Late Bresson and the Visual Arts PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Late Bresson and the Visual Arts PDF full book. Access full book title Late Bresson and the Visual Arts by Raymond Watkins. Download full books in PDF and EPUB format.
Author: Raymond Watkins
Publisher: Film Culture in Transition
ISBN: 9789462983649
Category : Art and motion pictures
Languages : en
Pages : 0
Get Book Here
Book Description
This book looks at the largely neglected colour films of French film director Robert Bresson (1901--99) that can teach us about cinema's distinctive ability to draw on painting, photography, sculpture, and the plastic arts in general.
Author: Raymond Watkins
Publisher: Film Culture in Transition
ISBN: 9789462983649
Category : Art and motion pictures
Languages : en
Pages : 0
Get Book Here
Book Description
This book looks at the largely neglected colour films of French film director Robert Bresson (1901--99) that can teach us about cinema's distinctive ability to draw on painting, photography, sculpture, and the plastic arts in general.
Author: Henri Cartier-Bresson
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 384
Get Book Here
Book Description
Published to accompany an exhibition at The Museum of Modern Art, this is the first major publication to make full use of the extensive holdings of the Fondation Cartier-Bresson, including thousands of prints and a vast resource of documents relating to the photographer's life and work.
Author: Tony Pipolo
Publisher: Oxford University Press
ISBN: 0199717834
Category : Performing Arts
Languages : en
Pages : 420
Get Book Here
Book Description
Perhaps the most highly regarded French filmmaker after Jean Renoir, Robert Bresson created a new kind of cinema through meticulous refinement of the form's grammatical and expressive possibilities. In thirteen features over a forty-year career, he held to an uncompromising moral vision and aesthetic rigor that remain unmatched. Robert Bresson: A Passion for Film is the first comprehensive study to give equal attention to the films, their literary sources, and psycho-biographical aspects of the work. Concentrating on the films' cinematographic, imagistic, narrative, and thematic structures, Pipolo provides a nuanced analysis of each film-including nearly 100 illustrations-elucidating Bresson's unique style as it evolved from the impassioned Les Anges du péche to such disconsolate meditations on the world as The Devil Probably and L'Argent. Special attention is also given to psychosexual aspects of the films that are usually neglected. Bresson has long needed a thoroughgoing treatment by a critic worthy to the task: he gets it here. From it emerges a provocative portrait of an extraordinary artist whose moral engagement and devotion to the craft of filmmaking are without equal.
Author: Rita Benis
Publisher: Taylor & Francis
ISBN: 1040149111
Category : Religion
Languages : en
Pages : 240
Get Book Here
Book Description
This book examines the connections between film and Christianity, considering how films express and depict Christian faith and spirituality and provide experiences associated with it. The notion of movement as immobility (from Simone Weil) is employed to describe film and its images in motion. Its movements can reconnect us with the movements of the world, those motions in which a mysterious sense of order, what Weil calls "immobility," arises. Film is understood as a privileged form to access inscrutable spiritual (in)visibilities that can be linked with Christian concepts and practices. The chapters in Exploring Film and Christianity offer new studies of famous directors such as Andrei Tarkovsky and Robert Bresson combined with analyses of recent notable films, including Terrence Malick’s Knight of Cups, Martin Scorsese’s Silence, and Denis Villeneuve’s Blade Runner 2049. Organized around the productive topics of theory, expression, depiction and experience, this volume is a valuable contribution to interdisciplinary research on film and Christianity.
Author: Colin Burnett
Publisher: Indiana University Press
ISBN: 025302501X
Category : Performing Arts
Languages : en
Pages : 289
Get Book Here
Book Description
Challenging the prevailing notion among cinephiles that the auteur is an isolated genius interested primarily in individualism, Colin Burnett positions Robert Bresson as one whose life's work confronts the cultural forces that helped shape it. Regarded as one of film history's most elusive figures, Bresson (1901–1999) carried himself as an auteur long before cultural magazines, like the famed Cahiers du cinéma, advanced the term to describe such directors as Jacques Tati, Alfred Hitchcock, and Jean-Luc Godard. In this groundbreaking study, Burnett combines biography with cultural history to uncover the roots of the auteur in the alternative cultural marketplace of midcentury France.
