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Author:
Publisher: State University of New York Press
ISBN: 079148162X
Category : Literary Criticism
Languages : en
Pages : 366
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Book Description
Offering snapshots of a pivotal era in which the Jews of Europe made the transition from a traditional to a more modern world, the Yiddish plays translated and collected here wrestle with issues that continue to concern us today: changing gender roles, generational conflict, class divisions, and religious persecution. In their introduction to the volume, Joel Berkowitz and Jeremy Dauber place the plays in the context of the development of modern drama and Yiddish drama and examine their treatment of social, political, and religious issues. The many ways in which the plays address these issues make them transcend their own time, exciting a new generation of readers and theatergoers.
Author:
Publisher: State University of New York Press
ISBN: 079148162X
Category : Literary Criticism
Languages : en
Pages : 366
Get Book Here
Book Description
Offering snapshots of a pivotal era in which the Jews of Europe made the transition from a traditional to a more modern world, the Yiddish plays translated and collected here wrestle with issues that continue to concern us today: changing gender roles, generational conflict, class divisions, and religious persecution. In their introduction to the volume, Joel Berkowitz and Jeremy Dauber place the plays in the context of the development of modern drama and Yiddish drama and examine their treatment of social, political, and religious issues. The many ways in which the plays address these issues make them transcend their own time, exciting a new generation of readers and theatergoers.
Author: Author Joel Berkowitz
Publisher: Liverpool University Press
ISBN: 1909821225
Category : Performing Arts
Languages : en
Pages : 301
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Book Description
This collection of essays conveys a broad range of fundamental ideas about Yiddish theatre and its importance in Jewish life as a reflection of aesthetic, social, and political trends and concerns. The contributions cover such topics as the Yiddish repertoire, including the purimshpil and the relationship between Yiddish drama and the broader European dramatic tradition; the historiography of the Yiddish theatre; the role of music; censorship, both by governmental authorities and from within the Jewish community; and the politics of Yiddish theatre criticism. Taken as a whole, these essays make a significant contribution to our understanding of Jewish literature and culture in eastern Europe and the United States.
Author: Joel Berkowitz
Publisher: University of Iowa Press
ISBN: 1587294087
Category : History
Languages : en
Pages : 305
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Book Description
The professional Yiddish theatre started in 1876 in Eastern Europe; with the assassination of Tsar Alexander II in 1881, masses of Eastern European Jews began moving westward, and New York—Manhattan’s Bowery and Second Avenue—soon became the world’s center of Yiddish theatre. At first the Yiddish repertoire revolved around comedies, operettas, and melodramas, but by the early 1890s America's Yiddish actors were wild about Shakespeare. In Shakespeare on the American Yiddish Stage, Joel Berkowitz knowledgeably and intelligently constructs the history of this unique theatrical culture. The Jewish King Lear of 1892 was a sensation. The year 1893 saw the beginning of a bevy of Yiddish versions of Hamlet; that year also saw the first Yiddish production of Othello. Romeo and Juliet inspired a wide variety of treatments. The Merchant of Venice was the first Shakespeare play published in Yiddish, and Jacob Adler received rave reviews as Shylock on Broadway in both 1903 and 1905. Berkowitz focuses on these five plays in his five chapters. His introduction provides an orientation to the Yiddish theatre district in New York as well as the larger picture of Shakespearean production and the American theatre scene, and his conclusion summarizes the significance of Shakespeare’s plays in Yiddish culture.
Author: Nahma Sandrow
Publisher: Suny Contemporary Jewish Liter
ISBN: 9781438481890
Category : Drama
Languages : en
Pages : 350
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Book Description
Three stageworthy plays and nine individual scenes that offer an introduction to Yiddish theater at its liveliest.
Author:
Publisher: State University of New York Press
ISBN: 1438481918
Category : Drama
Languages : en
Pages : 410
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Book Description
Yiddish theater was first and foremost fine theater, with varied repertory and actors of high quality. The three stage-ready plays and nine individual scenes collected here, most of them well-known in Yiddish repertory but never before translated, offer an introduction to the full range of Yiddish theater. Fresh, lively, and accurate, these translations have been prepared for reading or performance by award-winning playwright and scholar Nahma Sandrow. They come with useful stage directions, notes, and playing histories, as well as comments by directors who have worked in both English and Yiddish theater. In the three full-length plays, a matriarch battles for control of her business and her family (Mirele Efros; or, The Jewish Queen Lear); two desperate women struggle over a man, who himself is struggling to change his life (Yankl the Blacksmith); and, in a charming fantasy village, a poetic village fiddler gambles on romance (Yoshke the Musician). The nine scenes from selected other plays are shaped to stand alone and range in genre from symbolist to naturalist, operetta to vaudeville, domestic to romantic to avant-garde. In her preface, Sandrow contextualizes the plays in modern Western theater history from the nineteenth century to the present. Yiddish Plays for Reading and Performance is not nostalgia—just a collection of good plays that also serves as an informed introduction to Yiddish theater at its liveliest.
