Author: Institut de recherche et d'histoire des textes (France)
Publisher:
ISBN:
Category : Crafts & Hobbies
Languages : fr
Pages : 492
Book Description
Les contributions examinent les techniques et l'histoire des reliures à partir du VIIIe siècle, généralement peu ouvragées et longtemps négligées par les spécialistes. Un catalogue les classe de manière significative selon les fers qui les décorent, permettant de dater ou de localiser la plupart d'entre elles.
La reliure medievale
Author: Institut de recherche et d'histoire des textes (France)
Publisher:
ISBN:
Category : Crafts & Hobbies
Languages : fr
Pages : 492
Book Description
Les contributions examinent les techniques et l'histoire des reliures à partir du VIIIe siècle, généralement peu ouvragées et longtemps négligées par les spécialistes. Un catalogue les classe de manière significative selon les fers qui les décorent, permettant de dater ou de localiser la plupart d'entre elles.
Publisher:
ISBN:
Category : Crafts & Hobbies
Languages : fr
Pages : 492
Book Description
Les contributions examinent les techniques et l'histoire des reliures à partir du VIIIe siècle, généralement peu ouvragées et longtemps négligées par les spécialistes. Un catalogue les classe de manière significative selon les fers qui les décorent, permettant de dater ou de localiser la plupart d'entre elles.
La théorie de la musique antique et médiévale
Author: Michel Huglo
Publisher: Taylor & Francis
ISBN: 1000948404
Category : History
Languages : en
Pages : 387
Book Description
This is the final volume in the set of four collections of Michel Huglo's articles to be published in the Variorum series, and focuses on medieval music theory. The point of departure for Huglo's research was his doctoral dissertation on tonaries, published in 1971: as a consequence, he studied the manuscripts of music theory concerning plainchant, and, later, those with writings on music by authors of Late Antiquity as well as the Liber glossarum, with its many definitions of musical terms. In this volume, certain articles consider the interpretation or dissemination of texts, instruction in the art of plainchant, and musical instruction at the university. Others concern the manuscripts of St Augustine's De musica and of the writings of Calcidius, Macrobius, Helisachar, Hucbald, Gerbert of Aurillac, Abbo of Fleury, John of Afflighem, and Hieronymus de Moravia, amongst others. The volume closes with a bibliography of Michel Huglo complementing that published in 1993 and a summary list of his reviews of books on music and liturgy. Ce volume des articles de Michel Huglo termine la série de quatre dans la collection Variorum. Il est centré sur la théorie musicale médiévale. Le point de départ des recherches de Michel Huglo sur la théorie musicale du Moyen Âge est formé par sa thèse sur les tonaires, éditée en 1971: en consequence il etudia les manuscrits de theorie musicale concernant le plain-chant et, plus tard, les auteurs de l'Antiquité tardive et le Liber glossarum qui contient des définitions de nombreux termes musicaux. Dans ce volume, certains articles traitent de l'interprétation ou de la dissémination des textes, des instructions sur l'art du chant, et sur l'enseignement de la musique à l'Université. Ils concernent les manuscrits du De musica d'Augustin, de Calcidius, Macrobe, Helisachar, Hucbald, Gerbert d'Aurillac, Abbon de Fleury, Jean d'Afflighem, Hieronymus de Moravia, et d'autres auteurs. Le volume se termine par une bibliographie de Michel Huglo complétant celle publiée en 1993 et une liste sommaire de ses recensions d'ouvrages sur la musique et la liturgie.
