Laments for the Lost in Medieval Literature PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Laments for the Lost in Medieval Literature PDF full book. Access full book title Laments for the Lost in Medieval Literature by Jane Tolmie. Download full books in PDF and EPUB format.
Author: Jane Tolmie
Publisher: Brepols Publishers
ISBN: 9782503528588
Category : Bereavement in literature
Languages : en
Pages : 0
Get Book
Book Description
This is a collection of essays on the subject of lament in the medieval period, with a particular emphasis on parental grief. The analysis of texts about pain and grief is an increasingly important area in medieval studies, offering as it does a mean of exploring the ways in which cultural meanings arise from loss and processes of mourning. Scholars from Canada, the USA, New Zealand, the UK, and elsewhere, have come together to produce a volume with a coherent thematic focus and a primary investment in Northern European medieval texts.
Author: Jane Tolmie
Publisher: Brepols Publishers
ISBN: 9782503528588
Category : Bereavement in literature
Languages : en
Pages : 0
Get Book
Book Description
This is a collection of essays on the subject of lament in the medieval period, with a particular emphasis on parental grief. The analysis of texts about pain and grief is an increasingly important area in medieval studies, offering as it does a mean of exploring the ways in which cultural meanings arise from loss and processes of mourning. Scholars from Canada, the USA, New Zealand, the UK, and elsewhere, have come together to produce a volume with a coherent thematic focus and a primary investment in Northern European medieval texts.
Author: Tamar M. Boyadjian
Publisher: Cornell University Press
ISBN: 150173086X
Category : Literary Criticism
Languages : en
Pages : 214
Get Book
Book Description
Poetic elegies for lost or fallen cities are seemingly as old as cities themselves. In the Judeo-Christian tradition, this genre finds its purest expression in the book of Lamentations, which mourns the destruction of Jerusalem; in Arabic, this genre is known as the ritha al-mudun. In The City Lament, Tamar M. Boyadjian traces the trajectory of the genre across the Mediterranean world during the period commonly referred to as the early Crusades (1095–1191), focusing on elegies and other expressions of loss that address the spiritual and strategic objective of those wars: Jerusalem. Through readings of city laments in English, French, Latin, Arabic, and Armenian literary traditions, Boyadjian challenges hegemonic and entrenched approaches to the study of medieval literature and the Crusades. The City Lament exposes significant literary intersections between Latin Christendom, the Islamic caliphates of the Middle East, and the Armenian kingdom of Cilicia, arguing for shared poetic and rhetorical modes. Reframing our understanding of literary sources produced across the medieval Mediterranean from an antagonistic, orientalist model to an analogous one, Boyadjian demonstrates how lamentations about the loss of Jerusalem, whether to Muslim or Christian forces, reveal fascinating parallels and rich, cross-cultural exchanges.
Author: Eugenia Russell
Publisher: A&C Black
ISBN: 1441155848
Category : History
Languages : en
Pages : 241
Get Book
Book Description
The 'long' fourteenth century perhaps can be seen as Thessalonica's heyday. Alongside its growing commercial prowess, the city was developing into an important centre of government, where members of the Byzantine imperial family of the Palaiologoi ruled independently under full imperial titles, striking coinage and following an increasingly autonomous external policy. It was also developing into a formidable centre for letters, education, and artistic expression, due in part to Palaiologan patronage. This volume sets out the political and commercial landscape of Thessalonica between 1303 and 1430, when the city fell to the Ottoman Turks, before focusing on the literary and hymnographical aspects of the city's cultural history and its legacy. The cosmopolitan nature of urban life in Thessalonica, the polyphony of opinions it experienced and expressed, its multiple links with centres such as Constantinople, Adrianople, Athos, Lemnos and Lesvos, and the diversity and strength of its authorial voices make the study of the city's cultural life a vital part of our understanding of the Byzantine Eastern Mediterranean.
Author: Sif Ríkharðsdóttir
Publisher: Boydell & Brewer
ISBN: 1843844702
Category : Literary Criticism
Languages : en
Pages : 224
Get Book
Book Description
Draws on Old Norse literary heritage to explore questions of emotion as both a literary motif and as a social phenomenon.
Author: Carolyne Larrington
Publisher: Manchester University Press
ISBN: 1526176122
Category : Literary Criticism
Languages : en
Pages : 242
Get Book
Book Description
Over the last twenty-five years, the ‘history of emotion’ field has become one of the most dynamic and productive areas for humanities research. This designation, and the marked leadership of historians in the field, has had the unlooked-for consequence of sidelining literature — in particular secular literature — as evidence-source and object of emotion study. Secular literature, whether fable, novel, fantasy or romance, has been understood as prone to exaggeration, hyperbole, and thus as an unreliable indicator of the emotions of the past. The aim of this book is to decentre history of emotion research and asks new questions, ones that can be answered by literary scholars, using literary texts as sources: how do literary texts understand and depict emotion and, crucially, how do they generate emotion in their audiences — those who read them or hear them read or performed?
