Author: Maurice Blanchot
Publisher: Stanford University Press
ISBN: 9780804750356
Category : Literary Criticism
Languages : en
Pages : 204
Book Description
In this book, Blanchot forcefully distinguishes his critical project from the major intellectual currents of his day, surrealism and existentialism.
Lautréamont and Sade
Author: Maurice Blanchot
Publisher: Stanford University Press
ISBN: 9780804750356
Category : Literary Criticism
Languages : en
Pages : 204
Book Description
In this book, Blanchot forcefully distinguishes his critical project from the major intellectual currents of his day, surrealism and existentialism.
Publisher: Stanford University Press
ISBN: 9780804750356
Category : Literary Criticism
Languages : en
Pages : 204
Book Description
In this book, Blanchot forcefully distinguishes his critical project from the major intellectual currents of his day, surrealism and existentialism.
The Eroticization of Distance
Author: Joseph D. Kuzma
Publisher: Lexington Books
ISBN: 1498524397
Category : Philosophy
Languages : en
Pages : 169
Book Description
In The Eroticization of Distance: Nietzsche, Blanchot and the Legacy of Courtly Love, Joseph D. Kuzma explores the significance of courtly erotic themes in Friedrich Nietzsche’s mature philosophy and in Maurice Blanchot’s writings of the 1940s and early 1950s. Rather than offering an account of erotic relationality that prioritizes reconciliation, fulfillment, or release, Nietzsche attempts to formulate a nonteleological eroticism that aims at nothing but the perpetual intensification of desire. Kuzma suggests that it is Blanchot who carries Nietzsche’s courtly erotic tendencies to their most provocative point, by highlighting potentials for intimate relationality that might be established through a shared experience of dispossession and loss. This first monograph to engage specifically with the theme of eroticism in Blanchot’s writings will be of interest not only to students and scholars of Nietzsche, Blanchot, or French philosophy, but also anyone interested in the philosophy of sexuality, the history of love, theories of the emotions, or nineteenth and twentieth-century European thought more generally.
Publisher: Lexington Books
ISBN: 1498524397
Category : Philosophy
Languages : en
Pages : 169
Book Description
In The Eroticization of Distance: Nietzsche, Blanchot and the Legacy of Courtly Love, Joseph D. Kuzma explores the significance of courtly erotic themes in Friedrich Nietzsche’s mature philosophy and in Maurice Blanchot’s writings of the 1940s and early 1950s. Rather than offering an account of erotic relationality that prioritizes reconciliation, fulfillment, or release, Nietzsche attempts to formulate a nonteleological eroticism that aims at nothing but the perpetual intensification of desire. Kuzma suggests that it is Blanchot who carries Nietzsche’s courtly erotic tendencies to their most provocative point, by highlighting potentials for intimate relationality that might be established through a shared experience of dispossession and loss. This first monograph to engage specifically with the theme of eroticism in Blanchot’s writings will be of interest not only to students and scholars of Nietzsche, Blanchot, or French philosophy, but also anyone interested in the philosophy of sexuality, the history of love, theories of the emotions, or nineteenth and twentieth-century European thought more generally.
Sade’s Philosophical System in its Enlightenment Context
Author: Henry Martyn Lloyd
Publisher: Springer
ISBN: 3319971964
Category : Philosophy
Languages : en
Pages : 319
Book Description
This book connects the philosophy of the Marquis de Sade—one of the most notorious, iconic, and yet poorly-understood figures within the history of European thought—with the broader themes of the Enlightenment. Rather than seeing himself as a mere pornographer, Sade understood himself as continuing the progressive tradition of French Enlightenment philosophy. Sade aspired to be a philosophe. This book uses intellectual history and the history of philosophy to reconstruct Sade’s philosophical ‘system’ and its historical context. Within the period’s discourse of sensibility Sade draws on the philosophical and the literary to form a relatively sophisticated ‘system’ which he deploys to critically engage with the two major strands of eighteenth-century ethical theory: the moral sense and natural law traditions. This work is of interest to: ‘Continental’ Philosophy, Critical Theory, French Studies, the History of Eighteenth-Century Philosophy, Literary Studies, the History of Moral Philosophy, and Enlightenment Studies.
