassment, and it was not without oratorical qualifications and certain bashful doubts that he dared to announce lectures on "Clarissa Harlowe" and "Sir Charles Grandison." He sought to justify himself on the ground that it was necessary to track out a special influence derived from England, "the influence of imagination united to moral sentiment in eloquent prose." But this neglect can be explained still better. We can at need fix the exact period of the origin of the drama. It is not the same with the novel. We may go as far back as we please, yet we find the thin ramifications of the novel, and we may say literally that it is as old as the world itself. Like man himself, was not the world rocked in the cradle of its childhood to the accompaniment of stories and tales? Some were boldly marvellous; others have been called historical; but very often, in spite of the dignity of the name, the "histories" were nothing but collections of traditions, of legends, of fictions: a kind of novel. This noble antiquity might doubtless have been invoked as a further justification by M. Villemain and have confirmed the reasons drawn from the "moral sentiment and eloquence" of novels, reasons which were such as to rather curtail the scope of his lectures. In England as much and even more than with any other modern nation, novelists can pride themselves upon a long line of ancestors. They can, without abusing the license permitted to genealogists, go back to the time when the English did not inhabit England, when London, like Paris, was peopled by latinised Celts, and when the ancestors of the puritans sacrificed to the god Thor. The novelists indeed can show that the beginning of their history is lost in the abysm of time. They can recall the fact that the Anglo-Saxons, when they came to dwell in the island of Britain, brought with them songs and legends, whence was evolved the strange poem of "Beowulf," the first epic, the most ancient history, and the oldest English romance. In it, truth is mingled with fiction; besides the wonders performed by the hero, a destroyer of monsters, we find a great battle mentioned by Gregory of Tours, where the Frenchmen, that were to be, cut to pieces the Englishmen that were to be; the first act of that bloody tragedy continued afterwards at Hastings, Crécy, Agincourt, Fontenoy, and Waterloo.
Publisher: Library of Alexandria
ISBN: 1465578374
Category : Fiction
Languages : en
Pages : 456
Book Description
Minute research has been made, in every country, into the origin of the drama. The origin of the novel has rarely tempted the literary archæologist. For a long time the novel was regarded as literature of a lower order; down almost to our time, critics scrupled to speak of it. When M. Villemain in his course of lectures on the eighteenth century came to Richardson, he experienced some embarrassment, and it was not without oratorical qualifications and certain bashful doubts that he dared to announce lectures on "Clarissa Harlowe" and "Sir Charles Grandison." He sought to justify himself on the ground that it was necessary to track out a special influence derived from England, "the influence of imagination united to moral sentiment in eloquent prose." But this neglect can be explained still better. We can at need fix the exact period of the origin of the drama. It is not the same with the novel. We may go as far back as we please, yet we find the thin ramifications of the novel, and we may say literally that it is as old as the world itself. Like man himself, was not the world rocked in the cradle of its childhood to the accompaniment of stories and tales? Some were boldly marvellous; others have been called historical; but very often, in spite of the dignity of the name, the "histories" were nothing but collections of traditions, of legends, of fictions: a kind of novel. This noble antiquity might doubtless have been invoked as a further justification by M. Villemain and have confirmed the reasons drawn from the "moral sentiment and eloquence" of novels, reasons which were such as to rather curtail the scope of his lectures. In England as much and even more than with any other modern nation, novelists can pride themselves upon a long line of ancestors. They can, without abusing the license permitted to genealogists, go back to the time when the English did not inhabit England, when London, like Paris, was peopled by latinised Celts, and when the ancestors of the puritans sacrificed to the god Thor. The novelists indeed can show that the beginning of their history is lost in the abysm of time. They can recall the fact that the Anglo-Saxons, when they came to dwell in the island of Britain, brought with them songs and legends, whence was evolved the strange poem of "Beowulf," the first epic, the most ancient history, and the oldest English romance. In it, truth is mingled with fiction; besides the wonders performed by the hero, a destroyer of monsters, we find a great battle mentioned by Gregory of Tours, where the Frenchmen, that were to be, cut to pieces the Englishmen that were to be; the first act of that bloody tragedy continued afterwards at Hastings, Crécy, Agincourt, Fontenoy, and Waterloo.
Master Richard's Bestiary of Love and Response
Author: Richard (de Fournival)
Publisher: Purdue University Press
ISBN: 9781557531759
Category : Family & Relationships
Languages : en
Pages : 108
Book Description
This affordable reprint edition of the beautifully illustrated translation of Richard de Fournival's Bestiary of Love and the anonymous Response makes this medieval examination of the nature of love accessible to students and the general reader.
Publisher: Purdue University Press
ISBN: 9781557531759
Category : Family & Relationships
Languages : en
Pages : 108
Book Description
This affordable reprint edition of the beautifully illustrated translation of Richard de Fournival's Bestiary of Love and the anonymous Response makes this medieval examination of the nature of love accessible to students and the general reader.
Routledge Revivals: Medieval France (1995)
Author: William W. Kibler
Publisher: Routledge
ISBN: 1351665650
Category : History
Languages : en
Pages : 2385
Book Description
First published in 1995, Medieval France: An Encyclopedia is the first single-volume reference work on the history and culture of medieval France. It covers the political, intellectual, literary, and musical history of the country from the early fifth to the late fifteenth century. The shorter entries offer succinct summaries of the lives of individuals, events, works, cities, monuments, and other important subjects, followed by essential bibliographies. Longer essay-length articles provide interpretive comments about significant institutions and important periods or events. The Encyclopedia is thoroughly cross-referenced and includes a generous selection of illustrations, maps, charts, and genealogies. It is especially strong in its coverage of economic issues, women, music, religion and literature. This comprehensive work of over 2,400 entries will be of key interest to students and scholars, as well as general readers.
