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Author: Judd Woldin
Publisher: Samuel French, Inc.
ISBN: 9780573629990
Category : Drama
Languages : en
Pages : 96
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Book Description
Love and loyalty in the heyday of the 1930's Harlem renaissance, a tale set to a bubbling jazz score, won rave reviews Off Broadway. The downtown mob is threatening to take over the uptown numbers game. Only Hamlet Hitchcock Jones, known as Little Ham, stands in their way. A smooth operator with big dreams and fast feet, he rallies his neighbors and wins his lady love.
Author: Judd Woldin
Publisher: Samuel French, Inc.
ISBN: 9780573629990
Category : Drama
Languages : en
Pages : 96
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Book Description
Love and loyalty in the heyday of the 1930's Harlem renaissance, a tale set to a bubbling jazz score, won rave reviews Off Broadway. The downtown mob is threatening to take over the uptown numbers game. Only Hamlet Hitchcock Jones, known as Little Ham, stands in their way. A smooth operator with big dreams and fast feet, he rallies his neighbors and wins his lady love.
Author: Langston Hughes
Publisher: University of Missouri Press
ISBN: 9780826213693
Category : Drama
Languages : en
Pages : 692
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Book Description
The sixteen volumes are published with the goal that Hughes pursued throughout his lifetime: making his books available to the people. Each volume will include a biographical and literary chronology by Arnold Rampersad, as well as an introduction by a Hughes scholar lume introductions will provide contextual and historical information on the particular work.
Author: Langston Hughes
Publisher: Indiana University Press
ISBN: 9780253201218
Category : Drama
Languages : en
Pages : 286
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Book Description
Five plays representing Hughes' dramatic writing over a period of forty years.
Author: Leslie Catherine Sanders
Publisher: LSU Press
ISBN: 9780807115824
Category : Drama
Languages : en
Pages : 272
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Book Description
In The Development of Black Theater in America, Leslie Sanders examines the work of the American black theater’s five most productive playwrights: Willis Richardson, Randolph Edmonds, Langston Hughes, LeRoi Jones, and Ed Bullins. Sanders sees the history of black theater as the process of creating a “black stage reality” while at the same time transforming conventions borrowed from white European culture into forms appropriate to black artists and audiences. The author argues that only when these things were accomplished could the aim of black playwrights, often articulated as “the realistic portrayal of the Negro,” be fully realized. This study also examines the changing nature of the dialogue black playwrights have held with the dominant tradition and how that dialogue has shaped their imaginations. Sanders’ discussion of Richardson, Edmonds, Hughes, Jones, and Bullins provides a context for approaching the work of other black playwrights, such as James Baldwin, Lorraine Hansberry, and Owen Dodson. And her argument provides a concrete way of understanding how the context of a dominant culture influences the artistic imagination of writers not of that culture, who must come to terms with its influences and transform it into a vehicle of their own.
Author: A.B. Christa Schwarz
Publisher: Indiana University Press
ISBN: 9780253216076
Category : Literary Criticism
Languages : en
Pages : 228
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Book Description
"Heretofore scholars have not been willing—perhaps, even been unable for many reasons both academic and personal—to identify much of the Harlem Renaissance work as same-sex oriented. . . . An important book." —Jim Elledge This groundbreaking study explores the Harlem Renaissance as a literary phenomenon fundamentally shaped by same-sex-interested men. Christa Schwarz focuses on Countée Cullen, Langston Hughes, Claude McKay, and Richard Bruce Nugent and explores these writers' sexually dissident or gay literary voices. The portrayals of men-loving men in these writers' works vary significantly. Schwarz locates in the poetry of Cullen, Hughes, and McKay the employment of contemporary gay code words, deriving from the Greek discourse of homosexuality and from Walt Whitman. By contrast, Nugent—the only "out" gay Harlem Renaissance artist—portrayed men-loving men without reference to racial concepts or Whitmanesque codes. Schwarz argues for contemporary readings attuned to the complex relation between race, gender, and sexual orientation in Harlem Renaissance writing.
Author: Michael Borshuk
Publisher: Cambridge University Press
ISBN: 1009420178
Category : Literary Criticism
Languages : en
Pages : 433
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Book Description
This book offers an entry point for understanding the comprehensive way this uniquely American artistic form has influenced literature, art, film, and other art forms, while also providing a cultural space for political commentary or social critique.
