Author: Library of Congress. Music Division
Publisher:
ISBN:
Category : Government publications
Languages : en
Pages : 1196
Book Description
Catalogue of Opera Librettos Printed Before 1800
Author: Library of Congress. Music Division
Publisher:
ISBN:
Category : Government publications
Languages : en
Pages : 1196
Book Description
Publisher:
ISBN:
Category : Government publications
Languages : en
Pages : 1196
Book Description
La Clemenza Di Tito
Author: John A. Rice
Publisher: Cambridge University Press
ISBN: 9780521369497
Category : Music
Languages : en
Pages : 198
Book Description
The first book to be devoted to Mozart's opera, La clemenza di Tito, with historical and critical analysis.
Publisher: Cambridge University Press
ISBN: 9780521369497
Category : Music
Languages : en
Pages : 198
Book Description
The first book to be devoted to Mozart's opera, La clemenza di Tito, with historical and critical analysis.
Antonio Salieri and Viennese Opera
Author: John A. Rice
Publisher: University of Chicago Press
ISBN: 9780226711256
Category : Biography & Autobiography
Languages : en
Pages : 688
Book Description
Publisher Description
Publisher: University of Chicago Press
ISBN: 9780226711256
Category : Biography & Autobiography
Languages : en
Pages : 688
Book Description
Publisher Description
The Lyric Myth of Voice
Author: Jessica Gabriel Peritz
Publisher: Univ of California Press
ISBN: 0520380800
Category : Music
Languages : en
Pages : 300
Book Description
How did "voice" become a metaphor for selfhood in the Western imagination? The Lyric Myth of Voice situates the emergence of an ideological connection between voice and subjectivity in late eighteenth-century Italy, where long-standing political anxieties and new notions of cultural enlightenment collided in the mythical figure of the lyric poet-singer. Ultimately, music and literature together shaped the singing voice into a tool for civilizing modern Italian subjects. Drawing on a range of approaches and frameworks from historical musicology to gender studies, disability studies, anthropology, and literary theory, Jessica Gabriel Peritz shows how this ancient yet modern myth of voice attained interpretable form, flesh, and sound. The publisher gratefully acknowledges the generous support of the AMS 75 PAYS Fund of the American Musicological Society, supported in part by the National Endowment for the Humanities and the Andrew W. Mellon Foundation.
Publisher: Univ of California Press
ISBN: 0520380800
Category : Music
Languages : en
Pages : 300
Book Description
How did "voice" become a metaphor for selfhood in the Western imagination? The Lyric Myth of Voice situates the emergence of an ideological connection between voice and subjectivity in late eighteenth-century Italy, where long-standing political anxieties and new notions of cultural enlightenment collided in the mythical figure of the lyric poet-singer. Ultimately, music and literature together shaped the singing voice into a tool for civilizing modern Italian subjects. Drawing on a range of approaches and frameworks from historical musicology to gender studies, disability studies, anthropology, and literary theory, Jessica Gabriel Peritz shows how this ancient yet modern myth of voice attained interpretable form, flesh, and sound. The publisher gratefully acknowledges the generous support of the AMS 75 PAYS Fund of the American Musicological Society, supported in part by the National Endowment for the Humanities and the Andrew W. Mellon Foundation.
Ancient Rome in Early Opera
Author: Robert Ketterer
Publisher: University of Illinois Press
ISBN: 0252033787
Category : History
Languages : en
Pages : 274
Book Description
The major historians of ancient Rome wrote their works in the firm belief that the exalted history of the Roman Empire provided plentiful lessons about individual behavior, inspiration for great souls, and warnings against evil ambitions, not to mention opportunities for rich comedy. The examples of Rome have often been resurrected for the opera stage to display the exceptional grandeur, glory, and tragedy of Roman figures. In this volume, Robert C. Ketterer tracks the changes as operas’ Roman subjects crossed generations and national boundaries. Following opera from its origins in seventeenth-century Venice to Napoleon’s invasion of Italy, Ketterer shows how Roman history provided composers with all the necessary courage and intrigue, love and honor, and triumph and defeat so vital for the stirring music that makes great opera.
Publisher: University of Illinois Press
ISBN: 0252033787
Category : History
Languages : en
Pages : 274
Book Description
The major historians of ancient Rome wrote their works in the firm belief that the exalted history of the Roman Empire provided plentiful lessons about individual behavior, inspiration for great souls, and warnings against evil ambitions, not to mention opportunities for rich comedy. The examples of Rome have often been resurrected for the opera stage to display the exceptional grandeur, glory, and tragedy of Roman figures. In this volume, Robert C. Ketterer tracks the changes as operas’ Roman subjects crossed generations and national boundaries. Following opera from its origins in seventeenth-century Venice to Napoleon’s invasion of Italy, Ketterer shows how Roman history provided composers with all the necessary courage and intrigue, love and honor, and triumph and defeat so vital for the stirring music that makes great opera.
Magic Flutes and Enchanted Forests
Author: David J. Buch
Publisher: University of Chicago Press
ISBN: 0226078116
Category : Music
Languages : en
Pages : 483
Book Description
Drawing on hundreds of operas, singspiels, ballets, and plays with supernatural themes, Magic Flutes and Enchanted Forests argues that the tension between fantasy and Enlightenment-era rationality shaped some of the most important works of eighteenth-century musical theater and profoundly influenced how audiences and critics responded to them. David J. Buch reveals that despite—and perhaps even because of—their fundamental irrationality, fantastic and exotic themes acquired extraordinary force and popularity during the period, pervading theatrical works with music in the French, German, and Italian mainstream. Considering prominent compositions by Gluck, Rameau, and Haydn, as well as many seminal contributions by lesser-known artists, Buch locates the origins of these magical elements in such historical sources as ancient mythology, European fairy tales, the Arabian Nights, and the occult. He concludes with a brilliant excavation of the supernatural roots of Mozart’s The Magic Flute and Don Giovanni, building a new foundation for our understanding of the magical themes that proliferated in Mozart’s wake.
