Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 72
Book Description
Music
Author: William Smythe Babcock Mathews
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 670
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 670
Book Description
La Serva Raggiratrice; or, the Plotting housekeeper. A comic opera, in two acts ... With additions and alterations, by S. Buonaiuti, etc. Ital. & Eng
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 72
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 72
Book Description
Il Poese Di Cuccagna
Author: Matilde Serao
Publisher:
ISBN:
Category :
Languages : en
Pages : 442
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 442
Book Description
The Cambridge Companion to Eighteenth-Century Opera
Author: Anthony R. DelDonna
Publisher: Cambridge University Press
ISBN: 0521873584
Category : Music
Languages : en
Pages : 343
Book Description
The perfect accompaniment to courses on eighteenth-century opera for both students and teachers, this Companion is a definitive reference resource.
Publisher: Cambridge University Press
ISBN: 0521873584
Category : Music
Languages : en
Pages : 343
Book Description
The perfect accompaniment to courses on eighteenth-century opera for both students and teachers, this Companion is a definitive reference resource.
Giacomo Meyerbeer and Music Drama in Nineteenth-Century Paris
Author: Mark Everist
Publisher: Taylor & Francis
ISBN: 100093912X
Category : History
Languages : en
Pages : 464
Book Description
Nineteenth-century Paris attracted foreign musicians like a magnet. The city boasted a range of theatres and of genres represented there, a wealth of libretti and source material for them, vocal, orchestral and choral resources, to say nothing of the set designs, scenery and costumes. All this contributed to an artistic environment that had musicians from Italian- and German-speaking states beating a path to the doors of the Académie Royale de Musique, Opéra-Comique, Théâtre Italien, Théâtre Royal de l'Odéon and Théâtre de la Renaissance. This book both tracks specific aspects of this culture, and examines stage music in Paris through the lens of one of its most important figures: Giacomo Meyerbeer. The early part of the book, which is organised chronologically, examines the institutional background to music drama in Paris in the nineteenth century, and introduces two of Meyerbeer's Italian operas that were of importance for his career in Paris. Meyerbeer's acculturation to Parisian theatrical mores is then examined, especially his moves from the Odéon and Opéra-Comique to the opera house where he eventually made his greatest impact - the Académie Royale de Musique; the shift from Opéra-Comique is then counterpointed by an examination of how an indigenous Parisian composer, Fromental Halévy, made exactly the same leap at more or less the same time. The book continues with the fates of other composers in Paris: Weber, Donizetti, Bellini and Wagner, but concludes with the final Parisian successes that Meyerbeer lived to see - his two opéras comiques.
Publisher: Taylor & Francis
ISBN: 100093912X
Category : History
Languages : en
Pages : 464
Book Description
Nineteenth-century Paris attracted foreign musicians like a magnet. The city boasted a range of theatres and of genres represented there, a wealth of libretti and source material for them, vocal, orchestral and choral resources, to say nothing of the set designs, scenery and costumes. All this contributed to an artistic environment that had musicians from Italian- and German-speaking states beating a path to the doors of the Académie Royale de Musique, Opéra-Comique, Théâtre Italien, Théâtre Royal de l'Odéon and Théâtre de la Renaissance. This book both tracks specific aspects of this culture, and examines stage music in Paris through the lens of one of its most important figures: Giacomo Meyerbeer. The early part of the book, which is organised chronologically, examines the institutional background to music drama in Paris in the nineteenth century, and introduces two of Meyerbeer's Italian operas that were of importance for his career in Paris. Meyerbeer's acculturation to Parisian theatrical mores is then examined, especially his moves from the Odéon and Opéra-Comique to the opera house where he eventually made his greatest impact - the Académie Royale de Musique; the shift from Opéra-Comique is then counterpointed by an examination of how an indigenous Parisian composer, Fromental Halévy, made exactly the same leap at more or less the same time. The book continues with the fates of other composers in Paris: Weber, Donizetti, Bellini and Wagner, but concludes with the final Parisian successes that Meyerbeer lived to see - his two opéras comiques.
Catalogue of Opera Librettos Printed Before 1800
Author: Library of Congress. Music Division
Publisher:
ISBN:
Category : Government publications
Languages : en
Pages : 1196
Book Description
Publisher:
ISBN:
Category : Government publications
Languages : en
Pages : 1196
Book Description
Music
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 684
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 684
Book Description
Report of the Librarian of Congress and Report of the Superintendent of the Library Buildings and Grounds
Author: Library of Congress
Publisher:
ISBN:
Category :
Languages : en
Pages : 334
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 334
Book Description
A History of the City of Dublin
Author: John Thomas Gilbert
Publisher:
ISBN:
Category : Dublin (Ireland)
Languages : en
Pages : 390
Book Description
Publisher:
ISBN:
Category : Dublin (Ireland)
Languages : en
Pages : 390
Book Description
Complete Encyclopædia of Music
Author: John Weeks Moore
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 1022
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 1022
Book Description