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Author: Alois Riegl
Publisher: Bretschneider Giorgio
ISBN:
Category : Art
Languages : en
Pages : 390
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Book Description
Author: Alois Riegl
Publisher: Bretschneider Giorgio
ISBN:
Category : Art
Languages : en
Pages : 390
Get Book Here
Book Description
Author: Alois Riegl
Publisher:
ISBN: 9788885007765
Category :
Languages : en
Pages :
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Book Description
Author: Kenneth John Conant
Publisher:
ISBN:
Category :
Languages : en
Pages : 15
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Book Description
Author: Martin Henig
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 328
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Book Description
Examines the architecture, sculpture, murals, mosaics, jewelry, coins, pottery and glass produced in ancient Rome.
Author: Richard Brilliant
Publisher:
ISBN:
Category :
Languages : en
Pages : 23
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Book Description
Author: Hans Peter L'Orange
Publisher: Princeton University Press
ISBN: 069100305X
Category : Art
Languages : en
Pages : 140
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Book Description
In this study, originally published in Norway as Fra Principat Til Dominat, Professor L'Orange sets down the essence of his thought on the crucial period of transition from decentralization to standardization in civic and cultural life-a period not unlike our own.
Author: Judith Lynn Sebesta
Publisher: Univ of Wisconsin Press
ISBN: 9780299138547
Category : Art
Languages : en
Pages : 298
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Book Description
Thirteen scholarly and well-illustrated essays survey, document and elucidate over a thousand years of Roman garments and accessories, including Etruscan influences, Near Eastern fashions and the transition towards early Christian garb.
Author: Margaret Iversen
Publisher: MIT Press
ISBN: 0262590247
Category : Art
Languages : en
Pages : 235
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Book Description
Alois Riegl (1858-1905) was one of the founders of art history as a discipline. This is the first general introduction to the work of the celebrated Austrian who brought complex philosophical considerations to bear on art and its history. Ranging easily over diverse fields and among a large group of thinkers, Margaret Iversen establishes Riegl's relevance to recent critical thinking while clearly delineating his extraordinary critical powers. Iversen contextualizes Riegl's thought among the wider cultural crosscurrents of his time, pointing for example to his denunciation of the sub-Semperians and his profound influence on Walter Benjamin. She is equally concerned to relate Riegl's work to contemporary theoretical interests, arguing that he pioneered an approach to art history that took into consideration the role of the spectator. She devotes a chapter to Riegl's theory of spectator/depiction relationships, comparing it with more recent writing on the subject by commentators like Fried, Foucault, and others. In a sympathetic reading of Riegl, Iversen interprets his theory of Kunstwollen or artistic volition, as a concept that ran counter to narrowly empiricist and determinist histories of art that were dominant in his time. She provides extended critical commentary on his most important works, Questions of Style, Late Roman Art Industry, and The Dutch Group Portrait, enriched by explorations of the theoretical background of his systematic art history, including the work of Kant, Hegel, Herbart, and Hildebrand. Iversen also details Erwin Panofsky's early response to Riegl, arguing that Panofsky's search for an authoritative viewpoint collapsed Riegl's multiple typology of style into an art history constructed around a single aesthetic norm.
Author: Richard Brilliant
Publisher:
ISBN:
Category : Art, Greco-Roman
Languages : en
Pages : 312
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Book Description
Roman Art From the Republic to Constantine is a study of the principal aspects and developments of Roman art from inception to its transformation in late antiquity, about A.D. 300.
Author: ALAN. CAMERON
Publisher: Peeters
ISBN: 9789042947245
Category : Art
Languages : en
Pages : 0
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Book Description
Alan Cameron (1938-2017) was one of the most remarkable and wide-ranging classical scholars of recent times. Beyond his central interests in the history and Latin and Greek literature of the later Roman empire, his scholarly work ranged from the Hellenistic age deep into the Byzantine period. But as Jas Elsner demonstrates in the introduction to this book, he also made a substantial contribution to the history of late Roman art. This collection was planned by Cameron himself, and brings together nineteen of his articles on late Roman art and archaeology written between the 1980s and 2017. Marked by Cameronâe(tm)s witty, accessible, and polemical style, they illustrate his developing views on the ivory diptychs of office holders, and offer fundamental discussions of silver plate, luxury manuscripts, gold glass, and sarcophagi. This book will be of interest not only to art historians, but to all specialists in the late Roman world.