Publisher: Springer
ISBN: 3319971964
Category : Philosophy
Languages : en
Pages : 319
Book Description
This book connects the philosophy of the Marquis de Sade—one of the most notorious, iconic, and yet poorly-understood figures within the history of European thought—with the broader themes of the Enlightenment. Rather than seeing himself as a mere pornographer, Sade understood himself as continuing the progressive tradition of French Enlightenment philosophy. Sade aspired to be a philosophe. This book uses intellectual history and the history of philosophy to reconstruct Sade’s philosophical ‘system’ and its historical context. Within the period’s discourse of sensibility Sade draws on the philosophical and the literary to form a relatively sophisticated ‘system’ which he deploys to critically engage with the two major strands of eighteenth-century ethical theory: the moral sense and natural law traditions. This work is of interest to: ‘Continental’ Philosophy, Critical Theory, French Studies, the History of Eighteenth-Century Philosophy, Literary Studies, the History of Moral Philosophy, and Enlightenment Studies.
Hotel Lautréamont
Author: John Ashbery
Publisher: Open Road Media
ISBN: 1480459100
Category : Poetry
Languages : en
Pages : 235
Book Description
In John Ashbery’s haunting 1992 collection, just as in the traveler’s experience of a hotel, we recognize everything, and yet nothing is familiar—not even ourselves Hotel Lautréamont invites readers to reimagine a book of poems as a collection of hotel rooms: each one empty until we enter it, and yet in truth abundantly furnished with associations, necessities, and echoes of both the known and the alien. The collection’s title poem is itself an evocative echo: Comte de Lautréamont was the pseudonym taken by Isidore-Lucien Ducasse, a radical nineteenth-century French writer about whom little is known except that he produced one remarkable presymbolist epic prose poem called The Songs of Maldoror and died of fever at the age of twenty-four in a hotel in Paris during Napoleon III’s siege of the city in 1870. Addressed to lonely ghosts, lingering guests, and others, the poems in Hotel Lautréamont present a study of exile, loss, meaning, and the artistic constructions we create to house them.
Publisher: Open Road Media
ISBN: 1480459100
Category : Poetry
Languages : en
Pages : 235
Book Description
In John Ashbery’s haunting 1992 collection, just as in the traveler’s experience of a hotel, we recognize everything, and yet nothing is familiar—not even ourselves Hotel Lautréamont invites readers to reimagine a book of poems as a collection of hotel rooms: each one empty until we enter it, and yet in truth abundantly furnished with associations, necessities, and echoes of both the known and the alien. The collection’s title poem is itself an evocative echo: Comte de Lautréamont was the pseudonym taken by Isidore-Lucien Ducasse, a radical nineteenth-century French writer about whom little is known except that he produced one remarkable presymbolist epic prose poem called The Songs of Maldoror and died of fever at the age of twenty-four in a hotel in Paris during Napoleon III’s siege of the city in 1870. Addressed to lonely ghosts, lingering guests, and others, the poems in Hotel Lautréamont present a study of exile, loss, meaning, and the artistic constructions we create to house them.
Lautréamont's Imagery
Author: Peter W. Nesselroth
Publisher: Librairie Droz
ISBN: 9782600034968
Category : French language
Languages : en
Pages : 140
Book Description
Publisher: Librairie Droz
ISBN: 9782600034968
Category : French language
Languages : en
Pages : 140
Book Description
Samuel Beckett and the Language of Subjectivity
Author: Derval Tubridy
Publisher: Cambridge University Press
ISBN: 1108651674
Category : Literary Criticism
Languages : en
Pages : 233
Book Description
Samuel Beckett and the Language of Subjectivity is the first sustained exploration of aporia as a vital, subversive, and productive figure within Beckett's writing as it moves between prose and theatre. Informed by key developments in analytic and continental philosophies of language, Tubridy's fluent analysis demonstrates how Beckett's translations - between languages, genres, bodies, and genders - offer a way out of the impasse outlined in his early aesthetics. The primary modes of the self's extension into the world are linguistic (speaking, listening) and material (engaging with bodies, spaces and objects). Yet what we mean by language has changed in the twenty-first century. Beckett's concern with words must be read through the information economy in which contemporary identities are forged. Derval Tubridy provides the groundwork for new insights on Beckett in terms of the posthuman: the materialist, vitalist and relational subject cathected within differential mechanisms of power.
