Lace Patterns of the Italian Renaissance

Lace Patterns of the Italian Renaissance PDF Author: Susan Johnson
Publisher:
ISBN: 9781794093140
Category :
Languages : en
Pages : 38

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Book Description
This collection of extraordinary lace pattern illustrations dating from 1598 are the work of Isabella Catanea Parasole, a Roman artist, lacemaker and embroiderer. The classic motifs, borders and scenes can be easily adapted by modern needleworkers for embroidery as well as the traditional lace techniques they were originally intended for- Reticella, bobbin lace and crochet.

Lace Patterns of the Italian Renaissance

Lace Patterns of the Italian Renaissance PDF Author: Susan Johnson
Publisher:
ISBN: 9781794093140
Category :
Languages : en
Pages : 38

Get Book Here

Book Description
This collection of extraordinary lace pattern illustrations dating from 1598 are the work of Isabella Catanea Parasole, a Roman artist, lacemaker and embroiderer. The classic motifs, borders and scenes can be easily adapted by modern needleworkers for embroidery as well as the traditional lace techniques they were originally intended for- Reticella, bobbin lace and crochet.

Pattern Book of Renaissance Lace

Pattern Book of Renaissance Lace PDF Author: Cesare Vecellio
Publisher: Dover Publications
ISBN:
Category : Art
Languages : en
Pages : 88

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Book Description


Italian Lace Designs

Italian Lace Designs PDF Author: Elisa Ricci
Publisher: Dover
ISBN:
Category : Art
Languages : en
Pages : 102

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Book Description
Sharply detailed photographs depict glories of reticello, lacis, Venetian point, other needle-made and bobbin laces 16th 18th centuries. Copyright-free. "

Renaissance Patterns for Lace, Embroidery and Needlepoint

Renaissance Patterns for Lace, Embroidery and Needlepoint PDF Author: Federico Vinciolo
Publisher: Courier Corporation
ISBN: 0486224384
Category : Design
Languages : en
Pages : 127

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Book Description
Old Venetian lace has always been considered one of the high points of the textile arts, what with its imaginative design, technical brilliance, and universal appeal to all lands and times. It was the ancestor of most of the important laces that have since been made in Europe, and surviving specimens are the treasured possessions of the great museums of the world. Federico Vinciolo is one of the masters within this art. A leading Venetian designer, he was summoned in France to the court of Henry II, probably by Catherine de Medici, where he had the monopoly on manufacturing lace neck ruffs. In 1587 Vinciolo published a collection of his best patterns and designs, Les singuliers et nouveaux pourtraicts, which went through more than a dozen printings in France and Italy. It remains one of the basic books in the history of lace. For the modern needleworker who wishes to recapture the charm of this antique lace, Vinciolo's book offers 98 plates of fine patterns and designs in various techniques: needlepoint, darned netting, point coupé, counted thread work, and others. These include geometric forms, exuberant treatment of classical motives, Italian and Levantine designs, and mush else that the modern worker, able to pick out a pattern, can re-create. Most of this material is nowhere else available. Vinciolo's designs are also of interest to the graphic artist who wishes delicate yet forceful textile images.

"Fashion & Virtue: Textile Patterns and the Print Revolution, 1520–1620" The Metropolitan Museum of Art Bulletin, v. 73, no. 2 (Fall, 2015)

Author: Femke Speelberg
Publisher: Metropolitan Museum of Art
ISBN: 1588395804
Category : Antiques & Collectibles
Languages : en
Pages : 52

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Book Description
This Bulletin discusses the Met's extensive collection of Renaissance textile pattern books, used primarily by women to embroider clothes and accessories. The practice of embroidery was seen as a virtuous endeavor, and textile pattern books, published with great frequency from the 1520s onward, were designed to inspire, instruct, and encourage "beautiful and virtuous women" in this esteemed practice. Straddling the disciplines of early printmaking, ornament design, and textile decoration, these works help shed light on the crucial period when the concept of fashion as a means of distinguishing individual identity became fixed in Western society.

Italian Renaissance Textile Designs

Italian Renaissance Textile Designs PDF Author: Dolores M. Andrew
Publisher: International Design Library
ISBN: 9780880450812
Category : Art
Languages : en
Pages : 0

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Book Description
Features floral, animal, ribbon, abstract and other motifs popular in Italy during the Renaissance period.

Traditional Knitting Patterns

Traditional Knitting Patterns PDF Author: James Norbury
Publisher: Courier Corporation
ISBN: 0486316904
Category : Crafts & Hobbies
Languages : en
Pages : 246

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Book Description
Hundreds of knitting patterns complete with easy-to-follow directions and examples of finished work. Long section on fishermen's sweaters. One of the most comprehensive books available.

Seven Centuries of Lace

Seven Centuries of Lace PDF Author: Mrs. Maria Margaret La Primaudaye Pollen
Publisher:
ISBN:
Category : Lace and lace making
Languages : en
Pages : 204

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Book Description


Renaissance Ornament Prints and Drawings

Renaissance Ornament Prints and Drawings PDF Author: Janet S. Byrne
Publisher: Metropolitan Museum of Art
ISBN: 0870992880
Category : Decoration and ornament, Renaissance
Languages : en
Pages : 146

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Book Description


Luxury Arts of the Renaissance

Luxury Arts of the Renaissance PDF Author: Marina Belozerskaya
Publisher: Getty Publications
ISBN: 0892367857
Category : Art
Languages : en
Pages : 292

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Book Description
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.