Publisher: Taylor & Francis
ISBN: 1000948404
Category : History
Languages : en
Pages : 387
Book Description
This is the final volume in the set of four collections of Michel Huglo's articles to be published in the Variorum series, and focuses on medieval music theory. The point of departure for Huglo's research was his doctoral dissertation on tonaries, published in 1971: as a consequence, he studied the manuscripts of music theory concerning plainchant, and, later, those with writings on music by authors of Late Antiquity as well as the Liber glossarum, with its many definitions of musical terms. In this volume, certain articles consider the interpretation or dissemination of texts, instruction in the art of plainchant, and musical instruction at the university. Others concern the manuscripts of St Augustine's De musica and of the writings of Calcidius, Macrobius, Helisachar, Hucbald, Gerbert of Aurillac, Abbo of Fleury, John of Afflighem, and Hieronymus de Moravia, amongst others. The volume closes with a bibliography of Michel Huglo complementing that published in 1993 and a summary list of his reviews of books on music and liturgy. Ce volume des articles de Michel Huglo termine la série de quatre dans la collection Variorum. Il est centré sur la théorie musicale médiévale. Le point de départ des recherches de Michel Huglo sur la théorie musicale du Moyen Âge est formé par sa thèse sur les tonaires, éditée en 1971: en consequence il etudia les manuscrits de theorie musicale concernant le plain-chant et, plus tard, les auteurs de l'Antiquité tardive et le Liber glossarum qui contient des définitions de nombreux termes musicaux. Dans ce volume, certains articles traitent de l'interprétation ou de la dissémination des textes, des instructions sur l'art du chant, et sur l'enseignement de la musique à l'Université. Ils concernent les manuscrits du De musica d'Augustin, de Calcidius, Macrobe, Helisachar, Hucbald, Gerbert d'Aurillac, Abbon de Fleury, Jean d'Afflighem, Hieronymus de Moravia, et d'autres auteurs. Le volume se termine par une bibliographie de Michel Huglo complétant celle publiée en 1993 et une liste sommaire de ses recensions d'ouvrages sur la musique et la liturgie.
Renaissance de L'enluminure Médiévale
Author: Jan de Maeyer
Publisher: Leuven University Press
ISBN: 9058675912
Category : Gothic revival (Art)
Languages : en
Pages : 337
Book Description
KADOC Artes 8The art of illumination, usually associated with the Middle Ages, experienced a spectacular revival in nineteenth-century Western Europe. This completely different context gave the illuminations another import. The output of the lay and religious workshops reveals a great artistic, stylistic, technical, and thematic diversity. The works illuminated go far beyond the world of exceptional and precious manuscripts and include many occasional documents and devotional images.Richly illustrated with unpublished masterworks, The Revival of Medieval Illumination is an overview of the form by fifteen authors who do not limit their approach to the traditional questions of art history. Rather, they explore the historical, sociocultural, ideological and religious components of the revival, which changed according to time and country, in order to understand the evolution and success of the art of illumination in the long nineteenth century.
Publisher: Leuven University Press
ISBN: 9058675912
Category : Gothic revival (Art)
Languages : en
Pages : 337
Book Description
KADOC Artes 8The art of illumination, usually associated with the Middle Ages, experienced a spectacular revival in nineteenth-century Western Europe. This completely different context gave the illuminations another import. The output of the lay and religious workshops reveals a great artistic, stylistic, technical, and thematic diversity. The works illuminated go far beyond the world of exceptional and precious manuscripts and include many occasional documents and devotional images.Richly illustrated with unpublished masterworks, The Revival of Medieval Illumination is an overview of the form by fifteen authors who do not limit their approach to the traditional questions of art history. Rather, they explore the historical, sociocultural, ideological and religious components of the revival, which changed according to time and country, in order to understand the evolution and success of the art of illumination in the long nineteenth century.
Sur les traces de la bibliothèque médiévale des Juifs de Colmar
Author: Judith Kogel
Publisher: BRILL
ISBN: 900439950X
Category : Religion
Languages : en
Pages : 338
Book Description
La Bibliothèque municipale de Colmar conserve plus de 330 fragments hébreux collés sur les reliures d’incunables. Chacun d’eux peut a priori être considéré comme le témoin d’un livre disparu, probablement tombé entre les mains de relieurs à la suite de circonstances historiques tragiques. Après les avoir décrits et identifiés dans cet ouvrage, Judith Kogel a pu reconstituer la collection de livres étudiés et utilisés par les juifs de Colmar et des environs, au Moyen Âge. Bien que l’on ne puisse savoir à qui ils appartenaient et où ils étaient conservés, ces livres recouvrent tous les textes indispensables à la vie juive quotidienne et reflètent une communauté structurée pour la transmission des savoirs. The Colmar Public Library preserves more than 330 Hebrew fragments glued to the bindings of incunabula. Each of them a priori can be considered as a witness to a book that disappeared, probably fallen into the hands of bookbinders as a result of tragic historical circumstances. After describing and identifying them, Judith Kogel was able to partially reconstruct and present in this book, the collection of texts studied and used by Jews in Colmar and the surrounding area in the Middle Ages. Although we cannot know to whom these books belonged and where they were kept, the collection covers all areas essential to Jewish daily life and reflects a structured community committed to the transmission of knowledge.