Publisher: Cambridge University Press
ISBN: 1108651674
Category : Literary Criticism
Languages : en
Pages : 233
Book Description
Samuel Beckett and the Language of Subjectivity is the first sustained exploration of aporia as a vital, subversive, and productive figure within Beckett's writing as it moves between prose and theatre. Informed by key developments in analytic and continental philosophies of language, Tubridy's fluent analysis demonstrates how Beckett's translations - between languages, genres, bodies, and genders - offer a way out of the impasse outlined in his early aesthetics. The primary modes of the self's extension into the world are linguistic (speaking, listening) and material (engaging with bodies, spaces and objects). Yet what we mean by language has changed in the twenty-first century. Beckett's concern with words must be read through the information economy in which contemporary identities are forged. Derval Tubridy provides the groundwork for new insights on Beckett in terms of the posthuman: the materialist, vitalist and relational subject cathected within differential mechanisms of power.
October
Author: Rosalind E. Krauss
Publisher: MIT Press
ISBN: 9780262112260
Category : Art
Languages : en
Pages : 492
Book Description
October: The Second Decade collects examples of the innovative critical and theoretical work for which the journal October is known.
Publisher: MIT Press
ISBN: 9780262112260
Category : Art
Languages : en
Pages : 492
Book Description
October: The Second Decade collects examples of the innovative critical and theoretical work for which the journal October is known.
Post-fascist Fantasies
Author: Julia Hell
Publisher: Duke University Press
ISBN: 9780822319634
Category : History
Languages : en
Pages : 388
Book Description
Employing an approach informed by Slavoj Zizek's work on the Communist's sublime body and by British psychoanalytic feminism's concern with feminine subjectivity, Hell first examines the antifascist works by exiled authors and authors tied to the resistance movement. She then strives to understand the role of Christa Wolf, the GDR's most prominent author, in the GDR's effort to reconstruct symbolic power after the Nazi period.
Publisher: Duke University Press
ISBN: 9780822319634
Category : History
Languages : en
Pages : 388
Book Description
Employing an approach informed by Slavoj Zizek's work on the Communist's sublime body and by British psychoanalytic feminism's concern with feminine subjectivity, Hell first examines the antifascist works by exiled authors and authors tied to the resistance movement. She then strives to understand the role of Christa Wolf, the GDR's most prominent author, in the GDR's effort to reconstruct symbolic power after the Nazi period.
A New History of French Literature
Author: Denis Hollier
Publisher: Harvard University Press
ISBN: 0674254619
Category : Literary Criticism
Languages : en
Pages : 1202
Book Description
Designed for the general reader, this splendid introduction to French literature from 842 A.D.—the date of the earliest surviving document in any Romance language—to the present decade is the most compact and imaginative single-volume guide available in English to the French literary tradition. In fact, no comparable work exists in either language. It is not the customary inventory of authors and titles but rather a collection of wide-angled views of historical and cultural phenomena. It sets before us writers, public figures, criminals, saints, and monarchs, as well as religious, cultural, and social revolutions. It gives us books, paintings, public monuments, even TV shows. Written by 164 American and European specialists, the essays are introduced by date and arranged in chronological order, but here ends the book’s resemblance to the usual history of literature. Each date is followed by a headline evoking an event that indicates the chronological point of departure. Usually the event is literary—the publication of an original work, a journal, a translation, the first performance of a play, the death of an author—but some events are literary only in terms of their repercussions and resonances. Essays devoted to a genre exist alongside essays devoted to one book, institutions are presented side by side with literary movements, and large surveys appear next to detailed discussions of specific landmarks. No article is limited to the “life and works” of a single author. Proust, for example, appears through various lenses: fleetingly, in 1701, apropos of Antoine Galland’s translation of The Thousand and One Nights; in 1898, in connection with the Dreyfus Affair; in 1905, on the occasion of the law on the separation of church and state; in 1911, in relation to Gide and their different treatments of homosexuality; and at his death in 1922. Without attempting to cover every author, work, and cultural development since the Serments de Strasbourg in 842, this history succeeds in being both informative and critical about the more than 1,000 years it describes. The contributors offer us a chance to appreciate not only French culture but also the major critical positions in literary studies today. A New History of French Literature will be essential reading for all engaged in the study of French culture and for all who are interested in it. It is an authoritative, lively, and readable volume.