Publisher: Routledge
ISBN: 1351665650
Category : History
Languages : en
Pages : 2385
Book Description
First published in 1995, Medieval France: An Encyclopedia is the first single-volume reference work on the history and culture of medieval France. It covers the political, intellectual, literary, and musical history of the country from the early fifth to the late fifteenth century. The shorter entries offer succinct summaries of the lives of individuals, events, works, cities, monuments, and other important subjects, followed by essential bibliographies. Longer essay-length articles provide interpretive comments about significant institutions and important periods or events. The Encyclopedia is thoroughly cross-referenced and includes a generous selection of illustrations, maps, charts, and genealogies. It is especially strong in its coverage of economic issues, women, music, religion and literature. This comprehensive work of over 2,400 entries will be of key interest to students and scholars, as well as general readers.
Blindness and Therapy in Late Medieval French and Italian Poetry
Author: Julie Singer
Publisher: Boydell & Brewer Ltd
ISBN: 1843842726
Category : Literary Criticism
Languages : en
Pages : 251
Book Description
An examination of the ways in which late medieval lyric poetry can be seen to engage with contemporary medical theory. This book argues that late medieval love poets, from Petrarch to Machaut and Charles d'Orléans, exploit scientific models as a broad framework within which to redefine the limits of the lyric subject and his body. Just as humoraltheory depends upon principles of likes and contraries in order to heal, poetry makes possible a parallel therapeutic system in which verbal oppositions and substitutions counter or rewrite received medical wisdom. The specific case of blindness, a disability that according to the theories of love that predominated in the late medieval West foreclosed the possibility of love, serves as a laboratory in which to explore poets' circumvention of the logical limits of contemporary medical theory. Reclaiming the power of remedy from physicians, these late medieval French and Italian poets prompt us to rethink not only the relationship between scientific and literary authority at the close of the middle ages, but, more broadly speaking, the very notion of therapy. Julie Singer is Assistant Professor of French at Washington University, St Louis.
Publisher: Boydell & Brewer Ltd
ISBN: 1843842726
Category : Literary Criticism
Languages : en
Pages : 251
Book Description
An examination of the ways in which late medieval lyric poetry can be seen to engage with contemporary medical theory. This book argues that late medieval love poets, from Petrarch to Machaut and Charles d'Orléans, exploit scientific models as a broad framework within which to redefine the limits of the lyric subject and his body. Just as humoraltheory depends upon principles of likes and contraries in order to heal, poetry makes possible a parallel therapeutic system in which verbal oppositions and substitutions counter or rewrite received medical wisdom. The specific case of blindness, a disability that according to the theories of love that predominated in the late medieval West foreclosed the possibility of love, serves as a laboratory in which to explore poets' circumvention of the logical limits of contemporary medical theory. Reclaiming the power of remedy from physicians, these late medieval French and Italian poets prompt us to rethink not only the relationship between scientific and literary authority at the close of the middle ages, but, more broadly speaking, the very notion of therapy. Julie Singer is Assistant Professor of French at Washington University, St Louis.
Women, the Book, and the Godly
Author: Lesley Janette Smith
Publisher: Boydell & Brewer
ISBN: 9780859914796
Category : History
Languages : en
Pages : 214
Book Description
Studies of women's roles in the secular literary world, as patrons, authors, readers, and characters in secular literature. This second volume of proceedings from the `Women and the Book' conference, held at St Hilda's College, Oxford in 1993, brings together fifteen papers dealing with women's experience in the secular literary world. It covers the whole variety of roles women might take, as patrons, authors, readers, and characters in secular literature; encompassed in its range are well-known characters, real and fictional, such as Christine de Pisan and the Wife of Bath, and the more obscure but no less fascinating topic of women in Chinese medieval court poetry. Like its predecessor Women, the Book, and the Godly(Brewer, 1995), this volume illuminates the world of medieval women with carefulscholarship and attention to sources, producing new readings and new materials which shed fresh light on an increasingly important field of study. Contributors: PATRICIA SKINNER, PHILIP E. BENNETT, JENNIFER GOODMAN, CHARITY CANNON-WILLARD, BENJAMIN SEMPLE, ANNE BIRRELL, JEANETTE BEER, MARK BALFOUR, CAROL HARVEY, HEATHER ARDEN, KAREN JAMBECK, JULIA BOFFEY, JENNIFER SUMMIT, MARGARITA STOCKER
Publisher: Boydell & Brewer
ISBN: 9780859914796
Category : History
Languages : en
Pages : 214
Book Description
Studies of women's roles in the secular literary world, as patrons, authors, readers, and characters in secular literature. This second volume of proceedings from the `Women and the Book' conference, held at St Hilda's College, Oxford in 1993, brings together fifteen papers dealing with women's experience in the secular literary world. It covers the whole variety of roles women might take, as patrons, authors, readers, and characters in secular literature; encompassed in its range are well-known characters, real and fictional, such as Christine de Pisan and the Wife of Bath, and the more obscure but no less fascinating topic of women in Chinese medieval court poetry. Like its predecessor Women, the Book, and the Godly(Brewer, 1995), this volume illuminates the world of medieval women with carefulscholarship and attention to sources, producing new readings and new materials which shed fresh light on an increasingly important field of study. Contributors: PATRICIA SKINNER, PHILIP E. BENNETT, JENNIFER GOODMAN, CHARITY CANNON-WILLARD, BENJAMIN SEMPLE, ANNE BIRRELL, JEANETTE BEER, MARK BALFOUR, CAROL HARVEY, HEATHER ARDEN, KAREN JAMBECK, JULIA BOFFEY, JENNIFER SUMMIT, MARGARITA STOCKER
Catalog of Copyright Entries
Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 1274
Book Description
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 1274
Book Description