Author: Alisa Solomon
Publisher: Macmillan + ORM
ISBN: 0805095292
Category : Performing Arts
Languages : en
Pages : 484
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Book Description
A sparkling and eye-opening history of the Broadway musical that changed the world In the half-century since its premiere, Fiddler on the Roof has had an astonishing global impact. Beloved by audiences the world over, performed from rural high schools to grand state theaters, Fiddler is a supremely potent cultural landmark. In a history as captivating as its subject, award-winning drama critic Alisa Solomon traces how and why the story of Tevye the milkman, the creation of the great Yiddish writer Sholem-Aleichem, was reborn as blockbuster entertainment and a cultural touchstone, not only for Jews and not only in America. It is a story of the theater, following Tevye from his humble appearance on the New York Yiddish stage, through his adoption by leftist dramatists as a symbol of oppression, to his Broadway debut in one of the last big book musicals, and his ultimate destination—a major Hollywood picture. Solomon reveals how the show spoke to the deepest conflicts and desires of its time: the fraying of tradition, generational tension, the loss of roots. Audiences everywhere found in Fiddler immediate resonance and a usable past, whether in Warsaw, where it unlocked the taboo subject of Jewish history, or in Tokyo, where the producer asked how Americans could understand a story that is "so Japanese." Rich, entertaining, and original, Wonder of Wonders reveals the surprising and enduring legacy of a show about tradition that itself became a tradition. Wonder of wonders, miracle of miracles.
Author: Barbara Henry
Publisher: Wayne State University Press
ISBN: 0814337198
Category : Foreign Language Study
Languages : en
Pages : 398
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Book Description
Scholars of Jewish performance and those interested in theater history will appreciate this wide-ranging volume.
Author: Alyssa Quint
Publisher: Indiana University Press
ISBN: 0253038642
Category : Performing Arts
Languages : en
Pages : 289
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Book Description
Jewish Book Award Finalist: “Turns the fascinating life of Avrom Goldfaden into a multi-dimensional history of the Yiddish theater’s formative years.” —Jeffery Veidinger, author of Jewish Public Culture in the Late Russian Empire In this book, Alyssa Quint focuses on the early years of the modern Yiddish theater, from roughly 1876 to 1883, through the works of one of its best-known and most colorful figures, Avrom Goldfaden. Goldfaden (né Goldenfaden, 1840-1908) was one of the first playwrights to stage a commercially viable Yiddish-language theater, first in Romania and then in Russia. Goldfaden’s work was rapidly disseminated in print and his plays were performed frequently for Jewish audiences. Sholem Aleichem considered him as a forger of a new language that “breathed the European spirit into our old jargon.” Quint uses Goldfaden’s theatrical works as a way to understand the social life of Jewish theater in Imperial Russia. Through a study of his libretti, she looks at the experiences of Russian Jewish actors, male and female, to explore connections between culture as artistic production and culture in the sense of broader social structures. Quint explores how Jewish actors who played Goldfaden’s work on stage absorbed the theater into their everyday lives. Goldfaden’s theater gives a rich view into the conduct, ideology, religion, and politics of Jews during an important moment in the history of late Imperial Russia.
Author: Ken Frieden
Publisher: SUNY Press
ISBN: 9780791426012
Category : Fiction
Languages : en
Pages : 382
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Book Description
Revisits fiction by the three major Yiddish authors who wrote between 1864 and 1916, exploring their literary and social worlds.
Author: Debra Caplan
Publisher: University of Michigan Press
ISBN: 0472123688
Category : Performing Arts
Languages : en
Pages : 343
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Book Description
Yiddish Empire tells the story of how a group of itinerant Jewish performers became the interwar equivalent of a viral sensation, providing a missing chapter in the history of the modern stage. During World War I, a motley group of teenaged amateurs, impoverished war refugees, and out- of- work Russian actors banded together to revolutionize the Yiddish stage. Achieving a most unlikely success through their productions, the Vilna Troupe (1915– 36) would eventually go on to earn the attention of theatergoers around the world. Advancements in modern transportation allowed Yiddish theater artists to reach global audiences, traversing not only cities and districts but also countries and continents. The Vilna Troupe routinely performed in major venues that had never before allowed Jews, let alone Yiddish, upon their stages, and operated across a vast territory, a strategy that enabled them to attract unusually diverse audiences to the Yiddish stage and a precursor to the organizational structures and travel patterns that we see now in contemporary theater. Debra Caplan’s history of the Troupe is rigorously researched, employing primary and secondary sources in multiple languages, and is engagingly written.
