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Author: Julia Marchand
Publisher:
ISBN: 9783753301419
Category :
Languages : en
Pages : 308
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Book Description
Ce catalogue présente les peintures de L. Owens réalisées dans le cadre d'un dialogue avec huit tableaux tardifs de V. Van Gogh conservés au sein d'institutions américaines, notamment le Guggenheim Museum de New York et le Museum of Fine Arts de Boston. Articulées en plusieurs couches, ses toiles oscillent entre le pastiche et l'abstraction.00Exhibition: Fondation Vincent Van Gogh, Arles, Paris (19.06-31.10.2021).
Author: Julia Marchand
Publisher:
ISBN: 9783753301419
Category :
Languages : en
Pages : 308
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Book Description
Ce catalogue présente les peintures de L. Owens réalisées dans le cadre d'un dialogue avec huit tableaux tardifs de V. Van Gogh conservés au sein d'institutions américaines, notamment le Guggenheim Museum de New York et le Museum of Fine Arts de Boston. Articulées en plusieurs couches, ses toiles oscillent entre le pastiche et l'abstraction.00Exhibition: Fondation Vincent Van Gogh, Arles, Paris (19.06-31.10.2021).
Author: Édouard Louis
Publisher:
ISBN: 0374170592
Category : Fiction
Languages : en
Pages : 225
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Book Description
"Originally published in French in 2016 by Seuil, France, as Historie de la violence"--Title page verso.
Author: Laura Owens
Publisher: Jrp Ringier
ISBN:
Category : Art
Languages : en
Pages : 238
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Book Description
This catalog aims to be a complete record of the artist's paintings since 1994.
Author: Richard Thomson
Publisher: Metropolitan Museum of Art
ISBN: 1588396150
Category : Art
Languages : en
Pages : 146
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Book Description
Georges Seurat (1859–1891) created just six major figure paintings during his lifetime, one of which, the alluring Circus Sideshow (Parade de cirque), has remained the most challenging to interpret since it first intrigued viewers at the 1888 Salon des Indépendants in Paris. Unlike Seurat’s earlier sunlit scenes, Circus Sideshow presents a nighttime tableau depicting a parade—a street show enticing passersby to purchase tickets. With its geometrically precise composition, muted colors, and elements of abstraction, the painting stands apart as a masterpiece of Neo-Impressionism and heralds Seurat’s subsequent depictions of popular entertainments. This book, the first comprehensive study of Circus Sideshow, situates the painting in the context of nineteenth-century Paris and of the many social changes France was undergoing. Renowned art historian Richard Thomson illuminates the roles of caricature, naturalist and avant-garde painting, and circus advertising; examines Seurat’s use of contemporary aesthetic theory; and discusses how artists ranging from Rouault to Picasso mined the sideshow theme into the twentieth century. Illustrated with Seurat’s related drawings, works by other artists, and period posters and broadsides, Seurat’s Circus Sideshow delves into the history of traveling circuses and seasonal fairs in France, exploring the ongoing appeal of this traditional form of popular entertainment through the fin de siècle. Two additional essays describe the painting’s enthusiastic reception in New York upon its 1929 debut and present the results of a fresh technical examination of the canvas, making this volume the definitive resource on one of Seurat’s most captivating works.
Author: Jane Stobart
Publisher: Bloomsbury Publishing
ISBN: 1789941016
Category : Art
Languages : en
Pages : 252
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Book Description
An essential guide to sketchbooks and their complete record of the creative process. Sketchbooks are an essential part of the creative process for artists of all disciplines, ranging from textiles and jewellery to interior design, printmaking and ceramics. The sketchbook is a complete record of the creative process which, it can even be argued, could even be more important than the finished object at the end of this process. This book is a vital resource for artists of all levels including students, makers and collectors, as it not only gives practical advice about building your own sketchbooks but also provides examples of different artists' working methods. Extraordinary Sketchbooks takes you through different themes and functions for sketchbooks, including drawing to collect visual research, course work, developing concepts and suggestions for making simple and quick visuals into exciting images. For inspiration, explore the gallery of work from a range of artists including recent graduates, practising artists, lecturers and working professionals form a variety of art and design industries. This is an essential creative resource for artists everywhere.
Author:
Publisher: National Geographic Books
ISBN: 0500021643
Category : Architecture
Languages : en
Pages : 0
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Book Description
This new overview of the work of world-renowned Belgian architect Vincent Van Duysen focuses on his most recent projects over the past decade. A follow-up and companion to Vincent Van Duysen Works 1989–2009, this brand new overview presents Belgian architect Van Duysen’s most recent works over the course of the past decade. With photography by internationally renowned architectural photographer Helene Binet, it will be a welcome addition to any architecture lover or design enthusiast’s shelf. In recent years Van Duysen has secured his reputation as one of the major tastemakers of minimalist design. The projects featured in this new book include an array of elegant residences in New York, Paris, and The Hamptons, and other private and public buildings, such as the Alexander Wang storefront in London. Van Duysen’s forays into product and interior design are also featured, including yacht interiors and furniture and homeware design for brands including the esteemed Italian house Molteni & C. With foreword by the actor, and close friend of Van Duysen, Julianne Moore, this new collection of works also includes an insightful preface by the architect Nicola di Battista.
