L'Amore artigiano; a new comic opera. As performed at the King's Theatre, etc. [By C. Goldoni.] Ital. & Eng PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download L'Amore artigiano; a new comic opera. As performed at the King's Theatre, etc. [By C. Goldoni.] Ital. & Eng PDF full book. Access full book title L'Amore artigiano; a new comic opera. As performed at the King's Theatre, etc. [By C. Goldoni.] Ital. & Eng by AMORE.. Download full books in PDF and EPUB format.
![L'Amore artigiano; a new comic opera. As performed at the King's Theatre, etc. [By C. Goldoni.] Ital. & Eng PDF](https://books.google.com/books/content/images/frontcover/DHxVXC6L7hEC?fife=w150-h200)
Author: AMORE.
Publisher:
ISBN:
Category :
Languages : en
Pages : 84
Get Book Here
Book Description
![L'Amore artigiano; a new comic opera. As performed at the King's Theatre, etc. [By C. Goldoni.] Ital. & Eng PDF](https://books.google.com/books/content/images/frontcover/DHxVXC6L7hEC?fife=w80-h100)
Author: AMORE.
Publisher:
ISBN:
Category :
Languages : en
Pages : 84
Get Book Here
Book Description
Author: John C. Greene
Publisher: Lehigh University Press
ISBN: 1611461138
Category : Performing Arts
Languages : en
Pages : 826
Get Book Here
Book Description
Theatre in Dublin,1745–1820: A Calendar of Performances is the first comprehensive, daily compendium of more than 18,000 performances that took place in Dublin’s many professional theatres, music halls, pleasure gardens, and circus amphitheatres between Thomas Sheridan’s becoming the manager at Smock Alley Theatre in 1745 and the dissolution of the Crow Street Theatre in 1820. The daily performance calendar for each of the seventy-five seasons recorded here records and organizes all surviving documentary evidence pertinent to each evening’s entertainments, derived from all known sources, but especially from playbills and newspaper advertisements. Each theatre’s daily entry includes all preludes, mainpieces, interludes, and afterpieces with casts and assigned roles, followed by singing and singers, dancing and dancers, and specialty entertainments. Financial data, program changes, rehearsal notices, authorship and premiere information are included in each component’s entry, as is the text of contemporary correspondence and editorial contextualization and commentary, followed by other additional commentary, such as the many hundreds of printed puffs, notices, and performance reviews. In the cases of the programs of music halls, pleasure gardens, and circuses, the playbills have generally been transcribed verbatim. The calendar for each season is preceded by an analytical headnote that presents several categories of information including, among other things, an alphabetical listing of all members of each company, whether actors, musicians, specialty artists, or house servants, who are known to have been employed at each venue. Limited biographical commentary is included, particularly about performers of Irish origin, who had significant stage careers but who did not perform in London. Each headnote presents the seasons’s offerings of entertainments of each theatrical type (prelude, mainpiece, interlude, afterpiece) analyzed according to genre, including a list of the number of plays in each genre and according to period in which they were first performed. The headnote also notes the number of different plays by Shakespeare staged during each season and gives particular attention to entertainments of “special Irish interest.” The various kinds of benefit performance and command performances are also noted. Finally, this Calendar of Performances contains an appendix that furnishes a season-by-season listing of the plays that were new to the London patent theatres, and, later, of the important “minors.” This information is provided in order for us to understand the interrelatedness of the London and Dublin repertories.
Author: Ian Woodfield
Publisher: Cambridge University Press
ISBN: 1139432222
Category : Music
Languages : en
Pages : 357
Get Book Here
Book Description
This book explores the cultural life of Italian opera in late eighteenth-century London. Through primary sources, many analysed for the first time, Ian Woodfield examines such issues as finances, recruitment policy, handling of singers and composers, links with Paris and Italy, and the role of women in opera management.
Author: Daniel Heartz
Publisher: Pendragon Press
ISBN: 9781576470817
Category : History
Languages : en
Pages : 360
Get Book Here
Book Description
A collection of 18 essays on musical theatre in the eighteenth century, written between 1967 and 2001
Author: Boston Public Library. Allen A. Brown Collection of Music
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 606
Get Book Here
Book Description
Author: Roger Parker
Publisher: Oxford University Press, USA
ISBN: 9780192854452
Category : History
Languages : en
Pages : 618
Get Book Here
Book Description
A historical survey of opera, from its beginnings in Florence 400 years ago, up to opera in the 1990s.
Author: Donald Burrows
Publisher: Oxford University Press, USA
ISBN: 9780198166542
Category : Music
Languages : en
Pages : 1268
Get Book Here
Book Description
James Harris (1709-80) was an author of philosophical treatises and an enthusiastic amateur musician who directed the concerts and music festivals at Salisbury for nearly fifty years. His family and social circle had close connections with London's music-making: his brother was a witness toHandel's will, and his correspondents sent him lively reports on all aspects of musical life in the capital-opera, oratorio, concerts, but also about the leading performers, music copyists, and instrument makers. In 1761 Harris became a member of Parliament and thereafter divided his time betweenLondon and Salisbury. His letters and diaries provide an unrivalled record of concert- and theatre-going in London, including exchanges of letters with David Garrick about a production at Drury Lane. As his children grew up an engaging family correspondence emerged. We learn of his daughters'involvement in concerts and amateur theatrical productions; his son, who pursued a diplomatic career, reported on operas, concerts, and plays in the court of Frederick the Great and Catherine the Great. Now, for the first time, it is possible to enjoy in full the lively first-hand descriptions fromHarris's family papers, which contribute fascinating insights into contemporary eighteenth-century musical and theatrical life.
Author: John A. Rice
Publisher: University of Chicago Press
ISBN: 9780226711256
Category : Biography & Autobiography
Languages : en
Pages : 688
Get Book Here
Book Description
Publisher Description
Author: British Museum. Dept. of Printed Books
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 660
Get Book Here
Book Description
Author: David Wyn Jones
Publisher: Cambridge University Press
ISBN: 0521028590
Category : Music
Languages : en
Pages : 308
Get Book Here
Book Description
An examination of the little-understood period of music history in which Haydn, Mozart and Beethoven worked.
