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Author: Robert Odell Bork
Publisher: Brepols Publishers
ISBN: 9782503568942
Category : Architecture, Gothic
Languages : en
Pages : 0
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Book Description
In this book, Robert Bork offers a sweeping reassessment of late Gothic architecture and its fate in the Renaissance. In a chronologically organized narrative covering the whole of western and central Europe, he demonstrates that the Gothic design tradition remained inherently vital throughout the fourteenth and fifteenth centuries, creating spectacular monuments in a wide variety of national and regional styles. Bork argues that the displacement of this Gothic tradition from its long-standing position of artistic leadership in the years around 1500 reflected the impact of three main external forces: the rise of a rival architectural culture that championed the use of classical forms with a new theoretical sophistication; the appropriation of that architectural language by patrons who wished to associate themselves with papal and imperial Rome; and the chaos of the Reformation, which disrupted the circumstances of church construction on which the Gothic tradition had formerly depended. Bork further argues that art historians have much to gain from considering the character and fate of late Gothic architecture, not only because the monuments in question are intrinsically fascinating, but also because examination of the way their story has been told-and left untold, in many accounts of the Northern Renaissance-can reveal a great deal about schemes of categorization and prioritization that continue to shape the discipline even in the twenty-first century.
Author: Robert Odell Bork
Publisher: Brepols Publishers
ISBN: 9782503568942
Category : Architecture, Gothic
Languages : en
Pages : 0
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Book Description
In this book, Robert Bork offers a sweeping reassessment of late Gothic architecture and its fate in the Renaissance. In a chronologically organized narrative covering the whole of western and central Europe, he demonstrates that the Gothic design tradition remained inherently vital throughout the fourteenth and fifteenth centuries, creating spectacular monuments in a wide variety of national and regional styles. Bork argues that the displacement of this Gothic tradition from its long-standing position of artistic leadership in the years around 1500 reflected the impact of three main external forces: the rise of a rival architectural culture that championed the use of classical forms with a new theoretical sophistication; the appropriation of that architectural language by patrons who wished to associate themselves with papal and imperial Rome; and the chaos of the Reformation, which disrupted the circumstances of church construction on which the Gothic tradition had formerly depended. Bork further argues that art historians have much to gain from considering the character and fate of late Gothic architecture, not only because the monuments in question are intrinsically fascinating, but also because examination of the way their story has been told-and left untold, in many accounts of the Northern Renaissance-can reveal a great deal about schemes of categorization and prioritization that continue to shape the discipline even in the twenty-first century.
Author: Margaret Scott
Publisher: London ; Toronto : Mills & Boon ; Atlantic Highlands, N.J. : Humanities Press
ISBN:
Category : Design
Languages : en
Pages : 282
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Book Description
Author:
Publisher:
ISBN: 9783886098538
Category :
Languages : en
Pages :
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Book Description
Author: Rainer Kahsnitz
Publisher: Getty Publications
ISBN: 9780892368532
Category : Architecture
Languages : en
Pages : 462
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Book Description
"The color photographs, specially commissioned for this project, are an essential feature of the book. Each altarpiece is illustrated in its entirety, with its wings both opened and closed, and in close-up views of its most important carvings and paintings - details that are not available to the average visitor to these sites."--BOOK JACKET.
Author: Christoph Grunenberg
Publisher: MIT Press (MA)
ISBN:
Category : Architecture
Languages : en
Pages : 230
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Book Description
Co-published with Institute of Contemporary Art, Exhibition catalog.
Author: Ethan Matt Kavaler
Publisher:
ISBN: 9780300167924
Category : Architecture
Languages : en
Pages : 332
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Book Description
This compelling book offers a new paradigm for the periodization of the arts, one that counters a prevailing Italianate bias among historians of northern Europe of this era. The years after 1500 brought the construction of several iconic Late Gothic monuments, including the transept facades of Beauvais cathedral in northern France, much of King's College in Cambridge, England, and the parish church at Annaberg in Saxony. Most designers and patrons preferred this elite Gothic style, which was considered fashionable and highly refined, to alternative Italianate styles. Ethan Matt Kavaler connects Gothic architecture to related developments in painting and other media, and considers the consequences of the breakdown of the Gothic system in the early 16th century. Late Gothic architecture is recognized for its sensuous and abundant ornament. Its visually rich surfaces signify wealth and magnificence, and its flamboyant geometric designs portray a system of perfect and essential forms that convey spiritual authority, while often serving as signs of personal or corporate identity. Renaissance Gothic presents a groundbreaking and detailed study of the Gothic architecture of the late 15th and 16th centuries across Europe.
