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Author: Francesco Izzo (Musicologist)
Publisher: Boydell & Brewer
ISBN: 1580462936
Category : History
Languages : en
Pages : 320
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Book Description
Tells the forgotten story of post-Rossinian opera buffa, with attention to masterpieces by Donizetti and fascinating comic works by Luigi Ricci, the young Verdi, and other composers. This study represents the first substantial assessment of Italian comic operas composed during the central years of the Risorgimento -- the period during which upheavals, revolutions, and wars ultimately led to the liberation andunification of Italy. Music historians often view the period as one during which serious Romantic opera flourished in Italy while opera buffa inexorably declined. Laughter between Two Revolutions revises this widespread notion by viewing well-known comic masterpieces -- such as Donizetti's L'elisir d'amore (1832) and Don Pasquale (1843) -- as part of a still-thriving tradition. Also examined are opere buffe by LuigiRicci, Lauro Rossi, Verdi (Un giorno di regno), and others, many of which circulated widely at the time. Francesco Izzo's pathbreaking study argues that in the "realm of seriousness" of mid-nineteenth-century Italy, comedywas not an anachronistic intruder, but a significant and vital cultural presence. This important volume offers new insights into opera history and theories of comedy in the arts. It will be of interest to opera lovers everywhere and to students in music, philosophy, comparative literature, and Italian cultural studies. Francesco Izzo is senior lecturer in music at the University of Southampton.
Author: Francesco Izzo (Musicologist)
Publisher: Boydell & Brewer
ISBN: 1580462936
Category : History
Languages : en
Pages : 320
Get Book Here
Book Description
Tells the forgotten story of post-Rossinian opera buffa, with attention to masterpieces by Donizetti and fascinating comic works by Luigi Ricci, the young Verdi, and other composers. This study represents the first substantial assessment of Italian comic operas composed during the central years of the Risorgimento -- the period during which upheavals, revolutions, and wars ultimately led to the liberation andunification of Italy. Music historians often view the period as one during which serious Romantic opera flourished in Italy while opera buffa inexorably declined. Laughter between Two Revolutions revises this widespread notion by viewing well-known comic masterpieces -- such as Donizetti's L'elisir d'amore (1832) and Don Pasquale (1843) -- as part of a still-thriving tradition. Also examined are opere buffe by LuigiRicci, Lauro Rossi, Verdi (Un giorno di regno), and others, many of which circulated widely at the time. Francesco Izzo's pathbreaking study argues that in the "realm of seriousness" of mid-nineteenth-century Italy, comedywas not an anachronistic intruder, but a significant and vital cultural presence. This important volume offers new insights into opera history and theories of comedy in the arts. It will be of interest to opera lovers everywhere and to students in music, philosophy, comparative literature, and Italian cultural studies. Francesco Izzo is senior lecturer in music at the University of Southampton.
Author: George Whitney Martin
Publisher: Scarecrow Press
ISBN: 9780810888531
Category : Bands (Music)
Languages : en
Pages : 0
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Book Description
In this book, George W. Martin surveys the role of concert bands in the 19th and early 20th centuries in making contemporary opera popular. At the same time, he chronicles how concert bands would lose their audience as they abandoned operatic repertory in the second half of the twentieth century. In conclusion Martin pleads for renewed interest among concert bands in operatic excerpts, especially from contemporary operas-for the good of both the bands and opera. This book starts with the Dodworth bands in New York City from the 1850s and tracks its way through the American tour of French conductor and composer Louis Antoine Jullien, bandmaster Patrick S. Gilmore's Jubilee festivals, the era of John Philip Sousa from 1892 to 1932, that of the Goldman Band of New York City from 1920 to 2005, to finally the wind ensembles sparked by Frederick Fennell. Throughout, Martin illustrates the degree to which operatic material comprised these bands' overall repertory and in a series of appendixes, he offers up detailed lists of band programs.
