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Author: Brian McFarlane
Publisher: Manchester University Press
ISBN: 1526130491
Category : Performing Arts
Languages : en
Pages : 238
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Book Description
In the years between 1941 and 1965, Lance Comfort made some of the most entertaining films in Britain. There was the striking success of his second feature as director, Hatter’s Castle (1941) and when he returned to this melodramatic vein in 1945 he made a series of highly proficient and enjoyable studies in obsession, including Bedelia (1946) with Margaret Lockwood as a murderess, and Temptation Harbour (1947) starring Robert Newton as a decent man in the grip of erotic attraction. Comfort’s career has never been charted in full – that is, from the apprenticeship in the 1930s, through the melodramas of the 1940s to the often rewarding co-features of the following two decades. His is in many ways a prototypical career in British cinema: his very attractive body of work has been marginalised by critical focus on a few giant figures. This is a book that will appeal to all students and researchers in British cinema, as well as to anyone with an interest in British films – and why they were the way they were – in their most productive period.
Author: Brian McFarlane
Publisher: Manchester University Press
ISBN: 1526130491
Category : Performing Arts
Languages : en
Pages : 238
Get Book Here
Book Description
In the years between 1941 and 1965, Lance Comfort made some of the most entertaining films in Britain. There was the striking success of his second feature as director, Hatter’s Castle (1941) and when he returned to this melodramatic vein in 1945 he made a series of highly proficient and enjoyable studies in obsession, including Bedelia (1946) with Margaret Lockwood as a murderess, and Temptation Harbour (1947) starring Robert Newton as a decent man in the grip of erotic attraction. Comfort’s career has never been charted in full – that is, from the apprenticeship in the 1930s, through the melodramas of the 1940s to the often rewarding co-features of the following two decades. His is in many ways a prototypical career in British cinema: his very attractive body of work has been marginalised by critical focus on a few giant figures. This is a book that will appeal to all students and researchers in British cinema, as well as to anyone with an interest in British films – and why they were the way they were – in their most productive period.
Author: Barry Forshaw
Publisher: Springer
ISBN: 1137005033
Category : Performing Arts
Languages : en
Pages : 256
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Book Description
A comprehensive social history of British crime film by the UK's principal expert on crime film and fiction Presenting a stunning social history of Britain through classic crime film, Barry Forshaw, one of the UK's leading experts on crime fiction and fiction, focuses on how crime films have portrayed our changing attitudes towards class, politics, sex, delinquency, violence and censorship. Focusing on these key issues, British Crime Film examines strategies used by film makers in order to address more radical notions of society's decline. Spanning post-war crime cinema, from Green for Danger to Get Carter, from The Lady Killers to Layer Cake, from The Long Good Friday to Lock, Stock and Two Smoking Barrels, British Crime Film contextualizes the movies and identifies important and neglected works which will delight and intrigue film fans of this well-loved genre.
Author: Francis Beaumont
Publisher:
ISBN:
Category :
Languages : en
Pages : 460
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Book Description
Author: Charlotte Mary Yonge
Publisher:
ISBN:
Category : English fiction
Languages : en
Pages : 620
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Book Description
Author: Steve Chibnall
Publisher: Bloomsbury Publishing
ISBN: 183871863X
Category : Performing Arts
Languages : en
Pages : 521
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Book Description
This is the first book to provide a thorough examination of the British 'B' movie, from the war years to the 1960s. The authors draw on archival research, contemporary trade papers and interviews with key 'B' filmmakers to map the 'B' movie phenomenon both as artefact and as industry product, and as a reflection on their times.
Author: Brian McFarlane
Publisher: Manchester University Press
ISBN: 9780719054846
Category : Biography & Autobiography
Languages : en
Pages : 246
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Book Description
This is a study of the work of Lance Comfort, who made films such as Hatter's Castle and Temptation Harbour between 1941 and 1965. The book should appeal to students and researchers in British cinema.
Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 1044
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Book Description
Author: Robert Murphy
Publisher: Bloomsbury Publishing
ISBN: 1838715339
Category : Performing Arts
Languages : en
Pages : 672
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Book Description
A guide to directors who have worked in the British and Irish film industries between 1895 and 2005. Each of its 980 entries on individuals directors gives a resume of the director's career, evaluates their achievements and provides a complete filmography. It is useful for those interested in film-making in Britain and Ireland.
Author: Andrew Spicer
Publisher: Scarecrow Press
ISBN: 0810873788
Category : Performing Arts
Languages : en
Pages : 533
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Book Description
Film noir_literally 'black cinema'_is the label customarily given to a group of black and white American films, mostly crime thrillers, made between 1940 and 1959. Today there is considerable dispute about what are the shared features that classify a noir film, and therefore which films should be included in this category. These problems are partly caused because film noir is a retrospective label that was not used in the 1940s or 1950s by the film industry as a production category and therefore its existence and features cannot be established through reference to trade documents. The Historical Dictionary of Film Noir is a comprehensive guide that ranges from 1940 to present day neo-noir. It consists of a chronology, an introductory essay, a bibliography, a filmography, and over 400 cross-referenced dictionary entries on every aspect of film noir and neo-noir, including key films, personnel (actors, cinematographers, composers, directors, producers, set designers, and writers), themes, issues, influences, visual style, cycles of films (e.g. amnesiac noirs), the representation of the city and gender, other forms (comics/graphic novels, television, and videogames), and noir's presence in world cinema. It is an essential reference work for all those interested in this important cultural phenomenon.
Author: Jess Conrad
Publisher: Andrews UK Limited
ISBN: 1837914591
Category : Performing Arts
Languages : en
Pages : 293
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Book Description
Jess Conrad is a name that will be instantly recognisable to anyone familiar with 1960s pop culture. Emerging from the decade as one of Britain's most versatile stars, Jess has sung on hit records, starred in cult movies, headlined stage shows... and hasn't stopped ever since! In this fascinating autobiography we are given unparalleled access to Jess's entire life story, from his childhood in London during the Blitz to his time as a Teddy Boy on the wrong side of the tracks, from being discovered by legendary music producer Jack Good to his work with peers such as Billy Fury and Cliff Richard, from starring in dozens of movies to wowing live theatre audiences all over the world... and so much more! Even in his eighties, Jess Conrad OBE remains one of the entertainment world's most sought-after figures, recently starring in ITV's hit reality series Last Laugh in Vegas, featuring on the BBC's much-loved quiz show Pointless and playing Batman actor Adam West in a critically-acclaimed biopic. As he has done throughout his life, Jess continues to raise funds for numerous good causes and was even voted 'King Rat' - the head of charitable showbiz institution The Grand Order of Water Rats, an organisation that has counted Laurel & Hardy, Bob Hope and Charlie Chaplin amongst its members. With anecdotes that will have you crying out with laughter and amazing revelations about some of the world's biggest stars that will surely leave you open-mouthed, From Blitz to Glitz is one of the year's must-read biographies. Co-written with TV producer and long-time friend Simon Withington, this is one book that you won't be able to put down.
