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Author: Gertrude Stein
Publisher: Taylor & Francis
ISBN: 9780801849855
Category : Drama
Languages : en
Pages : 540
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Book Description
"When I see a thing it is not a play for me, but when I write something that somebody else can see then it is a play for me." —Gertrude Stein In the more than seventy-five plats Gertrude Stein wrote between 1913 and 1946, she envisioned a new dramaturgy, beginning with her pictorial conception of a play as a landscape. She drew into her plays the daily flow of life around her—including the natural world—and turned cities, villages, parts of the dramatic structure, and even her own friends into characters. She made punctuation and typography part of her compositional style and chose words for their joyful impact as sound andwordplay. For Strin, the writing process itself was always important in delevoping the "continuous present" at the heart of her work. Long out of print, Last Opera and Plays again makes available many of Stein's most important and most-produced works. As a special feature, it also included her thought-provoking essay "Plays," in which she reflects on the experience in the theater of seeing and hearing, and on emotion and time. "Now nearly a half century after her deathe," writes Bonnie Marranca in her introduction, "it is indisputable that Gertrude Stein is the great American modernist mind. No American author has been more influential for more generations of artists in the worlds of theater, dance, music, poetry, painting, and fiction."
Author: Gertrude Stein
Publisher: Taylor & Francis
ISBN: 9780801849855
Category : Drama
Languages : en
Pages : 540
Get Book Here
Book Description
"When I see a thing it is not a play for me, but when I write something that somebody else can see then it is a play for me." —Gertrude Stein In the more than seventy-five plats Gertrude Stein wrote between 1913 and 1946, she envisioned a new dramaturgy, beginning with her pictorial conception of a play as a landscape. She drew into her plays the daily flow of life around her—including the natural world—and turned cities, villages, parts of the dramatic structure, and even her own friends into characters. She made punctuation and typography part of her compositional style and chose words for their joyful impact as sound andwordplay. For Strin, the writing process itself was always important in delevoping the "continuous present" at the heart of her work. Long out of print, Last Opera and Plays again makes available many of Stein's most important and most-produced works. As a special feature, it also included her thought-provoking essay "Plays," in which she reflects on the experience in the theater of seeing and hearing, and on emotion and time. "Now nearly a half century after her deathe," writes Bonnie Marranca in her introduction, "it is indisputable that Gertrude Stein is the great American modernist mind. No American author has been more influential for more generations of artists in the worlds of theater, dance, music, poetry, painting, and fiction."
Author: Marc Robinson
Publisher: Yale University Press
ISBN: 030015612X
Category : Literary Criticism
Languages : en
Pages : 415
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Book Description
In this brilliant study, Marc Robinson explores more than two hundred years of plays, styles, and stagings of American theater. Mapping the changing cultural landscape from the late eighteenth century to the start of the twenty-first, he explores how theater has--and has not--changed and offers close readings of plays by O'Neill, Stein, Wilder, Miller, and Albee, as well as by important but perhaps lesser known dramatists such as Wallace Stevens, Jean Toomer, Djuna Barnes, and many others. Robinson reads each work in an ambitiously interdisciplinary context, linking advances in theater to developments in American literature, dance, and visual art. The author is particularly attentive to the continuities in American drama, and expertly teases out recurring themes, such as the significance of visuality. He avoids neatly categorizing nineteenth- and twentieth-century plays and depicts a theater more restive and mercurial than has been recognized before. Robinson proves both a fascinating and thought-provoking critic and a spirited guide to the history of American drama.
Author: G.F. Mitrano
Publisher: Routledge
ISBN: 1351933760
Category : Literary Criticism
Languages : en
Pages : 225
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Book Description
In her provocative study of Gertrude Stein, G.F. Mitrano argues that Stein's particular take on modernity has special relevance for today. Tracing what she describes as Stein's deeply modernist story of transformation from a nineteenth-century American woman to the disquieting muse of avant-garde culture portrayed in Picasso's famous portrait, Mitrano illuminates Stein's immense appetite for life, her love of thinking, and her craving for recognition. Her approach is innovative, combining the exegetical, the visual, and the theoretical, to emphasize Stein's struggle for individuality and public achievement as a profoundly historical struggle involving personal choices linked, for example, to her sexuality or the uses of her physical appearance. Stein continues to attract attention, Mitrano contends, because she anticipates many contemporary concerns, especially in the field of critical thinking: from the question of subjectivity, to the status of the writer as a laborer among many, to the meaning of fame and the private/public divide.
Author: Richard Begam
Publisher: JHU Press
ISBN: 1421420627
Category : Literary Criticism
Languages : en
Pages : 391
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Book Description
A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- X -- Y -- Z
Author:
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 488
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Book Description
Author: Sara J. Ford
Publisher: Routledge
ISBN: 113606754X
Category : Literary Criticism
Languages : en
Pages : 148
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Book Description
This book traces the presence of the theater, both as an abstract concept and a literal space, in the plays and poetry of Gertrude Stein and Wallace Stevens as it attempts to explain the parallel depictions of consciousness that are found in both authors' work. Literary modernists inherited a self that was fallible, a self that was seen as an ultimately failed gesture of expression, and throughout much modern literature is a sense of disillusionment with more traditional notions of selfhood. As more conventional ways of thinking about consciousness became untenable, so too did conventional models of artistic expression.This book shows how Stein and Stevens provide powerful examples of this modern attempt to stage the new subject.
Author: W. B. Worthen
Publisher: Cambridge University Press
ISBN: 9780521841849
Category : Drama
Languages : en
Pages : 236
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Book Description
In Print and the Poetics of Modern Drama, W. B. Worthen asks how the print form of drama bears on how we understand its dual identity.
Author: Ulla E. Dydo
Publisher: Northwestern University Press
ISBN: 0810125269
Category : Biography & Autobiography
Languages : en
Pages : 704
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Book Description
The definitive book on Gertrude Stein
Author: Elinor Fuchs
Publisher: University of Michigan Press
ISBN: 9780472067206
Category : Literary Criticism
Languages : en
Pages : 404
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Book Description
Essays by leading theater scholars and theorists exploring the "turn to landscape" in modern and contemporary theater
Author: Julia Jarcho
Publisher: Cambridge University Press
ISBN: 1108165842
Category : Drama
Languages : en
Pages : 287
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Book Description
It is time to change the way we talk about writing in theater. This book offers a new argument that reimagines modern theater's critical power and places innovative writing at the heart of the experimental stage. While performance studies, German Theaterwissenschaft, and even text-based drama studies have commonly envisioned theatrical performance as something that must operate beyond the limits of the textual imagination, this book shows how a series of writers have actively shaped new conceptions of theater's radical potential. Engaging with a range of theorists, including Theodor Adorno, Jarcho reveals a modern tradition of 'negative theatrics,' whose artists undermine the here and now of performance in order to challenge the value and the power of the existing world. This vision emerges through surprising new readings of modernist classics - by Henry James, Gertrude Stein, and Samuel Beckett - as well as contemporary American works by Suzan-Lori Parks, Elevator Repair Service, and Mac Wellman.