Publisher: BRILL
ISBN: 900439950X
Category : Religion
Languages : en
Pages : 338
Book Description
La Bibliothèque municipale de Colmar conserve plus de 330 fragments hébreux collés sur les reliures d’incunables. Chacun d’eux peut a priori être considéré comme le témoin d’un livre disparu, probablement tombé entre les mains de relieurs à la suite de circonstances historiques tragiques. Après les avoir décrits et identifiés dans cet ouvrage, Judith Kogel a pu reconstituer la collection de livres étudiés et utilisés par les juifs de Colmar et des environs, au Moyen Âge. Bien que l’on ne puisse savoir à qui ils appartenaient et où ils étaient conservés, ces livres recouvrent tous les textes indispensables à la vie juive quotidienne et reflètent une communauté structurée pour la transmission des savoirs. The Colmar Public Library preserves more than 330 Hebrew fragments glued to the bindings of incunabula. Each of them a priori can be considered as a witness to a book that disappeared, probably fallen into the hands of bookbinders as a result of tragic historical circumstances. After describing and identifying them, Judith Kogel was able to partially reconstruct and present in this book, the collection of texts studied and used by Jews in Colmar and the surrounding area in the Middle Ages. Although we cannot know to whom these books belonged and where they were kept, the collection covers all areas essential to Jewish daily life and reflects a structured community committed to the transmission of knowledge.
Les sources du plain-chant et de la musique médiévale
Author: Michel Huglo
Publisher: Taylor & Francis
ISBN: 1000947866
Category : History
Languages : en
Pages : 323
Book Description
The origin and development of Western plainchant, and of the genres of liturgical book in which it is recorded, have occupied Michel Huglo throughout his long career, which has taken him to libraries in every corner of Europe and the United States. This volume, the first in a set of four to appear in the Variorum series, brings together analyses of manuscripts dating from the 9th to the 13th century, including Huglo's pathbreaking studies of the antiphoner of Compiègne, the first troper-prosers, and of alleluia lists as clues to place of origin. The consequences of the Treaty of Verdun (843) for the diffusion of the plainchant repertory, research in medieval musicology in the 20th century, the utility of codicology for musicological manuscript studies, and the critical edition of the Gregorian antiphoner are addressed in other studies included here. Les origines et le développement du plain-chant en Occident et l'étude des genres de livres liturgiques qui le contiennent ont occupé Michel Huglo durant sa longue carrière et l'ont conduit à visiter des bibliothèques partout en Europe et aux Etats-Unis. Ce volume, le premier d'une série de quatre dans la collection Variorum, comprend des analyses de manuscrits du neuvième au treizième siècle, notamment des études novatrices relançant les recherches sur l'antiphonaire de Compiègne, les premiers tropaires-prosaires et les listes d'alleluias comme moyen d'identification des manuscrits de chant. Les conséquences du traité de Verdun (843) pour la diffusion du répertoire de plain-chant, les recherches en musicologie médiévale au XXe siècle, l'application des méthodes de la codicologie à l'étude des manuscrits notés, et l'édition critique de l'Antiphonaire grégorien forment les sujets d'autres études réunies dans ce volume.
Publisher: Taylor & Francis
ISBN: 1000947866
Category : History
Languages : en
Pages : 323
Book Description
The origin and development of Western plainchant, and of the genres of liturgical book in which it is recorded, have occupied Michel Huglo throughout his long career, which has taken him to libraries in every corner of Europe and the United States. This volume, the first in a set of four to appear in the Variorum series, brings together analyses of manuscripts dating from the 9th to the 13th century, including Huglo's pathbreaking studies of the antiphoner of Compiègne, the first troper-prosers, and of alleluia lists as clues to place of origin. The consequences of the Treaty of Verdun (843) for the diffusion of the plainchant repertory, research in medieval musicology in the 20th century, the utility of codicology for musicological manuscript studies, and the critical edition of the Gregorian antiphoner are addressed in other studies included here. Les origines et le développement du plain-chant en Occident et l'étude des genres de livres liturgiques qui le contiennent ont occupé Michel Huglo durant sa longue carrière et l'ont conduit à visiter des bibliothèques partout en Europe et aux Etats-Unis. Ce volume, le premier d'une série de quatre dans la collection Variorum, comprend des analyses de manuscrits du neuvième au treizième siècle, notamment des études novatrices relançant les recherches sur l'antiphonaire de Compiègne, les premiers tropaires-prosaires et les listes d'alleluias comme moyen d'identification des manuscrits de chant. Les conséquences du traité de Verdun (843) pour la diffusion du répertoire de plain-chant, les recherches en musicologie médiévale au XXe siècle, l'application des méthodes de la codicologie à l'étude des manuscrits notés, et l'édition critique de l'Antiphonaire grégorien forment les sujets d'autres études réunies dans ce volume.