Author: Edward John Dunsany
Publisher: Prabhat Prakashan
ISBN:
Category : Drama
Languages : en
Pages : 110
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Book Description
Step into the enchanting world of theater with Edward John Dunsany's captivating collection, "Five Plays." This anthology showcases Dunsany's remarkable ability to blend fantasy and drama, inviting readers to experience stories that transcend the ordinary. As you immerse yourself in these theatrical gems, consider this: What if the stage can transport you to realms beyond your imagination? Each play unfolds with rich characters and fantastical elements, creating a mesmerizing journey through the mind of a master storyteller.But here’s the twist that will ignite your curiosity: Can a single play challenge your perception of reality? Dunsany’s works often blur the lines between the real and the surreal, prompting audiences to question their understanding of the world around them. Engage with Dunsany's lyrical prose and vivid imagination, where each play is a unique exploration of themes such as love, fate, and the human condition. This collection is perfect for theater enthusiasts, literature lovers, and anyone seeking a deeper appreciation for the art of storytelling. Are you ready to experience the magic of the stage? Open the pages of "Five Plays" and discover the brilliance of Edward John Dunsany’s theatrical artistry!Enjoy short, impactful paragraphs that draw you into fantastical narratives, making each reading a delightful adventure. This is not just a collection of plays; it’s an invitation to witness the transformative power of drama. Your journey into the world of theatrical magic begins now! Don’t miss your chance to own this extraordinary collection. Purchase "Five Plays" today and let your imagination take flight!
Author: Wallace D. Best
Publisher: NYU Press
ISBN: 1479847399
Category : Religion
Languages : en
Pages : 309
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Book Description
Winner of the 2018 Award for Excellence in the Study of Religion in Textual Studies, presented by the American Academy of Religion 2018 Outstanding Academic Title, given by Choice Magazine A new perspective on the role of religion in the work of Langston Hughes Langston's Salvation offers a fascinating exploration into the religious thought of Langston Hughes. Known for his poetry, plays, and social activism, the importance of religion in Hughes’ work has historically been ignored or dismissed. This book puts this aspect of Hughes work front and center, placing it into the wider context of twentieth-century American and African American religious cultures. Best brings to life the religious orientation of Hughes work, illuminating how this powerful figure helped to expand the definition of African American religion during this time. Best argues that contrary to popular perception, Hughes was neither an avowed atheist nor unconcerned with religious matters. He demonstrates that Hughes’ religious writing helps to situate him and other black writers as important participants in a broader national discussion about race and religion in America. Through a rigorous analysis that includes attention to Hughes’s unpublished religious poems, Langston’s Salvation reveals new insights into Hughes’s body of work, and demonstrates that while Hughes is seen as one of the most important voices of the Harlem Renaissance, his writing also needs to be understood within the context of twentieth-century American religious liberalism and of the larger modernist movement. Combining historical and literary analyses with biographical explorations of Langston Hughes as a writer and individual, Langston’s Salvation opens a space to read Langston Hughes’ writing religiously, in order to fully understand the writer and the world he inhabited.
Author: Anne Fletcher
Publisher: Bloomsbury Publishing
ISBN: 1350153591
Category : Literary Criticism
Languages : en
Pages : 396
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Book Description
The Decades of Modern American Drama series provides a comprehensive survey and study of the theatre produced in each decade from the 1930s to 2009 in eight volumes. Each volume equips readers with a detailed understanding of the context from which work emerged: an introduction considers life in the decade with a focus on domestic life and conditions, social changes, culture, media, technology, industry and political events; while a chapter on the theatre of the decade offers a wide-ranging and thorough survey of theatres, companies, dramatists, new movements and developments in response to the economic and political conditions of the day. The work of the four most prominent playwrights from the decade receives in-depth analysis and re-evaluation by a team of experts, together with commentary on their subsequent work and legacy. A final section brings together original documents such as interviews with the playwrights and with directors, drafts of play scenes, and other previously unpublished material. The major playwrights and their works to receive in-depth coverage in this volume include: * Clifford Odets: Waiting for Lefty (1935), Awake and Sing! (1935) and Golden Boy (1937); * Lillian Hellman: The Children's Hour (1934), The Little Foxes (1939), and Days to Come (1936); * Langston Hughes: Mulatto (1935), Mule Bone (1930, with Zora Neale Hurston) and Little Ham (1936); * Gertrude Stein: Doctor Faustus Lights the Lights (1938), Four Saints in Three Acts (written in 1927, published in 1932) and Listen to Me (1936).
Author: John Stewart
Publisher: McFarland
ISBN: 1476603294
Category : Performing Arts
Languages : en
Pages : 6404
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Book Description
On March 31, 1943, the musical Oklahoma! premiered and the modern era of the Broadway musical was born. Since that time, the theatres of Broadway have staged hundreds of musicals--some more noteworthy than others, but all in their own way a part of American theatre history. With more than 750 entries, this comprehensive reference work provides information on every musical produced on Broadway since Oklahoma's 1943 debut. Each entry begins with a brief synopsis of the show, followed by a three-part history: first, the pre-Broadway story of the show, including out-of-town try-outs and Broadway previews; next, the Broadway run itself, with dates, theatres, and cast and crew, including replacements, chorus and understudies, songs, gossip, and notes on reviews and awards; and finally, post-Broadway information with a detailed list of later notable productions, along with important reviews and awards.