Publisher: Harvard University Press
ISBN: 0674254619
Category : Literary Criticism
Languages : en
Pages : 1202
Book Description
Designed for the general reader, this splendid introduction to French literature from 842 A.D.—the date of the earliest surviving document in any Romance language—to the present decade is the most compact and imaginative single-volume guide available in English to the French literary tradition. In fact, no comparable work exists in either language. It is not the customary inventory of authors and titles but rather a collection of wide-angled views of historical and cultural phenomena. It sets before us writers, public figures, criminals, saints, and monarchs, as well as religious, cultural, and social revolutions. It gives us books, paintings, public monuments, even TV shows. Written by 164 American and European specialists, the essays are introduced by date and arranged in chronological order, but here ends the book’s resemblance to the usual history of literature. Each date is followed by a headline evoking an event that indicates the chronological point of departure. Usually the event is literary—the publication of an original work, a journal, a translation, the first performance of a play, the death of an author—but some events are literary only in terms of their repercussions and resonances. Essays devoted to a genre exist alongside essays devoted to one book, institutions are presented side by side with literary movements, and large surveys appear next to detailed discussions of specific landmarks. No article is limited to the “life and works” of a single author. Proust, for example, appears through various lenses: fleetingly, in 1701, apropos of Antoine Galland’s translation of The Thousand and One Nights; in 1898, in connection with the Dreyfus Affair; in 1905, on the occasion of the law on the separation of church and state; in 1911, in relation to Gide and their different treatments of homosexuality; and at his death in 1922. Without attempting to cover every author, work, and cultural development since the Serments de Strasbourg in 842, this history succeeds in being both informative and critical about the more than 1,000 years it describes. The contributors offer us a chance to appreciate not only French culture but also the major critical positions in literary studies today. A New History of French Literature will be essential reading for all engaged in the study of French culture and for all who are interested in it. It is an authoritative, lively, and readable volume.
Samuel Beckett and the Terror of Literature
Author: Christopher Langlois
Publisher: Edinburgh University Press
ISBN: 147441902X
Category : Philosophy
Languages : en
Pages : 272
Book Description
Samuel Beckett and the Terror of Literature addresses the relevance of terror to understanding the violence, the suffering, and the pain experienced by the narrative voices of Beckett's major post-1945 works in prose: The Unnamable, Texts for Nothing, How It Is, Company, Ill Seen Ill Said, and Worstward Ho. Through a sustained dialogue with the theoretical work of Maurice Blanchot, it accomplishes a systematic interrogation of what happens in the space of literature when writing, and first of all Beckett's, encounters the language of terror, thereby giving new significance - ethical, ontological, and political - to what speaks in Beckett's texts.a a
Publisher: Edinburgh University Press
ISBN: 147441902X
Category : Philosophy
Languages : en
Pages : 272
Book Description
Samuel Beckett and the Terror of Literature addresses the relevance of terror to understanding the violence, the suffering, and the pain experienced by the narrative voices of Beckett's major post-1945 works in prose: The Unnamable, Texts for Nothing, How It Is, Company, Ill Seen Ill Said, and Worstward Ho. Through a sustained dialogue with the theoretical work of Maurice Blanchot, it accomplishes a systematic interrogation of what happens in the space of literature when writing, and first of all Beckett's, encounters the language of terror, thereby giving new significance - ethical, ontological, and political - to what speaks in Beckett's texts.a a