Author:
Publisher:
ISBN: 9782365680462
Category :
Languages : en
Pages : 188
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Book Description
A reflection on our changing relationship with the sea, imagined by artists such as Jeff Koons and Alison Katz It goes without saying that our relationship to the natural world, especially the sea and its enigmatic and unfathomable contents, is complex and fraught. Far from a wholesale critical condemnation of anthropocentrism, The Imaginary Sea seeks to present a balanced, multifaceted perspective of our evolving relationship with the natural world. It operates, if not in different temporalities, then in different imaginations, compiling work inspired by the sea from artists such as Jeff Koons, Miquel Barceló and Alison Katz, working across a wide range of mediums. This publication, released alongside the eponymous exhibition at the Fondation Carmignac, considers not only how artists are reevaluating our relationship with nature, but also how nature, particularly the sea, sparks our imagination. Akin to the emotional range of a Shakespearian comedy or tragedy, The Imaginary Sea intends to evoke joy, mystery, wonder and melancholy, as well as loss.
Author: Mark Benjamin Godfrey
Publisher: Art Inst of Chicago
ISBN: 9780300203905
Category : Art
Languages : en
Pages : 190
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Book Description
"Chronologically examining the nature of his art within the context of mass media and photojournalism, this handsome volume charts the thirty-year career of the artist and photographer Christopher Williams (b. 1956). Featuring 100 color illustrations, the book also includes a trio of essays by authors Mark Godfrey, Roxana Marcoci, and Matthew S. Witkovsky that demonstrate how Williams, with high craft and a critical eye, deliberately engages yet reinterprets the conventions of photojournalism, picture archives, and commercial imagery through uncanny mimicry. Committed to the history of photography as a medium of art and intellectual inquiry, Williams's current series tackles the interplay of photography and cinema, upending viewer expectations and the role of spectacle"--
Author: Bernadette Murphy
Publisher: Farrar, Straus and Giroux
ISBN: 0374716021
Category : Art
Languages : en
Pages : 337
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Book Description
The best-known and most sensational event in Vincent van Gogh’s life is also the least understood. For more than a century, biographers and historians seeking definitive facts about what happened on a December night in Arles have unearthed more questions than answers. Why would an artist at the height of his powers commit such a brutal act? Who was the mysterious “Rachel” to whom he presented his macabre gift? Did he use a razor or a knife? Was it just a segment—or did Van Gogh really lop off his entire ear? In Van Gogh’s Ear, Bernadette Murphy reveals, for the first time, the true story of this long-misunderstood incident, sweeping away decades of myth and giving us a glimpse of a troubled but brilliant artist at his breaking point. Murphy’s detective work takes her from Europe to the United States and back, from the holdings of major museums to the moldering contents of forgotten archives. She braids together her own thrilling journey of discovery with a narrative of Van Gogh’s life in Arles, the sleepy Provençal town where he created his finest work, and vividly reconstructs the world in which he moved—the madams and prostitutes, café patrons and police inspectors, shepherds and bohemian artists. We encounter Van Gogh’s brother and benefactor Theo, his guest and fellow painter Paul Gauguin, and many local subjects of Van Gogh’s paintings, some of whom Murphy identifies for the first time. Strikingly, Murphy uncovers previously unknown information about “Rachel”—and uses it to propose a bold new hypothesis about what was occurring in Van Gogh’s heart and mind as he made a mysterious delivery to her doorstep. As it reopens one of art history’s most famous cold cases, Van Gogh’s Ear becomes a fascinating work of detection. It is also a study of a painter creating his most iconic and revolutionary work, pushing himself ever closer to greatness even as he edged toward madness—and one fateful sweep of the blade that would resonate through the ages.
Author: Blake Rayne
Publisher: National Geographic Books
ISBN: 3956793269
Category : Art
Languages : en
Pages : 0
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Book Description
Monograph covering the last ten years of the artist Blake Rayne's output, a mode of abstract painting irrevocably marked by conceptual art. Blake Rayne's paintings stem from the generative duplicity of words like Script, Folder, Application, Dissolve, and Screen. These operative terms situate the work between forms of linguistic description and the history of reflexive material practices in art. He begins from an orientation that considers the terms “painter” and “painting” as fictions. They have no stable material definition, but rather are shaped by evolving social, institutional, and physical relations. Conceived as a work, this monograph covers the last ten years of the artist's output and culminates in his first survey exhibition at the Blaffer Art Museum in Houston, Texas. Shifting sequences of varying material treatments guide us through the linguistic, institutional, and physical relations that have shaped Rayne's painting practice. The book is united under the structuring sign of cinema, with each section existing like a shot in a film, if you will, that is necessarily informed by and in dialogue with those that come before and after it. The main essays by John Kelsey and Jaleh Mansoor respectively situate Rayne's art within the urban cultural circumstances of New York during the last decade, and his specific position as a painter in relation to other painters of his generation, such as Cheyney Thomson. Mansoor further skillfully places the artist in a wider historical context. Shorter texts by gallerist David Lewis, artists Laura Owens and Sean Paul, as well as curator Javier Sánchez Martínez, illuminate other aspects of Rayne's work, and weave together a range of ideas and tones, from the history of corporate design to the rise of automation; from a lighthearted intervention about “The Rule of Blake” to a museum catalogue introduction.
