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Author: Larry Poons
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 28
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Book Description
Author: Larry Poons
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 28
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Book Description
Author: Linda Patricia Cleary
Publisher:
ISBN: 9781320549431
Category :
Languages : en
Pages :
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Book Description
One girl, one painting a day...can she do it? Linda Patricia Cleary decided to challenge herself with a year long project starting on January 1, 2014. Choose an artist a day and create a piece in tribute to them. It was a fun, challenging, stressful and psychological experience. She learned about technique, art history, different materials and embracing failure. Here are all 365 pieces. Enjoy!
Author: Judith E. Stein
Publisher: Macmillan + ORM
ISBN: 0374715203
Category : Biography & Autobiography
Languages : en
Pages : 293
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Book Description
In 1959, Richard Bellamy was a witty, poetry-loving beatnik on the fringe of the New York art world who was drawn to artists impatient for change. By 1965, he was representing Mark di Suvero, was the first to show Andy Warhol’s pop art, and pioneered the practice of “off-site” exhibitions and introduced the new genre of installation art. As a dealer, he helped discover and champion many of the innovative successors to the abstract expressionists, including Claes Oldenburg, James Rosenquist, Donald Judd, Dan Flavin, Walter De Maria, and many others. The founder and director of the fabled Green Gallery on Fifty-Seventh Street, Bellamy thrived on the energy of the sixties. With the covert support of America’s first celebrity art collectors, Robert and Ethel Scull, Bellamy gained his footing just as pop art, minimalism, and conceptual art were taking hold and the art world was becoming a playground for millionaires. Yet as an eccentric impresario dogged by alcohol and uninterested in profits or posterity, Bellamy rarely did more than show the work he loved. As fellow dealers such as Leo Castelli and Sidney Janis capitalized on the stars he helped find, Bellamy slowly slid into obscurity, becoming the quiet man in oversize glasses in the corner of the room, a knowing and mischievous smile on his face. Born to an American father and a Chinese mother in a Cincinnati suburb, Bellamy moved to New York in his twenties and made a life for himself between the Beat orbits of Provincetown and white-glove events like the Guggenheim’s opening gala. No matter the scene, he was always considered “one of us,” partying with Norman Mailer, befriending Diane Arbus and Yoko Ono, and hosting or performing in historic Happenings. From his early days at the Hansa Gallery to his time at the Green to his later life as a private dealer, Bellamy had his finger on the pulse of the culture. Based on decades of research and on hundreds of interviews with Bellamy’s artists, friends, colleagues, and lovers, Judith E. Stein’s Eye of the Sixties rescues the legacy of the elusive art dealer and tells the story of a counterculture that became the mainstream. A tale of money, taste, loyalty, and luck, Richard Bellamy’s life is a remarkable window into the art of the twentieth century and the making of a generation’s aesthetic. -- "Bellamy had an understanding of art and a very fine sense of discovery. There was nobody like him, I think. I certainly consider myself his pupil." --Leo Castelli
Author: Karen Wilkin
Publisher: Yale University Press
ISBN: 9780300120233
Category : Art
Languages : en
Pages : 142
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Book Description
Color field painting, which emerged in the United States in the 1950s, is based on radiant, uninflected hues. Exemplified by the work of Helen Frankenthaler, Morris Louis, Kenneth Noland, Jules Olitski, Larry Poons, and Frank Stella, among others, these stunningly beautiful and impressively scaled paintings constitute one of the crowning achievements of postwar American abstract art. Color as Field offers a long-overdue reevaluation of this important aspect of American abstract painting. The authors examine how color field painting rejects the gestural, layered, and hyper-emotional approach typical of Willem de Kooning and his followers, yet at the same time develops and expands ideas about all-overness and the primacy of color posited by the work of other members of the abstract expressionist generation, such as Adolph Gottlieb, Hans Hofmann, Robert Motherwell, Jackson Pollock, and Mark Rothko. From the fresh historical standpoint of the 21st century, this fascinating reassessment ranges across the artists’ individual approaches and their commonalities, concluding with insights into the ongoing legacy of post-1970s color field painting among present-day artists.
Author: Michael Fried
Publisher: University of Chicago Press
ISBN: 9780226263199
Category : Art
Languages : en
Pages : 424
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Book Description
Much acclaimed and highly controversial, Michael Fried's art criticism defines the contours of late modernism in the visual arts. This volume contains 27 pieces--uncompromising, exciting, and impassioned writings, aware of their transformative power during a time of intense controversy about the nature of modernism and the aims and essence of advanced painting and sculpture. 16 color plates. 72 halftones.
Author: Rene Parola
Publisher: Courier Corporation
ISBN: 9780486290546
Category : Art
Languages : en
Pages : 156
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Book Description
Explanation of optical art, an artistic development in the 1960s, and how it achieved its singular effects
Author: Donald Judd
Publisher:
ISBN: 9780888842770
Category :
Languages : en
Pages : 229
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Book Description
Author: Kenworth Moffett
Publisher: Museum of Fine Arts Boston
ISBN:
Category : Architecture
Languages : en
Pages : 36
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Book Description
Author: Barbara Rose
Publisher: Lannoo Publishers (Acc)
ISBN: 9789401437646
Category : Art
Languages : en
Pages : 208
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Book Description
* A unique dialogue between Belgian and American painting by acclaimed American art critic, Barbara Rose* Contains works from Ed Moses, Larry Poons, Jan Vanriet, & Marc Maet* Accompanies an exhibition at 'The Underground' in BrusselsPainting after Postmodernism: Belgium - USA investigates why so many believed Marcel Duchamp when he made his infamous statement of 1918: that painting was dead. After all, as Barbara Rose eloquently argues , Duchamp was wrong. In the decades before and after World War II, Picasso, Matisse, Mir� and the New York School continued to make monumental mural scale paintings on the level of the greatest art of the past. However, in the politically radical 1960s and 1970s it once again became fashionable to toll the death knell for painting, perceived as the product of bourgeois culture. In its place galleries and museums defined the avant-garde as conceptual art, video, mixed media and installations, all of which denied painting its position of pre-eminence. Painting was reduced to just another broken-down offshoot of postmodernism. Highly influential art critic Barbara Rose investigates how contemporary artists rediscovered the art of painting, juxtaposing works from Belgian and American artists to create a cross-cultural dialogue.
Author: Al Hansen
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 170
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Book Description
An oral-visual account of the origin and development of Happenings. Artists discussed include Dick Higgins, Alison Knowles, Carolee Schneemann, Allan Kaprow, Wolf Vostell, Nam June Paik, Claes Oldenburg, Meredith Monk, Jackson Mac Low, Yvonne Rainer, John Cage, etc.