Publisher: University of Chicago Press
ISBN: 0226078116
Category : Music
Languages : en
Pages : 483
Book Description
Drawing on hundreds of operas, singspiels, ballets, and plays with supernatural themes, Magic Flutes and Enchanted Forests argues that the tension between fantasy and Enlightenment-era rationality shaped some of the most important works of eighteenth-century musical theater and profoundly influenced how audiences and critics responded to them. David J. Buch reveals that despite—and perhaps even because of—their fundamental irrationality, fantastic and exotic themes acquired extraordinary force and popularity during the period, pervading theatrical works with music in the French, German, and Italian mainstream. Considering prominent compositions by Gluck, Rameau, and Haydn, as well as many seminal contributions by lesser-known artists, Buch locates the origins of these magical elements in such historical sources as ancient mythology, European fairy tales, the Arabian Nights, and the occult. He concludes with a brilliant excavation of the supernatural roots of Mozart’s The Magic Flute and Don Giovanni, building a new foundation for our understanding of the magical themes that proliferated in Mozart’s wake.
Opera in London
Author: Theodore Fenner
Publisher: SIU Press
ISBN: 9780809319121
Category : Music
Languages : en
Pages : 830
Book Description
Theodore Fenner’s Opera in London offers a vivid portrait of the operatic and cultural life of a London under the influence of Romanticism as perceived by the English press and the public who viewed the performances. In part 1, Fenner discusses the rise of the periodical press in early nineteenth-century London and the critics of these publications who reviewed opera performances, such as Leigh Hunt and William Hazlitt. Fenner lists in the appendixes for part 1 the leading periodicals—including the Althenaeum, Examiner, and Spectator,— the critics, and reviews by leading critics. Fenner, in part 2, examines the productions of Italian opera in London at the King’s Theatre, including the problems in theatre management and financing; the varied nature of the audience; the operas and performances— those that were popular and those that failed in the words of the critics and the responses of the audience; the singers; and themes and attitudes of the period as expressed by the critics. In part 3, Fenner explores the same topics for the English operas presented at Drury Lane, Covent Garden, and other playhouses. Parts 2 and 3 also contain extensive appendixes listing seasonal and annual performances and reviews, productions by composers and by librettists, comic and serious productions, operas by known playwrights, and minor singers. Forty-eight illustrations of singers, critics, performances, composers, and theatres add to the richness of this study.
Publisher: SIU Press
ISBN: 9780809319121
Category : Music
Languages : en
Pages : 830
Book Description
Theodore Fenner’s Opera in London offers a vivid portrait of the operatic and cultural life of a London under the influence of Romanticism as perceived by the English press and the public who viewed the performances. In part 1, Fenner discusses the rise of the periodical press in early nineteenth-century London and the critics of these publications who reviewed opera performances, such as Leigh Hunt and William Hazlitt. Fenner lists in the appendixes for part 1 the leading periodicals—including the Althenaeum, Examiner, and Spectator,— the critics, and reviews by leading critics. Fenner, in part 2, examines the productions of Italian opera in London at the King’s Theatre, including the problems in theatre management and financing; the varied nature of the audience; the operas and performances— those that were popular and those that failed in the words of the critics and the responses of the audience; the singers; and themes and attitudes of the period as expressed by the critics. In part 3, Fenner explores the same topics for the English operas presented at Drury Lane, Covent Garden, and other playhouses. Parts 2 and 3 also contain extensive appendixes listing seasonal and annual performances and reviews, productions by composers and by librettists, comic and serious productions, operas by known playwrights, and minor singers. Forty-eight illustrations of singers, critics, performances, composers, and theatres add to the richness of this study.
The New Grove Haydn
Author: Jens Peter Larsen
Publisher: W. W. Norton & Company
ISBN: 9780393303599
Category : Biography & Autobiography
Languages : en
Pages : 256
Book Description
Publisher: W. W. Norton & Company
ISBN: 9780393303599
Category : Biography & Autobiography
Languages : en
Pages : 256
Book Description
A History of English Drama 1660-1900
Author: Allardyce Nicoll
Publisher: Cambridge University Press
ISBN: 9780521109307
Category : Drama
Languages : en
Pages : 436
Book Description
Nicoll's History, which tells the story of English drama from the reopening of the theatres at the time of the Restoration right through to the end of the Victorian period, was viewed by Notes and Queries (1952) as 'a great work of exploration, a detailed guide to the untrodden acres of our dramatic history, hitherto largely ignored as barren and devoid of interest'.
Publisher: Cambridge University Press
ISBN: 9780521109307
Category : Drama
Languages : en
Pages : 436
Book Description
Nicoll's History, which tells the story of English drama from the reopening of the theatres at the time of the Restoration right through to the end of the Victorian period, was viewed by Notes and Queries (1952) as 'a great work of exploration, a detailed guide to the untrodden acres of our dramatic history, hitherto largely ignored as barren and devoid of interest'.
A History of Late Eighteenth Century Drama, 1750-1800
Author: Allardyce Nicoll
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 410
Book Description
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 410
Book Description