Author: Anca Parvulescu
Publisher: MIT Press
ISBN: 0262514745
Category : Philosophy
Languages : en
Pages : 227
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Book Description
Uncovering an archive of laughter, from the forbidden giggle to the explosive guffaw. Most of our theories of laughter are not concerned with laughter. Rather, their focus is the laughable object, whether conceived of as the comic, the humorous, jokes, the grotesque, the ridiculous, or the ludicrous. In Laughter, Anca Parvulescu proposes a return to the materiality of the burst of laughter itself. She sets out to uncover an archive of laughter, inviting us to follow its rhythms and listen to its tones. Historically, laughter—especially the passionate burst of laughter—has often been a faux pas. Manuals for conduct, abetted by philosophical treatises and literary and visual texts, warned against it, offering special injunctions to ladies to avoid jollity that was too boisterous. Returning laughter to the history of the passions, Parvulescu anchors it at the point where the history of the grimacing face meets the history of noise. In the civilizing process that leads to laughter's “falling into disrepute,” as Nietzsche famously put it, we can see the formless, contorted face in laughter being slowly corrected into a calm, social smile. How did the twentieth century laugh? Parvulescu points to a gallery of twentieth-century laughers and friends of laughter, arguing that it is through Georges Bataille that the century laughed its most distinct laugh. In Bataille's wake, laughter becomes the passion at the heart of poststructuralism. Looking back at the century from this vantage point, Parvulescu revisits four of its most challenging projects: modernism, the philosophical avant-gardes, feminism, and cinema. The result is an overview of the twentieth century as seen through the laughs that burst at some of its most convoluted junctures.
Author: Andrew M. Stauffer
Publisher: Cambridge University Press
ISBN: 1139444794
Category : Literary Criticism
Languages : en
Pages : 233
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Book Description
The Romantic age was one of anger and its consequences: revolution and reaction, terror and war. Andrew M. Stauffer explores the changing place of anger in the literature and culture of the period, as English men and women rethought their relationship to the aggressive passions in the wake of the French Revolution. Drawing on diverse fields and discourses such as aesthetics, politics, medicine and the law and tracing the classical legacy the Romantics inherited, Stauffer charts the period's struggle to define the relationship of anger to justice and the creative self. In their poetry and prose, Romantic authors including Blake, Coleridge, Godwin, Shelley and Byron negotiate the meanings of indignation and rage amidst a clamourous debate over the place of anger in art and in civil society. This innovative book has much to contribute to the understanding of Romantic literature and the cultural history of the emotions.
Author: Audrey Glenn
Publisher: Daughters of Columbia Books
ISBN:
Category : Fiction
Languages : en
Pages : 1348
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Book Description
Discover all the romance of the Revolution as the Crofton and Hayes sisters fight for freedom for all men and women—and find love along the way. Be sure to start with the first book, A Gentleman’s Daughter, and the first collection (books 2-5)! Save >33% off list price! Featuring Devotion’s Cost: When Verity inveigles the new vicar into a sham engagement, their relationship isn’t the only thing that’s fake. . . . Verity Hayes has tried everything to show the Reverend Mr. Henry Crofton how perfect they are for each other, but he barely seems to notice she’s alive. With her family of noted patriots about to be run out of town by invading British Regulars, Verity has only days to show Henry she’s the perfect woman for him. Even if it means a small white lie—that immediately grows out of control. Henry agrees to her proposal of a fake engagement, Verity is hiding the truth: the family pressure, like her personality, is totally fabricated. Can she find the courage to come clean before he finds out the hard way? “A Debt Repaid,” a never-before-seen bonus story, exclusive to this collection: When Owen is once again in the line of fire, can he pull the trigger on David’s friend from his former life? Loyalty’s Price: An American patriot in occupied territory, Mercy finds herself falling for an enemy officer. Will she choose her country or her heart? Mercy Hayes never intended to return to Philadelphia while the redcoats occupy her home—until her cousin needs her. Captain Lawrence Rogers knows that His Majesty’s troops cannot win the war unless they can sway the hearts and minds of Americans. But when Mercy Hayes joins him in Lord David Beaufort’s household, there’s only one heart Lawrence only cares to win. Lawrence and Mercy find themselves drawn to one another even while their loyalties threaten to tear them apart. Can these star-crossed lovers find a way forward together, or will the war come between them forever? “Flight by Twelfth Night” from A Revolutionary Christmas: After months of writing, Mercy Hayes and Captain Lawrence Rogers finally reunite for Christmas with her family at the Columbiafield country estate. But when Lawrence asks her father for his blessing on their union, Mr. Hayes says no in no uncertain terms. Despite misgivings, Mercy agrees to elope. Can they find their happily ever after? “An Officer and a Gentleman,” a never-before-seen bonus story, exclusive to this collection (#2!): Captain John André has worked for weeks to pull off a smashing success for the Mischianza with the help of Mercy Hayes. Will all his plans come to naught? “A Long Road,” a never-before-seen bonus story, exclusive to this collection (#3!!): Fischer Marks has disliked Gilbert Brand from day one. A three-week road trip together for the brothers-in-law will either mend the breach—or get them both killed. Revolution’s Toll: A widow who may be ready to love again. A rakish duke who may not be reformed. Can they ever hope for a happy ending? Edward Beaufort, the Duke of Wessex, has traveled across an ocean in the midst of a war to find his little brother and heir. When David’s brother appears and his pitiable attempts to reconcile with David fall short, widow Helen Crofton agrees to help the poor duke in his lost cause. A notorious rake ill at ease around children, Edward is nothing Helen would want, were she ever to remarry. But their platonic camaraderie grows into something deeper. If he ever hopes to win back his brother and to earn Helen’s love, Edward must prove he’s no longer a man who could only break hearts.