Author: Roger Luckhurst
Publisher: Oxford University Press
ISBN: 0199538875
Category : Fiction
Languages : en
Pages : 327
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Book Description
'He was a man of fairly firm fibre, but there was something in this sudden, uncontrollable shriek of horror which chilled his blood and pringled in his skin. Coming in such a place and at such an hour, it brought a thousand fantastic possibilities into his head...' The Victorian fin de siècle: the era of Decadence, The Yellow Book, the New Woman, the scandalous Oscar Wilde, the Empire on which the sun never set. This heady brew was caught nowhere better than in the revival of the Gothic tale in the late Victorian age, where the undead walked and evil curses, foul murder, doomed inheritance and sexual menace played on the stretched nerves of the new mass readerships. This anthology collects together some of the most famous examples of the Gothic tale in the 1890s, with stories by Arthur Conan Doyle, Vernon Lee, Henry James and Arthur Machen, as well as some lesser known yet superbly chilling tales from the era. The introduction explores the many reasons for the Gothic revival, and how it spoke to the anxieties of the moment. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
Author: Alberto Velasco Gonzàlez
Publisher:
ISBN: 9789004363359
Category : Art and society
Languages : en
Pages : 0
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Book Description
This book analyzes the genesis and evolution of the late Gothic painting in the Crown of Aragon and the Hispanic kingdoms, examining this phenomenon in relation to the whole context of Europe in the second half of the fifteenth century.
Author: Murray Dahm
Publisher: Bloomsbury Publishing
ISBN: 1472845293
Category : History
Languages : en
Pages : 81
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Book Description
Ravaged by civil war and pressure from the Huns to the east, in late summer AD 376 the Gothic tribe of the Theruingi – up to 200,000 people under their leader Fritigern – gathered on the northern bank of the River Danube and asked the Eastern Roman emperor, Valens, for asylum within the empire. After agreeing to convert to Arian Christianity and enrol in the Roman Army, the Goths were allowed to cross the Danube and settle in the province of Thrace. Far more people crossed the Danube than the Romans expected, however, and with winter approaching, the local Roman commander, Lupicinus, lacked the resources to feed the newcomers and did not possess sufficient troops to control them. Treated poorly and running out of food, the Goths very quickly lost faith in the Roman promises. Meanwhile, other Gothic tribes also sought permission to cross the Danube. The Greuthungi were refused permission, but soon learned that local Roman garrisons had been depleted to supervise the march of the Theruingi to the town of Marcianopolis, close to the eastern shore of the Black Sea. Taking advantage of this, the Greuthungi also entered Roman territory. Camping outside Marcianopolis, Lupicinus denied the Goths access to the town's food stores, provoking the Theruingi to begin skirmishing with the Roman troops. Fritigern convinced Lupicinus to let the Gothic leaders go and calm their people, but they did nothing to quell the warlike temper of his warriors. Lupicinus summoned troops to him, but in late 376 these Roman forces were defeated – the first of several defeats for the Romans that would culminate in the fateful battle of Adrianople in August 378, at which Roman forces led by the emperor himself confronted the Gothic host. The aftermath and repercussions of Adrianople have been much debated, but historians agree that it marks a decisive moment in the history of the Roman world. This fully illustrated book investigates the fighting men of both sides who clashed at the battles of Marcianopolis, Ad Salices and Adrianople, as the fate of the Western Roman Empire hung in the balance.
Author: Stephen Murray
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 348
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Book Description
"Through a unique correlation of contemporary documents and architectural analysis, Stephen Murray provides a rich and unusual history of the building of the late Gothic cathedral at Troyes. From what sources were the funds obtained? How were decisions made about construction methods and style? What problems did the builders face and how were they solved? To what extent did individual stone carvers leave their imprint? Murray's narrative is based on thorough study of the fabric, or building, accounts kept by the cathedral for more than 250 years, actual records of receipts and expenses - from whom money was obtained, to whom it was paid, and for what purposes. Part One traces the progress of the building from the early thirteenth through the mid-sixteenth century, highlighting the contributions of individual master masons. Part Two provides written and visual records. A substantial selection of texts from the fabric accounts, chronologically arranged, is given both in the original language and in English translation; these rare documents furnish a wealth of information relating to the identity and skills of the artisans, the definition of the work at hand, and the techniques of construction. A series of charts analyzes the state of fabric fund and the composition of the workshop at critical stages in the construction process. Readers can follow the development of the cathedral by relating the text to the 120 detailed architectural drawings and photographs included." --
