Landscape and Vision in Nineteenth-Century Britain and France PDF Download
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Author: Michael Charlesworth
Publisher: Routledge
ISBN: 1351561103
Category : Art
Languages : en
Pages : 219
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Book Description
A study of the ways landscape was perceived in nineteenth-century Britain and France, this book draws on evidence from poetry, landscape gardens, spectacular public entertainments, novels and scientific works as well as paintings in order to develop its basic premise that landscape and the processes of perceiving it cannot be separated. Vision embraces panoramic seeing from high places, but also the seeing of ghosts and spectres when madness and hallucination impinge upon landscape. The rise of geology and the spread of empires upset the existing comfortable orders of comprehension of landscape. Reverie and imagination produced powerful interpretive actions, while landscape in French culture proved central to the rejection of conservative classicism in favour of perceptual questioning of experience. The experience of subjectivity proved central to the perception of landscape while the visual culture of landscape became of paramount importance to modernity during the period in question.
Author: Michael Charlesworth
Publisher: Routledge
ISBN: 1351561103
Category : Art
Languages : en
Pages : 219
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Book Description
A study of the ways landscape was perceived in nineteenth-century Britain and France, this book draws on evidence from poetry, landscape gardens, spectacular public entertainments, novels and scientific works as well as paintings in order to develop its basic premise that landscape and the processes of perceiving it cannot be separated. Vision embraces panoramic seeing from high places, but also the seeing of ghosts and spectres when madness and hallucination impinge upon landscape. The rise of geology and the spread of empires upset the existing comfortable orders of comprehension of landscape. Reverie and imagination produced powerful interpretive actions, while landscape in French culture proved central to the rejection of conservative classicism in favour of perceptual questioning of experience. The experience of subjectivity proved central to the perception of landscape while the visual culture of landscape became of paramount importance to modernity during the period in question.
Author: Jonathan Potter
Publisher: Springer
ISBN: 3319897373
Category : Literary Criticism
Languages : en
Pages : 274
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Book Description
This book offers an innovative reassessment of the way Victorians thought and wrote about visual experience. It argues that new visual technologies gave expression to new ways of seeing, using these to uncover the visual discourses that facilitated, informed and shaped the way people conceptualised and articulated visual experience. In doing so, the book reconsiders literary and non-fiction works by well-known authors including George Eliot, Charles Dickens, G.H. Lewes, Max Nordau, Herbert Spencer, and Joseph Conrad, as well as shedding light on less-known works drawn from the periodical press. By revealing the discourses that formed around visual technologies, the book challenges and builds upon existing scholarship to provide a powerful new model by which to understand how the Victorians experienced, conceptualised, and wrote about vision.
Author:
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 560
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Book Description
Author: Thorsten Fögen
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110473038
Category : History
Languages : en
Pages : 279
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Book Description
This interdisciplinary volume explains the phenomenon of nationalism in nineteenth-century Europe through the prism of Graeco-Roman antiquity. Through a series of case studies covering a broad range of source material, it demonstrates the different purposes the heritage of the classical world was put to during a turbulent period in European history. Contributors include classicists, historians, archaeologists, art historians and others.
Author: Achim Borchardt-Hume
Publisher: Yale University Press
ISBN: 0300263880
Category : Art
Languages : en
Pages : 245
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Book Description
Evoking the sensory richness and ambitions of the beloved French artist's work through a multifaceted exploration of his art, career, and legacy Cezanne presents a new examination of the work of Paul Cezanne (1839-1906) across media and genres, surveying his career from the varied perspectives of art historians, conservation scientists, and a roster of renowned contemporary painters, including Etel Adnan, Phyllida Barlow, Paul Chan, Julia Fish, Ellen Gallagher, Lubaina Himid, Kerry James Marshall, Rodney McMillian, Laura Owens, and Luc Tuymans. Featuring wide-ranging essays and a series of maps tracing Cezanne's travels across the French landscape, this lavishly illustrated publication highlights the artist's favorite motifs, influence on his peers, and pivotal role in the development of modern art, in addition to presenting state-of-the-art technical analysis of his pigments and methods. It offers a fresh look at the ways in which Cezanne, driven by what he described as "strong sensations," sought to develop a visual language that could fully translate his intense feelings into paintings. In doing so, he opened up possibilities that were embraced and elaborated by artists in his time and into the present. Distributed for the Art Institute of Chicago Exhibition Schedule: Art Institute of Chicago (May 15-September 5, 2022) Tate Modern, London (October 5, 2022-March 12, 2023)
Author: L. W. B. Brockliss
Publisher: Manchester University Press
ISBN: 9780719050466
Category : History
Languages : en
Pages : 248
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Book Description
This book explores the importance of history to Elizabethan and early Stuart gentry and how this led to a vibrant antiquarian culture. The family, town and county histories written by the community, which form the core of the study, had an influence on the development of local history in England which lasted into the twentieth century and is still felt today. Eschewing a narrow historiographical approach, the author examines a range of manuscript and published works and other material reflecting the gentry's interest in the past: pedigree rolls, antiquarian notebooks, heraldic displays and maps. The book provides a survey of the development of local history in England from its medieval origins to 1660. This is followed by chapters on the practicalities of local historical research: the national educational and institutional framework, the development of regional networks of local historians and the gentlemen who controlled access to their sources, and analysis of the source materials available. The final section features chapters on genealogy, didacticism and the physical world.