Author: Sons of the American Revolution
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 464
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Book Description
Author: Jens Hanssen
Publisher:
ISBN: 0199672539
Category : History
Languages : en
Pages : 756
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Book Description
Features a mix of junior and senior scholars based in the Middle East, South-East Asia, Australia, North America, and Europe, Develops multidisciplinary approaches to history, including environmental studies, social anthropology, law, gender, political science, sociology, religious studies, and media studies Book jacket.
Author: Autumn M. Birt
Publisher: Autumn Writing
ISBN:
Category : Fiction
Languages : en
Pages : 352
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Book Description
They once ruled this world. Now, they want it back. The loss of David Williams leaves the fae with no powerful advocate in the human world, but it is the life of October’s lover that hangs in the balance and leads her on a desperate quest to save him. But the price for healing him might just be what tears them apart. And that is just the start of her problems. When one powerful fae’s thoughtless lust for revenge leaves the dark fae homeless, October fears the fae will flock to Population Zero and their cause to rid the world of humans. As two problems threaten to merge into one unstoppable force, October and a troubled dark fae warrior struggle to find a way to help the fae that doesn’t remove humanity from the planet. All the while, she mourns the loss of a relationship that introduced her to a world of magic beyond anything she thought possible. There isn’t time to dwell on the past, though, not if she wants to help the fae or her fellow humans, as a new arrival to Population Zero offers a unique solution to their ultimate goal in a series of curses that will have humanity undoing itself. After two centuries of slow death, the fae are ready to fight back and reclaim the world they’ve lost with the one weapon humans don’t even think is real: Magic. But will that be enough to overcome humanity, which has virtually annihilated the fae without even knowing they existed? Pick up the next book in the Tainted Fae series and join the fight of the fae for the right to live with Fae Revolution today. The fate of the fae hangs in the balance. Will the combined force of a nihilistic group and rogue dark fae be enough to create a hexed virus that will lead humanity to destroy itself before they discover the fae and magic are real?
Author: Jonathan Taylor
Publisher: Springer
ISBN: 3030114139
Category : Literary Criticism
Languages : en
Pages : 264
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Book Description
Laughter, Literature, Violence, 1840-1930 investigates the strange, complex, even paradoxical relationship between laughter, on the one hand, and violence, war, horror, death, on the other. It does so in relation to philosophy, politics, and key nineteenth- and twentieth-century literary texts, by Edgar Allan Poe, Edmund Gosse, Wyndham Lewis and Katherine Mansfield – texts which explore the far reaches of Schadenfreude, and so-called ‘superiority theories’ of laughter, pushing these theories to breaking point. In these literary texts, the violent superiority often ascribed to laughter is seen as radically unstable, co-existing with its opposite: an anarchic sense of equality. Laughter, humour and comedy are slippery, duplicitous, ambivalent, self-contradictory hybrids, fusing apparently discordant elements. Now and then, though, literary and philosophical texts also dream of a different kind of laughter, one which reaches beyond its alloys – a transcendent, ‘perfect’ laughter which exists only in and for itself.
Author:
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 1386
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Book Description