Bibliography of Art and Architecture in the Islamic World (2 vols.)
Author: Susan Sinclair
Publisher: BRILL
ISBN: 9047412079
Category : Social Science
Languages : en
Pages : 1508
Book Description
Following the tradition and style of the acclaimed Index Islamicus, the editors have created this new Bibliography of Art and Architecture in the Islamic World. The editors have surveyed and annotated a wide range of books and articles from collected volumes and journals published in all European languages (except Turkish) between 1906 and 2011. This comprehensive bibliography is an indispensable tool for everyone involved in the study of material culture in Muslim societies.
Publisher: BRILL
ISBN: 9047412079
Category : Social Science
Languages : en
Pages : 1508
Book Description
Following the tradition and style of the acclaimed Index Islamicus, the editors have created this new Bibliography of Art and Architecture in the Islamic World. The editors have surveyed and annotated a wide range of books and articles from collected volumes and journals published in all European languages (except Turkish) between 1906 and 2011. This comprehensive bibliography is an indispensable tool for everyone involved in the study of material culture in Muslim societies.
The Archaeology of Medieval Bookbinding
Author: J.A. Szirmai
Publisher: Routledge
ISBN: 1351894730
Category : Literary Criticism
Languages : en
Pages : 685
Book Description
In the past, studies of the history of bookbinding were mainly concerned with the exterior decoration. This book focuses attention primarily on the physical aspects of the binding and its construction principles. It is an expanded version of a series of lectures delivered by the author while Visiting Professor at the University of Amsterdam in 1987, supplemented with the results of ten years of intensive research in major libraries on the Continent, the United Kingdom and the USA. It surveys the evolution of binding structures from the introduction of the codex two thousand years ago to the close of the Middle Ages. Part I reviews the scanty physical evidence from the Mediterranean heritage, the early Coptic, Islamic and Ethiopian binding structures and their interrelation with those of the Byzantine realm. Part II is devoted to a detailed analysis of Western binding techniques, distinguishing the carolingian, romanesque and gothic wooden-board bindings as the main typological entities; their structure and function is compared with those of contemporary limp bindings. The book is illustrated with over 200 drawings and photographs and contains a comprehensive bibliography.
Publisher: Routledge
ISBN: 1351894730
Category : Literary Criticism
Languages : en
Pages : 685
Book Description
In the past, studies of the history of bookbinding were mainly concerned with the exterior decoration. This book focuses attention primarily on the physical aspects of the binding and its construction principles. It is an expanded version of a series of lectures delivered by the author while Visiting Professor at the University of Amsterdam in 1987, supplemented with the results of ten years of intensive research in major libraries on the Continent, the United Kingdom and the USA. It surveys the evolution of binding structures from the introduction of the codex two thousand years ago to the close of the Middle Ages. Part I reviews the scanty physical evidence from the Mediterranean heritage, the early Coptic, Islamic and Ethiopian binding structures and their interrelation with those of the Byzantine realm. Part II is devoted to a detailed analysis of Western binding techniques, distinguishing the carolingian, romanesque and gothic wooden-board bindings as the main typological entities; their structure and function is compared with those of contemporary limp bindings. The book is illustrated with over 200 drawings and photographs and contains a comprehensive bibliography.