Author: Tim Winter
Publisher: Routledge
ISBN: 1134084951
Category : Art
Languages : en
Pages : 197
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Book Description
Weaving together a political analysis of heritage policies with an understanding of tourism as a series of intersecting cultural economies, this book explores a decade of world heritage and tourism in Angkor.
Author: Michael Charlesworth
Publisher: Bloomsbury Publishing
ISBN: 1350385743
Category : Philosophy
Languages : en
Pages : 257
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Book Description
Derek Jarman's place in the history of film is assured by virtue of his vibrant, defiant films that experiment with the very process of film-making and create new forms. His paintings, their excitements and their profundity, are less well known. Michael Charlesworth sheds light on the varied ramifications of Jarman's artistic practice from his years at Prospect Cottage, Dungeness, and provides the first book-length study of his interest in depth psychology. He draws on Jarman's paintings, especially his landscapes from the 1960s and 70s, his multiple series such as 'black' and 'broken glass', GBH, Queer and Evil Queen, and his last Ecstatic Landscapes (1991-3). He also showcases Jarman's excellence as a writer with respect to his memoir, Kicking the Pricks. In a novel approach to Jarman's cinema, selecting films such as Journey to Avebury (1973), Caravaggio (1986), The Garden (1990) and Blue (1993), Charlesworth emphasizes themes and artistry rather than narrative. Exploring the ways in which Jungian and post-Jungian psychology were absorbed into Jarman's varied works, Derek Jarman's Visionary Arts provides a fresh perspective on his painting, film and writing. It celebrates him as one of the major British artists of the late 20th century, engaging with current debates about queer sexualities, environmentalism and climate catastrophe.
Author: Rosemary Mitchell
Publisher: Cambridge Scholars Publishing
ISBN: 1443850802
Category : Art
Languages : en
Pages : 290
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Book Description
This collection of essays by French and British humanities scholars explores the complex relationship between the two nations in the long nineteenth century. Both countries contemplated the other with admiration and anxiety, using their best enemy to shape their own national identities. Mutual (In)Comprehensions is unique in the range of its coverage, which includes artistic, literary, economic, educational, social, and historical interpretations, interactions, and appropriations. British railway engineers consider the character of the French railway worker; a French illustrator portrays with disturbing insight the social divisions of Victorian London; British agricultural writers find cause for reflection in the condition of the French peasantry; and an English Anglo-Catholic considers the lessons for her church in the history of post-Reformation French Catholicism. French architects discover something to admire in the British Gothic Revival, while geographical societies on both sides of the Channel exhibit a spirit of international co-operation. Including the work of both established academics and young scholars, the collection demonstrates the significance of Franco-British interactions over the long nineteenth century, and shows that – as ever – British culture can only be fully understood within a Continental framework, and vice versa. This volume will appeal to scholars of Victorian culture, in particular French and British nineteenth-century literature and art, as well as to academics interested in the development of national identities and international cultural relations.
Author: Isabelle Baudino
Publisher: Taylor & Francis
ISBN: 1000843386
Category : Art
Languages : en
Pages : 248
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Book Description
Extending the scholarly discussion of visual history, this book examines eighteenth-century engraved book illustrations in order to outline the genealogy of the modern visualisation of the past in Britain. This study is based on a body of more than a hundred engraved historical plates designed in the second half of the eighteenth century in Britain and published in more than a dozen pictorial histories. Focusing on these previously unstudied engravings, this work contributes to the study of eighteenth-century visual culture and is informed by current interdisciplinary approaches at the intersection of visual and book studies. Eighteenth-Century Engravings and Visual History in Britain is about the urge to envision the past and about the establishment of the new relationship between visual media, visuality, and history in eighteenth-century Britain. The book will be of interest to scholars working in art history, British history, book studies, and visual culture.