Author: Paul Schrader
Publisher: Univ of California Press
ISBN: 0520969146
Category : Performing Arts
Languages : en
Pages : 292
Get Book Here
Book Description
With a new introduction, acclaimed director and screenwriter Paul Schrader revisits and updates his contemplation of slow cinema over the past fifty years. Unlike the style of psychological realism, which dominates film, the transcendental style expresses a spiritual state by means of austere camerawork, acting devoid of self-consciousness, and editing that avoids editorial comment. This seminal text analyzes the film style of three great directors—Yasujiro Ozu, Robert Bresson, and Carl Dreyer—and posits a common dramatic language used by these artists from divergent cultures. The new edition updates Schrader’s theoretical framework and extends his theory to the works of Andrei Tarkovsky (Russia), Béla Tarr (Hungary), Theo Angelopoulos (Greece), and Nuri Bilge Ceylan (Turkey), among others. This key work by one of our most searching directors and writers is widely cited and used in film and art classes. With evocative prose and nimble associations, Schrader consistently urges readers and viewers alike to keep exploring the world of the art film.
Author: Pierre Assouline
Publisher: National Geographic Books
ISBN: 0500290520
Category : Photography
Languages : en
Pages : 0
Get Book Here
Book Description
“Will inspire fans and followers to rediscover its elusive subject’s remarkable oeuvre.” —Publishers Weekly The twentieth century was that of the image, and the legendary photographer Henri Cartier-Bresson, born in 1908, was the eye of the century. Cartier-Bresson was always on the spot, recording historic events as they happened. His work focused on Mexico in the 1930s, the tragic fate of the Spanish Republicans, the liberation of Paris, the weariness of Gandhi a few hours before his assassination, and the victory of the Chinese Communists. It was he who fixed forever in our minds the features of famous contemporaries: Giacometti, Sartre, Faulkner, Camus, and others, their portraits captured for eternity at the decisive moment. An intensely private individual, Cartier-Bresson nonetheless took Pierre Assouline into his confidence over a number of years, discussing his youthful devotion to surrealism, his lifelong passion for drawing, his experience of war and the prison camps, his friends, and the women in his life. He even opened up his invaluable archives.
Author: Robert Bresson
Publisher: New York Review of Books
ISBN: 1681370441
Category : Performing Arts
Languages : en
Pages : 305
Get Book Here
Book Description
Robert Bresson, the director of such cinematic master-pieces as Pickpocket, A Man Escaped Mouchette, and L’Argent, was one of the most influential directors in the history of French film, as well as one of the most stubbornly individual: He insisted on the use of nonprofessional actors; he shunned the “advances” of Cinerama and Cinema-Scope (and the work of most of his predecessors and peers); and he minced no words about the damaging influence of capitalism and the studio system on the still-developing—in his view—art of film. Bresson on Bresson collects the most significant interviews that Bresson gave (carefully editing them before they were released) over the course of his forty-year career to reveal both the internal consistency and the consistently exploratory character of his body of work. Successive chapters are dedicated to each of his fourteen films, as well as to the question of literary adaptation, the nature of the sound track, and to Bresson’s one book, the great aphoristic treatise Notes on the Cinematograph. Throughout, his close and careful consideration of his own films and of the art of film is punctuated by such telling mantras as “Sound...invented silence in cinema,” “It’s the film that...gives life to the characters—not the characters that give life to the film,” and (echoing the Bible) “Every idle word shall be counted.” Bresson’s integrity and originality earned him the admiration of younger directors from Jean-Luc Godard and Jacques Rivette to Olivier Assayas. And though Bresson’s movies are marked everywhere by an air of intense deliberation, these interviews show that they were no less inspired by a near-religious belief in the value of intuition, not only that of the creator but that of the audience, which he claims to deeply respect: “It’s always ready to feel before it understands. And that’s how it should be.”
Author: Henri Cartier-Bresson
Publisher:
ISBN:
Category :
Languages : en
Pages : 283
Get Book Here
Book Description
Author: Henri Cartier-Bresson
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 120
Get Book Here
Book Description
This title features Cartier-Bresson's famous text on 'the decisive moment' as well as his observations on Moscow, Cuba, and China during turbulent times.