Chant grégorien et musique médiévale
Author: Michel Huglo
Publisher: Taylor & Francis
ISBN: 1000948072
Category : Music
Languages : en
Pages : 452
Book Description
This is the third in a set of four collections of articles by Michel Huglo to be published in the Variorum series. It brings together the studies of Gregorian chant and of later monophonic and polyphonic additions to the earlier repertory that occupied Huglo in the second phase of his research. Represented here are articles on the Kyrie, the introit tropes of St-Gall, an elegy for William the Conqueror (d. 1087), the versus by Venantius Fortunatus for the cathedral of Paris, the liturgical dramas of Fleury, early organum, the Mass of Tournai, and, finally, the Requiem by Eustache Du Caurroy. Ce volume des articles de Michel Huglo est le troisième de la série de quatre dans la collection Variorum. Il réunit des études sur le chant grégorien et sur les additions de pièces monodiques ou polyphoniques faites au répertoire primitif, sujets qui ont occupé Michel Huglo dans la seconde phase de sa carrière de chercheur. Dans ce volume, le lecteur trouvera des articles sur le Kyrie, les tropes d'introït de St-Gall, l'élégie pour Guillaume le Conquérant (d. 1087), les versus de Venance Fortunat pour la cathédrale de Paris, les drames liturgiques de Fleury, les débuts de l'organum, la Messe de Tournai, et finalement le Requiem d'Eustache Du Caurroy.
Publisher: Taylor & Francis
ISBN: 1000948072
Category : Music
Languages : en
Pages : 452
Book Description
This is the third in a set of four collections of articles by Michel Huglo to be published in the Variorum series. It brings together the studies of Gregorian chant and of later monophonic and polyphonic additions to the earlier repertory that occupied Huglo in the second phase of his research. Represented here are articles on the Kyrie, the introit tropes of St-Gall, an elegy for William the Conqueror (d. 1087), the versus by Venantius Fortunatus for the cathedral of Paris, the liturgical dramas of Fleury, early organum, the Mass of Tournai, and, finally, the Requiem by Eustache Du Caurroy. Ce volume des articles de Michel Huglo est le troisième de la série de quatre dans la collection Variorum. Il réunit des études sur le chant grégorien et sur les additions de pièces monodiques ou polyphoniques faites au répertoire primitif, sujets qui ont occupé Michel Huglo dans la seconde phase de sa carrière de chercheur. Dans ce volume, le lecteur trouvera des articles sur le Kyrie, les tropes d'introït de St-Gall, l'élégie pour Guillaume le Conquérant (d. 1087), les versus de Venance Fortunat pour la cathédrale de Paris, les drames liturgiques de Fleury, les débuts de l'organum, la Messe de Tournai, et finalement le Requiem d'Eustache Du Caurroy.
The Making of the Bibles MoralisŽes: Volume II: The Book of Ruth
Author:
Publisher: Penn State Press
ISBN: 9780271044385
Category :
Languages : en
Pages : 340
Book Description
Publisher: Penn State Press
ISBN: 9780271044385
Category :
Languages : en
Pages : 340
Book Description
The Making of the Bibles MoralisŽes: Volume I: The Manuscripts
Author:
Publisher: Penn State Press
ISBN: 9780271044088
Category : Art
Languages : en
Pages : 408
Book Description
The Bibles Moralisées are by far the richest and most complex attempt at biblical illustration ever undertaken. Seven of them survive today, made primarily for the kings and queens of France between the early thirteenth and late fifteenth centuries. John Lowden's pioneering two-volume study brings new material to light and offers a wholly new approach to understanding the Bibles, which contain literally thousands of figures. Volume I, based on exhaustive codicological analysis, considers the making and the later history of use of each of the manuscripts. Volume II investigates in detail the treatment of one portion of the Bible, the Book of Ruth, in all the manuscripts. Discussion is supported by many new photographs in color and black and white. Together the two volumes challenge conventional wisdom about both the Bibles Moralisées and the relationship of word and image in medieval culture.
Publisher: Penn State Press
ISBN: 9780271044088
Category : Art
Languages : en
Pages : 408
Book Description
The Bibles Moralisées are by far the richest and most complex attempt at biblical illustration ever undertaken. Seven of them survive today, made primarily for the kings and queens of France between the early thirteenth and late fifteenth centuries. John Lowden's pioneering two-volume study brings new material to light and offers a wholly new approach to understanding the Bibles, which contain literally thousands of figures. Volume I, based on exhaustive codicological analysis, considers the making and the later history of use of each of the manuscripts. Volume II investigates in detail the treatment of one portion of the Bible, the Book of Ruth, in all the manuscripts. Discussion is supported by many new photographs in color and black and white. Together the two volumes challenge conventional wisdom about both the Bibles Moralisées and the relationship of word and image in medieval culture.