Author: Alice Jorgensen
Publisher: Routledge
ISBN: 1317180879
Category : Literary Criticism
Languages : en
Pages : 333
Get Book
Book Description
Research into the emotions is beginning to gain momentum in Anglo-Saxon studies. In order to integrate early medieval Britain into the wider scholarly research into the history of emotions (a major theme in other fields and a key field in interdisciplinary studies), this volume brings together established scholars, who have already made significant contributions to the study of Anglo-Saxon mental and emotional life, with younger scholars. The volume presents a tight focus - on emotion (rather than psychological life more generally), on Anglo-Saxon England and on language and literature - with contrasting approaches that will open up debate. The volume considers a range of methodologies and theoretical perspectives, examines the interplay of emotion and textuality, explores how emotion is conveyed through gesture, interrogates emotions in religious devotional literature, and considers the place of emotion in heroic culture. Each chapter asks questions about what is culturally distinctive about emotion in Anglo-Saxon England and what interpretative moves have to be made to read emotion in Old English texts, as well as considering how ideas about and representations of emotion might relate to lived experience. Taken together the essays in this collection indicate the current state of the field and preview important work to come. By exploring methodologies and materials for the study of Anglo-Saxon emotions, particularly focusing on Old English language and literature, it will both stimulate further study within the discipline and make a distinctive contribution to the wider interdisciplinary conversation about emotions.
Author: Estella Ciobanu
Publisher: Springer
ISBN: 3319909185
Category : Literary Criticism
Languages : en
Pages : 337
Get Book
Book Description
Representations of the Body in Middle English Biblical Drama combines epistemological enquiry, gender theory and Foucauldian concepts to investigate the body as a useful site for studying power, knowledge and truth. Intertwining the conceptualizations of violence and the performativity of gender identity and roles, Estella Ciobanu argues that studying violence in drama affords insights into the cultural and social aspects of the later Middle Ages. The text investigates these biblical plays through the perspective of the devil and offers a unique lens that exposes medieval disquiets about Christian teachings and the discourse of power. Through detailed primary source analysis and multidisciplinary scholarship, Ciobanu constructs a text that interrogates the significance of performance far beyond the stage.
Author: P. Ryan
Publisher: Springer
ISBN: 1137364793
Category : Political Science
Languages : en
Pages : 130
Get Book
Book Description
An interdisciplinary synthesis that offers a new understanding of childhood in the Middle Ages as a form of master-servant relation embedded in an ancient sense of time as a correspondence between earthly change and eternal order.
Author: Rachel May Golden
Publisher: University Press of Florida
ISBN: 0813057922
Category : Literary Criticism
Languages : en
Pages : 323
Get Book
Book Description
This volume brings together literary and musical compositions of medieval France, including the Occitanian region, identifying the use of voice in these works as a way of articulating gendered identities. The contributors to this volume argue that because medieval texts were often read or sung aloud, voice is central for understanding the performance, transmission, and reception of work from the period across a wide variety of genres. These essays offer close readings of narrative and lyric poetry, chivalric romance, sermons, letters, political writing, motets, troubadour and trouvère lyric, crusade songs, love songs, and debate songs. Through literary, musical, and historiographical analyses, contributors highlight the voicing of gendered perspectives, expressions of sexuality, and power dynamics. The volume includes feminist readings, investigations of masculinity, queer theory, and intersectional approaches. The contributors interpret literary or musical works by Chrétien de Troyes, Aimeric de Peguilhan, Hue de la Ferté, the Chastelain de Couci, Jacques de Vitry, Christine de Pizan, Anne de Graville, Alain Chartier, and Giovanni Boccaccio, among others. Gender and Voice in Medieval French Literature and Song offers a valuable interdisciplinary approach and contributes to the history of women’s voices in the Middle Ages and Early Modern periods. It illuminates the critical role of voice in negotiating culture, celebrating and innovating traditions, advancing personal and political projects, and defining the literary and musical developments that shaped medieval France. Contributors: Lisa Colton | Emily J Hutchinson | Daisy Delogu | Tamara Bentley Caudill | Katherine Kong | Meghan Quinlan | Lydia M Walker | Rachel May Golden | Anna Kathryn Grau | Anne Adele Levitsky
Author: Stefka G. Eriksen
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110655586
Category : Language Arts & Disciplines
Languages : en
Pages : 347
Get Book
Book Description
The main aim of this book is to discuss various modes of studying and defining the medieval self, based on a wide span of sources from medieval Western Scandinavia, c. 800-1500, such as archeological evidence, architecture and art, documents, literature, and runic inscriptions. The book engages with major theoretical discussions within the humanities and social sciences, such as cultural theory, practice theory, and cognitive theory. The authors investigate how the various approaches to the self influence our own scholarly mindsets and horizons, and how they condition what aspects of the medieval self are 'visible' to us. Utilizing this insight, we aim to propose a more syncretic approach towards the medieval self, not in order to substitute excellent models already in existence, but in order to foreground the flexibility and the complementarity of the current theories, when these are seen in relationship to each other. The self and how it relates to its surrounding world and history is a main concern of humanities and social sciences. Focusing on the theoretical and methodological flexibility when approaching the medieval self has the potential to raise our awareness of our own position and agency in various social spaces today.
